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Click here to subscribeA mid-Victorian walnut framed and tapestry needlework upholstered nursing chair, together with a late Victorian mahogany ivory inlaid elbow chair, a further Edwardian walnut elbow chair, a 19th century East Anglian elm panelled seat single dining chair, and a 19th century elm stick back tub chair (formerly a Windsor chair) (5)Ivory submission ref: 85ENL1CV
Six nicely detailed display models of tender locomotives, approximately "00" scale and including LNER 4472 4-6-2 Flying Scotsman 1 - apple green livery Southern 21C151 4-6-2 Winston Churchill, Maroon livery 4-4-0, British Railways maroon/ivory livery No. 46203 4-6-2 Princess Margaret Rose, British Railways green livery 2-10-0 No. 92220, Evening Star and British Railways black livery 4-6-0 No. 44781.
Modern United States Marine Corps Officer's Mameluke sword and scabbard made by Wilkinson Sword, number on blade spine "33000445A10118", features composite faux ivory grip of plastic with brass star rivets and acorn tipped guard, double etched 76cm long, slightly curved unsharpened stainless blade, showing USMC anchor and eagle weld shield with large "United States Marines" etched both sides, with brand new, still in wrapping nickel plated two brass mount hangers
Four boxed W Britain's 1/32 scale Trooping The Colour metal soldier sets to include 40111 Her majesty The Queen In The Ivory Phaeton, 40110 Receiving The Colour Welsh Guards, 40112 Unfurling The Colour Coldstream Guards and 40113 Escort To The Colour Irish Guards (missing top foam box insert). All models in mint condition
brass-mounted with silvered bellows and thermometer and mirror backplate, with Negretti & Zambra label, the case with papers drawer and bevelled glass, height 20cm, width 36cm, depth 22cm Ivory Submission reference 48UZLVRF CITES permit is included. Exporting outside the EU will require an additional export permit. *CR Untested, wear and losses to mirrored backplate, general wear throughout.
the three rosewood strung drawers with brass handles and ivory escutcheons, shaped sides and apron, height 42cm, width 43cm, depth 22cm Ivory Submission reference VQ4B5ZS4 CITES permit is included. Exporting outside the EU will require an additional export permit. *CR Surface scratches and marks, some fading, repair to one side, possible repairs to apron.
of quill, horn and ivory construction, the sarcophagus form lid enclosing a fitted interior on horn ball feet, with key, height 19cm, width 33cm, depth 25cm Ivory submission reference: 1ABFJ1PN CITES permit is included. Exporting outside the EU will require an additional export permit. *CR Splits, quill losses and repairs/alterations.
A Victorian Silver Travelling Communion-Cup and Paten, by George Ivory, London, 1855, each piece plain and engraved with the ‘IHS’ Christogram within sunburst, the communion-cup with gilt interior, the paten later engraved with an inscription, in fitted black leather-covered case, gilt tooled with initials, wine-bottle lacking the case 11cm wide, weight of silver 4oz 4dwt, 131gr (2)The inscription reads ‘Presented to Ref C.D.F. Waters From St Marks Cong’n W’stow Easter 1910’.
Saroukh CarpetWest Iran, circa 1970The blood red field with an allover design of palmettes and vines enclosed by ivory scrolling vine borders flanked by guard stripes382cm by 266cmBoth ends and both selvedges original are complete, the pile is good throughout. One area cut and rejoined. The carpet is ready for use.
Exquisite Georgian sterling silver fish server featuring an ivory handle. Adorned with elegant, pierced foliage and an acorn motif, enhanced by delicate engravings. Issued: 19th CenturyDimensions: 11.25"L x 1"W x 2.25"HManufacturer: John Henry and Charles LiasCountry of Origin: EnglandCondition: Age related wear.
