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A collection of 19th Century Japanese / Oriental ivory figures on stands. The first figure depicting a small child in traditional kimono with one leg & arm raised. Atop a wooden square stand raised on a slate base. The second is a mythical creature sat atop a square wooden plinth. Final figure of a guinea fowl / poultry bird on a cylindrical ebony base. Condition; age related wear & tarnishing to be expected with significant damage to the first figure. Largest measures approx; 11cm x 10cm.
Original, right-hand drive, SA car subject to a full nut and bolt restoration in the past with some performance upgrades.At first glance, the 356C, introduced in mid-1963, differed little externally from its predecessor, the 356B, since it continued to use the T-6 body type which had arrived in 1962. Porsche, however, brought the 356 concept to its zenith with the 356C, available in Coupé and Cabriolet form, with the addition of Dunlop four-wheel disc brakes as standard, a higher-lift camshaft for the 1,600cc engine, new flat-face hubcaps, and deeper bucket seats. These seats came courtesy of Porsche's acquisition of Reutter, which included the future Recaro subsidiary. 356 production peaked at 14,151 cars in 1964 which coincided with the arrival of the new 911 model, however, Porsche continued to sell the 356C in North America right through to the end of 1965. According to the Vehicle Identification sheet issued by Porsche Cars GB, Chassis number 131884 is a right-hand drive 356C Coupé built during 1964, fitted with Engine Number 716623 and finished in Light Ivory with a Black Leatherette interior. It was shipped to supplying dealer, Lindsay Saker Motors (Pty) Ltd. in Johannesburg, South Africa and onward to its first owner. We next hear of the car when it’s being shipped to the UK in late 2001. The Bill of Lading details that it was accompanied on the trip by a 1960 356B and a ‘65 Chevrolet Corvair and the trio set off from Durban on 23/10/2001 arriving at Tilbury Docks in January 2002 all bound for Douglas Valley Breakers in Standish, Lancashire who were handling 131884 on behalf of Forty Forty Cars in Harrogate. Within the substantial history file are documents confirming that all VAT and Duty was paid and they include the Bill of Lading, correspondence with the DVLA and Customs and Excise, a UK Bill of Entry, the South African Title and a Vehicle Clearance from the SA Police. Now safe in the UK, a major rolling restoration was commenced in 2003 and appears to have been completed in late 2007 judging by the fact that the first UK MOT in the file is dated 16/01/2008 @ 79,872 miles and the car was first UK registered on 1/03/2008. It was a full, engine out, glass out, trim out, bare-shell restoration in its original Ivory White and there are photographs in the history file of the Porsche when it first arrived, during the process and one or two of the finished article. There are dozens and dozens of invoices in the file addressed to Larry Goff, the car’s owner at the time, and we would suggest that interested parties take an hour or so to have a detailed look. They include PR Services £8,811, Southbound Trimming £2,795, Paul Brown - wiring £843, Karmann Konnection – parts £5,396, Zentrum - engine parts £5,420, Maxted Prill engine rebuild and more - £8,891 plus a 500 mile service - £1,842, and various others, suggesting that over £35,000 was invested in the 356 during this period. The invoice for the engine rebuild is dated 5/12/2008 and confirms that the cylinders were re-bored and fitted with Shasta 86mm forged pistons taking the capacity out to 1,720cc with a consequential increase in horsepower.Our vendor purchased 131884 on 26/01/2011 with the appropriate invoice on file together with an Insurance Valuation from Sherwood Restorations of Nottingham carrying the same date and suggesting that the car at the time had a value of £60,000. Our vendor is particularly fastidious when it comes to his motor cars and towards the end of that year he noticed that one or two small areas of bodywork were not quite as pristine as he had hoped. As we all know, once you see these things it’s very difficult to ‘unsee’ them and inevitably one thing led to another and the decision was made to replace the front wings and door skins. Realistically, if you are going to paint both wings and doors on a car the size of a 356, you may as well