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Harrod's Ltd (Retailers) - George V oak-cased part canteen of silver and other cutlery comprising: four dinner forks, eight lunch forks, eight dessert spoons, four tablespoons, and eight soup spoons, plus two teaspoons, London 1935, 57toz approx weighable silver, together with original ivory-handled stainless steel carving knife, six dinner knives and six cheese knives, in fitted box with retailers plaque
Late 19th Century Chinese ivory puzzle ball in ball, suspended on a link chain and fish with lotus pod caring below, the ball with multiple layers and carved base and tassel, total length of ivory carving, 29 cm. Condition Report:Weight is 94g.Fish with Lotus are in good condition.Figure in shell good condition apart from 2 natural cracks on the back carving.Tassel is worn but okay.Peach carving at the bottom, 8 layers to the ball, appears to be in good condition
19th Century Japanese ivory carving of a fisherman and two children standing beneath a large drying net, whilst another child climbs up it, one child playing with a frog and a tortoise, 24 cm, signed, Meiji. 274g.Numerous losses and breaks to the sail, obvious glue restoration to the sail. Turtle leg broken. Age cracks at the top of base.
Pair of early 20th Century pierced and inked ivory dishes decorated with birds amongst blossom, 10cm and a similarly decorated slender vase, 13cm (3) Condition Report:The weight is two dishes - 84g and the vase 93.4g.Vase: slightly dirty but in good condition.Plate 1: good condition apart from one missing fret at the rim and one smaller piece of fret in some section.Plate 2: good condition apart from damage to five frets in one section and a few small losses in some section.
A miniature portrait of Lieutenant General Christopher Jeaffreson of Dullingham (1761-1824) half-length, in blue day dress, with engraved gilt metal plaque to the reverse water and bodycolour on ivory, oval 7 x 6cmFootnote: The sitter who rose to the rank of Lieutenant General was from 1783 until 1798 only Captain, probably in the 18th Regiment of Foot. We are grateful to Christopher Joll, Regimental Historian of the Household Cavalry, for his assistance with this catalogue entry. Provenance: By descent from the sitter, great-great-great-great-grandfather of the present owner
Two miniature portraits of Harriet Dunn Gardner (1870-1914), both head and shoulders in white, water and bodycolour on ivory, laid down on card, both oval, 9.5 x 7.5cm and 9.2 x 65.cm, each in gilt metal frames, inscribed with the identity of the sitter and dated 1904; and a miniature portrait of a gentleman (possibly Harvey [Harry] Leader, 1893-1972, who married Miriam Dunn Gardner, 1905-1977), three-quarter length, in a grey suit signed lower right in red ? 'Weisman' water and bodycolour on ivory laid down on card, 17.5 x 12cm all three in their original fitted cases (3)Footnote: Provenance: By descent from the sitters
A Portrait of John Dunn Gardner (1811-1908) standing full-length in black with his first wife, Mary Lawson (d. 1851) in a landscape with a dark horse signed lower right 'R. Thorburn / 1851' watercolour on ivory 45 x 33cmFootnote: Exhibited: London, Royal Academy of Arts, 1850, no. 767 as 'J. D. Gardner, Esq., and Mrs. Gardner' (as the latter died in 1851, that date was presumably later added)Condition report: Watercolour on ivory. The support has two horizontal cracks. The painting is poorly supported by the slip and is bowing forward, notably along the top edge. The work is glazed with a wooden backboard. This appears to be creating a microclimate in the frame which is not helping the ivory support. The glazing is suffering from glass disease, causing droplets of water to form on the inside. There is also mould on the reverse of the wooden backboard. Despite the issues with the ivory support the paint layers are beautifully handled and appear to be in a very good, original condition. The wooden frame is slightly bowed in places, but the gilded slips are in a good condition. The painting should be examined and unframed by an expert in conservation of ivory supports.
A Portrait of Ada Dunn Gardner ( née Pigott, d. 1915) seated full length in an Alpine lake landscape with her son Algernon Dunn Gardner (1853-1929) signed lower right 'R. Thorburn / 1856' watercolour on ivory 45 x 33cmFootnote: By her marriage in 1853 to John Dunn Gardner (1811-1908) Ada Pigott as his second wife brought the Dullingham, Lillingstone Dayrell and Denston estates, which ultimately all devolved upon their only child Algernon Dunn Gardner (1853-1929) here represented as a child. Exhibited: London, Royal Academy of Arts, 1856, no. 744 as 'Mrs Dunn Gardner'Condition report: Watercolour on ivory. The support has numerous horizontal cracks, some more severe than others. The painting is poorly supported by the slip and is bowing forward, notably along the top edge. The work is are with wooden backboards. Despite the issue with the ivory supports the paint layers are beautifully worked and appear to be in a very good, original condition. The wooden frame is slightly bowed in places, but the gilded slips are in a good condition. The painting should be examined and unframed by an expert in conservation of ivory supports.
A mid 19th century Japanese netsuke okimono from Edo period. Signed Gyokuzan. In carved ivory portraying a group of figures composed by 'Okame' holding a baby and a straw hat while two kids stay by her side, 5,4x4,6x3,3 cm. 32,4 gr. With an expert's report issued by the Spanish Federation of Antique dealers attached.
A Japanese netsuke circa 1800 from Edo period. Not signed. In carved and polychromed ivory portraying a Dutch sat on a Chinese stool holding a kiseru or Japanese pipe with his left hand, 4,4x2,2x2,5 cm. 15,7 gr. Published on Mateu Guillem, "NETSUKE. Las grandes miniaturas de la escultura japonesa. Barcelona: 1998". Page 52. With an expert's report issued by the Spanish Federation of Antique dealers attached.
An 18th century Japanese netsuke from Edo period. Not signed. In carved elephant ivory depicting a rat, curled up with his head resting over one of his back paws and the tail coiled to his body, 2,6x3,5x2,2 cm. 14,2 gr. With an expert's report issued by the Spanish Federation of Antique dealers attached.
A 19th century Japanese netsuke from Meiji period. Signed Shungetsu. In carved ivory depicting a rat hunter sat on the floor looking upwards with his mouth open and his left hand resting over a box while a rat goes down over his left knee, 4,2x4x3,5 cm. 32,3 gr. Published on Mateu Guillem, "NETSUKE. Las grandes miniaturas de la escultura japonesa", Barcelona: 1998. Page 64. With an expert's report issued by the Spanish Federation of Antique dealers attached.
A mid 19th century Japanese netsuke, Signed Minkoku. In carved ivory portraying "Sambaso" dancing on his left leg, while holding a fan with his left hand and bells with the right one and wearing a high hat covering his jointed head, 4,9x2,3x3 cm. 17,3 gr. With an expert's report issued by the Spanish Federation of Antique dealers attached.
A late 19th century Japanese netsuke in carved ivory portraying a standing demon with mother of pearl inlaid eyes, flaunting a luxurious kimono and playing a huge bell, 5,1x2,4x3,4 cm. 18,21 gr. Published on Mateu Guillem, "NETSUKE. Las grandes miniaturas de la escultura japonesa. Barcelona: 1998". Page 46. With an expert's report issued by the Spanish Federation of Antique dealers attached.
A late 19th century Japanese netsuke from Meiji period. Signed Akigyoku. In carved elephant ivory depicting a group of characters formed by 'Daikoku' and 'Ebisu' pulling a cart where 'Bishamon' is sat, 3,6x4x3 cm. 23,5 gr. With an expert's report issued by the Spanish Federation of Antique dealers attached.
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239691 item(s)/page