GARNITURE EN VELOURS À DÉCOR DE LOTUS, ET TENTURE EN SOIE BRODÉEVers le milieu du XIXe siècleA LOTUS VELVET COVER; AND AN EMBROIDERED SILK HANGINGCirca mid-19th centuryThe cover centred with four large green blossoming lotus surrounded by smaller blooms, all on a dense ground of curly-leafed scroll designs on a coral ground, enclosed within a blue border of pale orange meandering lotus, mounted in yellow silk, 159cm (62 1/2in) x 50.5cm (19 7/8in); the ivory-ground silk sleeve-band finely embroidered with cartouches depicting boys engaging in leisurely pursuits within garden settings, framed within a border of bats interspersed with circular cranes above a sequence of leaves, mounted with emerald green silk, 115cm (45 2/8in) x 26cm (10 2/8in). (2).Footnotes:Provenance:Robert Rousset, Paris (1901-1981), acquired prior to 1935Jean-Pierre Rousset, Paris (1936-2021) 約十九世紀中期 漳絨蓮紋蓋罩 及緞繡童子紋掛幅 一組兩件來源：巴黎Robert Rousset（1901-1981）舊藏，於1935年前入藏巴黎Jean-Pierre Rousset（1936-2021）舊藏For further information on this lot please visit Bonhams.com
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MASQUE DANCôte d'ivoireBois.Socle signé Kichizo Inagaki (1876-1951). 21cm (8 1/2in) high. (2).Footnotes:Provenance:Robert Rousset, Paris (1901-1981)Jean-Pierre Rousset, Paris (1936-2021) Au sein du corpus typologique des masques Dan, seules deux catégories peuvent présenter de grandes ouvertures circulaires au niveau des yeux. La première est celle des masques zakpei ge chargés de veiller à la sécurité des villages par vérification de l'extinction des feux domestiques. La seconde, apparemment plus répandue, est celle des gunye ge, ou masques de course. Lors des courses organisées chaque semaine de la saison sèche dans la savane du nord, un coureur masqué en poursuivait un autre non masqué. S'il réussissait à l'attraper par le cou et le dos, il conservait son masque. Dans le cas contraire, le coureur non masqué mettait son propre masque et, à son tour, poursuivait un autre concurrent. En fin de saison, le coureur ayant remporté le plus de victoires était proclamé champion. Hors contexte il est très difficile de déterminer à laquelle des deux catégories cet objet doit être rattaché.DAN MASKIvory CoastThe stand signed Kichizo Inagaki (1876-1951).Within the typological corpus of Dan masks, only two categories can present large circular openings at eye level. The first is that of the zakpei ge masks, responsible for ensuring the safety of villages by checking that domestic fires are out. The second, and apparently more common, is the gunye ge, or racing masks. During the races organised each week of the dry season in the northern savannah, a masked runner would chase an unmasked one. If he managed to catch him by the neck and back, he kept his mask. If not, the unmasked rider would put on his own mask and in turn chase another competitor. At the end of the season, the rider with the most victories was proclaimed champion. Out of context it is very difficult to determine to which of the two categories this object should be attached. See Musée Barbier-Mueller, Art de la Côte d'Ivoire, Geneva, 1993, p.60.For further information on this lot please visit Bonhams.com
MASQUE DANCôte d'Ivoire Bois et plumes.Socle signé Kichizo Inagaki (1876-1951). 22cm (8 5/8in) high (excluding the feathers).Footnotes:Provenance:Robert Rousset, Paris (1901-1981)Jean-Pierre Rousset, Paris (1936-2021)DAN MASKIvory CoastWood and feathers.The stand signed Kichizo Inagaki (1876-1951).For further information on this lot please visit Bonhams.com
MASQUE KPAN BAOULÉCôte-d'ivoireSocle signé Kichizo Inagaki (1876-1951). 30cm (11 13/16in) high. (2).Footnotes:Provenance:Robert Rousset, Paris (1901-1981)Jean-Pierre Rousset, Paris (1936-2021) Ce type de masque baoulé présentant une coiffure en crête semble caractéristique des deux masques kpan apparaissant lors des danses du Goli qui peuvent être exécutées aussi bien comme réjouissance villageoise que lors de funérailles d'un personnage important de la communauté. Les deux kpan seraient la dernière des quatre paires de masques différents à apparaître en fin de journée, l'homme précédant la femme, et ce moment constituerait le point d'orge des danses. Les masques kpan sont relativement rares au sein du corpus de l'art baoulé, et hors contexte, rien dans le classique traitement idéalisé de la beauté baoulé ne permettrait de différencier le masque masculin du féminin. Cf: S.Vogel : « L'art baoulé du visible et de l'invisible » Adam Biro, 1997, pp.171-175.KPAN BAULE MASKIvory CoastBase signed Kichizo Inagaki (1876-1951)This type of Baule mask with a crested headdress seems to be characteristic of the two kpan masks that appear during the Goli dances, which can be performed both as a village celebration and at the funeral of an important person in the community. The two kpan would be the last of the four different pairs of masks to appear at the end of the day, with the man preceding the woman, and this moment would constitute the high point of the dances. Kpan masks are relatively rare in the corpus of Baule art, and out of context, there is nothing in the classic idealised treatment of Baule beauty to differentiate the male mask from the female. see S.Vogel, L'art baoulé du visible et de l'invisible, Adam Biro, 1997, pp.171-175.For further information on this lot please visit Bonhams.com
