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Lot 323

A Rare Late 18th Century Ivory Fan, the leaf of vellum mounted à l'anglaise, the guards and sticks inlaid with lightly engraved metal, now dull. The leaf, with three large octagonal vignettes, depicts at the centre The Three Marys at the Sepulchre. To the left, a man and child next to a tree, the man holding a dagger, an angel aloft, being the sacrifice of Isaac by Abraham, and to the right, Christ being lifted down after the Crucifixion, a notice in Latin above proclaiming him to be King of the Jews. All three vignettes are surrounded by garlands of flowers and ribbons in pastel colours. The verso, en camaieu, pink, depicts chickens outdoors. Guard length 28cmQuite clean, repair to left guard. Good colour.

Lot 326

The Alchemist: A Circa 1700 or Perhaps Earlier, possibly Dutch, (looking at the seated man's hat) Slender Ivory Fan, painted in rich colours to the guards and gorge, with simple rural scenes and decorative designs highlighted in gold. The colourful double paper leaf shows an exterior scene, a man in black priest's robes and large hat, (a Jesuit?) reading from a book, in front of a table where objects, seemingly of metal, are being weighed on scales. To the left, a worker with a very large pestle and mortar. To the right, a worker sieves something into a black powder next to a metal apparatus over a flame, the latter being fanned with bellows by a man in Chinese robes, the final product flowing into black bottles through a tube. Turning base metal into gold? Making gunpowder, a bi-product of some Chinese experiments? The verso has a simple spray of painted flowers, in deep pink and yellows, roses and a tulip, with foliage. Guard length 25.5cm Issue 92 of The Bulletin produced for members by the Fan Circle International carries an article, on pages 27 to 28, of an opinion on this fan by Mrs Hélène Alexander, MBE, FRSA, of the Fan Museum on Greenwich who viewed the fan during an exhibition of some of the collection in 2010The monture paint is rubbed in places. The leaf folds are rubbed and to the right, bottom border, a small section has lifted but is present. The first stick in from the left is stuck to the guard.

Lot 330

A Mother-of-Pearl and Ivory Fan, circa 1900(?), of a very unusual type. The monture is made up of white mother of pearl guards, pierced and clouté, and plain gorge, with a turquoise stone to the rivet. The upper panels are ivory, pierced with borders leaving the centre plain. The tips are all straight, the carving within giving it the air of a pointed Regency brisé fan. Where the ivory and mother of pearl meet, the join is visible from the verso. Guard length 19cm (please see images and condition report); A Small Circa 1900's Black Wooden Fan, the sticks simply pierced, mounted with a double leaf of black gauze, embroidered with elongated black sequins in extravagant swag designs and smaller sequins including starry shapes for a stylised central vase of flowers. Guard length 19cm; A 20th Century Cockade Fan, housed in a plastic case for protection, once open the case becomes the handle. The pleated circular leaf is dark brown. Slight shaping to one end. Closed down the item is 13cm; and A Circa 1890's Large Wooden Fan, mounted in a heavy red cotton, painted with leaves and birds in black, tinged with gold. The verso is painted with a simple flower spray in the same colours. Basic metal loop. The gorge sticks are natural the guards have been painted a dull dark red. Guard length 32cm; and A Circa 1900 Blue Silk Fan, with sequins, the guards of bone, painted in dark blue with gold stars and pink flowers, the gorge of horn painted with the same flowers. The double leaf of plain dark blue for the verso, has a thin gauze layer to the recto, highly embellished with tiny green and gold sequins, dots of pink paint, featuring five small vignettes containing cornucopia. Guard length 19cm (5) Fan 1 - at first consideration this looks like the marriage of two different fans. But the piercing appears to match. It has suffered damage and one guard is reinforced with more pearl. The ivory sticks are badly glued onto the mother of pearl which may have happened aon restoration, but it does present some questions. Fan 4- Leaf fabric quite dirty. Fan 5 - The gauze is in poor condition. The blue paint is rubbed, but essentially the monture is sound.

Lot 331

A Slender Early 19th Century Ivory (?) Brisé Fan, the plain guards shaped, the tips of all sticks gently carved to a soft point. The twenty four inner sticks are carved and pierced in bands, alternating with uncut bands onto which flowers are delicately painted in gold, the top band centrally featuring two birds. Guard length 17cmRibbon defective but available for re-gluing. Some very slight loss to the piercing.

Lot 341

An 18th Century Ivory Fan, the monture Chinese Export, the guards carved in panels of small scale, with figures and buildings and trees. The gorge is pierced with several vignettes and panels, the central vignette being oval. All pierced areas feature quite regular lattice work of differing designs. The leaf is a later, mid-19th century addition, printed with a garden scene with fountains and a frontage onto possibly the Grand Canal in Venice, the boats appearing to be gondolas. Perhaps a costume ball, as those attending are dressed as Cavaliers and their ladies. The verso shows a simple outdoor scene, a lady outside a simple house, a decorative floral border to the top and sides of the leaf. Guard length 26.5cmThere are a few splits to the top of the leaf folds. Later leaf.

