An embroidered silk picture of a bird on a branch, a snail at the base of the tree, worked in coloured silk in various stitches on an ivory silk ground, 25 x 19cm Provenance: According to a handwritten label on the backboard, worked by Margaret Woods (1746-1824), daughter of Samuel Hoare of London and Paradise Road Stoke Newington, and Grizell, his wife, daughter of Johnathon Gurnell. Margaret Woods married, on 22 March 1769, Joseph Woods (1738-1812), Quaker, merchant and a "gentleman of literary tastes". He was a prominent member of The Anti-Slavery Society Glass cracked upper left corner; faded silk ground, thin and frayed in places with dust and other stains
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An embroidered silk picture of a caterpillar, butterfly and sprigs, late 18th or early 19th c, worked in coloured silks in various stitches on an ivory silk ground, 25 x 18.5cm and a contemporary watercolour of a sprig of arbutus (2) Provenance: According to an old inscription on the backboard, worked by Mary Woods, nee Hoare, (1746-1824), daughter of Samuel Hoare of London and Paradise Road Stoke Newington, and Grizell, his wife, daughter of Johnathon Gurnell. Margaret Woods married on 22 March 1769, Joseph Woods (1738-1812), Quaker, merchant and a "gentleman of literary tastes". He was a prominent member of The Anti-Slavery Society An old inscription on the backboard of the watercolour, painted by Margaret Woods (1778-1868) between 1802 and 1805. She was the youngest daughter of Joseph Woods and Margaret Woods (the embroideress) Silk picture - faded, silk ground creased in places, separating ear top and dust stained. Watercolour - exposure stained light brown; faded
Lucille Sévin (French, fl.1920-1940),'Isadora', an opalescent glass figure of a nude wearing a cloak, moulded 'Etling France 50', raised on a chrome metal plinth, 22cm highIn collaboration with Edmund Etling, Sévin produced several works in bronze, glass and ivory. This is believed to represent the American dancer Isadora Duncan. Sévin exhibited in Paris at the Salon des Artistes Français, winning a bronze medal in 1932, a silver medal in 1937, and a gold medal at the Exposition Universelle in Paris.Condition ReportSome spotting to the underside of the plinth.Plinth has small knock and the plinth slightly out of shape.Some minor spots to areas of the glass - shown in further photos added to the website.
*Pierre Le Faguays (French, 1892-1962),a pair of gilt-bronze figures of dancers, wearing short dresses, one holding ivory cymbals, the other an ivory tambourine, each raised on a stepped marble plinth,39 and 40cm high (2)IMPORTANT NOTEThis item has been registered as exempt from the UK Ivory Act 2018, on account of it being made before 3 March 1947 with less than 10% ivory by volume. Ivory declaration submission reference: KRR53DYF.Please be advised that several countries, including those in the EU and the USA, prohibit the importation of ivory items in most cases. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This lot is subject to CITES regulations when exporting outside the UK. Potential purchasers should be aware that, under UK guidance, it is possible that you may not be able to obtain a CITES export permit for this lot.Condition ReportOne loose on base - not attached. Chips to the plinths. Some rubbing and wear to the gilt details.
A Royal Worcester large ivory ground ewer, c.1896, with scrolling handle and hand painted flower decoration, model number 1309 and with registration mark beneath, 40cm high; together with a Royal Worcester porcelain ivory ground vase, c.1910, of Classical form, 31cm highThe ewer with minor wear to the gilding and some marks around the body, otherwise good condtition; the vase with minor wear, broken and repaired where the base meets the body of the vase.
A collection of Royal Worcester porcelain consisting of various items in blush ivory including a pierced potpourri vase in the form of a font; and a cup and saucer; a small ovoid vase decorated with a bird perched on a gilt branch; and a pair of vases with waisted sides and looping handles (9)The pair of spherical vases with looping handles to the top with some wear to the gilding, otherwise good condition; the potpourri vase in good condition but some minor wear to the gilding; the cup and saucer in good condition; the small ovoid vase painted with a bird with some minor wear to the gilding; the pair of vases, one with a small chip and associated radiating hairline cracks to the body; the small jug with some wear to the gilding otherwise in good condition; the small ovoid leaf moulded vase with some wear to the glazed surface and wear to the gilding.
A George II chinoiserie black lacquered dressing table mirror the fall front over a drawer, both with fitted interiors, and with turned ivory knobs to the lopers decorated all over with rural village scenes, people, birds and insects, 48cm wide x 29cm deep x 101cm highMirror plate possibly replaced, some slight wear and surface damage to the chinoiserie decoration in places and small chips to the paintwork but generally in good conditionThis sale is registered with the Government due to the ivory knobs. Please be aware of the antique ivory in this lot in relation to export restrictions etc.
