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An Edwardian mahogany and marquetry open framed salon settee, the shaped back with marquetry cresting rail over three pierced vase splats, an ivory watered silk seat and slightly scrolled arms with marquetry inlaid label supports, raised on square tapered legs, 42in. (106.25cm.) long, 31¼in. (79.5cm.) high. * Provenance: Miscellanea (Cornwall) Ltd., Truro, 1964
An Edwardian mahogany and marquetry open armchair, the slightly arched, rectangular back with marquetry cresting rail and label splat, over shaped arms and a stuff over seat in ivory watered silk, raised on square tapered legs with spade toes and peripheral stretchers, 21in. (53.25cm.) wide, 35½in. (90cm.) high.
A Victorian or Edwardian camel back settee suite, in the George II style, upholstered in ivory chinoiserie damask, with scroll arms, raised on three foliate carved front cabriole legs with ball and claw feet, 71in. (180.5cm.) long, 35in. (89cm.) high, together with a pair of matching armchairs. (3)
A French Louis XV style salon settee, late 19th / early 20th century, painted pale grey and reupholstered in silver-grey and ivory stripe, the elliptical back with curled ribbon carved showframe with foliate cresting, over padded foliate carved arms on scroll supports and a bowfront seat, raised on tapered stop fluted legs, 76½in. (194.25cm.) long, 40¼in. (102.25cm.) high to back.
Drawing/Drafting Instruments, [CITES] an oak case, top tray containing a collection of good ivory-handled instruments including three dotting pens, two raod pens, a road pencil, agate tracer, and other items including beam compass ends, lower tray with ivory scale rules, ebony rolling rule and parallel rule, case 35cm; with a large part-set by Stanley with a telescopic turn-about compass etc (case distressed)
Six Sets of Drawing Instruments, [CITES] including a good set by Riefler with beam compass ends and proportional dividers etc., complete set by Lee Guiness, four sets in mahogany cases by Stanley and Thornton including ivory scale rules/protractors, parellel rules etc, but each with items missing
Five Sets of Drawing Instruments etc., set by Reynolds in figured walnut case, ivory protractor and scale rule/protractor in lower compartment; distressed burr walnut case by Archbutt, ivory parallel rule, sector and protractor in lowest compartment, middle tray empty, case distressed; part-set by Halden in burr walnut case; part set in rosewood case, unsigned but compass dated 1917 with broad arrow; a part set, 19th century, rosewood case distressed, middle tray with ivory parallel rule by Troughton & Simms and Protractor by Harris & Co; with a mahogany case with pens pencils and brushes
Drawing Instruments, Military Interest, [CITES] six military sets, one by Stanley in mahogany case, ivory sector and scale rule/protractor, with Marquois scales below, one by Harling and one by A West & Partners (some substitutions), with three Stanley sets in Bakelite cases, one dated 1936, one incomplete, lid detached (6)
A Georgian portrait miniature on ivory, of Richard 5th Viscount Powerscourt, within a heavy brass frame with convex glass, the frame with sliding back with inscription and manufacturers oval stamp for 'Marion, London', 9.5 cm x 7.5 cm. Property of a lady.Condition report: The ivory with no obvious visible cracks or damage. The colours most likely faded with age. The frame and glass are in good condition
A late 18th century portrait miniature (on ivory), of General Thomas Cox, monogrammed PB, inscribed in ink verso 'Genl Cork, Field Officer, 1st Gds', a further ink inscribed piece of folded paper behind the main image, 3.4 cm x 2.8 cm in a brass pendant frame.Condition report: In good condition with no obvious cracks or flaws visible.
A Chinese lacquered Mandarin fan, 19th century, with asymmetric sticks with gilt figural decoration, the leaf painted with noble figures, each with applied painted ivory face, the reverse with fanciful birds, butterflies and insects on blossoming floral sprigs, 55cm wide, 30cm longCondition report: Splits to all of the folds. Losses and splits to top and bottom of the leaf ( see additional online images). 5 ivory faces are missing. Sticks all appear to be in good condition, some signs of wear near the suspension loop.
A Chinese ivory doctors model, Qing, 19th century, the recumbent naked figure resting with her eyes closed and her right hand on her abdomen,11.8cm, on a carved wood stand; a carved wart hog tusk figure of a deity, 8.5cm; a Cau Mau wreck blue & white tea bowl and an early unglazed Sawankhalok straight sided bowl, 14th/15 century, the interior with raised ruyi head decoration and everted rim, 16cm diameter
Two Chinese ivory figures of Guanyin, Qing, late 19th century, each carved with a downwards serene expression, holding a blossoming sprig, wearing long flowing robes and holding either her sash or a fan, 30.5cm & 31cm, on wood basesCondition report: Both figures are generally in good condition with only very minor chips and some fine age lines. There are no obvious losses or signs of restoration. The additional images highlight any flaws.
