We found 239713 price guide item(s) matching your search
There are 239713 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
239713 item(s)/page
Lot 110
A George III heavy quality silver teapot of compressed melon form with cast shell and anthemion waist-band and ivory-insulated handle, Nicholson & Holt (probably) Sheffield 1816, to/w the matching milk jug with gilt lining 28.4 oz gross Condition Report Marks polished out; spout of tea pot foreshortened
Lot 104
A fine couture bridal gown and train, probably Madame Handley-Seymour (court dressmaker), 1937, un-labelled, of bias cut oyster slipper-satin, with overdress of embroidered ivory lace further adorned with silver bugle beads and 'seed pearls', the draped sleeves open at the shoulders, with matching belt and similarly adorned 308cm, 10ft 3in train, bust approx 86cm, 34in; together with copies of newspaper clippings recording the event (qty)Provenance: worn by Miss Gundred Cunliffe (niece of Sir John Aird, equerry to the Duke of Windsor, who walker her down the aisle), 24th July 1937 upon her marriage to Mr Mervyn Charles Fraser. They spent their honeymoon motoring on the Continent. CONDITION REPORT: Good condition. Dress has been taken in down both side seams. Train is good condition, no problems.
Lot 108
A Callot Soeurs couture blonde and black lace evening gown, early 1930s, with ivory ribbon 'Nouvelle Marque, Paris' label, the integral black satin bias cut underslip overlaid with spiralling tiers of black tulle inset with blonde bobbin lace, large velvet corsage to waist, bust 81cm, 32in CONDITION REPORT: Generally good condition, a few small holes to the tulle on the right shoulder strap, a few small scattered repairs and the occasional small hole to the black tulle ground generally - but nothing immediately noticeable or serious. A large panel of matching black tulle has been inserted at the left hip (front and back) which is not immediately noticeable. It is extremely well done - just a shade or two darker than the rest of the dress. The lower hem flounce would have had an additional finer black tulle lining which is largely missing. However, this does not affect the overall aesthetic of the dress. 13cm horizontal repair in tulle at left underarm/breast area. One strap, underarms, and left closure panel have been backed in finer tulle to strengthen, I think this is original
Lot 111
A Madame Grès ivory silk jersey dinner dress, late 1940s, unlabelled but with numbered tape '2405 871', the bodice with complex vertical and horizontal folds to frame the chest, the skirt falling in two vertical pleated panels below, bust 92cm, 36in, waist 71cm, 28in CONDITION REPORT: Poor condition, numerous moth holes mainly concentrated down the left side on the shoulder and sleeve, bodice and skirt. Very soiled appearance, in need of cleaning
Lot 119
A Christian Dior London ivory faille ball gown, late 1950s, labelled and numbered 12943, size 12, with bow to cross-over bodice panels, full skirt, integral tulle corset and layered petticoats, bust 86-92cm, 34-36in CONDITION REPORT: 2 faint brown droplet stains and 3 larger stains in lower part of skirt front but these are faint and very hard to see and photograph. Interior is clean and good.
Lot 122
A Balenciaga couture cream wool day suit, circa 1954, Paris labelled and numbered 51400, of ivory wool, the loose jacket cleverly constructed, the sleeves and yokes cut in one, with below knee gathered skirt, with pocket hidden within the folds and leather tie belt, the waist 66cm, 26in (3) CONDITION REPORT: Small spot stain on lapel (barely noticeable). Lining is worn at underarms and there are stains on the skirt lining. Hem may have been lowered as silk slip is much shorter but nicely done. Slip/lining is worn at base of zip closure and a side seam needs re-stitching. Exterior is generally good. Belt has no maker's marks.
Lot 134
A Maggy Rouff ivory satin dance/bridal gown, mid 1950s, labelled, of rayon satin, adorned with soutache braid and rhinestones, bust 86cm, 34in, waist 71cm, 28in CONDITION REPORT: First impression is good - braid and rhinestones good and fresh with occasional losses but none obvious. Scattering of light brown stains down left side of skirt, the largest 10x3cm at hem. These are largely hidden by folds of the skirt. Faint perspiration stain at right underarm edge, not immediately obvious. Interior is fresh and good.