A GROUP OF ROYAL DOULTON CERAMICS AND A ROYAL CROWN DERBY PLATE, comprising a Doulton Lambeth pedestal vase with incised green and brown foliate decoration, fixed to a brass base marked J Hinks & Son Ltd, vase has incised letter Bs, impressed factory mark and date of 1883, height 32cm (chip underneath rim), together with a blush ivory jug with printed and impressed Doulton Burslem marks (chipped rim), a Matsumi pattern jug (crack to base), a Royal Doulton Blue Children jug, Merryweather D4650, Willow & Aster, and E5072 plates, and a Royal Crown Derby Imari 2451 plate diameter 21cm (8) (Condition report: generally ok and as stated, some crazing and discolouration)
A BOXED MOORCROFT POTTERY VASE OF OVOID FORM DECORATED IN THE JACOBS LADDER PATTERN, ivory ground, impressed, painted and printed marks including a printed compass, dated 2004, height 9.3cm, together with three Moorcroft books, comprising 'The Phoenix Years', 'The Winds of Change' and 'Moorcroft' by Paul Atterbury, together with a 2011 Circles of Life brochure (5 + box) (Condition report: in good condition)
A matched harlequin 19th and 20th century fluted silver four piece tea set, teapot The Barnards, London, 1838, sugar bowl Edward & John Barnard, London, 1857, cream jug marks rubbed, and coffee pot William Hutton & Sons, Sheffield, 1935, together with a late Victorian silver sugar bowl, London, 1893, gross 78oz.Coffee pot ivory declaration - C6CMZYUGTeapot ivory declaration - BQCKCBFM
A Sheraton Revival mahogany and inlaid cabinet, of narrow proportions, the upper section with astragal glazed door, the base having drawer over cupboard door, w.54cm, h.185cm, d.54cmPlease note that this piece has an ivory escutcheon, therefore we have registered this (submission reference X6Y8EUJL ) as the piece meets the exemptions of being pre-1947, less than 10% ivory, and cannot be removed without causing damage to the piece.
A pair of circa 1900 mahogany and ivory inlaid high backed elbow chairs with shaped pierced splat backs, raised on cabriole supports, width 59cmPlease note that this item has an ivory inlays, therefore we have registered this (submission reference CBZKA1U8) as the piece meets the exemptions of being pre-1947, less than 10% ivory, and cannot be removed without causing damage to the piece.
Große Deckelvase der bayrischen Manufaktur "THOMAS" aus der "Ivory"-Serie, elfenbeinfarbiges Porzellan mit polychrom staffiertem, asiatisch anmutendem Dekor, bodenseitiger Stempel: "MOUSON - 150 JAHRE FEINE SEIFEN UND PARFÜMERIEN, 1798 - 1948". Sehr schöner Erhalt, lediglich der Deckelrand mit kleinem Chip. Höhe ca. 46 cm, Durchmesser ca. 23 cm.
Early 20th century 5'9" boudoir grand piano manufactured by Ferdinand Thürmer in Meißen-Zscheila, Meissen Germany, c1910, with a burr walnut veneered case with period taper turned legs, conforming Lyre with sustain and una corda pedals and open fretwork music desk, with a cast iron frame, original stringing, hammer action, dampers and felts, 7-1/4 octaves with 88 original ebony and ivory covered keys. Established in 1834 the company is still manufacturing upright and grand pianos in Bochum, Germany.
A VICTORIAN SILVER GOBLET, by Alfred Ivory, London 1868, chased with a band of oak leaves, the interior gilded. 16.5cm high, 7.5 troy ouncesGoblet – overall in good condition, there are a few surface scratches and surface dirt to the cup, there is a join to the underside of the foot possibly made at time of manufacture, silver marks clear
X A FINE EARLY VICTORIAN SILVER FOUR-PIECE TEA AND COFFEE SERVICE, by Paul Storr, London 1838, comprising teapot, coffee pot, cream jug and two-handled sugar bowl, of shaped octagonal form, flat chased with anthemions, acanthus leaves and scrolls, the teapot and coffee pot with applied thistle-form finials and leaf-form thumbpieces. (4) Coffee pot 22cm high, 75.7 troy ounces grossWith non-transferable standard ivory exemption declaration number HDBCDCXWQty: 4
X A VICTORIAN SILVER CLARET JUG, by Richard Martin & Ebenezer Hall, London 1876, ovoid form, with hinged domed cover, the double scroll handle with two ivory insulators, engraved decoration and beaded borders. 31.5cm high, 22.7 troy ouncesView 360 degree spinWith non-transferable standard ivory exemption declaration number K8J17Z7U
X A VICTORIAN SILVER TEAPOT, by Henry Holland, London 1875, shaped oval with flush hinged cover and fruitwood handle, encircling bands of engraving to the top and bottom of the sides, a similar band to the edge of the oval cover, with ivory knop. 22.7cm spout to handle, 10.9 troy ounces grossWith non-transferable standard ivory exemption declaration number Z17TRQ6X
A FRENCH MAHOGANY CASED BAROGRAPH, brass-mounted with silvered bellow ivory and centigrade thermometer, stamped 'RF Paris' with serial number 36848, with key, the case with silvered plaque reading 'Enregistreur...Jules Richard, 25 Rue Melingue, Paris, length 29cm **N.B This lot contains an element of ivory which constitutes less than 10% of the total volume. A licence has been obtained to be able to sell this under the new guidelines. Ivory Registration Reference BD48D516.