prepare and paint the whole car and a few months later 131884 emerged blinking into the sunlight looking fabulous and now in a classic shade of Porsche silver. The work was carried out by DMR of Doncaster and there are invoices in the file.The car’s mileage at that point was around 88,000 (MOT on 31/08/2012 shows 88,424) and, at the time of our photography in March 2022, the odometer was reading 97,352. Pleasingly, there are 11 older MOT Certificates on file (first on 16/01/2008 @ 79,872 miles) corroborating the Porsche's light but regular usage.Andy Lee of Sandbach, Cheshire appears to have been entrusted with looking after the car in recent years and there are invoices on file from him (£3,209) for routine servicing and the inevitable niggles up to 27/11/2018 with an oil and filter change at 95,860 miles. The Owner’s File also contains a couple of photocopied period brochures, Porsche Club GB correspondence and a wiring diagram. As well as being a competent and sporting Coupé, this superbly presented right-hand drive 356 is a perfect representation of the late fifties/early sixties period that is absolutely in fashion at the moment and this desirable example would be welcome anywhere. SpecificationMake: PORSCHEModel: 365CYear: 1964Chassis Number: 131884Registration Number: DRR 372BEngine Number: 716623Drive Side: Right-hand DriveMake: RHDClick here for more details and images
Assorted Costume Accessories, comprising a drawstring purse with beaded floral 'trellis' mount, small coloured bead purse in turquoise, gilt and pewter, white bead and gilt metal decorative purse with gilt metal clasp, two black fabric purses with diamante clasps; black silk floral rosette; carved bone fan with cream silk mount painted with roses, 30cm; cream lace trim woven with silver threads; carved ivory parasol with brown self striped silk mount (a.f.); black silk stole; pale blue silk 'driving' head scarf
Pair of Circa 1800-1810 White Silk Ankle Boots, with leather soles and blue silk floral rosettes to the front; a Cream Silk Parasol of a later date embroidered with floral motifs with silk tassel fringing, ivory and wooden folding handle (2) Boots - toe to heel 24 cm, some discolouration, overall the elastic sides have stretched, slight scuffing and a couple of tiny holes to the sole. Parasol - slight discolouration and several ??? to the silk slight wear overall
A Stylish 1939 Ivory Silk Satin Wedding Dress, with long sleeves, round neck, chevron style braided detail to the bodice and similar inserts to the long skirt with train, multi covered buttons to the reverse and cuffs, in a Catherine Beydornn card box and cover; two Lenare wedding photographs of the bride Irene 'Chisan' Denbigh (1917-2015), on her marriage to Richard Martyn Dennis (1916-1965) at St Marks, North Audley Street, London, W1, in a black leather gilt tooled Lenare, Portraiture, Hanover Square, London folio Possibly a dress size 10. 37" bust, 29" waist. In overall good condition, a few light areas of discolouration overall. One of button loops has broken.
Early 20th Century Tiffany & Co Ebonised Fan, with pierced and carved sticks and guards, black silk mount hand painted with flowers and ferns to one side, 16cm, in a Tiffany & Co Union Square black card box and cover; Peach Silk Panel mounted with stylised floral lace top and gathered trim, 110cm by 60cm; Late 19th Century Ivory Fan After Donzel, fully decorated recto and verso with figures seated by a river signed 'Donzel', painted ruins to verso, 19cm (boxed) (3)
19th Century Ivory Fan, with plain sticks and guards carved with roman figures and putto, a painted mount depicting a fisherman and his wife with a basket of fish, and a figure on the jetty on the opposite side of the river with decorative gold card motifs to the borders, plain to the reverse, 27cm; a Late 18th Century Chinese Ivory Fan, with carved and pierced sticks, velum mount printed with a central hand coloured mezzotint of a lady being serenaded by a gentleman and his flute, whilst patting a lamb, hand painted floral garlands to either side within a decorative purple border, 29cm (2)Roman figure ivory fan - Several repairs to the lower part of the mount near where it joins the sticks, rubbing and wear overall. Chinese carved fan - metal repair to one of the guards, two cracks/splits to the opposite guard, wear and some staining to the ivory overall. Numerous repairs to the mount and wear.