Lot 139
A fine Mila Schön couture silver beaded and white tulle evening dress, circa 1966, labelled, of white tulle over ivory silk, covered with shimmering Swarovski crystal and bugle beaded snowflake-like roundels, bust 81-86cm, 32-34inMila Schön gained international recognition when two of her white and silver dresses were worn at Truman Capote's Black and White Ball in November, 1966, by Marella Agnelli and Lee Radziwell, who were voted first and third best-dressed women respectively. CONDITION REPORT: Good condition, the tulle is slightly snagged in places, minor losses of beadwork which are not immediately noticeable. Very faint perspiration marks at underarm edges. 2 small brown stains to front left midriff and lower left skirt area.
Lot 154
A Balenciaga couture evening gown, Summer 1961, Paris labelled and numbered 77099, the silk gauze with large-scale floral print in shades of pink on white, the strapless dress with integral grosgrain corset, with low cowl-like draped band to back and two floating trained panels with bows to each side, bust 92-97cm, 36-38in CONDITION REPORT: Overall good condition, looks little worn. Faint perspiration stain at right underarm and at right underarm slight fraying in gauze here also. Small hole in gauze where a corset strut has poked upwards. Overall impression is fresh and good with strong, vibrant colours. Small brown mark on hem of left train. Interior is fresh and good, nice clean corset. Small spot stain to front right of ivory crepe de chine petticoat (minor). Brown discolouration to rayon stiffening peplum (to add extra volume), this is minor.
Lot 156
A Marc Bohan for Christian Dior ivory silk gazar evening coat, Spring-Summer, 1965, labelled and numbered 127018, slightly waisted with short stand collar, domed self-covered buttons, bracelet length sleeves, chest 92cm, 36in CONDITION REPORT: faint mark to front skirt panel, hem has been raised approx 2cm, slight soil mark along old h emline
Lot 167
A Courregès pop art style mini dress, 1969, with Courregès Paris and I Magnin labels, of navy double-faced wool with large appliquéd ivory circles front and back, bust 92cm, 36in CONDITION REPORT: Small moth hole to rear shoulder, ivory discs front and back with tiny pinhead moth holes and some 'invisible' repairs which are barely noticeable. Front ivory disc with 2x17cm faint brown line, not immediately noticeable. Approx 6 invisibly mended small moth holes to skirt front. Lining has perspiration stains at underarms, underarm seams need re-stitching in place and centre front below collar.
Lot 168
A Courrèges couture ivory vinyl maxi ensemble, 1960s, with small black on white Courrèges Paris label, the coat with short sleeves, faux pocket flaps, rear belt, hook fastening at the neck; the tapering trousers with notches at the front hems, chest 92cm, 36in (2) CONDITION REPORT: Coat is a darker cream than the trousers, coat has repairs at underarm/cuff areas, faint pink discoloration on right breast and waist centre front. Soiling/discolouration inside neck edge. Faintly discoloured over right shoulder. Silk lining has bad perspiration stains at underarms and splits in this area, hole in lining rear waist area, hem area has light brown discolouration generally and silk hem edge is worn in places. Trousers has discolourations down front and back crease lines, lining needs re-stitching in places at waist edge, faint discolouration in lining at crotch area, hems probably shortened.
Lot 192
A Madame Grès couture black jersey sheath, 1970s, labelled and with defilé tape handwritten '105 Vicky, At. Jeannine, 11931', the columnar gown with boned organza integral corset to the strapless bodice, ivory and black floating panel forming a cape which hooks onto the bodice front, with rope-twist neck band, bust 76-81cm, 30-32in, waist 60cm, 23 1/2in CONDITION REPORT: Soiling to inside edge of rope-twist neck band, small repair to edge of front bodice. Hem probably altered at some point. Organza shoulder strap is frayed on one edge. Scarf - 2cm split, easily repaired and a few scattered small holes (minor).