Lot 348

The Flower Meadow: A 19th Century Ivory Fan, painted in autumnal colours, the gorge with a central scene of three chinoiserie figures, the remainder painted with small scale patterns of different designs. Mother-of-pearl thumb guard. The paper leaf, mounted à l'anglaise, depicts a maiden in a flower meadow, surrounded by playful cherubs, the whole in pastel colours. The verso is virtually plain save for simple swags of green foliage and small musical instruments. Guard length 24cmThe leaf is very rubbed. The monture has rubbed paint in several areas, in particular the rear guard.

Lot 351

A Regency Ivory Brisé Fan, the slender sticks and guards virtually plain, save for decoration to the tips, which themselves are rounded and very slightly serrated. The twenty four inner sticks are painted in mainly pastel shades at the tips with roses in yellow and pink, foliage, and birds, the latter having applied feathers. The verso is plain. Guard length 17cmRibbon needs attention, some rubbing to the decoration. A small chip to one sticks near the centre at the tip.

Lot 359

Four Slender Ivory Brisé Fans, two pierced, two plain

Lot 361

A Late 19th Century Plain Tortoiseshell Brisé Fan, with pointed sticks and guards, the upper guard having the addition of the initials ''A?'' in a red material, fifteen inner sticks. Guard length 24cm; and A Circa 1880's Plain Ivory Brisé Fan, the tips of the sixteen inner sticks and two guards tipped with coronets of seven ''pearls'', which in Austria and Germany signifies the rank of a Freiherr or Baron. Ivory loop. Guard length 21.5cm (2)Fan 1 - the sticks are slightly rubbed and the ribbon is fraying. Loss of similar initials to the lower guard? Fan 2 - Ribbon sound, but many of the tips have pearls missing from the coronets.

Lot 362

A Circa 1870's to 1880's Plain Ivory Brisé Fan, pointed tips to the seventeen inner sticks and two guards. A shaped loop of ivory, guard length 20cmGenerally sound, rather dirty.

Lot 363

A Circa 1860's to 1870's Ivory Brisé Fan, with some simple piercing to the sticks in a leaf design, roundels in the tips with some ridges to the guards. Eighteen inner sticks. Guard length 21.5cmThe ribbon is fraying and the fan is dirty.

Lot 364

A 19th Century Ivory Brisé Fan, varnished in the ''Vernis Martin'' fashion, in autumnal colours. The recto, a gentle riverside fishing expedition, being enjoyed by two girls and a young man, a smaller scale but similar painting in the gorge. The verso shows a similar riverside scene, without figures. Guard length 18.5cm. Together with a cream card fan box, labelled for E Kees, 9 Bvd des Capuchines, ParisRibbon defective.

Lot 365

A Circa 1880's Austrian Ivory Brisé Fan, with wide sticks, and a scalloped top edge, ivory loop. The recto is elaborately painted with silver and gold in several shades, depicting a hat, an urn, and other items, the border with scrolling, and similar detail on the guards. Verso plain. Guard length 23.5cm. Together with a fan box covered with a cream fabric woven with pink flowers, lined in cream silk, ruched inside the lidRather dirty but sound, the box likewise. One end of the rivet is lacking so the sticks are loose.

Lot 366

A Fine Small Early 19th Century (or earlier) Ivory Brisé Fan, the guards painted and carved, a naked figure in fine relief, and flowers, both with tortoiseshell thumb guards. The recto is divided into three panels by a pair of pierced sticks, one further pierced stick at each side of the guards. A frieze of piercing runs the length of the top just below the blue ribbon. The three painted panels are bordered with gold, and depict Oriental figures, the larger central scene having several people and a very large painted porcelain lidded vase. The verso is a mirror image drawing of the recto. Guard length 19cmRibbon defective at one end.

Lot 368

A Circa 1870s Austrian Ivory Brisé Fan, with an ivory loop, eighteen inner sticks and two guards. The fan is painted overall with a jockey riding his horse on the racetrack, wearing a yellow jersey and blue cap. The verso has a vibrant spray of yellow and mauve pansies and foliage. Guard length 23.5cmNo issues noted.

Lot 369

Admiral Lord Nelson at Trafalgar: A Fine Carved Ivory Brisé Fan, circa 1805-10, the central painted panel depicting Nelson, seated behind a stone bearing a drawing of canon and other weaponry, a cherub holding a crown of laurels above him, a lady to his right bearing a spear and shield, possibly Boudica, the winged goddess Fame (Pheme, personification of fame and renown) blowing her trumpet to the left, the sun shining and warships on the sea. The slender ivory guards are both carved, the recto with a cherub, the verso more stylised, and indeed to the left side two inner sticks plus the lower guard are non-matching replacements. On the original sticks the fine carving includes two ships anchors .Guard length 18cm. Together with period fan tube in mid green cardReplacement of lower guard and two sticks. A small sliver of ivory missing at the top of the fourth stick in from the left. Ribbon strong.