A Circa 1775 Ivory Fan with painted, embossed, decorative and finely carved guards and sticks depicting buildings, male and female portrait, birds, insects, a central medallion on a blue ground, double chicken skin leaf hand painted recto with a central cartouche of a woman holding Cupid, the reserves each have a smaller cartouche, finely painted swags and garlands verso, (a.f) 28.5cm, in a modern card boxOne of the missing pieces of ivory is in the box
18th Century Ivory Betrothal Fan, with pierced and carved sticks painted in silver and gold, guards inserted with oval miniature portraits of the couple both with jointed arms moved by a brass tab to the guards, the leaf painted with a central cartouche depicting the couple reclining in a classical landscape with cupid, flanked again by oval portraits of the couple, other decorations include painted flowers and butterflies, sequin and white metal embroidery, verso hand drawn sketches in black and red ink, 27.5cm (a.f.); 19th Century Mother of Pearl Fan, with carved and pierced sticks and guards decorated with gilt and silver decoration, leaf painted with a group of figures by the well, witthin a border of floral motifs, verso a seated shepherdess and lamb, 29cm (a.f.) (2)
Circa 1750 Unusual Ivory Fan with carved, pierced sticks and guards, the double leaf representing the pilgrimage to the shrine of St James, recto hand painted with two rows of clerics, monks, ladies and gentlemen, verso depicting a landscape of the viaduct close to Santiago de Compostela, with seated figures, 29.5cm, in modern card box Literature: Bertha De Vere Green plates 25 and 26
A Circa 1730 Ivory Fan, with carved guards and sticks, mother of pearl tips and thumb guards, mounted with a hand painted double leaf recto depicting a flute player, a couple dancing surrounded by a turkey, peacock, horned animals, water birds and cattle, a castle in the background, verso painted with insects, birds and a stork amongst flowers, 30cm, in a modern card box
Circa 1750 English Ivory Fan, the sticks and guards carved and pierced with figures, dogs, windmills and flowers, the double leaf hand painted recto with Chinese ladies and children, vignettes of oriental flowers, fruit and birds, the verso with a central painting of flowers and blossom behind a rock, 28.75cm, in a modern card boxExhibited Marble Hill House, London 2006Slight rubbing and discolouration to the ivory sticks and guards. Slight rubbing and wear to the painted leaf, small pin prick marks to the mount - see image.
A Late 18th Century Ivory Betrothal Fan, with carved, pierced and painted guards and sticks, the double paper leaf hand painted recto with a central cartouche depicting elegantly dressed figures celebrating their engagement amongst a country scene, flanked by a small oval portrait of the betrotheds, and a scene of kite flying and another past time, verso painted with a landscape, 26cms, in a modern card box
Circa 1870 Austrian Ivory Brise Fan, the guard sticks mounted with enamelled gilt metal depicting scrolling branches, inlaid with pearl, turquoise and garnets in a floral design, one guard mounted with a small oval enamel plaque depicting cupid and another, fan is hand painted with two lovers in a pastoral scene with sheep, 20.5cm, in a modern card boxGilt metal mount has no stone losses, but enamel appears to have been later painted onto the gilt, some of the metal is lifting/bent slightly, couple of small areas that have been possibly re-soldered, some of the stones discoloured. Small mark to the bottom of the enamel oval. Some scratches to the ivory and slight wear overall.
Circa 1750 French Baton Fan, with carved, pierced and painted ivory baton sticks and guards depicting boats, soldiers, a cannon and castle, the double leaf hand painted recto with a general and his troops being greeted as they alight from their ship, a castle, cannon fire, coach and horses can be seen in the background, verso the leaf has a decorative border with seated woman gazing at a portrait, 27cm, in a modern card boxCracks to both of the guards. Rubbing to the painted decoration on the ivory, the reverse of the sticks has details drawn in blue pen. Numerous repairs to the leaf mount, mainly down the folds where paper has been added then re-painted - see extra images.