A Chinese lacquered mandarin fan, 19th century, the leaf painted with noble figures, each with applied painted ivory face, the reverse painted with a riverside trading post with figures and boats, the sticks painted in gilt with figures in a garden 49cm open, 26.5cm longCondition report: The guards each have a very fine hairline crack to their shoulders.The sticks seem OKThe leaf is split in the middle.
A Chinese telescopic lacquered Mandarin fan, Canton, mid 19th century, both sides of the leaf painted with noble figures with attendants, each with applied painted ivory heads, the lacquered guards each painted in gilt with a figure of a boy, 41cm wide, 27.5cm long extended, 22cm long when closed
An Eastern Kard and scabbard, The ivory handle mounted with a niello worked ricasso, pommel and fore-end and well-marked wootz steel single-edged blade. With a simple gilt brocaded fabric-covered scabbard. 34 cm long overall. Together with An Eastern damascene worked Kard and conforming wootz steel case with hinged cover. 35.5 cm
A Louis XV style carved and painted Duchess Brisee, late 19th century. With decorative ivory damask upholstery. On cabriole supports. 82 cm wide x 189 cm long 85 cm overall height, 40 cm height to the seat.Condition report: Generally good order with age-related marks to frameThe rear hoops of the frames show some slight natural gaps due to shrinkage but the frames are secure.
A Louis XV style carved wood and gilt gesso chaise longue with arched cresting with floral mantle above swept and moulded arms and ivory Damask stuff over upholstery. Supported by shaped squat cabriole supports. 76 cm wide x 181 cm overall length x 91 cm high, 55 cm height to the seat.Private collectionCondition report: Good structural orderLoose squab is damaged
Attributed to Nicholas Sageot (1666-1731) an important red Boule and engraved brass contre partie marquetry bureau Mazarin, Louis XIV late 17th early 18th century. Decorated with whimsical scenes in the style of Jean Berain with sphinx and other fantastic creatures, monkies and a colourful figure below a lambrequin canopy inlaid with mother of pearl, stained ivory, hardstone and copper foil. Fitted a central kneehole with three shaped drawers flanked on each side by three bow-fronted pedestal drawers and canted carcass. Supported on similarly inlaid Vitruvian or "S" scroll legs united by shaped under stretchers and gilt turned feet. 148 cm long x 77.5 cm deep x 86 cm overall heightProvenance: Lot 24, Sotheby’s Ariane Dandois sale, New York, 25 October 2007.Footnote: Nicolas Sageot (1666-1731), received Master 1706: He was born in Samaize-les Bains and appears to have become active around 1690 and is first recorded as working in Grande rue du Faubourg-Saint-Antoine in 1698 where, before being accepted by the cabinet-makers guild, he had worked as an ouvrier libre. He married, in 1711, Marie Brigitte Roussel, the daughter of the ébéniste Jacques Roussel and his workshop appeared to prosper until around 1720, when he stopped working and sold his stock. His production seems to have principally consisted of important armoires, commodes and bureaux. He entered into a commercial arrangement with Léonard Prieur, `Marchand Mercier Grossier joaillier Priviligié suivant la Cour', on 26th July 1720. As a result of this, he sold furniture and various materials to him for 16000 livres; the armoires, priced from 400 to 1000 livres were the most expensive pieces (see Grand op. cit.,). Upon the death of his wife, in 1729, the inventory of their workshop records an important stock of brass and tortoiseshell.For similar examples of bureaus attributed to Nicholas Sageot see lot 810, Lempertz, sale 17/05 2019 (sale 1131)Condition report: Please note this lot is 307 The top has some old tortoiseshell repairs in the form of infilled red lead shellac also some signs of old repairs to the tortoiseshell at the borders where small pieces have come away from the ground and have been glued back in position The condition is generally good but shows signs of old polish/ varnish applied to the interior linings of the drawers.All of the drawers are lined in French walnut and the six pedestal and top frieze drawers are veneered on brown oak the two recessed drawers below the central frieze drawer are veneered on a contemporary pine ground. No key is present and the right-hand top drawer is locked shut.To sum up, the desk is in good order both structurally and cosmetically but could do with a revision of some of the old cosmetic restoration to bring up to current standards of conservation but the existing work could be improved with a little workViewing of this collection is available by prior appointmentJRL 24/03/2022
An Eastern silk on silk carpet with ivory ground 20th century, probably Indian, with central star-shaped Medalion and corresponding corners within floral and urn decorated borders, fringed at both ends. 306 cm long x 195 cm wide.Private collectionCondition report: Some slight marks, but no major damage evident
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239691 item(s)/page