Lot 196
A Chanel couture cocktail suit, 1963, labelled and numbered 18145, the sleeveless dress with ivory and silver lamé bodice, ivory bouclé wool skirt, self-covered buttons, the loose jacket with chain to hem, bust 92cm, 36in (2) CONDITION REPORT: Jacket: one sleeve has been relined, one sleeve in need of relining, otherwise fresh and good. Dress: exterior is good, bodice lining with faint perspiration rings and a split. Skirt lining has been replaced, a few holes in this above rear hem area.
Lot 199
A Chanel couture ivory silk suit with bi-colour grosgrain edgings, Spring-Summer, 1971, labelled and numbered 41438, the short boxy jacket with gilt ridged concave buttons, chain to hem, bust 92cm, 36in, waist 69cm, 27in (2)This was Coco Chanel's last collection. CONDITION REPORT: jacket side seams have been slightly let out as has skirt waist and hip area
Lot 203
A Chanel couture tweed suit, Spring-Summer, 1975, labelled and numbered 50792, woven in shades of pink and brown on an ivory ground, the jacket with wine and gilt CC buttons with chain to hem, printed silk lining with matching silk blouse and skirt, chest 97cm, 38in, waist 81cm, 32in (3) CONDITION REPORT: Generally good condition, would benefit from dry cleaning. Exterior and colours are good. Perspiration stains to blouse at underarms and collar. Jacket has faint soiling and perspiration stains to lining at collar. Skirt has faint perspiration stains to lining at front waistband and has 2 small holes to rear lining only, the largest 3x1cm. Lining is soiled at hem edge.
Lot 254
A fine John Galliano tailcoat, 'Filibustiers' collection, Spring-Summer, 1993, with black on white John Galliano satin label, size 40, of viscose/rayon linen-effect weave, with black leather rear collar and cuffs, the slashed hanging sleeves revealing pink and ivory damask inner sleeve, the interior seams all beautifully bound in burgundy tape, bust approx 81-86cm, 32-34in On the catwalk an identical example was worn by Helena Christensen.This was Galliano's first collection in Paris under his new backer Faycal Amor. The idea for the collection was of shipwrecked female marauders who wreaked havoc when they came ashore. The clothes in this collection are from specially woven and finished fabrics and are made to a semi couture standard. CONDITION REPORT: Overall good condition, very fresh appearance. Perspiration stains at underarms to moiré lining but this does not go through to the front. Rust spot to rear right sleeve.
Lot 255
A fine and important John Galliano for Givenchy haute couture embroidered lilac satin ballgown, 'Princess and the Pea' collection, Spring-Summer, 1996, Givenchy Haute Couture label, the bolduc handwritten, 'Ete 96, Robe no 12', princess-line with boned strapless bodice, the long trained skirt with appliquéd, couched and embroidered raised-work roses in ivory organza, silk cord, white raffia, crystal beads and pine-cone shaped paillettes, with triple outer tiered flounce of ivory organza, over silk taffeta petticoat with four bands of crin above eight layers of tulle petticoats, forming a classic crinoline shape, bust 86cm, 34in, waist 71cm, 28in In this and following lot Galliano uses his love of historicism to produce gowns more redolent of the 1860s than the 1990s. CONDITION REPORT: faint stain on the left hip area, barely noticeable .Side seams and rear two side seams have been let out. Slight scuffing to the satin at the waist level - but not immediately noticeable., Waist stay internally has been enlarged 4cm one side and 2cm the other. Grosgrain waiststay is slightly soiled
Lot 28
A rare ivory satin doublet and hose worn to the coronation of King George IV, 19th July, 1821, the doublet's front panels adorned with couched gilt threads in diamond repeats in 'van-dyke' fringed vertical bands, domed bullion covered buttons, the mancherons, sleeves and tabbed hem applied with gilt braid and lace, high stand collar, rosettes to the shoulders; with matching trunk hose, chest approx 97cm, 38in, waist 112cm, 44in (2)The lavish and expensive costumes worn by the aristocracy to attend George IV's coronation were Elizabethan/Jacobean themed to recall England's past heritage. George was held in low esteem at the time due to his treatment of his estranged wife, Caroline of Brunswick, and his attempts to divorce her. She unsuccessfully attempted to participate in the event. Parliament voted the astonishing sum of £240,000 towards the cost of the ceremony (George III's coronation had only cost £70,000) in the hopes that it would rekindle his popularity. Provenance: 2nd Earl Camden, 1759-1840, created a Marquess in 1812. CONDITION REPORT: Doublet and hose are lined in white cotton, lining is generally good condition. There are perspiration stains and splits in silk at both underarms. The doublet side seams may have been taken in, possibly a last minute alteration? Gold lace and braid is lustrous and bright. The lining has darts added to reduce volume - again possibly a last minute adjustment. Perspiration stains at underarms on lining. Breeches: generally good condition. Very slight staining to cotton lining at crotch, a few small spot stains on waistband lining, one small rear right waist button is worn. Stain to silk on far left gold strip and 2 of the front strips. Small hole in satin at crotch. Very generous size, waist is 42in.
