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Lot 686

AN EARLY 20TH CENTURY JAPANESE IVORY NETSUKE OF A PIG, 1.75in long & 1in high.

Lot 687

AN EARLY 20TH CENTURY SIGNED JAPANESE IVORY CANE HANDLE, carved with a variety of Noh masks, the rim with a red stained and engraved signature, 4in long.

Lot 689

AN EARLY 20TH CENTURY JAPANESE IVORY NETSUKE OF A SKULL, its sides and top carved in high relief with two toads battling a snake, the eyes inlaid, the tail of the snake forming the himotoshi, 2in long & 1.5in high.

Lot 690

AN EARLY 20TH CENTURY SIGNED JAPANESE MARINE IVORY CARVING OF A GROUP OF TOADS, clambering on the side of a trunk, a larger toad peering out from an inner recess, their eyes inlaid, the reverse unusually with a red stained Qianlong seal, the foot with a smaller artist’s seal, 5.4in high.

Lot 691

A SIGNED JAPANESE MEIJI PERIOD MARINE IVORY OKIMONO OF A MAN STANDING ON ROCKWORK, a cloud-borne deity issuing from his mouth, the base with an engraved signature on a red lacquer reserve, 9in high.

Lot 692

A SIGNED JAPANESE MEIJI PERIOD MARINE IVORY OKIMONO OF A SAGE STANDING ON ROCKWORK, a cloud-borne figure of Kwannon issuing from his gourd, the base with an engraved signature on a red lacquer reserve, 9.25in high.

Lot 693

ANOTHER SIGNED JAPANESE MEIJI PERIOD MARINE IVORY OKIMONO OF A SAGE STANDING ON ROCKWORK, a cloud-borne figure of Shou Lao issuing from his koro, the base with an engraved signature, 9.2in high.

Lot 694

ANOTHER SIGNED JAPANESE MEIJI PERIOD MARINE IVORY OKIMONO OF A SAGE STANDING ON ROCKWORK, a cloud-borne mythical beast issuing from his gourd, the base with an engraved signature on a red lacquer reserve, 8.6in high.

Lot 75

A GOOD SIGNED JAPANESE MEIJI PERIOD IVORY OKIMONO OF A GRAPE HARVESTER, holding a basket of produce, the base with an engraved signature, 6.7in high.

Lot 76

A GOOD SIGNED JAPANESE MEIJI PERIOD IVORY OKIMONO OF A FAGGOT GATHERER, some details stained, the base with an engraved signature and seal, 7.7in high.

Lot 77

A GOOD SIGNED JAPANESE MEIJI PERIOD IVORY OKIMONO OF A BONSAI TREE GROWER, standing with a miniature pine tree and implements, the base with an engraved signature on a red lacquer reserve, 7.4in high.

Lot 78

A JAPANESE MEIJI PERIOD STAINED IVORY OKIMONO OF TWO TIGERS ATTACKING A BULL, the details naturalistically rendered, 3.75in long & 1.5in high.

Lot 96

A LARGE FINE QUALITY SIGNED JAPANESE MEIJI PERIOD SHIBAYAMA & IVORY TUSK VASE, with silver-metal rims and a fitted good quality revolving top carved wood stand, the sides of the vase onlaid in mother-of-pearl, stained ivory and tortoiseshell with a large rooster and hen seated on a knarled perch before flowers and blossoms, the reverse with water fowl in flight above flowering shrubs beside a stream, the side with an onlaid tortoiseshell signature panel, 24in high overall, the ivory tusk itself 10.3in high & 6.7in wide at widest point of rim.

Lot 100

A FINE QUALITY 19TH CENTURY CHINESE CANTON IVORY SHAPED RECTANGULAR CASKET & COVER, the sides and cover carved in finely detailed deep relief with scenes of diminutive figures on garden terraces, the cover with a border of foliate sprays to its rim, 10.75in x 5.1in x 2.9in high.

Lot 101

A LARGE FINE QUALITY SIGNED JAPANESE MEIJI PERIOD IVORY OKIMONO OF KWANNON, weighing approx. 2.7Kg, the Goddess standing on a rocky plinth and holding a sprinkler vase, a dragon curled before her feet, the base with an engraved signature on a red lacquer reserve, 19in high.

Lot 102

A LARGE FINE QUALITY SIGNED JAPANESE MEIJI PERIOD IVORY OKIMONO, weighing approx. 2.1Kg, carved in the form of a man and his son beside a pine tree and gazing up at a soaring angelic being, the base with an engraved signature on an inlaid reserve, 20.5in high.