Circa 1850 Ivory Fan, with pierced ivory sticks and embossed steel guard sticks, the paper leaf mounted à l'anglaise, recto hand painted with a central scene of a Roman lady about to give a gift to a child, the central cartouche surrounded with mother of pearl appliqued flowers, the painted reserves also encircled with mother of pearl, the verso sparsely painted to match the decoration recto, 22.75cm, in a blue and white patterned card boxTarnishing to the cut steel. Small crack to the top of one of the sticks and some discolouration. Rubbing and wear to the leaf especially down the folds, also possibly some areas have been over painted. See extra images
Circa 1830 Four-Way Ivory Brise Fan, with pierced sticks and guards, four delicately painted central scenes of figures on a beach with a castle and boat in the background, a basket of flowers, dogs in a garden, and a girl finding a child in a bowl of flowers, 16cm, (a.f.) and silk mounted fan box
Circa 1750 English Fan, with carved and pierced ivory sticks and guards, paper leaf mount hand painted recto with a chinoiserie scene depicting figures in a garden amongst flowers and blossom, with a man carrying a milkmaid's yoke hung with baskets of produce, other figures are busy with produce, blossom branch painted verso, 28.5cm, with modern card fan box
19th Century Ivory Fan with pierced and carved sticks depicting reclining putti amongst flowers within cartouches to the sticks, carved guards with figures and floral motifs, both are coloured in gilt, blue, red, green and yellow paints, velum mount depicting classical robed figures around a gilt table, within a decorative border, verso depicts Ceres the Goddess of agriculture, grain and fertility with a putto, and a crowned lady seated on a grassy knoll with a seated lion and blue shawl, 26.5cmPainted decoration to the sticks and guards is rubbed. One stick broken and a couple have damages. Painted decoration to the mount is very rubbed and worn, especially scuffing to the upper and lower edges. Repainting and lifting to the card sticks on verso. Wear
Circa 1750 Ivory Fan, with carved and pierced guards and sticks depicting horsemen, soldiers and mythical serpent and central carving of Coriolanus, the head has a circular cavity, which would have previously contained a watch, hand painted vellum leaf mounted a` l’anglaise; the leaf is painted recto with a scene of Troy with Hector, Andromache and their son, the reserves painted with flowers and decorated with straw and mother of pearl, verso the leaf is painted with an outdoor gathering that includes a piper, the reserves painted with flowers and moths, 28.5cm, in a modern card boxCouple of small cracks to the bottom of each outside guard. Some of the fine vertical carved ivory on the sticks is missing, some discolouration and rubbing to the ivory. Repairs to verso where paper mounts have been added to the folds and over painted, small area repainted/repaired area to the knee of the soldier in red cape and helmet on right hand side, overall rubbing and wear.
A Circa 1775 Dutch Fan, the ivory guards and sticks carved, pierced and painted, mounted with a vellum leaf, recto decorated with a central cartouche of an engraved and hand coloured busy harbour scene, with sailing ships and figures, a windmill and town can be seen in the background, this is flanked by two smaller cartouches of bee hives, verso hand decorated with gilt foliage, 27cm, in a modern card box
Late 18th Century Fan Titled 'New Opera Fan For 1797' with carved and pierced ivory sticks and guards, paper leaf mount engraved recto with a seating plan of the boxes at the opera detailing the occupants, printed to the base of the leaf 'W. Cock Publish’d as the Act Directs for the Proprietor by Permission of the Manager of the Opera House, 42 Pall Mall', verso plain, 26cm long, with modern card fan box The British Museum has an identical fan leaf mounted on wooden sticks, which was donated by Lady Charlotte Schreiber in 1891.
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239713 item(s)/page