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Lot 142
λAn Inuit pail or bag handle Old Bering Sea III, circa 300 - 500 AD walrus ivory, with linear decoration and raised pairs of ovals with pierced centres, the ends pierced for attachment and the underside with finger grips, 24cm long. Provenance Excavated on Punuk Islands, Alaska, 1979. John and Valerie Arieta, London, 1993. Dr Alan Black Collection.
Lot 110
λAn Inuit model harpoon with throwing board Greenland cedar, walrus ivory and sinew, the main shaft spliced and with various mounts, the board with fifteen seal models, 96.2cm long. (2) Provenance Polar Explorer Lieutenant Commander Quintin Riley (1905 - 1980) and thence by descent. Quintin Riley was involved in the British Arctic Air Route Expedition of 1930 - 31 for which he received the Polar Medal and returning to Greenland in 1932 to undertake further meteorological and general study of flying conditions.
Lot 141
λAn Inuit needle case Old Bering Sea, circa 200 - 500 AD walrus ivory, cylindrical with incised stylised linear decoration and two raised ovals and two circles with pierced centres, and with a seal head terminal, 5.5cm long. Provenance John and Valerie Arieta, London, 1993. Dr Alan Black Collection.
Lot 278
Books relating to North American Indians. Provenance Dr Alan Black Collection.LiteratureDean Snow. The American Indians, their archaeology and prehistory, 1976;Anna Lee Walters. The Spirit of Native America, Beauty and Mysticism in American Indian Art, 1989;Don & Debra McQuiston. Dolls & Toys of Native America, 1995;Susan M. Pearce. Eskimo Carving, 1985;Colin F. Taylor (Editorial Consultant). Native Americans, The Indigenous people of North America, 1991;Geoffrey Turner (Pitt Rivers Museum University of Oxford). Hair Embroidery in Siberia and North America, 1976;Janet Catherine Berlo, Bruce Bernstein, T. J. Brasser, N. Scott Momaday, Allen Wardwell, W. Richard West. Native Paths, American Indian Art from the Collection of Charles and Valerie Diker, 1998;William W. Fitzhugh and Aron Crowell. Crossroads of Continents, Cultures of Siberia and Alaska, 1988;Barbara Isaac (edited by). Hall of the North American Indian, Change and Continuity, 1990;Jonathan Batkin (compiled and edited by). Splendid Heritage, Masterpieces of Native American Art from the Masco Collection, 1995;Susan E. Harless (edited by). Native Arts of the Columbia Plateau, The Doris Swayze Bounds Collection, 1998;Leslie Drew & Douglas Wilson. Argillite, Art of the Haida, 1980;J. C. H. King. Artificial Curiosities from the Northwest Coast of America, Native American Artefacts in the British Museum collected on the Third Voyage of Captain James Cook and Aquired through Sir Joseph Banks, 1981;John C. Ewers. Plains Indian Sculpture, A Tradition Art from America’s Heartland, 1986;Lar Hotem. Collectors Guide to Indian Pipes, Identification and Values, 1999;A. M. Leskov and H. Müller-Beck (Hrsg.). Artische WALJÄGER vor 3000 Jahren, 1993;Bill Holm. Spirit and Ancestor, A Century of Northwest Coast Indian Art at the Burke Museum, 1987;David W. Penney. Art of the American Indian Frontier, 1992;Seattle Art Museum. The Spirit Within, Northwest Coast Native Art from the John H. Hauberg Collection, 1995;Lená Taku Wasté. These Good Things, Selections from the Elizabeth Cole Butler Collection of Native American Art, 1997;Richard Conn. A Persistant Vision, Art of the Reservation Days, 1986;Hood Museum of Art, Dartmouth College. Patterns of Life, Patters of Art, 1987;Richard Conn. Circles of the World, 1982;Jane Alison (edited and produced by). Native Nations, Journeys in American Photography, 1998;Lar Hothem. North American Indian Ornamental & Ceremonial Artifacts, 1990;J. G. E. Smith, Museum of the American Indian. Arctic Art: Eskimo Ivory, 1980;Barbara A. Hail and Kate C. Duncan. Out of the North, The Subarctic Collection of the Haffenreffer Museum of Anthropology, Brown University, 1989;Caroline Crabtree and Pam Stallebrass. Beadwork, A World Guide, 2002;Theodore Brasser. Native American Clothing, An Illustrated History, 2009;Barbara A. Hail. Hau, Kóla! The Plains Indian Collection of the Haffenreffer Museum of Anthropology, 1980;David. W. Penney. Native American Art, 1994;(31)
Lot 134
λA Punuk culture woman's knife ulu Alaska, circa 500 - 1000 AD walrus ivory and slate, the handle modelled as a polar bear with linear and dot decoration, the end carved with a depression to fit the forefinger, 10cm long. Provenance Excavated on St Lawrence Island, Alaska. John and Valerie Arieta, London, 1996. Dr Alan Black Collection.
Lot 614
A Senufo heddle pulley Ivory Coast with a carved hornbill head surmount and red pigment filled incised decoration, with a reel, 18cm high, on a fixed base, a Baule heddle pulley, with a buffalo head finial, 15cm high, a Luba friction oracle katatora, with Janus head finial having a charge recess, 16.5cm and a Mossi whistle, 13cm long. (4)
Lot 131
λAn Okvik head St Lawrence Island, Alaska, circa 200BC - 100AD walrus ivory, with incised decoration to the forehead, eye brows, cheeks and philtrum, probably a staff finial, 10cm high, on a stand. (2) Provenance Excavated at St Lawrence Island, Alaska. John and Valerie Arieta, 1994. Dr Alan Black Collection.
Lot 13
A fine quality early 19th century French carved and pierced ivory fan, with hand painted watercolour paper screen depicting Classical figures, mounted in a glazed fan-shaped gilded wood display case, case width 63cm Generally very good, paper screen has several minor splits and rubbing on the high points
Lot 281
A silver enamel and ivory paper knife, depicting a Humber motorcar, hallmarks Birmingham 1910, length 17cm, and a Victorian ivory paper knife with carved handle (2) Car paper knife in very good condition, ivory slightly stained, other paper knife has slight crack in the handle, engraved monogram, but no chips
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239691 item(s)/page