FINE CHINESE EXPORT 'THOUSAND FACES' FAN, 19th Century, in original box with tassel, 15 gilt black-lacquer sticks, double sided, painted with figures applied with silk costume and ivory faces, painted silk box. (GOV.UK Ivory content- to comply with current regulation - self-declaration form completed for the sale of this item - Submission reference :ETQ59N3Q)Provenance: private collection Cardiff; A.M. Charlton; lid of box inscribed in ink "Princess Reuss (nee Princess Rohan-Rochfort-Montauban)"Auctioneer's notes: Princess Gasparine of Rohan-Rochefort (1798–1871), third daughter of Charles Louis Gaspard of Rohan-Rochefort, and his wife, Marie Louise Joséphine of Rohan-Guéméné, married Heinrich XIX Prince Reuss of Greiz on 7 January 1822 in Prague.Comments: very good, minor wear only. Regulations due to ivory content will require a re-export permit if shipped outside the mainland UK.
FOUR JAPANESE MARINE IVORY OKIMONO, Meiji Period, comprising Kwannon, female farmer, sage, all about 23cms h; and a small Amida Buddha, 9cms h (4)Provenance: private collection south Wales.Comments: bases loose, others with old reglued bases, basket handle cracked, Buddha back with small cracks, see additional images
Art Deco amboyna and ivory-edged jewel box, with hinged lid and drop-down front, 22cm x 12cm x 7.5cm. This item has been registered as exempt from the UK Ivory Act 2018 on account of it being made before 3rd March 1947 with less than 10% ivory by volume. Ivory declaration submission reference ME5LCGY9. Good condition
19th century miniature watercolour portrait on ivory, depicting a Persian man wearing a turban and dagger, gilded highlights, indistinctly signed Grunler?, unmarked engraved yellow metal frame, 5.5cm x 4.5cm. This item has been registered as exempt from the UK Ivory Act 2018 on account of it being a portrait miniature made before 1918 with a surface area less than 320 square centimetres, ivory declaration submission reference. Very good original condition
A set of seven late 18th Century stained ivory gambling counters from The Brooks Club, 100 Guineas to 1/2 Guinea, mounted under a plaque reading 'Counters used at Brooks's Club from its foundation in 1764 until early in the present Century. The following paragraph appears in the Minutes of the 20th March 1862, 'It was resolved that the Master of the Club should not be bound in future to provide Counters or to be answerable for the debts of losers at Cards'. It is, however, believed that the Counters had not been used for many years before this date', framed. 34 x 38cms.Ivory Self-declaration submission reference YRD7FETN
* Toile de Jouy large panel, Les Quatre Parties du Monde (The Four Continents) designed by Jean-Baptiste Huet, Jouy-en-Josas, France: Christophe-Philippe Oberkampf, circa 1792-94, pieced cotton panel copper plate printed in raspberry on a cream ground, with scenes representing Africa, the Americas, Asia, and Europe, including flora and fauna e.g. elephants, emus, camels, lions, monkeys, parrots, flying fish, etc., indigenous people, and allegorical scenes, edges bound with raspberry silk ribbon, sometime backed with cream cotton, top edge with 3 large hanging rings, toned (especially to backing), some small holes and marks, 179 x 140 cm (70.5 x 55 ins), together with a pair of quilted Toile de Jouy cushions printed in brown, one with a group of cottagers in a landscape beside a spinning wheel, the other with peasant figures in a landscape, including a young woman and child on a donkey with a hound beside, both a little toned and with a few small holes, ivory twisted fringe edging, 36 x 42 cm (14 x 16.5 ins) QTY: (3)NOTE:V&A accession number 622-1897.
