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Lot 159
RUSKIN POTTERY GROUP OF WARES, CIRCA 1920`S/1930`S including: a flambé vase, with mottled grey glaze, of flattened onion form with flared neck, impressed with factory mark and date, `Ruskin/England/1927`, 12cm high; a cylindrical vase with flared neck, pink pearl glaze, impressed with factory mark and date, `Ruskin/ England/ 1922`, 10cm high; a blue and beige crystalline glaze ginger jar (lid lacking), impressed with factory mark, `Ruskin/ England` 8.5cm high; a blue and beige crystalline vase of ovoid form with flared neck, impressed with factory mark and date, `Ruskin/England/1931`, 18cm high; a periwinkle blue pearl glaze bowl, impressed `England/1923` and handpainted mark `K26`, 15.3cm wide; a mottled grey bowl, impressed with factory mark and date `Ruskin/ England/ 1927` 18cm wide; a mottled grey and ivory vase of cylindrical form, impressed with factory mark and date `Ruskin/ England/ 1922` 17cm high; and an apple green vase of shouldered slim tapered form, impressed with factory mark and date `Ruskin/England/1923` 20cm high (8)
Lot 210
EDITH DAWSON (ATTRIB.) ARTS & CRAFTS SILVER AND ENAMEL MANTEL CLOCK, CIRCA 1900 decorated in the Moorish style, the square dial with turquoise enamel hands and spandrels within a rectangular case, the rear door with enamelled panel depicting a goosegirl and geese in a landscape, the angles embellished by turned ivory columns, the whole with dome surmount enamelled with opposed peacock design and raised on ivory bracket feet, apparently unmarked 20cm high
Lot 47
A George IV silver gilt and ivory ink stand by John Bridge, London 1829, with a flambeau taper holder as the finial to the flat cover, enclosing a removable cut glass inkwell, the ivory deeply carved with nude women and dolphins, the circular twin handled base with an engraved convolvulus band, 13cm (5in) high, 23.5cm (9.25in) wide. Provenance: Hardy family of Chilham Castle, Kent and thence by descent. The use of a possibly antique ivory section looks back to German plate of the 17th century and is typical of the early 19th century historicism promoted by the Prince Regent, later King George IV.
Lot 74
An Austro-Hungarian silver spherical three piece tea service, maker’s mark ‘EW’ (not traced), .800 standard for 1867-1872, the tea pot and sugar basin with ivory ovoid finials, the tea pot and cream jug with ivory loop handles, engraved with strapwork shoulders, on short scroll feet, the tea pot 21.5cm (8in) long, 964g (31 oz) gross
Lot 135
Henry Bone, RA (1755-1834) Portrait of an elderly gentleman in blue, half length, on ivory, Signed lower right, Inscribed verso ‘H Bone Little Russell Street Bloomsbury’, 7.3cm x 6cm, oval, In a plain gold frame, 21g. Bone is recorded in the Royal Academy list of contributors and their works as exhibiting from 1791-93 from an address in Little Russell Street.
Lot 138
A miniature ivory and gilt metal cercles tournants urn clock, 1920s, with a high quality Swiss three-quarter plate lever watch movement, screw set arbor bush, screw set jewels to third and fourth wheels, bimetallic split balance, overcoil balance sping, click tooth escape wheel, engraved plates and engraved balance cock, winding by a key at the side of the base of the plinth, with an annular Roman numeral chapter ring and an independent Arabic numeral five minutes ring, the base case with an aperture screwed by two pins for access to the winding mechanism and to insert and remove the movement, the urn with a beaded girdle to the ball finial, a scroll foliate engraved band, the integral plinth of plain ivory, 12cm (4 5/8in) high, in a leather covered case with a key. The inside of the base plate scratch inscribed ‘J. Kaltenbach Maker Stoke Newington London N-16 April 1921’
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