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Lot 77
A 19th Century Anglo-Indian carved sandalwood and inlaid lidded workbox, possibly VizagapatamOf rectangular form with stepped cover, raised on compressed bun feet, the cover heavily carved with deities and warriors set within archways, within meandering scrolling tendrils, the escutcheon formed from a carved lotus flowerhead, set within inlaid ivory and bone sectional borders, the hinged cover revealing empty compartment, 10cm high, 30cm wide, 11.5cm deep.
Lot 203
A 19th century engraved silver-gilt card case, painted with opposing cherubs on ivory, verre eglomise mounts, 3.25in. - one glass pane cracked, 18th century French enamel love token, "Jaynie Qui m'ayme", William IV silver-gilt box, London 1833, oval white metal photograph frame, dated 1681, modified, and a pair of oval portrait prints with hand-coloured detail, as viewed
Lot 291
A three-row cultured pearl uniform bracelet having 18ct yellow gold flower style clasp set cabochon turquoise bearing English and French 18ct hallmarks, 18 cm including clasp, post war (1950s/60s) Condition Report Pearls well matched, of ivory hue, good lustre, good surfaces, 16 cm excluding clasp
Lot 110
A George III heavy quality silver teapot of compressed melon form with cast shell and anthemion waist-band and ivory-insulated handle, Nicholson & Holt (probably) Sheffield 1816, to/w the matching milk jug with gilt lining 28.4 oz gross Condition Report Marks polished out; spout of tea pot foreshortened
Lot 104
A fine couture bridal gown and train, probably Madame Handley-Seymour (court dressmaker), 1937, un-labelled, of bias cut oyster slipper-satin, with overdress of embroidered ivory lace further adorned with silver bugle beads and 'seed pearls', the draped sleeves open at the shoulders, with matching belt and similarly adorned 308cm, 10ft 3in train, bust approx 86cm, 34in; together with copies of newspaper clippings recording the event (qty)Provenance: worn by Miss Gundred Cunliffe (niece of Sir John Aird, equerry to the Duke of Windsor, who walker her down the aisle), 24th July 1937 upon her marriage to Mr Mervyn Charles Fraser. They spent their honeymoon motoring on the Continent. CONDITION REPORT: Good condition. Dress has been taken in down both side seams. Train is good condition, no problems.
Lot 108
A Callot Soeurs couture blonde and black lace evening gown, early 1930s, with ivory ribbon 'Nouvelle Marque, Paris' label, the integral black satin bias cut underslip overlaid with spiralling tiers of black tulle inset with blonde bobbin lace, large velvet corsage to waist, bust 81cm, 32in CONDITION REPORT: Generally good condition, a few small holes to the tulle on the right shoulder strap, a few small scattered repairs and the occasional small hole to the black tulle ground generally - but nothing immediately noticeable or serious. A large panel of matching black tulle has been inserted at the left hip (front and back) which is not immediately noticeable. It is extremely well done - just a shade or two darker than the rest of the dress. The lower hem flounce would have had an additional finer black tulle lining which is largely missing. However, this does not affect the overall aesthetic of the dress. 13cm horizontal repair in tulle at left underarm/breast area. One strap, underarms, and left closure panel have been backed in finer tulle to strengthen, I think this is original
Lot 111
A Madame Grès ivory silk jersey dinner dress, late 1940s, unlabelled but with numbered tape '2405 871', the bodice with complex vertical and horizontal folds to frame the chest, the skirt falling in two vertical pleated panels below, bust 92cm, 36in, waist 71cm, 28in CONDITION REPORT: Poor condition, numerous moth holes mainly concentrated down the left side on the shoulder and sleeve, bodice and skirt. Very soiled appearance, in need of cleaning
Lot 119
A Christian Dior London ivory faille ball gown, late 1950s, labelled and numbered 12943, size 12, with bow to cross-over bodice panels, full skirt, integral tulle corset and layered petticoats, bust 86-92cm, 34-36in CONDITION REPORT: 2 faint brown droplet stains and 3 larger stains in lower part of skirt front but these are faint and very hard to see and photograph. Interior is clean and good.
Lot 122
A Balenciaga couture cream wool day suit, circa 1954, Paris labelled and numbered 51400, of ivory wool, the loose jacket cleverly constructed, the sleeves and yokes cut in one, with below knee gathered skirt, with pocket hidden within the folds and leather tie belt, the waist 66cm, 26in (3) CONDITION REPORT: Small spot stain on lapel (barely noticeable). Lining is worn at underarms and there are stains on the skirt lining. Hem may have been lowered as silk slip is much shorter but nicely done. Slip/lining is worn at base of zip closure and a side seam needs re-stitching. Exterior is generally good. Belt has no maker's marks.
Lot 134
A Maggy Rouff ivory satin dance/bridal gown, mid 1950s, labelled, of rayon satin, adorned with soutache braid and rhinestones, bust 86cm, 34in, waist 71cm, 28in CONDITION REPORT: First impression is good - braid and rhinestones good and fresh with occasional losses but none obvious. Scattering of light brown stains down left side of skirt, the largest 10x3cm at hem. These are largely hidden by folds of the skirt. Faint perspiration stain at right underarm edge, not immediately obvious. Interior is fresh and good.
