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A 19TH CENTURY FAN, the satin leaf floral painted with applied down feathers to the edge, decorative loop with mother of pearl washers, suspending a tassel, from head to tip, 21.5cm, together with a 19TH CENTURY IVORY AIDE MEMOIRE, the leaves named with the days of the week (except Sunday), 9cm x 5cm
A 19TH CENTURY CHINESE FAN, the monture of ivory, deeply carved guard sticks with figures, buildings and foliage, pierced and carved sticks, the paper leaf hand-painted to both sides with many courtly figures, having applied, painted ivory faces and fabric collage clothing, from head to tip, 27.5cm in a CHINESE GILDED LACQUER FAN BOX, the hinged lid opening to reveal painted peony and butterfly lining
AFTER ALBERT ERNEST CARRIER-BELLEUSE (1824-1887) "Liseuse", study of a lady in medieval dress reading, silvered and gilt bronze study with ivory face and hands, signed within the casting, inscribed on plaque to the socle base "Liseuse par Cariier-Belleuse GDPX du Salon" and around the base "Presented to Miss H J Jelks on the occasion of her 21st birthday June 19th 1928 - by the staff of W Jelks *& Sons Holloway Finchley & Southend", 40 cm high CONDITION REPORTS Silkvered areas with much discolouration/wear throughout - see images. Ivory with cracking and discoouration in several areas but basically all appear sound with no seriosu damage or repairs - see images for further details
AFTER GEORGES OMERTH (1895-1925) "Reclining Nude, a cloth draped over her legs, resting upon rocks", ivory and gilt bronze study, raised on a green onyx base, signed within the casting and no'd 3051 verso (the rocks with recess, possibly as a pipe stand), 23.5 cm high CONDITION REPORTS Upper arm with break to the ivory in line with the top of the head. Lower arm with joined area, ivory with discolouration throughout - some purely surface, other scratched in. Gilt bronzework basically sound though with some discolouration and wear conducive with age. Onyx basically sound, base with some wear conducive with age. Gilt bronze base with wear and discolouration to the top and scratching and with wear to the base - see images
A 19th Century French rosewood and ivory inlaid casket of shaped oval form with applied gilt brass mounts, opening to reveal a silk-lined interior, raised on a plain plinth base, 23 cm x 19 cm CONDITION REPORTS Basically sound throughout with no areas of damage or loss, though in some areas appears dry/dirty suggesting could do with a clean and re-polish. To interior the silk work dirty to the base, rather cleaner at the top. Some of the beading loose and the hinge bent due to unsupported opening over the years, though not actually broken - see images for further info
A three piece Chinese silver tea set, the teapot of squat round form decorated with birds on prunus blossom set branches, raised on a circular foot, 12 cm high, together with matching milk jug and twin-handled sugar bowl, stamped "LUENWO Shanghai" to base with Chinese characters, approx 27.3 oz total weight, CONDITION REPORTS The teapot has a dent to the lid and a dent to the top of the finial. All over light scratches and small dents. The ivory on the handle is cracked. Handle is not perpendicular to the teapot and is bending round slightly. Foot is not circular.Sugar bowl has dents to the base and scratches to the body. Some small dents to the body.Cream jug has dents to the spout and scratches to the body. Small shallow dents.All items with various general signs of wear and tear throughout conducive with age and use.