Lot 372

A Regency Topographical Fan, the double paper leaf mounted on slender pierced and carved ivory sticks, the gorge with a central oval with classical scrolling, the guards in a similar vein with the addition of a figure on the upper guard only. The leaf is designed with a central band containing seven depictions of classical ruins, in varying sizes, none as yet identified the central oval cartouche being large, flanked each side by one medium size vignette and two smaller ones. The reserves are formed with very classical stylised borders in dark blue and mauve, filled with colourful Italian scrolling. The edges are finished with bright gold. The verso is plain. Guard length 25cm. Together with a pink silk covered fan boxIn good order with some faint foxing to the verso. Gilded border still bright.

Lot 373

A Mid-19th Century Ivory Fan, with tilting magnifier and ruler integrated as an addition to the upper guard. The guards and gorge sticks are silvered and gilded, and pierced with bunches of grapes, various sizes of roundels above and below. The double paper leaf is lithographed with a gathering of young ladies and children, a large dog central to the group, adorned with a garland of pink roses. The verso is relatively plain with cream reserves and a central lakeside scene. Shaped gold metal loop. Guard length 27cm Patent registered in France around 1856 to 1860., by Société Fleury Frères et Lefort . See Imagination and its contribution to fans. N°63a. p.68. Maryse Volet.Some of the gilding remains bright. A central fold is torn and reinforced near the top. There is slight damage to the top corner of the leaf at both sides where the fan may have been pinned to something for display.

Lot 375

A Regency Grand Tour/Topographical Fan, circa 1800 -1810, depicting Roman temple ruins in a rural setting. The double skin leaf depicts two peasants walking past the ruins. The scene is bordered in a stylised design, in gold. The verso has simple gold painting of floral sprays. The guards and tiny gorge sticks are of carved ivory, with classical figures, the upper guard shows a lady in Roman robes, the lower guard a man in Centurion armour. Both guards are under laid with either thin mother-of-pearl or a shiny white tinsel. Barrel rivet, guard length 17cm. Together with a period card fan tubeThe leaf is rubbed on the folds and more so to each side. The monture is sound but the carving in the middle of the upper guard has a section missing.

Lot 378

A Chinese Carved Ivory Feather Fan, Qing Dynasty, the heavily carved guards deeply and intricately carved with a head at the tips, followed by numerous buildings, figures and blooms in relief, the gorge sticks less so, mounted with white feathers; and A Light Carved Sandalwood Fan, mounted with mottled and white feathers (2)White fan: the feathers are tatty and one guard needs to be secured.

Lot 380

Four 19th Century Chinese Fans, Qing Dynasty, to include a carved monture, probably ivory, mounted with a black lace leaf with space for the insertion of gauze painted panels, a carved sandalwood fan mounted with white feathers, a brisé fan of the ''tea chest'' type, and a bone fan mounted with white feathers painted with colours and tipped with peacock feathers

Lot 381

A Mid-19th Century Chinese Wooden Mandarin Fan, Qing Dynasty, the sticks lacquered in black and gold, having a central figure to the gorge, the guards with symbols and butterflies. The double paper leaf shows a terrace scene, the figures with applied painted ivory faces and silk robes, with an unusual large exotic flower in the vegetation to the left. The verso, with two side vignettes containing simple buildings, the central vignette with two men and a lady, possibly a couple of import and their attendant, in a building next to water. The lilac background features bats and scrolls; and A Late 19th Century Chinese Bone Fan, Qing Dynasty, with a double paper leaf, having basic piercing to the monture. The leaf with simple flowers in pinks and blues, a shiny gold border along the top, the verso also decorated with pastel flowers. Guard length 27cm (2)The top of one inner stick is split near the shoulder. One leaf fold completely split but present. The adjacent fold is also split but holding. Some rubbing to the lacquer and leaf folds. Fan 2 - Very slightly warped. Some repairs to the leaf, some folds rubbed, and leaf lightly stained.

Lot 383

A Circa 1830's to 1840's Chinese Carved Ivory Brisé Fan, Qing Dynasty, a central oval left blank for a monogram, the remaining central continuous design being one of figures and trees with pagodas (note the unusual oval window to the right), these designs repeated in the tips. Twenty-one inner sticks, no carving to the verso. The guards are more deeply carved with figures and buildings. Guard length 18.5cmFoxed. One stick to the right side has broken and been crudely repaired (see darker patch beneath ribbon). Ribbon defective to the left side.

Lot 387

An Early 18th Century Chinese Ivory Brisé Fan, Qing Dynasty, with tortoiseshell thumb guards, threaded with a narrow green ribbon but also painted at the tips to give the illusion of wider ribbon. The two guards and thirty inner sticks painted in strong colours with large figures and sections of buildings, flanked by exotic foliage, the same recto verso. The lower section in contrast is painted subtly in gold, with Chinoiserie scenes, to compliment the guards. Guard length 25.5cmThe fan is quite dirty and there is rubbing to the paint.

Lot 388

A Circa 1790 Finely Carved and Pierced Chinese Ivory Brisé Fan, Qing Dynasty, with a plain central shield and swags, birds and flowers in the carving. The gorge is carved with foliage. Twenty three inner sticks and guards, the latter with intricate carving of flowers. Guard 26cmTwo sticks missing from the shield, a further four sticks with losses.