Lot 139
A fine Mila Schön couture silver beaded and white tulle evening dress, circa 1966, labelled, of white tulle over ivory silk, covered with shimmering Swarovski crystal and bugle beaded snowflake-like roundels, bust 81-86cm, 32-34inMila Schön gained international recognition when two of her white and silver dresses were worn at Truman Capote's Black and White Ball in November, 1966, by Marella Agnelli and Lee Radziwell, who were voted first and third best-dressed women respectively. CONDITION REPORT: Good condition, the tulle is slightly snagged in places, minor losses of beadwork which are not immediately noticeable. Very faint perspiration marks at underarm edges. 2 small brown stains to front left midriff and lower left skirt area.
Lot 154
A Balenciaga couture evening gown, Summer 1961, Paris labelled and numbered 77099, the silk gauze with large-scale floral print in shades of pink on white, the strapless dress with integral grosgrain corset, with low cowl-like draped band to back and two floating trained panels with bows to each side, bust 92-97cm, 36-38in CONDITION REPORT: Overall good condition, looks little worn. Faint perspiration stain at right underarm and at right underarm slight fraying in gauze here also. Small hole in gauze where a corset strut has poked upwards. Overall impression is fresh and good with strong, vibrant colours. Small brown mark on hem of left train. Interior is fresh and good, nice clean corset. Small spot stain to front right of ivory crepe de chine petticoat (minor). Brown discolouration to rayon stiffening peplum (to add extra volume), this is minor.
Lot 156
A Marc Bohan for Christian Dior ivory silk gazar evening coat, Spring-Summer, 1965, labelled and numbered 127018, slightly waisted with short stand collar, domed self-covered buttons, bracelet length sleeves, chest 92cm, 36in CONDITION REPORT: faint mark to front skirt panel, hem has been raised approx 2cm, slight soil mark along old h emline
Lot 167
A Courregès pop art style mini dress, 1969, with Courregès Paris and I Magnin labels, of navy double-faced wool with large appliquéd ivory circles front and back, bust 92cm, 36in CONDITION REPORT: Small moth hole to rear shoulder, ivory discs front and back with tiny pinhead moth holes and some 'invisible' repairs which are barely noticeable. Front ivory disc with 2x17cm faint brown line, not immediately noticeable. Approx 6 invisibly mended small moth holes to skirt front. Lining has perspiration stains at underarms, underarm seams need re-stitching in place and centre front below collar.
Lot 168
A Courrèges couture ivory vinyl maxi ensemble, 1960s, with small black on white Courrèges Paris label, the coat with short sleeves, faux pocket flaps, rear belt, hook fastening at the neck; the tapering trousers with notches at the front hems, chest 92cm, 36in (2) CONDITION REPORT: Coat is a darker cream than the trousers, coat has repairs at underarm/cuff areas, faint pink discoloration on right breast and waist centre front. Soiling/discolouration inside neck edge. Faintly discoloured over right shoulder. Silk lining has bad perspiration stains at underarms and splits in this area, hole in lining rear waist area, hem area has light brown discolouration generally and silk hem edge is worn in places. Trousers has discolourations down front and back crease lines, lining needs re-stitching in places at waist edge, faint discolouration in lining at crotch area, hems probably shortened.
Lot 192
A Madame Grès couture black jersey sheath, 1970s, labelled and with defilé tape handwritten '105 Vicky, At. Jeannine, 11931', the columnar gown with boned organza integral corset to the strapless bodice, ivory and black floating panel forming a cape which hooks onto the bodice front, with rope-twist neck band, bust 76-81cm, 30-32in, waist 60cm, 23 1/2in CONDITION REPORT: Soiling to inside edge of rope-twist neck band, small repair to edge of front bodice. Hem probably altered at some point. Organza shoulder strap is frayed on one edge. Scarf - 2cm split, easily repaired and a few scattered small holes (minor).
Lot 196
A Chanel couture cocktail suit, 1963, labelled and numbered 18145, the sleeveless dress with ivory and silver lamé bodice, ivory bouclé wool skirt, self-covered buttons, the loose jacket with chain to hem, bust 92cm, 36in (2) CONDITION REPORT: Jacket: one sleeve has been relined, one sleeve in need of relining, otherwise fresh and good. Dress: exterior is good, bodice lining with faint perspiration rings and a split. Skirt lining has been replaced, a few holes in this above rear hem area.
Lot 199
A Chanel couture ivory silk suit with bi-colour grosgrain edgings, Spring-Summer, 1971, labelled and numbered 41438, the short boxy jacket with gilt ridged concave buttons, chain to hem, bust 92cm, 36in, waist 69cm, 27in (2)This was Coco Chanel's last collection. CONDITION REPORT: jacket side seams have been slightly let out as has skirt waist and hip area
Lot 203
A Chanel couture tweed suit, Spring-Summer, 1975, labelled and numbered 50792, woven in shades of pink and brown on an ivory ground, the jacket with wine and gilt CC buttons with chain to hem, printed silk lining with matching silk blouse and skirt, chest 97cm, 38in, waist 81cm, 32in (3) CONDITION REPORT: Generally good condition, would benefit from dry cleaning. Exterior and colours are good. Perspiration stains to blouse at underarms and collar. Jacket has faint soiling and perspiration stains to lining at collar. Skirt has faint perspiration stains to lining at front waistband and has 2 small holes to rear lining only, the largest 3x1cm. Lining is soiled at hem edge.
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239691 item(s)/page