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Lot 204

Five vintage dresses comprising a c.1950s ivory taffeta evening dress with bateau fur-trimmed neckline and full panelled skirt, a 1960s full-length sequinned evening gown with spaghetti straps, peplum and full-length straight skirt, a c.1960s white chiffon evening/bridesmaid's dress with double scarf, pink trimmed neckline and pink faux rose, with full A-line skirt, a c.1960s day dress with all-over black and forest green floral decoration, cap sleeves and three large buttons to one side, a full-length grey lurex evening dress and a vintage Chinese silk-effect brocade gown with Chinoiserie decoration throughout of village scenes, peonies and prunus blossom (6).

Lot 256

COBRIDGE; a tall waisted slender vase painted with Art Nouveau flowers in black ground panels, on an ivory body, with impressed factory mark and date letter, with written dedication 'To Julie, best wishes...' to the base, height 31cm, diameter of top 13cm.

Lot 259

GRAINGER, ROYAL CHINA WORKS WORCESTER; a late 19th century hand painted porcelain plaque depicting cows by riverside, in rural village setting, with protruding porcelain veranda pocket with pierced trellis, in a blush ivory finish, unsigned, 18 x 12cm, framed.Condition Report: Unable to check properly due to frame, however, what can be seen appears to be in good condition.

Lot 12

A Corsi Lalli (1849 - 1937) - A late 19th Century gold and seed pearl portrait brooch pendant. The brooch featuring a central panel featuring a copy of a self portrait of French Artist Elisabeth-Louise Vigée LeBrun with a halo of seed pearls set to the mount and bale and detachable brooch clasp to verso. Portrait panel signed A C Lalli. Panel possibly painted on ivory but the panel is inaccessible from the brooch, registration reference no. BWBQNHGX. Measures 3cm diameter. Weight 10.0g. 

Lot 152

Early 19th century mahogany and boxwood strung tea caddy, of sarcophagus form, enclosing three compartments and removable sliding box with fitted interior, on ball feet H18.5 W30 D15 cm, Ivory Registration - XALPYC79

Lot 39

A MIXED GROUP OF 19TH CENTURY AND LATER PORCELAIN ITEMS TO INCLUDE A ROYAL WORCESTER BLUSH IVORY CUP & SAUCER ETC

Lot 106

A PAIR OF VINTAGE CROWN DUCAL BALUSTER VASES IN BLUSH IVORY WITHA BIRD DESIGN HEIGHT 31.5CM

Lot 1163

A COLLECTION OF CAT RELATED CABINET/WALL PLATES TO INCLUDE ROYAL DOULTON LESLEY ANNE IVORY - 11 IN TOTAL

Lot 1164

A QUANTITY OF CERAMIC ITEMS TO INCLUDE LESLEY ANNE IVORY CAT RELATED SPICE JARS, FLORAL JUGS, ETC

Lot 44

French school of the late 18th century."Portrait of a lady as Hebe".Gouache on vellum.It presents faults on the pictorial surface.It has an early 19th century frame with faults.Provenance: private collection conceived since the 70's between London and Madrid.Measurements: 10,5 x 9 cm; 26,5 x 24 cm (frame).Miniature in which a lady is represented carrying a cup, in such a way that she is identified with the goddess Hebe. This type of depiction of ladies adopting attributes of classical divinities became widely popular during the 18th century and later. From the Renaissance onwards, miniature portraits, framed in a circle or oval, were pieces for private contemplation. Considered as jewellery, in the 17th century they became pieces of personal adornment or as gifts, when they were mounted as jewellery. They were executed in a wide variety of techniques, such as oil on copper, pewter or ivory, gouaches on parchment or cardboard and, from the 18th century, watercolour on ivory. This delicate art was gradually lost from the second half of the 19th century onwards, in parallel with the development of photography.The most common type of work of this type in the 19th century were historicist representations, often set in the preceding century. However, the portrait we present here takes up the spirit of the eighteenth-century portrait-jewel and applies it to modern times, capturing the image of a real woman of her time, no longer an ideal recreation of the Romantic type.