Lot 103

A GOOD QUALITY 19TH CENTURY CHINESE CANTON IVORY CASKET, with shaped rims, the sides and hinged cover decorated with scenes of diminutive figures on garden terraces, 10.5in x 4.75in at widest points & 3.7in high.

Lot 104

A GOOD LARGE EARLY 20TH CENTURY CHINESE CARVED IVORY FIGURE OF A STANDING SCRIBE, weighing approx. 1.22Kg, standing in flowing robes with an upturned gaze, 10.25in high.

Lot 105

A GOOD LARGE EARLY 20TH CENTURY CHINESE CARVED IVORY FIGURE OF A STANDING SCHOLAR, weighing approx. 1.89Kg, the figure holding a book in one hand, some details stained black, the base with a Qianlong seal mark, 13.75in high.

Lot 106

ANOTHER GOOD LARGE EARLY 20TH CENTURY CHINESE CARVED IVORY FIGURE OF A STANDING SCHOLAR, weighing approx. 1.38Kg, the figure holding a bamboo tablet, the base with a two character mark, 12.5in high.

Lot 107

A GOOD LARGE EARLY 20TH CENTURY CHINESE CARVED IVORY FIGURE OF A STANDING WARRIOR SAGE, weighing approx. 1.73Kg, holding a closed scroll, a sword by his side, the base with a two-character Qianlong mark, 11.9in high.

Lot 108

A PAIR OF EARLY 20TH CENTURY CHINESE CARVED IVORY FIGURES OF AN EMPEROR & AN EMPRESS, weighing approx. 1.23Kg, each base with a mother-of-pearl Qianlong seal mark, 7.7in & 7.6in high.

Lot 178

A GOOD QUALITY JAPANESE MEIJI PERIOD IVORY OKIMONO OF TWO PLAYING CHIN PEKINESE DOGS, their eyes inlaid and the details naturalistically rendered, 8.8in wide & 3.25in high.

Lot 179

A GOOD QUALITY JAPANESE MEIJI PERIOD IVORY OKIMONO OF A MOUND OF RATS, their eyes inlaid, the details naturalistically stained and engraved, 3.25in wide at widest point & 3in high.

Lot 180

A GOOD QUALITY 19TH CENTURY CHINESE CANTON SECTIONAL IVORY CONCENTRIC HANGING BALL, with tasselled fish-form hook and chain, approx. 14.75in long overall, the ball itself 2.8in diameter.

Lot 181

A LARGE GOOD QUALITY 19TH CHINESE CANTON IVORY SECTIONAL CONCENTRIC BALL ON STAND, the stem with an additional smaller concentric ball, 17.5in high overall, the ball itself 4in diameter.

Lot 182

A GOOD QUALITY SIGNED JAPANESE MEIJI PERIOD IVORY OKIMONO OF A CHIN PEKINESE DOG & HER PUPPIES, together with a carved wood stand, the eyes inlaid, the fur naturalistically rendered, 4in high overall on stand, the ivory itself 9in long & 2.75in high.

Lot 183

A PAIR OF FINE QUALITY SIGNED JAPANESE MEIJI PERIOD SHIBAYAMA & IVORY TUSK VASES, with silver-metal rims and revolving top carved wood stands, the sides of each vase onlaid in mother-of-pearl, stained ivory, tortoiseshell and coral, one side of each vase with a pair of exotic birds perched in a blossoming tree, the reverse of each vase with a floral trellis arrangement, each side with an onlaid tortoiseshell signature panel, 19.25in high overall, each tusk itself 9.5in high & 3.75in wide at widest point of rim.

Lot 190

A LARGE GOOD QUALITY EARLY 20TH CENTURY CHINESE IVORY VASE & COVER, together with a fitted wire-inlaid wood stand, the ivory weighing approx. 1.49Kg, the sides well carved with detailed figural panels divided by grounds of lotus, the neck with loose ring handles, the cover with a Buddhistic lion finial, 14.5in high overall, the vase & cover itself 13in high overall.

Lot 192

A PAIR OF JAPANESE MEIJI PERIOD IVORY TUSK VASES, each mounted on a fixed wood stand, each foot with a silver-metal collar, the sides of each vase carved and stained with a scene of tigers attacking an elephant, 8.7in high overall, each ivory vase itself 7.5in high.

Lot 20

A GOOD JAPANESE EDO PERIOD IVORY NETSUKE OF A SHI-SHI, carved standing on a rectangular plinth with a fierce backward turned expression, 1.25in wide & 1.4in high.

Lot 218

A FINE QUALITY 18TH CENTURY CHINESE EXPORT CARVED IVORY DOLL’S HEAD, the features finely carved, 3.1in high.