A Chinese silver three piece tea set, the tapered cylindrical teapot set with prunus blossom and bird applied decoration, the handle is in the form of a piece of bamboo with matching milk jug and twin-handled sugar bowl, 15.5 cm high, total approx 35.5 oz CONDITION REPORTS Teapot - hinge very stiff andf slightly buckled out of shape. Light scratches and discolouration throughout. The base appears to have pushed inwards. There is a dark mark to the base suggesting possibly a split with corresponding mark to the interior. The sugar basin and the cream jug handles differ in soldering to the body suggesting possibly the handle has been resoldered on the cream jug. Both items have various light scratches, the cream jug lip has been dented. All items slight knocks, scratches and general small signs of wear and tear throughout. The ivory bands on the handle of the teapot are cracked with split
A Victorian silver and embossed four piece tea set comprising teapot, hot water jug, twin-handled sugar basin and cream jug (William Hunter, London 1864), approx 76.6 oz total, housed in an oak fitted case bearing label to interior "Mappin & Webb No. 76, 77 and 78 Oxford Street W London ...." and brass plaque to top inscribed "Jane W Henry 6th October 1871" CONDITION REPORTS Box in used condition with many scratches, dents, shrinkage betwen sections, felt to interior worn. Tea set in good condition though in need of a good clean. Ivory beads to the two larger pieces, all with various discolouration and cracks - see images for further detail. The box shows significant signs of wear and tear, scratches, scuffs, marks, cho]ips, signs of warping etc throughout. All over considerable wear and tear, the paper label to the inside is somewhat tatty, has some grey marks.v The hot water pot has light scratches throughout to the body, the ivory rings are both cracked with splits. Slight shallow dents. Teapot has slight scratches throughout to the body. The teapot has light scratches throughout to the body. Lid is slightly wobbly. Some dents including one to the top section, some small dents underneath. Cracks and splits to the ivory finials. A large dent to the handle. Teapot is very wobbly when on a flat surface. The sugar bowl has some damage to one handle which is bent slightly out of alignment and shape. Some various knocks and dents to it also. All over various light scratches. Some small dents to the bottom of the basin and some wear to the gilt interior. Wobbles slightly when upon a flat surface. The cream jug has light scratches throughout. Some shallow dents to the body, both back feet have the appearance of being pushed up into the body. General small signs of wear and tear and some wear to the gilt interior. There is also a dent to the front of the cream jug. All silver items have general signs of wear and tear including surface scratches, small minor dents etc. There is one compartment in the box which is empty - this was possibly for a tea caddy but is no longer present. There is no key for the box - see extra images on line
A 19th Century Chinese agate snuff bottle with white metal filigree work set with turquoise and coral beads raised on a carved ivory stand, 8 cm high (not including stand) CONDITION REPORTS Some small chips round the interior rim of the bottle. Metal is tarnished and slightly bent in places. The top -turquoise stone is chipped and is very dirty with various scratches. The spoon is slightly bent. The metal surrounding the turquoise has a split to it and is slightly bent. The base with various scratches throughout. Some splits to one of the feet. All over various general signs of wear and tear throughout
A collection of three 19th Century Chinese ivory snuff bottles with relief work decoration within Greek key borders, 6.5 cm high CONDITION REPORTS First bottle has various scratches and small fine chips to the rim. Looks to be a split to the base and a blue mark to the body. Engrained dirt into the decoration. The body with scratches and split to the lid. Spade end has been chipped. General signs of wear and tear. Second bottle with objects in vase has various scratches throughout the body. The decoration is dirt laden, the lid and shovel have come apart and need attention. Various chips to the bladed end. Various general signs of wear and tear throughout. Third bottle with two united discs decoration - again, scratches all over, engrained dirt to the decoration. Black marks/split to the bottom, various scratches throughout. Large chip to the end of the spade. Various small further chips. All over general signs of wear and tear.
A Japanese Meiji Period carved ivory figure group as a lioness and cubs with balls amongst clouds, signed within a roundel verso, 12 cm x 6.25 cm CONDITION REPORTS Cracks/splits are running along the bottom of the piece where the balls are and various smaller cracks/splits in various other locales including round the back to the feet of the cubs. Various light surface scratches, some light chips throughout including to the lioness' ears and to the wave behind her head and to various other waves and scrolls. Various general small signs of wear and tear through age and use throughout with surface scratching and very fine small chips and various splits. One on the ridge running down one of the cub's backs, one of the bobbles is significantly browner than the others, possibly been repaired/replaced. Loss to one of the scrolls and one of the cubs - see images