Lot 46

Dutch school; circa 1600."Portrait of a gentleman.Oil on copper.It has a 19th century gilt frame.Provenance: private collection conceived since the 70's between London and Madrid.Measurements: 7,3 x 5,8 cm; 9,6 x 6,1 cm (frame).Since the Renaissance, miniature portraits, framed in a circle or oval, were pieces for private contemplation. Considered as jewellery, in the 17th century they became pieces of personal adornment or a gift, being mounted as jewellery. They were executed in a wide variety of techniques, such as oil on copper, pewter or ivory, gouaches on parchment or cardboard and, from the 18th century, watercolour on ivory. This delicate art was lost from the second half of the 19th century onwards, in parallel with the development of photography.Portraiture, whether individual, group or even character portraits, embodies the relationship between the individual and society, and therefore the state. This genre accounts for a full third of the total output of the Dutch Baroque, and its main innovator in Holland was Frans Hals, who, thanks to the power with which he marked the character of his models, penetrating their personality to the point of giving them vitality and spontaneous truth, was able to free himself from the prevailing late mannerism, giving rise to a new conception of the portrait. Faced with the exuberant and elegant Mannerist portraiture, of virtuoso and elaborate execution, a general reaction was triggered at the beginning of the 17th century, based on compositional austerity and operational sobriety. Thus, in contrast to the previous century's desire for virtuosity, Dutch Baroque portraitists revived the earlier models in a more sober and solid manner, focusing on the characterisation of the sitters, the elegance of the poses and the delicate capturing of the qualities of the various objects.

Lot 47

Dutch school; circa 1600."Portrait of a lady.Oil on copper.It has a gilt frame from the 19th century.Provenance: private collection conceived since the 70's between London and Madrid.Measurements: 6,5 x 5,1 cm; 8,6 x 5,4 cm (frame).Portrait of a young woman in miniature, which represents the bust of the protagonist who is in the centre of the composition, turned slightly in three quarters, dressed in black clothes that make the light of her pearly skin stand out even more. From the Renaissance onwards, miniature portraits, framed in a circle or oval, were pieces for private contemplation. Considered as jewellery, in the 17th century they became pieces of personal adornment or a gift, when they were mounted as jewellery. They were executed in a wide variety of techniques, such as oil on copper, pewter or ivory, gouaches on parchment or cardboard and, from the 18th century, watercolour on ivory. This delicate art was lost from the second half of the 19th century onwards, in parallel with the development of photography.Portraiture, whether individual, group or even character portraits, embodies the relationship between the individual and society, and therefore the state. This genre accounts for a full third of the total output of the Dutch Baroque, and its main innovator in Holland was Frans Hals, who, thanks to the power with which he marked the character of his models, penetrating their personality to the point of giving them vitality and spontaneous truth, was able to free himself from the prevailing late mannerism, giving rise to a new conception of the portrait. Faced with the exuberant and elegant Mannerist portraiture, of virtuoso and elaborate execution, a general reaction was triggered at the beginning of the 17th century, based on compositional austerity and operational sobriety. Thus, in contrast to the previous century's desire for virtuosity, Dutch Baroque portraitists revived the earlier models in a more sober and solid manner, focusing on the characterisation of the sitters, the elegance of the poses and the delicate capturing of the qualities of the various objects.

Lot 67

1841 1d RED, plate 23, a block of six with ivory heads

Lot 516

A Victory Models 1:18 Battery Operated Triumph TR2 Sports Car, ivory body, red seats and tonneau cover, 'TR2 90' reg, in original box, F-G, lacks windscreen and one rear light, on/off switch lever broken, slight corrosion to battery contacts, box P-F

Lot 35

Dinky Toys 448 Chevrolet Pick-Up & Trailers, turquoise and ivory body, red interior, red open and box trailers, spun hubs, 796 Healey Sports Boat & Trailer, in original boxes, loose 275 Brinks Armoured Car with two crates, G-VG, 448 open trailer with small section missing, boxes F-G, 448 with inner packing piece and graffiti to lid (3)

Lot 160

*Marianne de Trey [1913-2016] a stoneware bowl with painted stylised flowers on an ivory ground, impressed personal seal on foot, 17cm diameter.

Lot 166

*David James White [1934-2011] four pieces of porcelain, comprising two globular vases with raised necks under lustrous red glazes, a bowl under crazed ivory glaze the interior with lustrous red, together with a footed bowl under lavender tinged glazes, applied pad marks, largest bowl, 26cm diameter.

Lot 172

*Alan Wallwork [1931 - 2019] a stoneware vase of slab built rectangular form with radial shell-like decoration under ivory and blue-green staining, incised 'W' to base, 16.5cm high.