Lot 29
A rare ivory satin doublet worn by a Gentleman Usher to the coronation of King George IV, 19th July, 1821, indistinct pencilled name to side of right padded mancheron, with domed gold thread wrapped buttons, trimmed closure bands of single van-dyked fringed lace, edged in woven gold braid, the curved cuffs and puffed mancherons with gold lace bows, padded hem, chest approx 107cm, 42in King George's train was held by the eight eldest sons of Peers and the design of the doublets as shown in engravings at the time, looks the same pattern as this piece. CONDITION REPORT: Slight scuffing to satin, lined in cotton, satin has holes and is perishing to left elbow area. Thinning, puckering of silk at both underarms. Gold braid and lace is bright and lustrous. Lining is generally good, small brown stain to inside cuff lining (minor).
Lot 291
A Yohji Yamamoto black felted wool dress, 'Homage to Pierre Cardin' collection, Autumn-Winter, 1989-90, labelled and size S, with buttons and zip to side closure, the skirt appliquéd with brick orange and ivory abstract shapes; with Yamamoto white cotton shirt (2) CONDITION REPORT: Good condition, no problems
Lot 308
An Alexander McQueen printed organza evening gown, 'Sarabande' collection, Spring-Summer, 2007, narrow grey woven label and size 42, also with shop tags, the princess-line strapless boned bodice above a tiered, trained skirt which cascades from the hips, the charcoal-grey ground printed in ivory with delicate floral fronds and peacocks perching on branches, bust approx 86cm, 34in This was runway look no 10. CONDITION REPORT: Good condition. Shop security tag is still attached to lower tier of skirt.
Lot 31
An unusual commemorative child's dress, 1863, of burgundy velvet with ivory satin piping, mother of pearl buttons, and taffeta waist sash, the tails printed with the Prince of Wales plumes, 'Ich Dien' and 'Albert and Alexandra', bust 61cm, 21inThe Prince of Wales, Albert Edward, married Danish Princess Alexandra on the 10th March 1863 at St George's Chapel, Windsor. He was 21, and she 18. Their marriage was popular and promoted in the British press as a love match. Presumably this dress was made to wear at a celebratory party. CONDITION REPORT: A few marks in the bodice velvet, ivory satin waist sash is damp stained and discoloured
Lot 35
Princess Diana's Caroline Charles printed tartan wool day dress, worn to the Braemar Highland Games, September 4th, 1982, labelled Caroline Charles, with black cord outlined yoke front and back, black buttons and cord loops to fasten, ivory grosgrain collar and cuffs, separate tie belt, bust 86cm, 34in, waist 66cm, 26in; together with a Telegraph magazine which includes a photograph of the Princess wearing this dress, accessorised by a dark green Argyll cap, accompanied by Prince Charles and HM The Queen, who seemed to be clearly enjoying the occasion (3)Provenance: Purchased by the vendor from a dress agency in Hampshire in the 1980s. She was told in confidence by the shop keeper that the clothes had been consigned by a relation of Sarah Ferguson, Duchess of York. See KTA lot 208, 14.6.2016, for Princess Diana's Emanuel tartan wool ensemble which came from the same shop.Caroline Charles, the designer of the dress, has confirmed that only one dress of this style was made - exclusively for the Princess. CONDITION REPORT: Collar and cuff have faint stains. Approx. 6 small moth holes on front of skirt, two 1cm moth holes to left front side of skirt near hem, a few pinhead moth holes to shoulder area, 1x2cm hole rear right of skirt. Hem has come down and needs re-stitching. Lining has perspiration stains at underarms and slightly at side waist. Discolouration at hem edge. Tie belt has a couple of small patches of peppered moth holes. Overview: generally good, some moth damage but not easily visible.