Lot 391

A Chinese Ivory Mandarin Fan, Qing Dynasty, mid-19th century, the inner sticks being lightly carved, the guards with deeper carving of figures, pagodas and foliage. The leaf depicts figures with applied painted ivory faces, their robes of silk, many carrying both fixed and folding fans. The verso depicts a similar scene with an elder left of centre. The borders recto/verso show fish and other objects, and a toad. Guard length 28cm. Together with a fitted lacquer box, lined in blue silk, the lid interior being painted with exotic flowers and a colourful birdMonture sound but grubby. The leaf is rubbed on some folds. The box catch has chipped the lacquer and is reluctant to stay closed.

Lot 394

A Mid-19th Century Carved Ivory Mandarin Fan, Qing Dynasty, the gorge carved with figures and pagodas, the guards more heavily carved with pagodas, figures and trees. The deep (15cm) double paper leaf depicts an elaborate outdoor scene, the buildings with decorative arches, the figures with applied painted ivory faces and silk robes, some carrying fans, rabbits in the foreground, and a large plumed bird, possibly a peacock. The verso with a similar scene, this time with a dog in the centre foreground, some ducks to the side, the whole bordered in pink. Guard length 26.5cmMonture appears sound, the leaf has repairs to the lower and upper borders, on the folds.

Lot 395

A Chinese Black Lacquered Wood Cabriolet Fan, of medium size, Qing Dynasty, mid-19th century, all sticks painted with a simple floral design in grey, with a butterfly or moth on each guard. The Chinese figures on the recto have applied painted ivory faces and silk robes, and are engaged in various different activities. The lower leaf section is painted simply with flowers and fruit. The verso shows sailing ships on the river, and a colourful bird amongst flowers. Guard length 27cmThe monture is sound but one stick is adrift and outside the double paper leaf, presumably missed when some restoration has taken place to several folds on the upper part of the leaf to the verso. The leaf is rubbed on the folds.

Lot 397

A Mid-19th Century Chinese Mandarin Fan, Qing Dynasty, the wooden sticks lacquered in black and gold, the gorge with a central terrace scene. The double paper leaf, recto/verso, shows figures with applied painted ivory faces and silk robes, one arriving on horseback. Shaped metal loop, cream silk tassel with gold metal threads entwined. T/w a substantial shaped deep fitted gold lacquer fan box, the exterior sides and lid painted with figures and objects, lined in blue silk , the inside of the lid finely painted with a scene of ladies, two seated on porcelain stools, several holding fans, and a child, their faces of applied painted ivory and wearing silk robesMonture sound, good strong colour to leaf recto/verso. Box lacquer chipped at the back close to the hinge. The clasp is sound.

Lot 399

An Early 18th Century Chinese Ivory Brisé Fan, possibly Kangxi, with painted decoration in the Imari porcelain style. The twenty-four inner sticks and two guards are painted in gold, the guards quite simply with a stylised tree, and the gorge area in a similar fashion. The main body of the fan is painted with three large vignettes, adding red and green to the gold. The central vignette depicts a large cockerel, two butterflies and flowers, the smaller vignettes to either side have flowers and two birds to the left, and flowers and a different bird to the right. The verso is similar. The fan is bordered with a design of painted ribbon, whereas in fact this fan is not ribboned but linked with thread. Guard length 25cmtwo slicks are slightly out of shape. Gold bright.

Lot 400

A Fine Circa 1790's Chinese Carved and Pierced Ivory Brisé Fan, Qing Dynasty, the central shield carved with trees, birds and butterflies. The twenty-eight inner sticks are further carved with various stylised ovals. The tips all have the same design. The slightly heavier guards are intricately carved. Guard length 26cmRibbon defective, a few slivers are missing to the general body of the fan but overall the fan is in good order.

Lot 404

An Unusual Mid-19th Century Chinese Ivory Mandarin Fan, Qing Dyansty, the sticks being relatively plain, being carved only on the upper section of each guard, and in a central oval on the gorge. The carving on the guards, deeper than that in the central oval, depicts three figures under the shade of a tree. The gorge oval is carved with trees, figures and buildings. The leaf depicts various figures of different social levels, two young men push an older figure in a wheeled carriage, another man walking ahead carrying possessions. Buildings are painted blue and many of the applied silk robes are of a sombre deep plum. Children, to the left, appear to be either playing a game or musical instruments. All figures have applied painted ivory faces. The verso, in bright cerise, shows an unusual grouping, with two figures inside a ceremonial dragon, four musicians with instruments, and four other figures one carrying a fan, another a tall pole supporting a fish, another with a similar pole bearing an oversized flower. The surrounding border is elaborate, and small scale, with vignettes of blooms, fruit and colourful birds. Shaped gold metal loop with silk tassel. Together with a fitted lacquer fan box with domed lid and unusual painting, the lining of blue silk, painted inside the lid with bats, fish, and flowersMonture sound but requires cleaning. The leaf is grubby, noticeable on the cream side, slight rubbing to the leaf folds. Some very small chips to the lacquer at the front of the box. The clasp holds.

Lot 406

A Mid-19th Century Chinese Mandarin Fan, Qing Dynasty, the wooden sticks lacquered in black and gold, the gorge decorated with a central scene of small buildings surrounded by flowers and a moth, the guards more finely worked in a similar fashion. Both sides of the double paper leaf show figures with applied painted ivory faces and silk robes. Guard length 28cmMonture sound, leaf folds rubbed.