Lot 197

*Peter Wright [1919-2003] Lovers, a pair of interlocking porcelain figures of abstract form under ivory glazes, incised Peter Wright 69.200, 26cm high together with a smaller figure of a horse with grey and white decoration, incised 'PW', 13cm long. *The former with the Peter Dingley Gallery, Stratford-on-Avon

Lot 200

*Mary Rich [b.1940] a porcelain bowl and vase, the former of circular form and with ornate gold decoration on a banded blue green ground, impressed personal seal, 11.5cm diameter, the latter of mallet shaped form with raised flaring neck with similar decoration on an ivory ground, impressed personal seal, 8cm high together with a Chris and Anne Hogg porcelain conical vase with speckled decoration, with metal stand, 11.5cm. [3]

Lot 204

A Danish pottery table lamp, of skittle shaped form painted with three ladies in voluminous dresses and bucket shaped hats, on a crazed ivory and red tinged ground, incised 5699 and printed Denmark, 55cm high overall, [glue repair to neck].

Lot 28

*Bernard Forrester [1908-1990] a white stoneware vase, of globular form with raised neck painted with abstract designs in blue, red, pink, grey and gold on a blush ivory ground, painted mark to base, 25cm high.Provenance: Purchased July 1988 at the Bernard Forrester Retrospective Exhibition, Dartington Hall. The lot is accompanied by the original catalogue where the vase is given the title Peruvian Dream.

Lot 291

A terracotta tea pot and cover, in the manner of David Cleverley of barrel shaped form the handle terminating in a goose head on each side, the flat cover with flower knop incised and decorated with garden flowers on an ivory ground, 17cm high.

Lot 31

Marcel Guillard for Editions Etling Paris, an Art Deco period pottery vase of elongate roseate bud form on an angular craquelure ivory base, impressed marks to base and incised Sevin, circa 1930, 34cm high, [minor chips to base]

Lot 38

*Clive Bowen [b. 1943] a terracotta jar and cover, of squat form under dark brown glazes with ivory brushwork decoration, 13cm high.

Lot 40

*Mike Dodds [b. 1943] a stoneware vase, of compressed oviform with short raised neck under ivory and grey ash glazes with finger trailed decoration, glaze filled personal seal, 22cm high.

Lot 43

*Bernard Leach [1887-1979] a stoneware vase of slender oviform with short flaring neck three quarter glaze in ivory tones and painted with 'leaping carp' decoration between narrow linear bands, impressed peronal and St Ives seals near foot, 42.5cm high, [damage to neck].

Lot 79

*Evan Ivory [British, 1931-2018]Mousehole - Cornwall, 1967signed and dated lower rightmixed media34 x 47.5cm

Lot 87

A stoneware charger by an unknown hand the upper surface with ivory wax resist decoration the reverse under tenmoku, 39cm diameter.

Lot 89

*Bryan Newman [1935-2019] for Aller Pottery, a stoneware shallow bowl the cavetto painted with a seated cat in pale browns and ivory, impressed personal seal to foot, 34cm diameter.

Lot 91

*Francois Dudouit, [Contemporary] a stoneware bowl under sang de boeuf and ivory glazes, painted marks to base, 28cm diameter.

Lot 6590

Cards Inc The Lord of the Rings collectors plates x four, all Near Mint, within Excellent opened packaging. Character Games The Lord of the Rings The Two Towers Antique Ivory and Chinese Lacquer Finish Chess set, within Near Mint sealed packaging. Topps Star Wars Attack of the Clones Trading Card collectors Tins x four, all within Mint sealed packaging. Star Wars Chess set, within Mint sealed packaging. (10)

Lot 176

Reproduction Colt Model 1873 "Peacemaker" single action revolver by Gun Toys SRL Italy for .22 cal blanks. In black painted finish with faux ivory grip complete with gun belt and holster.

Lot 5204

(Bindings), Macaulay: 'Victoria. Her Life and Reign', 1887, large 8vo, fine full crushed brown morocco, both boards elaborately gilt with the royal standard as centre piece, spine with raised bands, gilt in compartments, all edges gilt; together with 'The Form of Daily Prayers ...According to the Custom of the German and Polish Yews (sic)', Vienna, Schlesinger, [nd], c.1900, small 8vo. Parallel Hebrew and English text. Contemporary decorative imitation ivory over boards, the upper board with metal onlays, metal clasp (2)

Lot 482

A Collection of Approximately 40 7" Singles, All Related to Beatles Members, To Include Wings 'Band on The Run', 'Jet', 9x 'Mull of Kintyre', Paul McCartney 'Ebony and Ivory', 'Once Upon a Long Ago...', 'No More Lonely Nights', John Lennon 3x '(Just Like) Starting Over', 'Woman', 'Imagine', 'Give Peace a Chance', George Harrison 'Give Me Love (Give Me Peace On Earth', 'My Sweet Lord', 'Got My Mind Set On You', Ringo Starr 'You're Sixteen', 'Photograph', Etc.