Lot 41
A gentleman's brocaded silk banyan, circa 1760, of pale peach silk brocaded with ivory and pale green ribbon garlands and blossom, double-breasted with silk cord covered buttons, wide curved sleeves with broad cuffs, short stand collar, pocket slits and two internal linen patch pockets, lined in green taffeta, chest 102cm, 40in CONDITION REPORT: Exterior silk is slightly soiled in appearance generally, faded overall - colours would originally have been much stronger. Repairs to area below the rear collar, centre back collar edge has split and frayed edge. Cuff edges are frayed also. Brown stain approx 3cm diam to rear left hem area. Lining is worn and stained in places, especially at underarm areas. Slight thinning to silk in places, mainly near the hem.
Lot 42
The Bentinck Apron, English, circa 1720-30, of ivory tabby silk, lavishly embroidered in lustrous gold thread and coloured silks with exotic blooms and edged in gold bobbin lace, 105cm, 41in long Provenance: This apron belonged to and was made for Lady Isabella Bentinck, second daughter of Henry, 1st Duke of Portland. Isabella's grandfather was Hans Willem Bentinck, created 1st Earl of Portland (1649-1709), confidante and courtier to King William III and her grandmother was Anne Villiers, Maid of Honour to Princess, later Queen, Mary. Isabella married Henry Monck of Charleville, Co. Wicklow in November 1739, and eventually died in 1783. The apron passed through the female line to her daughter, Elizabeth who married George, 1st Marquess of Waterford in 1769, and then on to their fourth daughter, Elizabeth, Lady Beresford, who married Sir Dennis Pack in 1816 and thence by descent to the vendor. CONDITION REPORT: Colours are as fresh as the day it was made, but numerous splits in silk ground mainly along fold lines
Lot 45
A rare brocaded satin pregnancy robe, 1790s, the pale green silk sprigged overall with ivory and peach trefoils tied with tassels, comprising: petticoat with waist ties and two matching bodices, one high fashion (for early pregnancy) in 'pierrot' style cut low and tight with closed front, faux waistcoat panels, short tails to the back lined in striped silk, narrow curved sleeves; the other in open-robe form with inner boned closed front panels and loose deshabillé-like outer panels, the neckline outlined in cartridge pleats, with three ribbon drawstrings to allow for expansion, lined in patches of tartan and striped silk; together with a fine white lawn fichu with whitework embroidered edges (4)For lying-in clothes similar, see 'Monument du Costume: Suite d'estampes pour servir à l'histoire des moeurs et du Costume des Français dans le dix-huitième siècle' published by Prault, Paris 1775-1777 with engravings by Sigmund Freudeberg (1745-1801). CONDITION REPORT: ·Good condition, overall. Exterior satin is clean and good, ensemble has been professionally cleaned. ·Loose robe: slight wear to satin at left underarm, 1x2cm area of fraying at right underarm and faint perspiration stain. Sleeves are lined in warm fustian which is soiled at underarm areas and cuffs. Linen bodice lining is clean and good. It probably has baleen boning centre back which were removed - others in place. Lining is made up from patchworked silk fragments. Yellow areas in particular with splits, numerous holes. Tartan area with patched repair. Lining in fair condition overall. Exterior appearance if fresh and good. Faint droplet stain to front left hem. Small repair to seam at rear left shoulder under collar. Very, very slight, small brown marks at elbows which are barely noticeable. Fabric is wonderful.·Petticoat: faint light brown discolourations in satin front left hem area and front right side, very hard to see. There are faint speckles to rear of skirt generally but these are very hard to see. Linen lining inside is generally clean and good, with faint discolourations and scattered rust spots. ·Short bodice: very, very faint discolouration approx. 7x5cm to front left panel and slight thinning in satin in a vertical line - probably from an old fold (hard to see). Underarms are good, very, very faint perspiration stains but again barely noticeable. Interior is clean and good - slight thinning to striped silk which lines the short tails. Fustian lining in sleeves is soiled in the lower arm/cuff area.·Muslin fichu: small hole rear point, minor.