Lot 24

A JAPANESE MEIJI PERIOD IVORY NETSUKE OF TWO FISH & A SQUID, the details naturalistically carved, 2.2in wide.

Lot 667

A 1920S/30S IVORY /CREAM SILK SHAWL WITH KNOTTED DEEP FRINGE WITH POND SCENE INCLUDING CRANES AND FLOWERS (43" SQUARE WITHOUT FRINGE)

Lot 817

AN OVAL BROACH WITH PAINTING OF TWO FLOWER GIRLS ON IVORY? IN YELLOW METAL FRAME

Lot 261

19th century Chinese snuff bottle, the red overlay on white ground carved with goldfish and dragon, with ivory stopper, 5.5cm high, also a similar purple overlay snuff bottle on translucent ground carved with gourds and leaves, green glass stopper, 7cm high. (2).

Lot 268

19th century Oriental ivory snuff bottle with inset facsimile ancient spade coin in grey hardstone to front, fine inscription to reverse and turquoise stopper, 9cm high.

Lot 269

Late 19th / early 20th century Chinese ivory snuff bottle of double carp form, lacking stopper. 8cm high. Condition Report. Lacking stopper, good condition. As images.

Lot 282

Two 19th century Chinese small agate snuff bottles, one light brown with striations, carved taotie masks and red stone and gilt metal stopper, 6.5cm high, the other pale grey of double gourd form with ivory stopper and tortoiseshell spoon, 6cm high. (2)

Lot 384

Three small early 20th century carved ivory figures of Buddha, 4cm high, Fook Weng & Co label, clam shell, 4cm wide and Hotei 4cm high.

Lot 452

Two pairs of Chinese Qing Dynasty embroidered silk sleeve panels with ivory ground and polychrome threads, one decorated with vases of flowers, the other birds and butterflies in a garden, 98cm x 14cm and 87cm x 16cm, unframed. (2).

Lot 453

Pair of Chinese Qing Dynasty embroidered silk sleeve panels decorated with panels of peacocks, butterflies and flowers on ivory ground, each 58cm x 10cm, framed. (2). Condition Report. Some staining to ivory silk ground, as images. Stitching generally ok.

Lot 479

Eleven Qing Dynasty miniature composite painted figures, each in various pose, with ivory heads, hands etc, the largest approx 7cm high.

Lot 480

19th century Chinese fan, the carved and pierced ivory sticks with gauze leaf embroidered with butterflies, grasshoppers and flowers in polychrome silk threads and double silk tassel, 25cm long, contained in fitted lacquer box with painted panel to interior (box a/f).

Lot 99A

19th century whale bone walking stick with turned marine ivory scrimshaw handle adorned with a mother of pearl dot. The tapered shaft measures 92cm long Condition Report. the stick measures 23mm dia under the handle down to 12mm at the bottom

Lot 1069

A Royal Worcester blush ivory shaped circular plate; a pair of Royal Crown Derby Posie pattern two branch dressing table candlesticks; a cabinet plate, printed with summer flowers; Royal souvenirs; etc

Lot 3291

Indian School (19th century), a miniature, of the Taj Mahal, watercolour and gouache on ivory, oval, 8.5cm x 12.5cm, the ebony easel frame profusely carved with scrolling flowering branches, paw feet, 24.5cm wide overall

Lot 3292

Indian School (19th century), a pair of portrait miniatures,of a Maharaji and Maharani, watercolour and gouache on ivory, oval, 11cm x 8.5cm, the hardwood easel frames pierced and carved with masks, lotus and scrolling foliage, 38cm high overall

Lot 552

*Congo. 18th/19th century Congo ivory staff top, carved as three males, with threaded rod presumably for fixing to a cane, 10.5cm long A similar example can be found in the Metropolitan Museum of Art, New York, accession number 1978.412.348. (1)

Lot 562

*Buddha. Ivory seated Buddha with elephants from Burma, Shan States, 17-18th century, carved from a single tusk and seated in vajrasana on a high pedestal decorated with three elephants, his right hand lowered on bhumisparsimudra and left resting in his lap, the face youthful and serene with a smooth usnisha rising to an apex decorated with two rows of lotus petals, with extensive traces of red lacquer and gilding, 14cm high Provenance: Private Collection Cotswolds, purchased from Jonathon Tucker, Asian Art and formerly from a German collection, with receipt. (1)

