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A Regency mahogany freestanding Toilet Mirror, plain glass in rectangular frame between a pair of reeded supports topped by small brass urn finials, set on bow fronted rectangular base with three drawers, ivory inlaid escutcheon, supported on bracket feet, 56cm high by 52cm wide by 21cm deep
λ A RARE MAHOGANY AND BRASS BALLOONING OR MOUNTAIN STICK BAROMETER BY THOMAS JONES, EARLY 19TH CENTURY of cylindrical shape, the screw-off cap top revealing a suspension ring, above a sliding cover revealing a silvered register with a manually operated vernier scale, with an ivory thermometer, inscribed 'Thos Jones Charing Cross', above an ivory registered 'Tempe of the mercury, correction of the expann of mercury & mean dilation of glass, heights of the mercurial column in inches, neutral point 30.340, capacity 1 / 56, temperature 52 degrees', in a leather travelling case 94cm high
λ AN ANGLO-CEYLONESE COROMANDEL WORK BOX GALLE DISTRICT, SECOND HALF 19TH CENTURY of serpentine form, the hinged lid inlaid with an ivory elephant to the underside within lac decorated ivory and specimen wood and pewter bands, above a conforming compartmented lift-out tray 15cm high, 34.5cm wide, 23.5cm deep
λ AN INDO-PORTUGUESE IVORY INLAID CHEST ON CHEST CONTADOR GOA, LATE 17TH / EARLY 18TH CENTURY of teak and ebony, all over inlaid with panels of interlaced stars and circle motifs, the top section with eight shallow drawers and two deep drawers, the base with a pair of frieze drawers above a deep drawer, on four carved naga figure supports inlaid with ebony and ivory dots, with brass side carrying handles 121.4cm high, 88.3cm wide, 49cm deep Catalogue Note This contador blends the traditional form of Western cabinets on stands with the influence of the exotic east with the Mughal inspired abstract scrolling inlay and the distinctive carved supporting figures. Scholars have identified these caryatid supports with nagas and nagins which are Hindu snake divinities considered auspicious and are believed to provide protection, especially from snake bites. These exotic cabinets were produced for Portuguese merchants and traders at Indian and Goanese ports in the 17th century. Goa, the Indian state, was part of the Portuguese overseas empire from the 16th century until 1961. The attribution to Goa is based on closely related church furniture which exists in the sacristy of the Basilica of Bom Jesus in Old Goa. There are similar examples in museum collections in Portugal and the United Kingdom in the Palacio Nacional de Sintra, the Museu Nacional de Arte Antiga, Lisbon and the Victoria & Albert Museum, London museum no. 777-1865. For related examples sold at auction, see Sotheby's, Arts of the Islamic World, 6th April 2011, lot 364 which sold for £58,850 (including fees), also Sotheby's, Fine English Furniture, Ceramics and Carpets, 22nd October 2010, lot 154 which sold for $53,125 (including fees).
λ AN ANGLO-INDIAN HARDWOOD AND IVORY EASEL MIRROR HOSHIARPUR, LATE 19TH CENTURY inlaid with scrolling leaves and flowers, with a tambour shutter inlaid with flowers revealing a mirror, within an arched frame and a chevron border, with a pierced scroll surmount above a balustrade, with a later easel support 91.8cm high, 43.4cm wide
λ AN ANGLO-INDIAN SANDALWOOD AND SADELI WORK BOX BOMBAY, C.1850 of sarcophagus form, relief carved with panels of scrolling leaves and elephants, rabbits and fish, with sadeli mosaic and ivory and ebony borders, the interior originally with a mirror to the underside of the lid, frame still present, with divisions and lidded compartments with some ivory pots and covers 13.3cm high, 33cm wide, 22.7cm deep
λ A 19TH CENTURY INDIAN ROSEWOOD IVORY AND BONE STATIONERY SECRETAIRE POSSIBLY GUJARAT, DATED '1842' inlaid with scrolling leaves and flowers, the revolving top with moulded edges and a hinged lid inset with a central rondel inscribed 'Lt. Gen, H. Gough 1842', revealing a fitted interior with a hinged and velvet lined writing surface to the underside and with lidded compartments, with open divisions, two secret drawers and a lift-out tray revealing an engraved bone plaque with the East India Company's balemark: a heart surmounted by the number '4 'and the initials 'E I C', the stem with a spindle turned gallery above a carved shaft on a gadrooned base with scroll feet, the sides with detachable candle sconces 78.8cm high, 47.3cm wide Catalogue Note Field Marshall Hugh Gough, 1st Viscount Gough (1779-1869),. was a senior British Army officer who played prominent roles in the Peninsular War and in India. After serving as commander-in-chief of the British forces in China during the First Opium War, he became commander-in-chief in India and led actions against the Marathas and the Sikhs. He became a baronet on 1st December 1842, the year inscribed on this secretaire.
λ A GEORGE IV ROSEWOOD AND BRASS MARQUETRY SEWING BOX C.1825-30 inlaid with scrolling leaves, flowers and palmettes, the hinged lid with a vacant cartouche, the underside with a gilt tooled leather and silk letter pouch above a lift-out divided tray, with lidded compartments and fitted with various utensils, including: mother of pearl handled hooks and stilettos, tweezers, steel scissors, a tape measure, thimbles, needle books, a Tartan ware thread waxer and pin cushion and an ivory egg sprinkler, the interior containing a miscellaneous array of sewing related items and ephemera 11.2cm high, 27.5cm wide, 19.2cm deep Provenance 'A Lifetime of Collecting' - The Property of a Gentleman.
λ AN EARLY VICTORIAN TUNBRIDGE WARE AND EBONY TEA CADDY ATTRIBUTED TO THOMAS BARTON, C.1840-50 of sarcophagus shape, decorated with floral mosaic bands, the hinged lid with a specimen wood parquetry panel, enclosing a fitted interior with a glass sugar bowl flanking a lidded compartment with an ivory handle, with key 12.9cm high, 21.5cm wide, 13.2cm deep
A group of five assorted card cases, 19th century, comprising; a Chinese export ivory rectangular card case, profusely carved with figures amongst pavilions and trees, 11.5cm high, three smaller Chinese ivory examples, carved with figurative panels; a Chinese sandalwood card case carved with birds and flowers and a plain ivory card case, (6).
A group of ivory carvings, 19th century, comprising; a group of an elephant with howdah and four attendants, 15cm high, a Chinese carved ivory handle, a bodkin case, a small pierced plaque, 6.5cm. wide; a small carving of a man and deer, 8cm. wide, a small Japanese stand, 6.5cm. wide, a small Chinese box containing shaped pieces, (af).
A Chinese ivory brush pot, Qing dynasty, decorated in black with figures and buildings in a mountainous river landscape, the reverse with lines of calligraphy and a signature, 11.75cm. high; also an ivory brush, 22cm. length; a wooden handled brush and five prints of views in China, 12cm. by 14cm., ( 8).
A group of three Japanese ivory netsuke, Meiji period, comprising; a netsuke of Fukurokuju, seated with a child and with a toad on his head, unsigned, 4.5cm. high; two netsuke of recumbent figures holding fans, unsigned, each approx. 3cm. length; also an ivory tiger finial, 2.5cm. high, (4).Weight 49gms.
A Japanese ivory and shibayama fan, Meiji period, the paper leaf painted one one side with fish, the reverse painted with birds and insects amongst fruit, flowers, a table and vases, the ivory guard sticks inlaid with birds and branches, silk tassel with shibayama inlaid ivory ball, 27cm. high., 48cm. wide.
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239691 item(s)/page