* Honiton lace, 18th-early 20th century, comprising 7 lengths of mid 18th century white bobbin lace, some holes and breaks in lace, variously 3-5.5 cm (1.25-2.25 ins) wide and 56-128 cm (22-50.5 ins) long, each stitch-mounted on velvet, and 10 other items of Honiton lace, comprising: a pair of early 19th century ivory lace lappets, straight ends stitched together; a narrow cream lace collar and pair of matching cuffs, 1856; an ivory lace collar with bird motif, 1860, and a pair of cuffs similar, late 19th century; a large white lace collar, 1870; an ivory lace collar, 1885; and a child's cream lace collar, 1903, occasional light marks or minor wear, tipped onto 4 pieces of fabric over card (except the 1856 collar and cuffs stitch-mounted to velvet), together with:Four items of Maltese lace, late 19th century, 4 pieces of cream bobbin lace, comprising: a lace collar, a light shade, and a silk handkerchief, tipped onto one piece of fabric over card; and a parasol, some breaks and small holes, mounted on a modern frame without a handle, together with 9 pieces of Bedfordshire lace mounted in 2 groups, comprising: a dress front, circa 1900, and 4 lengths of Maltese bobbin lace; and a collar of Maltese lace with Florentine knots, and 3 lengths of Maltese bobbin lace, all late 19th century, plus 6 items of Irish lace: a collar of needlerun lace, early 20th century; and a jobot (originally a handkerchief), 1870, 2 dress fronts, and 2 edgings, all of Irish crochet, mounted as before, and 16 other lace items, comprising 4 late 19th century cuffs, 2 collars, 9 edgings, including a length of black East Midland Yak lace, and a length of hardanger lace, variously mounted, plus a cream lace fan mounted on mother-of-pearl sticks, and a cream lace shawl made on a Pusher machine, 1860, various sizes and conditionQTY: (approx. 50)NOTE:Provenance: Collection of lace expert and lecturer Thyra Nicholl (1899-1987). Provenance: Collection of lace expert and lecturer Thyra Nicholl (1899-1987).
*A George V silver coffee pot by Walker & Hall, Sheffield, 1921, of hexagonal tapered form with urn finial and pedestal foot, the handle with ivory spacers, 27 cm high, overall weight 867 gQTY: (1)NOTE:Provenance: The David & Sarah Battie Collection.Ivory Act registration reference: BLPRABZK.
*A South Staffordshire enamel etui, circa 1770, tapered case of oval section with gilt metal mounts, painted on both sides and to hinged lid with picturesque landscapes featuring architectural features and ruins with figures, the illustrations on a pink ground within gilded volute borders with raised gilt dot decoration between, push button hinged lid enclosing a pair of scissors (tarnished) and an ivory aide-mémoire, lacking other tools, a few fine cracks to top of lid, 9.5 x 4 cm (3.75 x 1.5 ins)QTY: (1)NOTE:Provenance: The David & Sarah Battie Collection.Ivory Act registation reference: L1CCJME4.
* Lace, 19th-20th century, a collection of white, cream, ivory, and black lace items, machine and hand-made, some with embroidery, 1 or 2 monogrammed, including lengths and flounces, bedcovers and table cloths (e.g. a linen table cloth and 12 matching napkins with manuscript label 'Robinson & Cleaver, Regent Str. London'), garments and garment parts, e.g. collars and modesty panels, nightdress cases, handkerchiefs, pillow and bolster cases, mats and runners, 2 panels with horses, including Tenerife lace, filet lace, drawn threadwork, tape lace, broderie anglais, duchess lace, Maltese, Irish crochet, Honiton, various condition and sizes QTY: (3 cartons)
*A South Staffordshire enamel etui, circa 1770, tapered case of oval section with gilt metal mounts, front painted with a lady and a gentleman seated in a panelled interior, the reverse with a peasant boy and girl in a picturesque landscape with waterfall, hinged lid with floral panels (top slightly damaged and sometime repaired), the illustrations on a pink ground within gilded volute borders with white lattice between, a few fine cracks, push button hinged lid enclosing a pair of scissors (tarnished), a white metal ear scoop, an ivory aide-mémoire, and a penknife (difficult to extract), other tools lacking, 9.5 x 4.5 cm (3.75 x 1.75 ins)QTY: (1)NOTE:Provenance: The David & Sarah Battie Collection.Ivory Act registration reference: UUNUS33Q.
* A George III period Anglo-Indian horn jewellery box, circa 1820, of sarcophagus form, the hinged lid enclosing sandalwood and engraved ivory interior, various compartments and a lift-out tray, 21.5 cm high x 32.5 cm wide x 25 cm deepQTY: (1)NOTE:NOTE:Provenance: The David & Sarah Battie Collection.Ivory Act registration reference: TQGDVY2X.