Lot 46
A striped chine taffeta robe à la polonaise, 1770s, the silk woven in shades of green pink and ivory, the open robe with closed front bodice, linen linings, double engageants, pinked furbelows to the skirt edging, with matching petticoat (2) CONDITION REPORT: ·Petticoat seems narrow for the dress so fabric may have been removed. Linen seat panel looks like a replacement. Faint light brown discolourations to rear hem area. 2 small splits front left hip area of petticoat.·Robe has faint perspiration stains at underarms and repair and wear at right underarm. Old stitch lines suggest front left and right skirt panels have had the waistline lowered. Linen bodice lining is fresh and good apart from perspiration stains at underarms. Faint brown stain to left engageant flounce. Sleeves have been narrowed. Front left skirt panel has a superbly matched patch 25x20cm. Faint light brown stain on furbelow. 3x5cm patched repair to front hem. Back skirt panels - a few small scattered holes. Rear right back - 2 faint discolourations.
Lot 52
A Charles Frederick Worth visiting dress, circa 1875, the jacket-like bodice with ivory waist stay printed in gold 'Worth, 7 Rue de la Paix, Paris', of puce silk faille trimmed with pale blue silk with gold satin stripes, the lapel bands and cuffs inset with ivory lace, the sleeves with slash-effects at the cuffs revealing striped silk, the rear basque tails with off-centre bow and ribbons; the skirt with draped striped ribbon bands, with rich tasselled gold passementerie to the puce side panel, the exposed inner skirt of tiered pleats of striped silk, bust 92cm, 36in, waist 69cm, 27in (2)Provenance: From the collection of Rosina Rossellini. CONDITION REPORT: The fabric is in remarkably fresh condition. Slight wear to silk lining on inside rear collar. The basque bodice is fastened by a replaced hook and eye - there would have been something more substantial originally in terms of a fastening. I suspect there was a corseted under-bodice perhaps with a lace infill that would have been shown at the front. I think the waiststay would have been attached to that originally? Skirt with wear to narrow satin waistband edge and at closure area. The waistband and corresponding rear pleats area have been let out to widen. Slight moth damage to inside hem dust ruffle. Passementerie, fringing and pleats are all good.
Lot 60
A Jean Patou couture coral pink velvet asymmetric evening cape, 1920s, large woven pink and ivory label, numbered 4750, the soft velvet edged in ruched rope-twist effect bands, with curved panel to one side and single sleeve with cuff to the other CONDITION REPORT: Good condition. Slightly soiled, a few small nicks and spot marks to lining and a few small rust spots to exterior, tiny area of shoulder seam needs re-stitching.
Lot 62
A Callot Soeurs couture orange silk and metallic lamé bias-cut evening gown, 1929, indistinctly dated on remains of ivory ribbon label, the skirt falling in handkerchief pleats, bust approx 97cm, 38in CONDITION REPORT: Dress is good condition, fabric is fresh and strongly coloured. Label is disintegrating and needs conservation. Two front skirt seams need re-stitching, the longest approx. 12cm (minor).
Lot 67
An early Jeanne Lanvin couture grey-green satin afternoon dress, 1913, with narrow yellow on ivory label to the broad waist stay, with rouleaux band defining the raised waistline, the sleeves, neck edging and side panels of paisley printed and woven kashmir wool densely over-embroidered in coloured silks and metal threads and couched silk cords, silver thread covered bauble buttons, embroidered and lead weighted hem, bust 86cm, 34inFor a very similar embroidery technique see 'Lanvin' by Rizzoli pp80-81 for a blue velvet tunic 'Saxe' of 1913. However, that garment has been shortened, unlike this one. The same dress is again reproduced in 'Lanvin' by Palais Galliera p41.Provenance: From the wardrobe of Maryse Astraudo and her daughter Anne-Marie Astraudo, wife of Christian Bricard. CONDITION REPORT: Exterior is good condition, the inner silk camisole has bad perspiration staining but the sleeves and dress exterior are good. There is the faintest perspiration ring on the sleeves which is hard to detect. Some of the camisole seams have been unpicked to allow the waistline to be widened. The petersham waistband has been cut over the curve of the stomach/front waist, probably by Mme Bricard for more comfort! Slight fraying to ribbon enclosing the chain-weighted hem. The fabric and dress overall are remarkably fresh and good. This is a really fine example of an early Lanvin dress.
