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19th century ivory fan with pierced, carved, silver and gilt painted sticks and guards, paper mount depicting figures in 18th century costume and landscape to the reverse, 25cm; a bone fan with pierced, carved sticks and guards, decorated with gilt paint, printed paper mount, hand coloured with figures reposing in a landscape and similar to the reverse, 26.5cm (2). Ivory fan - painted decoration rubbed to the guards and sticks and some wear. Numerous areas where paper mount has been patched to the front and back, overall wear. Bone fan - both guards broken across the top onto the mount. Bone shows wear and numerous black marks. Paper mount has split in a couple of places along the folds, also some rubbing.
A 19th century work box, with hinged lid enclosing a pink papered lift out tray, with small length of lace, ivory spool holders, cover decorated with classical figures within a green acanthus leaf border, 29.5cm by 23cm by 24cm; Regency red morroco leather mounted rectangular hinged sewing box, with some leather accessories, 20cm by 14cm by 6.5cm; small sarcophagus red leather mounted sewing box, with brass mounts, interior a.f. 15cm by 8cm by 11cm (3). Glued and restored repairs to the back of the box, and to the left hand side. Cover sits slightly askew. Scratches and wear overall, especially to the cover. Deep scratch and wood showing to the left hand side of cover. Some wear to pink paper, tears and ink marks. Replacement ribbons added to the lift out tray.
An Early 19th Century Rosewood Hinged Sewing Box, with mother-of-pearl inlay, bead banding around the lower edge, on four ball feet, internally the yellow silk lined lift out tray includes mother-of-pearl and ivory sewing accessories (and key) 29cm by 20cm by 8cm.Crack to the cover on the outside, and some fading. Feet chipped, some beading missing.
Circa 1920s and Later Wedding Dresses, comprising a cream floral printed silk drop waist dress, with long sleeves and V neckline appliquéd with flower heads; a 1930s dress in figured cream silk, skirt starts from a zig zag design at the hips, long sleeves, v-neck, lace trimmed, glass buttons to cuffs and matching belt; Kenilworth Model ivory brocade long sleeve wedding dress, round neck, buttons to the waist with pleats above, pleated long skirt and large bow to the reverse (size 36); similar style dress with scoop neck, long sleeves, wrap around train that sits like an open robe skirt; a cream dress with sweetheart neckline, with gathered vertical detailing to the bodice, full length and long train, multi buttons to the back (5) . Drop waist dress - 40'' bust, some very light and small spotting to the top, skirt and under one arm. Slight wear overall. 1930s dress - 36'' bust, most of lace missing to the v neck, two small stains under each arm, 1/2 p sized light brown mark to the skirt, slight wear overall. Kenilworth Model - 28'' bust, couple of black marks to the skirt, couple of areas to the bodice are slightly discoloured; similar dress - 34'' bust, couple brown marks to the back of the skirt are hidden by the train. Water mark to the hem of the train, couple of light brown marks overall, side seam coming loose near the waist. Cream dress sweetheart neckline - 33'' bust, couple of light marks to the dress, especially to the hem of the train, some buttons missing to the back and cuff.
Circa 1940s to 1960s Wedding Dresses, comprising an ivory silk brocade long sleeved midi length dress, with stylish folding cowl neck collar, multi buttons to the reverse, with a large bow to the top; Model of Rebuck of London cream lace long sleeved dress, X style bodice with cream velvet trim; A Vinnette Model white lace long sleeved wedding dress, with waist tie and scalloped scoop neckline; cream silk floral brocade dress with short sleeves and scoop neck, floral rosette to the back; white and silver lace sleeveless wedding dress with wide shoulder straps, skirt opens up to reveal white net multi layered skirt; similar white long sleeve dress with round neck, scallop edging to the open skirt with net underneath (6). 32'' bust, couple of small light marks overall and to the hem. Model of Rebuck dress - 32'' bust, small brown spots to the right shoulder to the front and back, couple of brown spots to the skirt, dirt marks to the hem. Vinnette Model dress - 30'' bust, slight wear. Cream silk dress - 36'' bust, very slight staining under the arms, some discolouration to the hem, couple of marks overall, underskirt needs fixing. Silver and white lace dress - 33'' bust, slight staining under the arms, slight graying to the lace. Some tears to the hem, and wear to the layers of net. 34'' bust, two tears to the net on either side of the collar, slight staining and wear.
Assorted Circa 1960s and Later Summer Dresses, comprising Jean Varon navy sleeveless heavy weight cotton pleated dress, trimmed with lime green thread and embroidered arrows to the reverse, with waist tie (size 10); Laeta Ramage orange linen sleeveless dress with matching skinny waist belt and neck tie (size 12); Peter Barron turquoise linen sleeveless dress with drawn thread work design and square fob to the middle, (size 16); Ladies Pride cotton sleeveless dress in a red, orange and green floral pattern, with key hole and bow detail to the neckline (size 12); St Michael sleeveless cotton dress printed with turquoise and blue abstract pattern, patch/flap pockets to the bust (size 14); white cotton sleeveless dress with abstract triangular print pattern in navy blue (size 20); CC3 sleeveless cotton mini dress in blue and green stripes with a stylised floral pattern with matching waist tie (size 10); Academy Costumes psychedelic print sleeveless cotton dress, in a flamboyant floral pattern (size 16); Alice Edwards sleeveless cotton shirt dress with reverse printed white flowers on a yellow ground (size 14); D L Barron pinafore style dress in a blue, white and green cotton printed with paisley boteh (size 14); and an ivory sleeveless dress printed in gold with flower baskets, ribbons and clouds, (size 14) (11).Provenance: Academy Costumes, LondonThe sizes stated are a combination of original size labels or modern day equivalents marked by Academy Costumes Jean Varon - some wear overall. St Michael dress - some faint staining in places. Laeta Ramage dress - some thread pulls and a couple of tiny stains. Peter Barron dress - some wear around the neckline, two small stains to the front. Ladies Pride dress - lacking belt, otherwise good condition. White sleeveless dress - very faint small stain to the front. CC3 Dress - good condition. Academy Costumes floral dress - good condition. Alice Edwards dress - faint stain to the reverse. DL Barron dress - good condition, small area of dye run and fraying to the top of the zip fastening. Ivory sleeveless dress - overall wear and bobbling, and various small stains.
A Gentleman's Pigskin Travelling Dressing Case, fitted with numerous accessories including ebony backed brushes, plated soap boxes etc, with canvas outer cover, formerly the property of Lt. Colonel G O Sandys. Fittings include a hammered silver hinged soap box by Grey & Co London, 1896, an earlier silver example with partial rubbed crest and marks, silver topped glass jar bearing crest, ebony mounted brushes and accessory tools with crest, pair of steel scissors, smaller pair stamped A Barretts & Sons, pair of steel snips stamped Underwood London, two leather mounted brushes in a leather case, ivory implement etc
A good quality electroplated warming/chaffing dish and cover by Mappin & Webb, with baluster ivory detachable handle, internal divider and bead borders; together with a group of silver plated items to include: a large twin handled tray; an Edwardian three piece tea service; entree dishes; toastracks; Old Sheffield plate salts; cake basket etc
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239691 item(s)/page