* Lace cap back, probably Mechlin, early 18th century, finely hand-worked ivory lace cap back, with pattern of flowers, leaves, and other motifs, lightly toned, and a few small holes, 18 x 20 cm (7 x 7.75 ins), together with 24 lengths of early handmade lace, mostly very fine, longest 173 cm (68 ins), shortest 20 cm (8 ins) QTY: (25)
* Ceremonial uniform belonging to Josslyn Seymour Egerton, worn as First Page of Honour to Queen Victoria, 1894-1901, comprising: a scarlet wool frock coat made by L. & H. Nathan, with wide dark blue velvet turn-back cuffs with false sleeves of muslin trimmed with lace, 2 pockets with flaps, royal cypher brass buttons, and edges trimmed with gold braid, ivory silk ribbon aiguelette with bow to right-hand shoulder, lined with cream silk (beginning to perish in a few places), maker's gilt-lettered label at nape; a cream satin silk waistcoat, with buttons and braid as before, rear panel perishing; a pair of cream wool front-fall breeches, buttons stamped 'Nathan, 17 Coventry St' (3 detached), with cypher buttons and thistle, rose, and shamrock-decorated buckles at knees, a few small marks; a white fine cotton lawn dress shirt, the sleeves sometime detached, some foxing and marks; a black tricorn hat trimmed with red ostrich feathers and gold braid, with black moiré silk ribbon bow embellished with plaited gold braid and a royal cypher button, lined with lilac silk (with 'J. Egerton' name tape tacked in); a pair of black patent leather shoes, rubbed and creased, and with some paper residues, right shoe with black grosgrain bow (lacking to left shoe), pair of additional yellow metal shoe buckles present (one with black bow a little torn); 2 pairs of stockings; a pair of fabric and leather braces, various sizes, and a ceremonial sword by E. Thurkle, Soho, London, steel blade etched with VR cypher and decorative scrolls, blade with maker's name and stamped on edge 'London Maker', gilt metal crossguard with beast heads, ivory grip and gilt metal horse head pommel, gold bullion sword knot, blade length 54 cm (21.5 ins), contained in white leather scabard with engraved gilt metal mounts, overall length 69 cm (27 ins), together with a framed sepia studio photograph of Josslyn Egerton dressed as a Page, by Alice Hughes, 52, Gower Street, London, with framer's label 'W.M. Power' on backboard, plus: a navy blue wool frock coat embellished with gold braid and silk bows, made by Henry Poole & Company, Savile Row, with manuscript paper label pinned at nape 'Old Uniform of the Bleus[sic]. Household Cavalry worn by Sir Alfred Egerton as fancy dress'; 2 ceremonial sashes, 1 with stylised royal armorial in elaborate embossed and metalwork embroidery; and a belt, all contained in a black metal trunk, lettered on lid 'J.S. Egerton', 24.5 x 68 x 34.5 cm (9.75 x 26.75 x 13.5 ins)QTY: (a trunk)NOTE:Ivory Act registration reference: YTNGTZ1T.Provenance: Josslyn Seymour Egerton (1883-1946) was the the vendor's grandfather. Josslyn Seymour Egerton was the third and eldest surviving son of Colonel Sir Alfred Mordaunt Egerton, KCVO, CB, and his wife, the Honourable Mary Georgina, eldest daughter of William Richard Ormsby-Gore, second Baron Harlech. He was educated at Eton from 1896 to 1900 and at the Royal Military Academy Sandhurst. He served as First Page of Honour to Queen Victoria between 1894 and 1901, before embarking on a military career during which he served in the Coldstream Guards, rising to the rank of Major. His mother was lady-in-waiting to HRH The Duchess of Connaught and to HRH Princess Patricia of Connaught.
GEORGIAN MAHOGANY BEDSIDE CUPBOARD, AND A GEORGE III FOLD OVER TEA TABLE the cupboard with mock front drawer, the tea table with single drawer and brass handlesThis lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference 7J4YN3GG cupboard 69cm high, table 78cm x 90cm Qty: 2
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