Lot 408

A 19th Century Fine and Large Chinese Cabriolet Fan, Qing Dynasty, double paper sticks on a black lacquered wood monture which is painted in gold, some areas with flowers and others with figures. The central vignette on the recto depicts a river or coastal scene with a bay, small boats and sailing ships approaching. The two side vignettes have groups of family members with applied ivory faces and silk robes. Fish and other creatures fill any remaining space. A smaller but similar scene is shown on the lower section of the leaf. On the verso the upper leaf has more specific scenes, one of warriors, one of ladies, two with both sexes and two with horses. The lower leaf depicts a colourful bird and flowers. Guard length 29cmGenerally very good with no obvious repairs to either leaf or monture.

Lot 410

A Circa 1840-1850 Large Chinese Carved Sandalwood Mandarin Fan, Qing Dynasty, the double paper leaf depicting figures with applied painted ivory faces and silk robes, several holding fans, one new arrival on a horse shaded by an attendant with a parasol. The verso, with an unusual dark ginger background, features more figures in room settings, and a terrace with mountain view. The gorge sticks are lightly carved, the guards more deeply. Guard length 41cmMonture generally sound, both sides of the leaf have issues, with leaf support sticks being revealed and loose, several large splits present.

Lot 411

A Mid-19th Century Chinese Mandarin Fan, Qing Dynasty, with broad shouldered wooden sticks, lacquered in different colours, the guards in red, all painted with flowers and figures, some in groups, others, in roundels at the mid-point of the gorge, seated in curtained alcoves. The double paper leaf depicts various groupings of figures with applied painted ivory faces and silk robes, undertaking various activities, a visitor arriving on horseback, one figure within a curtained booth. The verso depicts similar scenes with many figures holding fixed and folding fans, and one other with a birdcage. Simple shaped loop, guard length 28cmMonture slightly rubbed on the gorge, one of the black lacquered sticks has a straight, not shaped side near the shoulder. Rubbing to the leaf folds, and some repairs to the bottom edge of the leaf. The outer edge of the upper guard has chipped lacquer on the shoulder. The lower guard has broken at the rivet but this 2cm section is available, for repair.

Lot 412

A Harbour Scene, probably the Hongs of Canton: Mid-19th Century Chinese Carved Sandalwood Fan, Qing Dynasty, the double paper leaf with a central vignette depicting a skyline of magnificent buildings, fronting onto water, flags flying, all manner of craft afloat, fishing boats, a ferry, and what appears to be a floating palace, with gilded entrances, rich red curtains, and a courtyard obscured from watching eyes. This vignette is surrounded by a border of flowers and butterflies, painted with great attention to detail. The verso, a formal scene with a dignitary seated centrally, figures with applied painted ivory faces and silk robes, includes very unusual scenes of figures in elaborate robes, one balancing on a horned toad, holding aloft a trophy, this area featuring a tall column and an elaborate pagoda. To the left side of the verso, perhaps an Emperor, an attendant behind with a large fan, the robes and headdresses particularly detailed. A final scene shows a man of import, with attendant, waves at his feet, and a mythical fish or other beast. The inner sticks are lightly carved, the guards heavier allowing for deeper carving. The shaped metal loop is secured to the rivet by large domed buttons. Guard length 28cmGood with signs of professional repair, as five of the carved inner sticks have been pieced with wood of lesser carving and lighter colour. The leaf is rubbed on the folds but holds good colour.

Lot 451

A Fine and Unusual Early Chinese Carved Ivory Brisé Fan, Qing Dynasty, the twenty-five inner sticks and both guards pointed at the tips, the medium weight guards intricately carved with four ovals interspaced with flowers, the lower section with different shapes. The lower gorge is uncarved and the sticks are shaped to correspond with the ovals on the guards, best seen from the side when closed. The sticks have various different bands of carving, floral changing to buildings underneath the ribbon. Two central ovals are carved with birds in flight. Two roundels are carved with upside down pagodas. The verso is uncarved. Guard length 20cm NB: This is most likely one third of a previously damaged cockade fan, which would explain why the pagodas are upside down. The guards are most likely cut down handles from the original fan.To the left, one stick broken near the tip, with a crude splinted repair. The ribbon is sound. To the right, another broken/repaired stick to the left edge of the right roundel. Some ivory slivers missing.

Lot 453

A Chinese Carved Bone (?) Fan, Qing Dynasty, mounted with very dark feathers colourfully painted on the recto with two colourful birds facing each other, amongst flowers. The verso is painted in a similar fashion, this time with butterflies approaching the flowers. The monture is deeply carved on the guards, less so in the gorge, with detail highlighted in goldThe feathers are tatty and the ivory dirty from storage. The colours are strong.

Lot 454

A Chinese Carved Ivory Fan, Qing Dynasty, mounted with white feathers painted strikingly in blue, a central feature being two very colourful birds with exceptionally long tail feathers, posturing as though ready to fight. The guards are very deeply and intricately carved with figures and trees and buildings, the gorge sticks less so. The verso is plainDirty due to storage , the monture sound, the feathers slightly tatty at the edges.