Lot 105

NORTHERN SOUL - 7" PACK. A wonderful pack of 17 northern soul 7" singles, all in lovely VG+ condition. Artists/ titles include Geraldine Jones - Lookin' Thru My Memories (S-101), The Socialites - You're Losing Your Touch (5476, promo. Writing on label), The Formations - At The Top Of The Stairs (1007), Gerald Sims - Cool Breeze (ZTSC 82889), Bunny Sigler - Girl Don't Make Me Wait (P-123), Roscoe Shelton - Running For My Life (45-2587), Shirley & Jessie - Ivory Tower (WND 1116), Kell And Cherry - That's What's Happening (701), Patti Page - You Don't Need A Heart (4-44989), Edward Hamilton - Thank Your Mother (1007), Frankie And The Classicals - I Only Have Eyes For You (C-127, promo), David Ruffin - Mr Bus Driver - Hurry (1010), Lee Rogers - Craked Up Over You (118, promo), Tyrone Ashley - Let Me Be Your Man (342), La Mont Anthony - Just To Be Loved (1001, promo), Jimmy Ricks - Let Me DOwn Easy (1070), The Continental 4 - The Way I Love You (JW-009). Condition is generally VG+.

Lot 172

SOUL/ NORTHERN - 7" COLLECTION. Another fine selection of around 63 northern/ soul 7" singles. Artists/ titles include Ivory Joe Hunter - I'm Hooked, Edwin Hawkins Singers - Lord Don't Move That Mountain, Joe Henderson - After Lovin You, The Intrigues - To Make A World, The Fasinations - Mama Didn't Lie, The Fireballs - Woman Help Me, The Fantasies - Cry Baby, Turley Richards inc Such A Wonderful Feeling (promo), I Need To Fall In Love. Susan Rewis - Anybody's Boy, Johnny Rivers - Baby I Need Your Lovin. Roscoe Robins, LJ Reynolds, Billy Joe Royal, The Royalettes, Mitch Ryder, Lonnie Russ, Sam & Dave, Ray Bryant, Buchanan And Greenfield, Solomon Burke, The Bushmen, Andy Butler, Jerry Butler, Clarence Carter, Carl Carlton, The Cadillacs, Roy C, The Left Banks, Bunny & Cindy, Bad Habits. Condition is generally VG to Ex.

Lot 110

A North West Persian ivory ground prayer rug, 190 x 130cm

Lot 251

WEDDING DRESS, end of season stock clearance (may have slight marks or very minor damage) size 10/12, white, tulle skirt, A line with an ivory satin belt, black and pewter appliques.

Lot 252

WEDDING DRESS, end of season stock clearance (may have slight marks or very minor damage) size 8, ivory off the shoulder.

Lot 255

WEDDING DRESS, end of season stock clearance (may have slight marks or very minor damage) size 8, ivory off the shoulder, pleated bodice, embroidered skirt.

Lot 256

WEDDING DRESS, end of season stock clearance (may have slight marks or very minor damage) size 8, ivory off the shoulder.

Lot 260

WEDDING DRESS, end of season stock clearance (may have slight marks or very minor damage) size 8, pleated bodice and gathered skirt, ivory satin.

Lot 261

WEDDING DRESS, end of season stock clearance (may have slight marks or very minor damage) Trudy Lee, size 10, ivory off the shoulder, full skirt, beaded detail around bust.

Lot 264

WEDDING DRESS, end of season stock clearance (may have slight marks or very minor damage) size 8, off the shoulder, layered full skirt, ivory.

Lot 265

WEDDING DRESS, end of season stock clearance (may have slight marks or very minor damage) size 8, Diane Hanbridge, ivory satin pleated bodice, tulle layered skirt with appliques detail.

Lot 266

WEDDING DRESS, end of season stock clearance (may have slight marks or very minor damage) size 10/12 Sophia Tolli, ivory satin, pleated bodice, off the shoulder.

Lot 268

WEDDING DRESS, end of season stock clearance (may have slight marks or very minor damage) size 8, unusual frilled detail in the back of the skirt and train, diamanté and beaded detail in corset style bodice, off the shoulder, ivory.