A MOORISH STYLE WALNUT AND MAHOGANY CUPBOARD, the top section with single deep drawer, with turned pillars and inlaid scrolling vines and leaves, dated 1928, the base with cupboards opening to reveal three satinwood drawers, height 125cm, width 117cm, depth 63cm. *This lot has an Ivory Registration Reference of SBGSQS5W.
AN ANGLO CHINESE AMBOYNA EXPORT DESK, the rounded rectangular top above a long frieze drawer and an arrangement of seven further drawers centred around a kneehole cupboard, the drawers with flush fitting campaign style handles, on six turned squat supports, height 81cm, width 121cm, depth 59cm*This lot has an Ivory Registration Reference of R4MKELFD
A CAUCASIAN RUG, c.1900, the indigo field with three brick red octagons enclosed by ivory borders of hooked and cruciform motifs flanked by meandering vine guard stripes, 215 x 135cm; together with a smaller Kashgai rug, the terracotta field centred by a stepped medallion and framed by spandrels and narrow borders, 145cm x 125cm (2)
X A CHINESE EXPORT SILVER THREE-PIECE TEA SERVICE, by Yu De Chang, late 19th Century, comprising teapot, cream jug and two-handled covered sugar bowl, inspired by Yixing stoneware, naturalistically formed and chased with prunus trees, signed, the teapot with two ivory insulators to the handle. Teapot 22.5cm long, 31.8 troy ouncesWith non-transferable standard ivory exemption declaration number 5ZVJ3811Qty: 3
X A VICTORIAN SCOTTISH SILVER THREE-PIECE TEA SERVICE, by John Muirhead & Son, Glasgow 1871, comprising teapot, cream jug and two-handled sugar bowl, with beaded rims and engraved decoration, teapot with ivory insulators. (3) Teapot 20cm long, 22.3 troy ounces grossWith non-transferable standard ivory exemption declaration number PH7KMSCM Qty: 3
Colonial School. Mexico. 18th century. "Saint Thomas of Avila" Oil on copper. 23 x 17 cm. On the back is the handwritten inscription "Chauz", which indicates the town in which the work was carried out with almost total certainty. This is a very delicate composition, made by a great artist, the chasuble is a painting in itself, and the saint’s gaze, full of devotion as he prostrates himself before the crucifix which in this case is made of ivory, is also something very special. On the left side it bears the following handwritten inscription related to the saint: "F. Thomas. Avilla Nova.Archiepisco. Pus. Valentinus.Ordinis.S.Agustini. Obiit. Anno. 1555"
Early 20th century gold demantoid garnet and split pearl circular pendant, with portrait miniature of a Pomeranian to both sidesCondition Report:Approx 10.5gm, gold tested between 14-15ct, overall good condition, well presented, stones secure, portraits good, diameter 32mm, Ivory exemption submission reference: B2T3Z8Z6
λ A PAIR OF SILVER GILT AND ENAMEL GOBLETSGERALD BENNEY, MASTER ENAMELLER'S MARK FOR ROBERT VIDAL WINTER, LONDON 1971 With green and red translucent enamel over a bark effect textured ground, ivory coloured stems and on circular feet13.5cm (5 1/4in) high769g (24.7 oz) grossLiterature: Andrew J. and Styles D. 'Designer British Silver from Studios Established 1930 -1985', Antique Collector's Club 2015, p 104 for an identical green and ivory enamelled goblet dated 1970. The authors note that this 1979 goblet was an early example of Benney's enamel work, and would have been extremely difficult to execute as the surface is both large and curved. Gerald Benney commented himself during their early enamel experiments that 'For two years great crates full of rubbish. The least speck of dust, or a tiny air bubble, can ruin enamel'. Condition Report: Marks are well struckStand wellEnamel goodLight scratches and wear commensurate with age and useCondition Report Disclaimer
Y A CASED VICTORIAN SILVER FOUR PIECE BALUSTER TEA AND COFFEE SERVICEJOHN SAMUEL HUNT, LONDON 1851The tea and coffee pots with pierced and chased foliate domed finials to the domed covers, the scroll handles with ivory warming bands, chased overall with strapwork and floral sprays, on circular pedestal feetThe tea pot 23cm (9in) high, the coffee pot 29cm (11 1/2in) high2633g (84.65 oz) grossPlease note Dreweatts have applied for a de minimis exemption licence for the ivory in this lotRef: KJP5CP14 Condition Report: Tea pot - Marks are clear, splits to the ivory, play to the hinge, cover sits well, stands well, play to the finial and handleCoffee pot - Marks are clear, spits to the ivory, slight play to the hinge, cover sits well, handle tight, stands well, finial slightly pushed into the coverSugar bowl - Marks are clear, stands wellCream jug - Marks are partially obscured, stands wellAll with light scratches and wear commensurate with age and use Condition Report Disclaimer