Lot 57

*Portrait Miniatures. A pair of oval portrait miniatures, circa 1814, two head and shoulder portraits, gouache and watercolour on ivory, one depicting a young girl with dark curls wearing a high-waisted blue and white dress, inscribed on verso in contemporary pencil 'Emma Fowler Aged 18 now the wife of Richd. Bremridge' 64 x 52mm (2.5 x 2ins), the other depicting a dark-haired young gentleman wearing a black coat and white cravat, 56 x 46mm (2.25 x 1.75ins), double-aperture frame, glazed Emma Fowler (1796-1855) was the daughter of Mary and Christopher Fowler. Her marriage certificate states that she married Richard Bremridge in the parish of Saint Augustin in the City of London on 4th September 1816. (2)

Lot 579

*Art Deco. Mushroom desk lamp, the circular ivory painted metal shade above 18 vertical fluorescent tubes on circular base, 23cm high not wired to current standards (1)

Lot 58

*Portrait miniatures. Five oval portrait miniatures, mid-late 19th century, together five half-length portraits, hand-painted in gouache and watercolour on a printed ground, depicting: Lola Montez and Kanla (mounted together in double aperture frame); Napoleon (two portraits in separate frames); and the Dresden Venus, each approximately 8 x 6cm (3 x 2.25ins), all signed Renè, except for one with signature Dumar, similar contemporary panelled ivory frames glazed, most with engraved decoration, some minor chips and cracks to ivory in a few places, most with contemporary manuscript on verso Reproduced in reverse from well-known portraits, these decorative portrait miniatures are finely coloured products for the tourist market. (4)

Lot 59

*Portrait miniature. Portrait of a lady, mid-late 19th century, gouache and watercolour on ivory, head and shoulders half profile portrait to right of a lady with fair hair wearing a diaphanous white shawl around her shoulders, monogrammed lower right ('MXT'?), 5.5 x 4.5cm (2.25 x 1.75ins), in oval brass locket frame glazed, housed in a velvet and silk-lined red morocco case, with side hinged half door opening with central brass clasp, lightly rubbed and marked Believed by the vendor to be her great grandmother, Florence Deedes (1842-1890), who married William Saumarez Smith, Archbishop of Sydney (1836-1909). They married in 1870 and had a son and seven daughters. (1)

Lot 60

*Portrait miniature. Duke and Duchess of Wellington, mid 19th century, a pair of oval facing profile head and shoulder portraits, gouache and watercolour on ivory, one of the 1st Duke of Wellington wearing a blue and gold military jacket, the other of his wife wearing a blue dress with gathered sleeves and a white ruff, and a gold cross around her neck, 8.5 x 6.5cm (3.25 x 2.5ins), contemporary double aperture panelled ivory frame glazed, with engraved decoration, a few minor cracks in ivory, titled in contemporary manuscript on verso (1)

Lot 61

*Portrait miniature. Lady Cambridge, mid 19th century, oval portrait miniature, gouache and watercolour on ivory, depicting a half-length portrait of a young lady wearing a pearl headdress on her dark brown ringlets, and a blue dress with muslin neckline, gathered sleeves, and braided bodice decoration, toned, 8.5 x 6cm (3.25 x 2.5ins), contemporary panelled ivory frame glazed, a few minor cracks in ivory, titled in contemporary manuscript on verso (1)

Lot 62

*Portrait miniatures. A pair of Edwardian portrait miniatures, two oval portraits in the same hand, gouache and watercolour on ivory, one a head and shoulders portrait of a fair-haired lady wearing a white dress and a cross pendant around her neck (small mark to neck), 55 x 44mm (2 x 1.75ins), contained in a double-sided brass locket frame, the other a half length portrait of a small child with curly fair hair, wearing a white chemise and holding a posy of daisies, 50 x 40mm (2 x 1.5ins), contained in a brass frame with ribbon and bow border set with paste stones, verso with glazed aperture containing a lock of fair hair, and with locket loop and brooch fixings (2)

Lot 76

*Ivory Cameo Portrait. Victorian carved ivory brooch, believed to be the poet Elizabeth Barrett Browning, well detailed and carved in relief, with brass back, 6cm high According to the vendor the brooch was once one of a pair - the other being a portrait of the Victorian author Mrs Gaskell. (1)

Lot 79

*Ivory Cameo Portrait. Profile portrait of a young man, possibly the Pre-Raphaelite painter Sir John Everett Millais (1829-1896), circa 1860, Victorian pendant, with carved ivory portrait profile on oval carnelian with intricate gold frame and suspension loop, 8.5cm long (1)

Lot 198

A set of 12 silver tea and coffee spoons, with pierced and engraved thistle terminals, Edinburgh 1911, six George V silver coffee spoons, Birmingham 1924, 4¾oz, together with a cut glass and straw work bound flask with white metal screw lid and an ivory and silver plated toasting fork

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