Lot 270

WEDDING DRESS, end of season stock clearance (may have slight marks or very minor damage) size 8/10 cap sleeved, tulle skirt, pleated lace bodice, ivory.

Lot 272

WEDDING DRESS, end of season stock clearance (may have slight marks or very minor damage) Sophia Tolli, size 8, ivory pleated bodice, net overlay, ribbon fastening in the back.

Lot 273

WEDDING DRESS, end of season stock clearance (may have slight marks or very minor damage) size 6, ivory pleated lace detail, off the shoulder.

Lot 242

Mid-19th Century English School, a miniature portrait of a lady, watercolour on ivory, 3" x 2.25" (7.5 x 6cm), in a red leather folding case.

Lot 243

19th Century, a miniature portrait of a lady in an elaborate headdress, watercolour in ivory, 4" x 2.75" (10 x 7cm) in a red leather folding case.

Lot 176

1962 Mercedes-Benz 220 SE Transmission: automaticMileage:47030With a production run that started in 1959 and finished in 1968, the Mercedes-Benz W111 series was the top of the range line-up for the German manufacturer. The addition of two-door coupés and cabriolets was made in 1961. These new models were the replacement for the two-door Pontons and factory prototypes show that Mercedes-Benz attempted to give the two-door car a front styling similar to the Pagoda roadster. The rear bodywork persisted and although officially called a fintail the rear end design had no chrome fin highlights. The coupé was premiered in Stuttgart for the 75th anniversary of the Mercedes-Benz Museum.Originally registered in September 1962, this stunning example presents extremely well in metallic light blue coachwork with a contrasting cream leather interior piped in blue which is complemented by blue carpets. We are informed that £40,000 was spent recommissioning the car which is evident when viewing this fabulous example. This superb example of this iconic classic from the German manufacturer, really is in exemplary condition. Its ivory coloured steering wheel and gear knob add to the nostalgic feel, particularly complemented by its fabulous interior, which is extremely comfortable as with all Mercedes-Benz of this era. The car has benefitted from some updating in the form of a period but sympathetic, Bluetooth stereo. We are informed that this Mercedes is a delight to drive. Powered by its smooth six-cylinder engine mated to an automatic gearbox, this elegant classic will turn heads everywhere.