Y A GEORGE IV SILVER FOUR PIECE BALUSTER TEA AND COFFEE SETJOSEPH ANGELL I, LONDON 1824The tea and coffee pots with seated figure finials to the domed covers, leaf capped double scroll handles with ivory warming bands, chased with C-scrolls, floral sprays and putti overall, vacant reserves and on conforming shaped circular pedestal feetThe tea pot 28cm (11in) long, the coffee pot 27cm (10 1/2in) high3155g (101.4 oz) gross Please note Dreweatts have applied for a de minimis exemption licence for the ivory in this lotRef: 1JRNWH6S Condition Report: Tea pot - Marks are clear, play to the hinge, cover sits well, handle tight, splits to the ivory bands, no engraving, stands wellCoffee pot - Marks are clear, play to the hinge, cover sits well, handle tight, splits to the ivory bands, no engraving, stands wellSugar bowl - Marks are clear, no engraving, wobblesCream jug - Marks are clear, no engraving, stands wellAll with light scratches and wear commensurate with age and useCondition Report Disclaimer
Y A CASED SILVER FIVE PIECE CIRCULAR FLUTED TEA AND COFFEE SET ROBERT EDGAR STONE, LONDON 1947The tea, coffee and hot water pots with ivory finials and angular handles, on shaped circular feetThe tea pot 24cm (9 1/2in) long, the hot water pot 17cm (6 3/4in) high2554g (82.15 oz) grossAccompanied by an Article 10 exemption certificate, No. 613667/01, dated 24th March 2022. Condition Report: Tea pot - marks are well struck, hinge is tight, cover sits well, play to the handle, splits to the ivory, stands well, no engravingCoffee pot - marks are well struck, hinge is tight, cover sits well, play to the handle, splits to the ivory, stands well, no engravingHot water pot - marks are well struck, slight play to the hinge, cover sits well, handle is tight, splits to the ivory, stands well, no engravingSugar bowl - marks are well struck, stands well, no engravingCream jug - Marks are well struck, slightly wobbles, no engravingAll with light scratches and wear commensurate with age and useScuffs to the cover of the leather casePLEASE NOTE: The exemption certificate only applied to this sale. If this item is subsequently resold, the seller will need to apply to obtain a new license. Condition Report Disclaimer
Moorcroft Dark Blue Vase, Moorcroft 'Tribute to William Morris' pattern vase, painted by Rachel Bishop, dated 2004. Of short ovoid form, the body decorated with lilies and sinuous foliage, painted in blue and ivory and reserved against a rich blue ground; 4" high, impressed mark, date code for 2004, artist's monogram. With original box.
Moorcroft Dark Blue Bud Vase, Moorcroft 'Tribute to William Morris' pattern vase, painted by Rachel Bishop, dated 2004. The body is decorated with lilies and sinuous foliage, painted in blue and ivory and reserved against a rich blue ground; 6" high, impressed mark, date code for 2004, artist's monogram. With original box.
Moorcroft Dark Pin Dish, Moorcroft 'Tribute to William Morris' pattern dish, painted by Rachel Bishop, dated 2004. The body decorated with lilies and sinuous foliage, painted in blue and ivory and reserved against a rich blue ground; 4.5" diameter, impressed mark, date code for 2004, artist's monogram. With original box.
An Afghan bokhara style rug, late 20th century, the claret field with overall guls, within an ivory border, 208cm x 128cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Sarough rug, Central Persia, 20th century, the ivory field with a shaped medallion and overall flowering tendrils, within a red palmette and leaf border, 285cm x 135cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An Afghan runner, late 20th century, the shaded terracotta field with overall palmettes and angular leaves, within an ivory trailing vine border, 320cm x 82cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Regency tortoiseshell tea caddy of curved sarcophagus form, with ivory stringing and mother-of-pearl foliate inlay above a reeded panel, on brass spherical feet, height 15cm, width 18cm, depth 11cm (some faults). Note: a non-transferrable ivory exemption certificate has been granted for the sale of this item.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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239691 item(s)/page