Lot 455

A Fine and Delicate Chinese Carved Ivory Fan, early Qing Dynasty, mounted with white feathers, being painted in vibrant colours, the recto with a bird flanked by two butterflies, the verso with flowers. The monture is of particular note, being relatively plain but well carved on the guards, this carving being highlighted in gold; and A Further Chinese Feather Fan, the monture of bone, crude carving to the guards, white feathers painted with colourful birds with long tails, and reserves painted with pink and blue feathers (2)Fan 1: The fan is dirty from storage, the feathers are quite tatty but the paint is strong and vibrant. Fan 2: Intact, feathers a/f.

Lot 457

Regency Brisés: Four Small Regency Brisé Fans, one in a period gold tube with lid, to include one plain ivory fan with slender sticks and shaped tips, having two guards and twenty-six inner sticks, Together with another virtually identical but only twenty-four inner sticks (guard lengths 17cm), Together with part of a carved and pierced ivory brisé comprising seventeen inner sticks, guard length 18cm, and a carved and pierced bone fan painted with blue, pink and yellow flowers, guard length 16cm, barrel rivet (5)The first 2 fans require new ribbon. The other two are for spares.

Lot 458

Five 19th Century Brisé Fans, to include two in ivory, two in wood, one in bone painted with flowers (all a/f)

Lot 459

A Late 19th Century Varnished Brisé Fan, of the type known as Vernis Martin, the ivory (?) sticks ribboned in black with gold highlights. A bucolic scene of maidens dancing in a flower meadow, one with a tambourine, three cherubs seated on a river bank, playing the flute, the pipes and striking a triangle, with a further piper to the left wearing sheep's wool, probably Pan, with another semi-clothed maiden at his feet. The verso shows four frolicking cherubs, wearing flower garlands. The fan is varnished in shades of green and mustard. The guards and gorge have classical designs with a slightly Chinese influence to the gorge, and here the colours include ginger, dark green and red Provenance: Believed to have belonged to HRH The Duke of Connaught. Generally sound with some chipping to the varnish. Ribbon defective centre top.

Lot 460

A Circa 1860's to 1880's Large and Substantial Ivory Brisé Fan, probably Austrian, with a shaped ivory loop and wide sticks. The eighteen inner sticks have a central design, an oval medallion topped with swags and flowers, and painted in gold and silver with a cherub and flower garlands in pastel colours. Verso plain. The guards are painted with the same colours and have flowers within a lozenge shape. Guard length 23cmSlight discolouration to the left side, ribbon sound.

Lot 463

A Mid to Late 19th Century Ivory Fan, the monture very plain, the double silk leaf painted with a young boy playing a guitar to the delight of three young and fashionable ladies seated in the shade of an arbour. The costumes appear a century earlier than the fan, the lady in lilac appearing to wear a sack back robe, shading herself with a matching parasol, one companion shading herself with her fan. Unsigned. The cream verso is plain. Simple gold metal loop with attractive shaping to the head when the fan is open. Guard length 27cm. Together with a green card fan box, unlabelled; and A Late 18th/19th Century Ivory Fan, the slender sticks carved, pierced, gilded and silvered, the upper section of the guards wider. The gorge is quite finely carved with figures and more classical designs. The double paper leaf of a later period, is lithographed with a charming scene of young girls and their mothers presenting bouquets of flowers to an older lady seated in the grounds of a large country house, just visible in the distance. The dresses are brightly coloured and of the tiered style popular in the middle of the century. The reserves are filled with flowers and are strongly gilded. The verso shows two ladies wearing much earlier, flowing robes, greeting a young male visitor who appears to proffer a gift. Guard length 27cm (2)Fan 1 - Rubbing to the folds, splitting to leaf next to the right guard, and just in from the lower guard. Colours and detail good. Box in good order. Fan 2 - The upper guard is broken but present. Losses to the gilding and silvering.

Lot 464

An Early 18th Century Ivory Fan, with carved and pierced monture, the slender guards carved with a figure and flowers, the gorge most delicately carved all over with a trompe l'oeil ribbon design with further ornate detail. The vellum leaf , mounted à l'anglaise with a cream ground, is painted with a simple but detailed scene of a young boy, dressed in bright blue, playing a flute, his mother seated to his right and resting against a low stone plinth, on which sits a large urn. The mother, wearing cream, sports a bright blue hat, and sits in front of a small pond, perhaps fishing, and these flashes of blue continue into the reserves with blue flowers, and a hint of gold. In the near distance, a building in front of which sit another two figures, dressed in cream and blue. A few simple pink flowers and cream leaves grace the verso. Guard length 27.5cmThe rivet is missing. Some light staining and dirt to the verso. Old repairs to the upper sections of both guards.