Lot 189

1953 Jowett Jupiter Mk. II Transmission: manualMileage:The Jupiter Mk. II was designed by Jowett in 1952 but never built. In 2008, respected Jowett restorer, Allan Fishburn, created a one-off Mk. II (from the original drawings) based on a 1953 Jowett Jupiter chassis and rebuilt engine, clothed in hand-beaten aluminium panels. Jowett was a small family owned motor company, based in Bradford, England, which was founded in 1906. In the post war period from 1949-1953 the company had tremendous racing success with the Javelin and the Jupiter models, notably winning the 24 hours Le Mans 1500cc class with the Jupiter in 1950, 1951 and Jupiter R1 in 1952. Sadly, in 1953, the company ceased production due to body supply issues as a result of a takeover by Ford Motor Company of its partner/supplier Briggs Motor Bodies Limited.Shipped on 16th 1953 (E2 SC 944R – E3 SC 944R as E2 in the main records, E3 in the warranty records) to Longton Garages Ltd, Stoke-on-Trent, Staffordshire and registered as 2258 E to T.W.T Harrison, Greenacre, Norton-in-Hales, North Shropshire. The original colour was ivory with red upholstery and just 14 miles separated the agent from the customer. In 1961, a bus drove into it, either in Birmingham or Coventry and at some point after this event it came to George Mitchell, Thrums, Cleish, Kinross, Scotland. George Mitchell owned its remains, at least, as far back as 1973. George listed it as an ‘E3’. One early description of it in George’s collection states ‘chassis frame, front suspension, rear section of body only, including boot lid. No rear axle etc.’Then, in 1979 Edmund Nankivell, renowned authority and author of several publications of the Jowett Jupiter, visited C.H.Wood (Bradford) Ltd who had been the Jowett company’s official photographer; they had some of the negatives showing a 1952 photograph of the ‘Plasticine’ model of the proposed Jupiter Mk. II and paper factory drawings of it with various sketches of how the car would look. Jowett’s engineer Phil Stephenson had penned the Mk. II body design which was based on the standard and well proved Von Eberhorst Jupiter chassis with some modification to the very rear section. It was clear that this was intended by Jowett to be the next generation Jupiter, but sadly the limited resources at Jowett were diverted and the Mk. II was shelved.Allan Fishburn, a panel-beater by trade, got interested, having previously done a very good job on several Jupiters. Edmund Nankivell supplied Allan with photos of factory drawings and a plasticine model he had obtained from C.H. Wood and tipped Allan off about this Jupiter chassis available from George Mitchell. Allan bought the bare stripped frame from George Mitchell on 27th June 2008. Chassis condition ‘not bad apart from gearbox cross-member’. Allan Fishburn built it up into his Jupiter Mk. II form from the bare stripped SC 944R frame, using JC Ltd drawings, all bodywork aluminium. By dint of modifying the near-side chassis front upright, he was able to move the engine back two inches – this enabled him to place the water radiator in front of the engine – something Jowett might have done! Water pump is an adapted Volkswagen Golf unit. The car is understood to be fitted with a five-speed Ford gearbox. This Mk. II Jupiter passed its MoT test certificate in early December 2011. In August 2013, Allan decided to give up his business and sell the Jupiter.A new owner, new registration then followed in 2015, who commissioned a full rebuild. The body-off restoration and respray was carried out by T W Brotherton of Blockley. A new wiring loom and instruments were then installed. Its final refurbishment was carried out by Irntam that included new braking and cooling system, running gear and interior. In November 2017, the Mk. II Jupiter, the ‘model that Jowett never built’ was put on display at the NEC Classic Motor Show. In 2019, MB Restorations re-built the engine and all mechanicals were overhauled, including brakes, clutch, ignition system, bespoke radiator and water pump, new custom fuel tank and pump. Finally, in 2020, the interior of the car was fitted out in a beautiful green leather and new Michelin 550HR16s were fitted in June 2020. The car was sold in May 2021 to the current vendor, who has had a lot of fun with it, driving it locally in Kent, participating in local events and it had pride of place as the bride and groom’s wheels from church to reception last summer. There is a full history file, including many photographs, of works and maintenance through to 2022. The car was one of 60 featured in By Jupiter! A magazine of the Jupiter owners club, Edition number 4 2022, 60th anniversary issue.This is a very pretty British sportscar indeed, Jowetts were always different and quirky and this little roadster encompasses everything you might hope to find in a fifties' sportscar. This is a unique opportunity to own and drive the physical incarnation of the dreams and aspirations of those enthusiastic young draughtsmen who toiled away in the Jowett drawing office some seven decades ago and close the final chapter in the story of the Jowett Car Company. The car is featured in the following publications.Jowett Javelin and Jupiter, Geoff McAuley and Edmund Nankievel,2003, p146-147The Jowett Jupiter, Edmund Nankievel, 2016, P139 

Lot 191

1977 TVR 3000M Transmission: manualMileage:38341When they arrived on the scene in the early 1970s, the M-Series cars were a bold step forward for TVR, despite being an evolution of the Vixen and Tuscan models that preceded them. The first M-Car to go on sale was the Triumph powered 2500M in 1972, but it was soon followed by the Ford-engined 1600M and 3000M, the latter of which had the V6 ‘Essex’ engine from the Ford Capri. By then, the car had evolved further and had an all-new multi-tube chassis, despite its traditional looks. Otherwise, it carried on the front mid-engine, rear-wheel drive layout that had been used in its predecessors, and continued the fibreglass body-on-frame construction that made their production so flexible.This wonderful example was subject to a previous restoration and as such,  presents very well indeed. Offered in blue coachwork over an ivory leather and walnut interior, there are just a few minor blemishes to the paintwork and interior. In very good running and driving condition, this TVR sounds fantastic when on song and is reported by the vendor to drive as it should. Offered with a sizeable history file which includes many sundry bills, the most recent of which was for new valve guides fitted in 2019 at a cost of £711, many old MoT test certificates, the current V5C registration document and an original TVR handbook. This is a very nice example and is ready to be enjoyed by its new custodian.

Lot 207

An Antique Turkish rug, the blue field with pole medallion, framed within an ivory border having geometric motif, 150cm x 97cm

Lot 208

A Persian Shiraz rug, hand knotted, the red field with pole medallion flower heads and birds, within an ivory border and guard stripes, 180cm x 260cm

Lot 210

A Fine Persian hand knotted rug, the ivory ground decorated with triple medallion, stylised animal and floral motifs, having multiple guard stripes to border, 138cm x 215cm

Lot 211

A Persian Tabriz carpet, hand knotted, the ivory field decorated with repeating flower heads and urns, double guarded border 225cm x 136cm

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