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Five canes; a simulated bamboo walking cane with hallmarked silver cap and collar, a further similar example, a crook with carved sheep's head horn handle, an ebonised walking stick and an ebony and ivory inlaid example (5). CONDITION REPORT: For P&P please refer to Mailbox as one of the sticks is oversized.
A late 19th century carved ivory baton, the handle decorated with carved floral decoration between carved inscription 'Fanny. Roos', length 36.5cm. CONDITION REPORT: Some fine cracks to the ivory. The central ring is loose (see photo), otherwise appears good with no further obvious faults, damage or restoration..
A CANTEEN OF MATCHED SILVER CUTLERY maker B & S, Edinburgh between 1930-1941, comprising a soup ladle, a pair of sauce ladles, ten teaspoons, eight dessert forks, eight dinner forks, eight soup spoons, seven dessert spoons, and four table spoons, 2,346g (75.6 troy ozs) gross, with eight ivory handled dinner knives, seven dessert knives, and a four piece carving set, all housed in a fitted wooden case.
A CASED VICTORIAN CAKE KNIFE AND FORK by Martin Hall & Co, Sheffield 1886, the silver blade and tines to carved ivory handles, knife 27cm long; with a cased set of six teaspoons with figural finials; and a cased set of six fruit knives with loaded silver handles; 69g (2.2 troy ozs) gross weighable; and a small selection of plated ware
An ivory satin wedding dress and matching shoes, circa 1963; a late 1950s Perlmutt Model pale blue full-length satin bridesmaid's dress with cap sleeves and crepe sash; and an ivory satin Dickins & Jones full-length evening gown with embroidered bead and diamante detail to the bodice, UK sizes 10/12 approx. (3)
A turquoise late 1960s jumpsuit with silver Lurex detail, a blue beaded evening top, a similar white beaded top made in Hong Kong, an ivory satin padded Oriental style jacket, a 1960s silk shift dress with embroidered detail, and a brown and cream Thai silk maxi-skirt, UK sizes 10/12 approx. (6)
A length of yellow silk embroidered with silver and gold metallic threads, pink and white silks; 137cm x 56cm; together with an ivory coloured silk panel decorated with metallic embroidery, 138cm x 33cm (excluding plain backing fabric); two embroidered silk fragments/dress panels, each 100cm long approx.; and a cream satin padded stitched panel, 140cm x 45cm, (5)
A collection of late 19th and early 20th Century shawls, including: a dark brown embroidered fringed example, a black silk fringed shawl, an ivory coloured shawl embroidered with flowers and butterflies, a vibrant red shawl decorated with black flowers, a white fringed and embroidered silk shawl, an apricot coloured shawl with mauve embroidery, a red and blue shawl of a later date, and two further shawls, (9)
An ivory and a silver knapkin ring together with a thunderbolt sceptre, the exterior of the ivory ring numbered '4' to one side of three figure panels, 5cm (2 in) diameter, the exterior of the silver ring engraved with birds and cherry blossom, 4cm (1.5 in) diameter, the Tibetan sceptre of brass, 9cm (3.5 in) wide (3)
A 19th century lacquered wood figure of a sage, his hirsute head of ivory, a mother of pearl scroll in his horn hands, he sits wearing black robes gilt with stylised clouds, 6.5cm (2.5 in) high One wing has been chipped from the back of his throne. He was mounted on some sort of base. his shoe would have been of mother of pearl and has been largely lost.
A pair and another inlaid black lacquer panel, the pair inlaid with bone, mother of pearl and ivory to depict a monkey performing with a fan on one panel while a child watches as he holds a gourd on a bamboo pole over his shoulder, farmer father reads a book standing behind him, 45.5 x 29cm (18 x 11.5 in), the single panel inlaid to depict a child playing with a drum toy while riding on his grandmother's shoulders, seal marks, 91 x 40cm (35.75 x 15.75 in) (3) The larger single panel has lost a chip of lacquer from the top left hand corner
An early 20th century wood and an ivory carving of a lobster catcher, each standing exclaiming as they hold up a lobster in their right hands, their loose robes open at the chest, the tips of the staff in their left hands resting on the ground, both signed by different sculptors, the signature on the wooden figure reading Takakazuhan (?), 15cm (6 in) and 15.5cm (6 in) high respectively (2) One of the claws is lacking from the ivory lobster
An early 20th century ivory carving of a bird, possibly a Great GreyShrike, the bird's back tinted blue grey, its cheeks, wings and tail black in contrast to its white chest, 9cm (3.5 in) wide, with a wooden stand (2) The right leg has been restored back onto the body with the central claw replaced
Three early 20th century ivory figures enacting see, hear and speak no evil, the oldest girl with the most grown up hairstyle standing with her hands over her eyes, 14.5cm (5.75 in) high, the slightly younger girl standing with her hands to her ears, 14cm (5.5 in) high, the youngest kneeling with her hands to her mouth, signed Ryunosuke, 9cm (3.5 in) high, with a wood stand (4) The first girl has a crack running from her right shoulder down the front of her kimono to her exposed toes. The second girl has a crack to her left cheek and the toes to her right foot have been chipped
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239713 item(s)/page