Lot 68
A fine and early Jeanne Lanvin couture medieval inspired mustard crêpe dinner gown, circa 1912-13, with narrow gold on ivory satin label to the broad petersham waist stays, ankle length, with slightly raised front waistline and high curved back waistline, with sand-coloured seed beads forming a plastron down the front bodice and skirt, beaded trim and bracelet loops to the cuffs, the rear belt with massive brass buckle, bust 86cm, 34inProvenance: From the wardrobe of Maryse Astraudo and her daughter Anne-Marie Astraudo, wife of Christian Bricard. CONDITION REPORT: Good condition, very fresh, looks little worn. There would have been a chemisette insertion fastened by press studs at the front decollete which is missing. The waist was let out at the back by the original owner. It's a contemporaneous alteration. Beading is good - beads missing at centre front skirt panel approx. 1cm and approx. 2cm long below waist left side - these are fairly invisible. There is a slight soil mark to rear bodice - it looks as though it has just been made. Another fine early example of Lanvin's work.
Lot 72
A rare Jeanne Lanvin couture girl's dress, 1920s, with narrow ivory woven ribbon label, no 4606, of pink silk trimmed with beaded posy, ruched silk bands and silver lame panel centre-front, bust 76cm, 30inAlthough Lanvin was famed for her mother-daughter ensembles, children's garments by her are very rare. A similar dress is illustrated in 'Art, Gout, Beauté', Christmas, 1923.Provenance: From the wardrobe of Maryse Astraudo and her daughter Anne-Marie Astraudo, wife of Christian Bricard. CONDITION REPORT: Poor condition. Bad perspiration stains at underarms and split along seam at right underarm. Side seams let out, horizontal darts inset at front waist area then unpicked. There are stitch lines along the back bodice that suggest the dress was folded over and stitched there to shorten and then unpicked? Soiled neckline, small pinhead holes, a few scattered spot stains. Front lame panel needs re-stitching right side approx. 17cm, easily fixed.
Lot 73
A Premet couture black georgette and embroidered tulle evening gown, circa 1929-30, with narrow ivory satin woven label; together with a Lenief couture spot-print silk crêpe dress with floral tiers to skirt, labelled, the bolduc inscribed J9435,'Chiqitor', Mrs Astraudo Maryse Chiquita Jose', busts approx 85cm, 34in (2)Provenance: From the wardrobe of Maryse Astraudo and her daughter Anne-Marie Astraudo, wife of Christian Bricard. CONDITION REPORT: The Premet - embroidered tulle panels are torn, a rectangular section of georgette has been cut out of the integral petticoat at the waist, 15cm tear and repair to petticoat bodice, soiled, in need of cleaning. The Lenief - perspiration stains to back panel and underarms, perished at underarms.
Lot 80
A Jeanne Lanvin couture ivory satin bias-cut evening gown, Winter 1931-32, large woven dated silk label, no 41664, with zig-zag waist seam, low curved back, the neckline edged in ruffles of zig-zag chiffon panels with picot edgings, matching waist belt with ruffles to the front, four slits to the hem circumference forming petal like panels, bust 86cm, 34in (2)Provenance: From the wardrobe of Maryse Astraudo and her daughter Anne-Marie Astraudo, wife of Christian Bricard. CONDITION REPORT: Construction is superb but faint perspiration stains/discolorations to the lower back area and perspiration stains at underarms and 6cm split within this area at right underarm. 2 light brown droplet stains to crepe reverse of skirt front but these don't really show through on the front side. Double row of stitch lines at waist level, perhaps there was a ribbon tape to the inside?