Lot 465

A Mid to Late 18th Century Ivory Fan, the monture gilded, the upper section of the guard inlaid with dots leaving much of the ivory showing, the lower section gilded in a plain line to complement the linear gilding to the gorge sticks, which alternate with more decorative and serpentine design. Diamantés to the rivet. The double silk leaf shows a well-dressed 18th century couple seated in a classical setting, the lady all in pink, wide pleats trimming the front edge of her open robe, her elbow length sleeves adorned with lace engageantes. The gentleman, who appears to be playing a recorder, wears a long blue jacket with yellow waistcoat and orange breeches. The lady wears a tiara and has a basket on her knee. Vignettes to their side feature decorative vases and roses. The reserves are filled with sequins and flowers, in strong blues and pink, matching the clothes of the central couple. The verso is simply painted with sprays of flowers. Guard length 27cmSome folds are rubbed. There are losses to the gilding. The verso shows that most leaf folds have been restored.

Lot 466

Formal Portraits: An 18th Century Ivory Fan, circa 1780, the monture pierced and carved and silvered in the ''battoire'' fashion. The upper guards are carved with a large figure. The gorge sticks are intricately carved with some worked in pairs. Others, singly, are carved with profiles near the shoulders, possibly wearing crowns. The central three sticks each feature a silvered figure, and others in pairs form large hearts. The double paper leaf is painted on an unusual background of light peach, several shades of blue for skies and water catching the eye. Centrally, a family have taken a stroll in a park, with a bridge behind them, a rowing boat passing under. The lady is seated and the young boy, dressed in yellow and blue, leans close to her as his dog jumps up, his father more occupied with offering flowers to his wife. The lady is finely dressed in a lilac gown with white petticoat, white lace at her neckline and elbow length sleeves. She holds a folding fan part- open in her right hand. The gentleman wears a short wig and a long blue jacket, over a waistcoat and breeches in strong pink. To the right of this scene is an oval portrait of a very similar lady, wearing a pink gown and white cap. To the left, an oval portrait of a gentleman in a similar wig wearing a dark green jacket and white necktie. To the extreme left, a couple attired in rich red and blue are relaxing in the countryside. To the far right, a solitary lady dressed in lilac reclines whilst reading a handwritten letter. The reserves are painted with elaborate swags of blue and pink flowers, and the top and bottom of the leaf are bordered in silver, some of the floral decoration meandering into this area. On the verso, a lady with a front lacing bodice and rather unusual hairstyle sits close to a river, accompanied by a small dog. Guard length 25.5cm Provenance:Believed to be one of the fans from HRH The Duke of Connaught sale and bears a label noting thisOne gorge stick is badly broken. Loss to some of the silvering. The leaf is stained to the verso. Some rubbing to the folds. The rivet is lacking.

Lot 467

A Vibrant Mid-18th Century Ivory Fan, the monture silvered and gilded, carved and pierced, the guards with figures, the gorge with a central roundel covering several sticks and containing figures gilded in two shades of gold. The double silk leaf is vertically decorated, being embroidered with meandering sequins, painted with mainly pink and blue flowers, and featuring columns in a strong gold around which are entwined smaller flowers, the designs alternating as they work across the leaf. To the extreme left, a bird flies over various gold symbols. Centrally, the decoration has the addition of a royal blue painted oval. The verso is plain. Guard length 27cmThere is wear to the silk along the bottom edge. From the verso, the leaf may have had some restoration as there is discoloration which could be attributed to glue?

Lot 468

A Mid-18th Century Ivory Fan, with découpé leaf. The monture is both carved and pierced, and some of the design is painted in shades of pink, blue and green. The guards are both carved with a lady and a bird, the gorge sticks are in pairs with a regular design of ribbons and holes. The double paper leaf is painted with a simple scene of a fine lady and two gentleman taking the fresh air, a further vignette at either side depicting simple buildings, one appearing European, the other possibly Oriental. The verso has a simple sketch of a church and trees. The decoupage covers the entire leaf excepting the pictorial vignettes, and is cut in shapes of diamonds and ovals, and perhaps a fan. Some areas are tinged with red, green and blue. Guard length 26.5cmThe verso is slightly stained and this penetrates a little to the top right of the recto. The decoupage is in good order.

Lot 469

An Elegant Early 19th Century Ivory Fan, the gorge sticks plain, the guards being inlaid with abalone in variously shaped panels, with some slight piercing, and painted brown at the head to resemble thumb guards. The double paper leaf is painted en camaieu in powder blue with a stylised tree, four birds, a butterfly and oversized flowers. The verso has originally been painted in a similar fashion with a blue flower, but now has the addition of panels of oriental figures on alternate folds, in gold, and seemingly in strips applied to the leaf. Guard length 28.5cmThe addition of the figures to the verso, the leaf is quite dusty and some folds are rubbed, in particular one central to the flowers.

Lot 470

A Mid to Late 18th Century Ivory Fan, with carved and pierced monture, the upper guards quite crudely carved with flowers, the lower section the same as the gorge, being regularly pierced in several bands of different designs. The double paper leaf is painted with a country landscape, a church and other buildings in the distance, a mountain range behind. To the foreground, a shepherd and shepherdess with their sheep observe whilst two couples indulge in country pursuits, one man presenting his lady with wildflowers, the other ascending a stepladder in order to pick fruit for the lady ready with her basket below. The verso, with cream reserves, depicts a simple cottage, smoke billowing from the chimney, the windows with leaded glass. Guard length 28cmThe rear guard is repaired and some old leaf repairs are visible from the verso.