An early 20th Century Japanese carved ivory netsuke as a puffa fish, signed to base, 6 cm long CONDITION REPORTS All over various surface scratches. Down the back are some deep split/crack looking areas. Around the fin and the belly there are three long ones and a few smaller ones later infilled with various dirt and grime. The tail with some small chips and small signs of wear. All over various general signs of wear and tear throughout - see images for further details
A Japanese Meiji period carved ivory netsuke as a mask maker, seated with a giant mask, bears inset signature to base, 3.5 cm high CONDITION REPORTS Light scratches to the surface throughout. The pattern on the gentleman's robes round the back and to his right hand arm are more worn than to the pattern on his tunic to the front. Small signs of wear throughout. General small signs of wear and tear - see images for further details
A Japanese Meiji Period carved ivory figure group as a tiger attacking a goat and kid, 23 cm long, raised on a carved wooden stand CONDITION REPORTS Yellowy brown staining thoughout and in patches. Signs of dirt, a blemish to the tiger's chest and to her tummy. Some minor scratches throughout. Some chips and nibbles, some fine ones round the open mouths and to the ears etc. Various general small signs of wear and tear throughout. Base is scratched, scuffs and nibbles round the edges. General small signs of wear and tear throguhout
A Japanese Meiji Period carved ivory medical figure as a reclining nude, her left hand behind her head, indistinctly signed to left foot, 22.5 cm CONDITION REPORTS All black lines are cracks. Two fine cracks running up the bottom of her back and some on her legs. Many larger deeper black lines throughout - see images. Some light chips, some light scratching throughout. There is a small hole to one of her shoulders and a split in her hair. General signs of wear and tear throughout - see images for further details
A Japanese Meiji Period carved ivory medical figure as a reclining nude, her right hand behind her head, indistinctly signed to right foot, 18 cm CONDITION REPORTS Light scratches throughout. Black lines, some housing very fine splits throughout. Various finer lines throughout. Hole to her left shoulder. All over general signs of wear and tear throughout - see images for further details
A Japanese Meiji Period carved ivory okimono as a man with parasol in one hand, a basket of vegetables over his shoulder, signed to base, 25.5 cm high CONDITION REPORTS Light scratches throughout. Areas of mottled type finish to the surface especially seen on the figure's shoulders and upper arms. Some small chips to the end of the umbrella. His basket appears to have been glued on as possibly has his head. Remnants of glue around his torso. All over various general signs of wear and tear throughout - see images for further details. Suggest viewing in person
A pair of Japanese Meiji period carved ivory bezique markers, decorated with monkeys and insects, 9.5 cm x 6 cm CONDITION REPORTS Both markers with light scratches throughout. Some small chips round the bases and some small chips to the edges of the markers. Some stains. General small signs of wear and tear throughout. Some markers a re a little stiff to move up and down - see images for further deatails
THOMAS HAZELHURST (1740-1821) "Young lady in white dress with matching hairband", oil on ivory, oval, miniature portrait study, half length, initialled lower left, in gold coloured mount as a brooch, housed in a red leather carrying case inscribed with ownership initials "G J Rooke", 7 cm x 6 cm CONDITION REPORTS A small greyer patch round the bottom of the lady's throat which looks pitted from soem angles. Some light scratches to the paint including two deeper longer ones on the lady's white blouse running down to her blue belt. Some scratches to the glass. The pin on the back of the brooch will need attention, some dents to the frame. Various scratches to the frame to the box. Variousd general signs of waer and tear, locking mechanism broken, hooks worn, leather very worn and variosu impressed marks, scratches, scuffs etc. Interior dirty and all over various general signs of wear and tear through age and use throughout
JAMES HOLMES (1777-1867) "Henry Snow", a portrait study of a young man, gloves in his left hand, in brown overcoat seated by a tree, watercolour on ivory, indistinctly signed lower right, housed in an embossed leather outer case, inscribed verso "Henry Snow, Ætat.17." and "Painted by James Holmes July 1828", 12 cm x 9 cm CONDITION REPORTS Condition - there does not appear to be any splitting though there is some warping to the ivory - please see images. There does not appear to be any paint loss, yellowish gold mark below lower lip appears to be a photographic glitch - see images in this condition report to confirm this. Has label to interior..... "Simon Rochard (not James Holman)" though clearly the painting is signed J Holman and dated 1828 - see images
19TH CENTURY ENGLISH SCHOOL "Long grey-haired gentleman in brown coat looking back over his shoulder", miniature oil on ivory panel, oval, unsigned, 9cm x 7.5cm CONDITION REPORTS A lighter coloured patch on the shoulder - under UV light this looks to have been re-painted. White scratches throughout, some slight damage to the edges. Frame has various chips, .osses and scratches and scuffs. Remnants of paper label verso "July 21st 1806" and one other small remnant. Various general signs of wear and tear throughout
19TH CENTURY ENGLISH SCHOOL "A family group", four miniature oil on ivory portrait studies including "Matriarch", "Man and woman and child seated with doll", four framed together in one velvet and gilt metal mounted frame, inscribed verso to the easel stand "Holstaff & Hannaford 228 Regent St", 20 cm x 15.5 cm overall
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239691 item(s)/page