Lot 82
Jeanne Lanvin hats, 1930s, comprising: brown velvet skull cap no 1259; ivory organza picture hat with wired brim, no 39782; ivory and grosgrain beret, all with narrow gold on ivory labels, an apple green skull cap with large ruffled rosette to one side, early 30s, large square label (4)The square label on the green cap suggests that it would have had a matching coat.Provenance: From the wardrobe of Maryse Astraudo and her daughter Anne-Marie Astraudo, wife of Christian Bricard. CONDITION REPORT: ·Organza picture hat - slightly crumpled, slightly soiled, good condition·Green velvet - faint discolourations/fading to edges generally·Grosgrain - very soiled to one side, brown rust spot to the top·Brown chenille - inner headband needs re-stitching in places on inside edge
Lot 84
A Premet couture black tulle and taffeta cocktail dress, circa 1927-29, narrow ivory satin label, numbered 45791, with layered tulle petticoats, five spaghetti straps traversing the bodice to attach to the dropped waist, bust 86cm, 34inProvenance: From the wardrobe of Maryse Astraudo and her daughter Anne-Marie Astraudo, wife of Christian Bricard. CONDITION REPORT: good condition, no problems, small stain on label (minor)
Lot 85
An early Maggy Rouff couture black velvet and white ermine opera coat, 1929-1930, large early ivory on brown square label, with flared bias cut skirt, interesting sleeves with a pointed loop of fabric that returns and fastens on the upper sleeve forming a loop, bust 86cm, 34inMaggy Besançon de Wagner (1896-1971) opened her fashion house in 1928. This is an extremely early example of her work. A similar coat was advertised for sale in magazines in 1929.Provenance: From the wardrobe of Maryse Astraudo and her daughter Anne-Marie Astraudo, wife of Christian Bricard. CONDITION REPORT: Good condition, 1cm vertical split in fur at rear hem edge, 2cm horizontal split at right lapel, 0.5cm split in fur left lapel. Fur slightly rubbed on inside of neck. Front hook fastening is detached (minor). Velvet is good, lining is clean and good.
Lot 95
A Paquin couture bias cut black satin evening gown, probably Winter 1937-8, small grey on ivory satin 'Paquin Paris' label, numbered 2524, with chevron satin bands encircling the waist and hips, with twist effects at the bust and waist, dramatic angular sleeves, bust approx 81-86cm, 32-34in CONDITION REPORT: Good condition, no problems. Lovely piece.
Lot 97
A Jeanne Lanvin couture brocaded satin evening coat, Autumn-Winter, 1943, large woven dated label, pencil numbered 49457, the ivory satin woven in silver, gold and black with winged Pegasus repeats, pierced gilt metal buttons, with shaped, braid edged hanging pockets, lined in rose satin, bust 92cm, 36in War-time pieces by Lanvin are scarce. CONDITION REPORT: Faint discoloration in satin to upper chest areas, small hole in left lapel. Right cuff is soiled on inside edge, lining is badly scuffed and worn in places, soiled hem edge.
Lot 98
A Maison Agnès-Drecoll black crêpe evening gown, early 1930s, large yellow on ivory woven label '24 Place Vendome, Paris', bias cut with double row of buttons to the yoke which is spangled with sequined florets, matching sequined bows to the front, the skirt cleverly cut with two floating side panels which drape back and return, bust 81cm, 32in CONDITION REPORT: good condition, dusty from soiling
Lot 285
LATE 19th CENTURY ORIENTAL CARVED IVORY PHOTOGRAPH FRAME, oval with easel support, intricately carved with flowering foliage and vacant cartouche, 5" x 4" (12.7 x 10.2cm), (as found), together with FOUR CARVED IVORY ANIMALS and an OVAL FRENCH GILT METAL PATCH BOX with floral moulded cover and mirror to the interior
Lot 96
AN ORIENTAL GAMING COUNTER, the rectangular lacquered body with gilt floral decoration having eight ivory hinged counters with bird and insect inlay, approximately 9.5cm x 6cm, together with lidded rectangular ivory box having crane and landscape relief mounted decoration, approximately 5cm x 4.5cm x 1cm high (2)
Loading...-
239713 item(s)/page