Lot 471

Birds and Butterflies: A Mid-18th Century Ivory Fan, with slender sticks, the upper section of the guards wider and carved with a flower. The gorge is both painted and pierced, the piercing simple with leaves and curves, a shaped lozenge painted centrally edged in gold and containing tiny brown leaves and delicate blue flowers. Nearer to the head, the gorge sticks are painted in blues and pinks with an Oriental lady and child, a butterfly hovering over lilac and pink flowers. The double paper leaf is fresh and bright and highlighted in gold. An Oriental child wearing pink and blue approaches a man, a lantern hung from a pole over his shoulder, a bird perched on his outstretched hand. The man in similar dress with the addition of a shaped black hat and black shoes, proffers a flower basket containing pink flowers. Behind him on a small table is an exotic pot plant with large leaves and a blue pottery bowl. Above the figures hovers a bright blue bird, another perched on a branch of a tree to the left. The verso is plain save for a few pink flowers and green leaves. The découpage on the leaf is highly detailed and covers the top border, both sides and provides some central detail. The designs are so intricate as to resemble high quality needle lace with various complex fillings, including pomegranates and leaves as well as lattice and scrolling. Guard length 28cmThe leaf is clean and fresh but does have some brown marking on the verso.

Lot 472

An Early 18th Century Ivory Fan, the sticks plain with shaped shoulders, and mother of pearl thumb guards, the double paper leaf depicting a shepherdess and sheep in a simple rural environment, a boy carrying a lamb on his shoulders, a tree and house in the distance. Some gold highlights to the patterns on clothing. On the verso, a simple tree, a bird perched on a branch, its face black, its breast a ruby red. Guard length 28cmFresh and clean for its age. One tiny section of leaf lifting on the recto.

Lot 473

Pastoral Idyll: An Early 18th Century Ivory Fan, with carved guards and a carved, pierced and painted gorge. The front guard has two panels in the upper section in which are painted flowers. The lower guard has a more plainly carved upper section. A central pierced vignette in the gorge is carved with flowers in a basket, a squirrel to either side, the basket brightly gilded. To the left, two painted Japanese figures, a tall bird table with a bird, to the right a further Japanese figure proffering a red rose to an ostrich. The vellum leaf, mounted à l'anglaise, shows a European scene of a lady listening to a musician playing a stringed instrument, and to the right a young shepherd playing a pipe to his sheep. The verso has a simple painting of trees and a sheep. Guard length 29cmThe leaf is quite well rubbed, and foxed within some folds. The ivory is yellowing in places, the verso is quite dusty and lightly marked.

Lot 474

The Grape Harvest: A Circa 1740's Ivory Fan, the plain sticks mounted with a painted country scene of grape pickers in the fields, a small child picking flowers, the leaf of vellum, unusually backed in a fine cream silk, seemingly original. The verso is plain. The gorge sticks are intricately shaped with wide shoulders, and form interesting shapes when the fan is closed and laid on its side. Mother-of-pearl thumb guards. Guard length 28cmThe leaf rubbed on the folds and more generally.

Lot 475

Flora and Zephyr: An 18th Century Carved and Pierced Ivory Fan, with mother-of-pearl thumb guards. The upper guards are elaborately carved with two figures and a large urn, with some light colour painting. The lower sections are more classical. The gorge is carved to the left with a lady dancing, her skirts swirling, and to the right with three more dancers, the background piercing very finely worked. The vellum leaf, mounted à l'anglaise, depicts Flora, Goddess of Flowers and of the Spring and her husband Zephyr, the Wind God, a winged cherub to the side, a lady gathering flowers with a child to the right, the verso with a simple painting of a lady with a panier. Guard length 26cmThe leaf is quite rubbed at each side. The verso is dirty and has a few stains. The upper guards are likely to be later replacements.

Lot 477

Venus and Mars: An 18th Century Ivory Fan, with carved and pierced sticks and guards, the gorge with three vignettes, the centre with two elegant ladies dancing, the ones to the sides each with a seated gentleman watching. Closed and turned to the side, the carved sides to the gorge sticks make for interest. The vellum leaf, mounted à l'anglaise, depicts Venus and Aeneas, with Cupid in the bushes about to shoot an arrow, another winged cherub in attendance, the verso plain. Guard length 29cmThe leaf is quite rubbed and very foxed on the verso, this side also showing damage to the leaf where stuck to the guard and there is repair to at least one top fold. The ivory is discoloured. The upper guard has been repaired with a large splint secured to the back. Three gorge sticks are not secure.

Lot 478

Aeneas and the Healer: An 18th Century Ivory Fan, the guards and gorge carved, a wide band of carving and light piercing just under the leaf depicting two figures, flowers and foliage in relief, with a central shell. One guard has a metal thumb guard, the other one of mother-of-pearl. The vellum leaf, mounted à l'anglaise, shows an army encampment and Aeneas, a Trojan hero, seated outside a draped tent, his soldiers around, a winged angel above, the healer Lapis at his feet, removing an arrowhead from his leg. The verso is plain. Guard length 27.5cmThe leaf paint is rubbed. There are repairs to the leaf folds seen from the verso, and there are a few black marks.

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