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A group of mourning jewellery, comprising; an 18th century rose gold navette shaped ring with a hair glazed panel with initial 'H', inscribed verso 'Joseph Cowper ob 2 Sep 1787 at 57', an oblong panel enclosing a sepia painted ivory miniature depicting a widow standing beside a funery urn on a plinth with initials 'JA' and inscribed verso 'Mr John Avenell Obt Jany 1 1793 at 55' (formerly a ring), and two Victorian gold and black enamel mourning rings, one with a cartouche-shaped head with a central hair-glazed panel between scroll shoulders and chased shank 'In Memory Of', and a diamond five stone gypsy ring, the shank inscribed 'In memory Of' and stamped '18ct'
English School (circa 1820), Portrait of a lady, seated half-length, wearing a black dress, believed to be Miss Bessie Ireland, watercolour on ivory, oval 6.5 x 5 cm, inscribed in pencil verso Bessie Ireland, and with a paper note enclosed believed to be a sister of George and aunt of Edwin Ireland, in an ebonised and gilt metal mounted frame
Attributed to Henry de Janvry (fl. 1793-1800), circa 1795, Portrait of a gentleman, bust length in profile, watercolour on ivory, circular 7cm diameter, in an ebonised frame and American School (early 19th century), Portrait of a gentleman, seated half length, wearing a black coat and a patterned waistcoat, watercolour on card laid onto board, 15.5 x 11.5 cm unframed
English School (19th century), Portrait of a lady, half length, wearing a white bonnet and a black coat, thought to be Clara Humphrys, watercolour on ivory, circular 4 cm diameter, in a gold frame with pearl border and suspension loop, with lock of hair verso, inscribed Clara Humphrys and Letitia Humphrys obit 26 Novr, 1839, in a tooled leather case
Jean Lament, circa 1810, Portrait of an officer, bust length, watercolour on ivory, signed with monogram J L lower right, oval 5.5 x 4.5 cm, in a gold mount with a lock of hair verso in the form of a sheath of corn and inscribed 'Getrouw tot in de dood', loosly translated as 'Faithful to the dead' or perhaps 'True to the End'
English School (19th century), Portrait of a young woman, bust length, in deshabille, watercolour on ivory, oval 5 x 3.5 cm, in a gold navette-shaped mount with plaited hair verso and English School circa 1770, Portrait of a young woman, bust length, dressed in white, believed to be Ann Cassin, watercolour on ivory, oval 3.5 x 3 cm, in a gilt metal mount inscribed verso Ann Cassin, Ob. 17 Octr. 1821 aged 43,
English School circa 1790, Portrait of a gentleman, bust length, wearing a black coat and a white cravat, thought to be Reverend Edward Dy. Jackson, watercolour on ivory, oval 8 x 6.5 cm, in a gold mount with inscription Mary Cayme Jackson, died 13 April 1803, aged 13 months, Rev'd Ed. Dy. Jackson died 3 October 1803 aged 34 years
English School circa 1815, Portrait of the Duke of Wellington, half length, watercolour on ivory, inscribed Wellington along left edge, inscribed Wellington and signed with monogram C B verso, oval 8 x 6.5 cm in a gilt metal mount, and French School, 19th century Portrait of a young lady, bust length, in 18th century dress circa 1760, watercolour on ivory, bears indistinct inscription verso Collection de ** Satarini, 1723, oval 5 x 4 cm, in a gilt metal frame
R** Teigr(?), Portrait of a lady, half length, wearing a low cut white dress, watercolour on ivorine, signed indistinctly lower right, oval 8.5 x 6.5 cm, After Romney, Portrait of a lady, half length, wearing a burnt umber dress and holding a dog, watercolour on ivorine, bears incorrect signature Romney lower right, oval 8.5 x 6.5 cm, After Gerard, Portrait of Josephine, half length, wearing a white dress; Portrait of Napoleon, half length, wearing uniform, each watercolour on ivorine, each bears incorrect signature Gerard, the first lower right, the second lower left, each oval 8.5 x 6.5 cm, After Thiroius, Portrait of Nelson, half length, wearing uniform, watercolour on ivorine, bears signature centre right, oval 8 x 6.5 cm Klrin, Portrait of a lady, bust length, wearing a low cut dress, watercolour on ivorine, signed lower right, oval 8.5 x 6.5 cm each in an ivory 'piano key' frame, two inlaid with faux tortoishell
J** Gunter, Portrait of a lady, bust length, wearing a lace-trimmed dress and a Royal Garter, believed to be Empress Elizabeth of Russia, watercolour on ivory, signed mid-right, oval 7 x 6 cm, bears inscription on back board verso, Curfurstin Maria Antonia, in a pressed gilt metal frame, and After Gainsborough, Portrait of a lady, half length, wearing a pink dress, thought to be the Countess of Galsberg, watercolour on ivory, 5.5 x 4.5 cm, unframed, bears pencil inscription with sitter's name verso
A collection of small silver, comprising; an embossed silver mounted rectangular bridge marker with sliding covers, a painted ivory panel and easel back, Chester 1908, 8.5cm long (3.25 in), a pocket diary with silver cover embossed with a horse and carriage, London 1904 by William Comyns, a silver and mother of pearl rattle, Birmingham 1910, a shell bowl caddy spoon, 1933, a four division toast rack, 1967 by Deakin and Francis, a damaged bell, and a George III horn handled toddy ladle the bowl with inset coin
A Victorian presentation trowel with a carved ivory handle, the blade with a leaf chased mount and engraved with flowers and leaf scrolls on a matt ground and a cartouche inscribed 'Presented to the Countess Beauchamp on the occasion of her laying the foundation stone of the Beauchamp Almhouses and Parish Church of Newland, Worcestershire, by Oliver Estcourt, The Contractor for the Works, October 22nd 1862', Sheffield 1861 the makers mark 'D*S' not traced, 36cm long (14 in)
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239691 item(s)/page