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An oak cased 376 piece canteen of plated Albany pattern cutlery comprising forty two table forks forty two dessert forks eight coffee spoons six teaspoons two pickle forks forty two dessert spoons four fruit spoons two nut crackers twelve larger dessert spoons eighteen table spoons four larger fruit spoons one sifter ladle two pairs of grape shears two pairs of sugar tongs a pair of cake servers two knife rests. Six nut picks eighteen pairs of dessert knives and forks and a pair of melon carvers each with mother of pearl handles four carving knives six various carving forks a steel forty six dessert knives forty eight table knives eighteen pairs of fish eaters a pair of fish servers a crumb scoop and a cheese scoop with ivory handles
A fine Royal Worcester ewer, the ivory body hand painted with trailing redcurrants, the shoulders and neck blue and gilt and with horned mask heads, the scroll handle entwined with a dragon-like winged creature, on blue and gilt circular foot applied with four solemn mask heads, 1889, 11" high.
A Royal Worcester Shot Enamels Porcelain "Countries of the World" Figure of Uncle Sam, modelled by James Hadley], decorated in shades of bronze and ivory, shape number 836, green printed crown and wheel mark, impressed marks, 18cm high; and [Another Similar], as a Sykes type figure, shape 835, impressed marks, 17.5cm high (2)
A Royal Worcester Porcelain Two-Handled Baluster Floral Vase, 1900], the cup shape neck with outswept handles to maiden masks, the main body printed and painted with a spray of chrysanthemums and other flowers in soft enamel colours against a blush ivory ground, the reverse similarly decorated, upon a double domed foot picked out with scrolls and repeat anthemion motifs enriched with gilt throughout, green printed crown and wheel mark, year mark, shape number "2007", 37cm high
A Royal Worcester Large Two-Handled Vase, 1895], of pedestal baluster form, the angular shoulder handles carved with grotesques amongst strapwork continuing around the shoulders and linking to the pedestal foot, the main fascia decorated with tumbling strings of orchid blossoms from palms and other flowers in enamel colours, the reverse with a more scant rendering of the same, against a blush ivory ground, picked out in gilt overall, puce printed crown and wheel mark, shape number "1732", 55cm high (small flake off one shoulder handle)
A Royal Worcester Pheasant Painted and Reticulated Vase, James Stinton, circa 1903], the semi-ovoid vessel with low everted rim frontally painted with a cock and two hen pheasants in scrub, a small woodland vignette to the reverse, signed "Jas Stinton", on three reticulated scrolled supports picked out in gilt, upon a conforming hexalobed base, in typical blush ivory tones picked out in gilt, green printed crown and wheel mark and indistinct year mark, probably 1903, and "G47", 13.2cm high
A Japanese Carved Wood Okimono of a Crouched Man with Rats, Meiji period (1868-1912)], the scantily clad grimacing and emaciated figure with two adult rats leaping over his back, he holds a club in his right hand, leaning on an upturned box with his left hand, signed on an inset oval ivory kakihan, 11cm high
A Chinese Carved Ivory Group of Two Musicians, first half of 20th century], one seated and one standing, both with elaborate chignon decorated with phoenix birds, one holds a reed organ, the other reed pipes, on rockwork, 15cm high, on a brass wire inlaid carved and pierced wooden stand, 20cm high overall
A Japanese Carved Ivory Walking Cane, late Meiji period (1868-1912)], the handle carved and pierced as a cluster of seven apes wearing floral jackets squabbling over peaches, the stem divided into ten registers, the upper nine intaglio carved with a young ape undertaking a variety of amusements, 82.5cm high (cracks in pommel and stem, and drill holes)
A Group of Three Japanese Carved Ivory Okimono, circa 1910], one depicting three figures making saws, another of three figures making bats, the other of two barrel makers, the figures standing amongst the tools or products of their trades, on rectangular dished bases with peg feet, the tallest 5.5cm high
A Japanese Carved Ivory Okimono as a Mother and Child Feeding a Cockerel, late Meiji period (1868-1912)], the mother wears her hair in a chignon, a decorative kimono and sandals, a child on her back, on a shaped oval base, 10.3cm high; and [An Okimono Group], of a mother and two children, seated while examining a spray of chrysanthemums, 6cm high (mother's head reglued) (2)
A Japanese Carved Ivory Okimono of a Box Maker, late Meiji period (1868-1912)], the kneeling craftsman wielding a mallet in his right hand, plane in his left, fronted by an assortment of his wares, on a flat oval plinth, peg feet, signed on inset red kakihan, 11.3cm high; and [Three Netsukes], one of a smiling demon holding a wine bottle and cup, one as a labourer heaving a heavy sack, the other as a pedlar with a basket on his shoulders (4) (a/f)
A Japanese Carved Ivory Figure of a Smiling Fisherman, late Meiji period (1868-1912)], the slightly stooping figure holding a hand net over his right shoulder, his catch of two fish in his left hand, wearing traditional costume and straw "skirt", on a rustic oval base, indistinctly signed on inlaid red kakihan, 40.5cm
A Japanese Carved Ivory Figure of a Fruit and Flower Seller, late Meiji period (1868-1912)], the bonneted tradeswoman holding secateurs toward a spray of lilies, holding a basket of vegetables and fruits supported by a shoulder strap, in traditional costume, on a shaped circular flat base, 36cm high
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239691 item(s)/page