ETRIER DE POULIE DE MÉTIER À TISSER GUROCôte d'IvoireBois. 25cm (9 7/8in) high. Footnotes:Provenance:Robert Rousset, Paris (1901-1981)Jean-Pierre Rousset, Paris (1936-2021) Surmontée d'une représentation de gallinacé, la tête de cet étrier de poulie présente un traitement faisant écho au style des productions de l'atelier du maître dit « de Bouaflé ».GURO HEDDLE PULLEYIvory CoastWood Topped with a representation of a gallinaceous bird, the head of this heddle pulley has a treatment that echoes the style of the productions of the workshop of the so-called 'Bouaflé' master.For further information on this lot please visit Bonhams.com
ETRIER DE POULIE DE MÉTIER À TISSER GUROCôte d'IvoireBois. 15cm (5 7/8in) high.Footnotes:Provenance:Robert Rousset, Paris (1901-1981)Jean-Pierre Rousset, Paris (1936-2021) La tête ornant la partie supérieure de cet étrier de poulie suit les canons classiques de la beauté féminine en pays Guro. Le style très particulier du visage allongé, front bombé et nez recourbé est caractéristique des productions de l'atelier du maître dit « de Bouaflé » essentiellement connu pour ses masques et ses étriers de poulies. Cf: E.Fischer, L.Homberger & alii 'Les maîtres de la sculpture en Côte d'Ivoire » Musée du Quai Branly, Paris, 2015, pp.32 à 37.GURO HEDDLE PULLEYIvory Coast Wood.The head adorning the upper part of this heddle pulley follows the classical canons of female beauty in the Guro country. The very particular style of the elongated face, rounded forehead and curved nose is characteristic of the productions of the workshop of the master known as 'de Bouaflé', essentially known for his masks and pulley stirrups. See E.Fischer, L.Homberger & alii, Les maîtres de la sculpture en Côte d'Ivoire, Paris, 2015, pp.32-37.For further information on this lot please visit Bonhams.com
A ROYAL WORCESTER BLUSH IVORY JUG, of flat sided form, decorated with floral sprays, pattern no. 1094, having gilt handle and foot, purple backstamp with date cypher for 1913 and 1914 British Flag mark, height 13cm (1) (Condition report: appears in good condition, some scratches and wear to gilding, would benefit from a clean)
TWO VINTAGE WEDDING DRESSES AND A VEIL, comprising an early 1950's style gown made by Vivinette, in an ivory flower brocade, with a halter neck top, full skirt and a bolero jacket with pearl button detail, size 34/36, a 1930's design ivory satin wedding dress, long sleeved, integral belt (has small lipstick mark on neck area, stain to front of dress), together with an ivory embroidered net veil (3)
A 20TH CENTURY FRUIT PAINTED ROYAL WORCESTER VASE, of baluster form with an elongated neck, decorated with apples, green grapes and blackberries on an ivory ground, signed D. Bowkett, no 2491, date cypher for 1950, black printed marks, height 11.5cm (1) (Condition report: vase appears in good condition, no obvious damage)
TWO WALDY BAGS AND A SMALL COLLECTION OF POWDER COMPACTS, the Waldy bags painted with flowers and textured with tiny clear beads, the black bag containing coin purse and mirror, the ivory coloured bag containing a Stratton compact, card case and lipstick holder decorated to match the exterior of the bag and in protective covers, together with a comb, a mirror and a coin purse, compacts including Vogue Ganities, Coty and Kigu, etc (9) (Condition report: generally good condition, most compacts show signs of some use and wear, bags are in good used condition with a small make up stain inside ivory bag)
North East Persian signed meshed carpet, the red ground field with interlacing branch design and decorated with plant motifs, ivory ground border with similar repeating design, the guard bands decorated with flower heads, signature panel to one endDimensions: Length/Width: 400cm Depth/Diameter: 300cm
Persian Meshed carpet, ivory ground and decorated with intricate floral design with trailing scrolled branch, the central medallion decorated with stylised plant motifs, seven band border, the main band decorated with scrolls and flower head motifsDimensions: Length/Width: 392cm Depth/Diameter: 296cm
Elfenbeinfigur eines Bären mit seinen Kindern, 19. Jhdt. Mammut-Elfenbein. Vollplastisch geschnitzter Bär, der seine Jungen in den Armen hält. Fein graviertes Fell. Auf einer Holzplinthe mit Messingverkleidung und appliziertem Rankenwerk aus Silber. Höhe 21 cm. Gutachten vorhanden. A Russian mammoth-ivory figure of a bear with his cubs, 19th century Mammut-Elfenbein. Vollplastisch geschnitzter Bär, der seine Jungen in den Armen hält. Fein graviertes Fell. Auf einer Holzplinthe mit Messingverkleidung und appliziertem Rankenwerk aus Silber. Höhe 21 cm. Gutachten vorhanden.
Elfenbein-Deckelpokal mit Darstellung der Amazonenschlacht, deutsch, um 1800 Elfenbein, plastisch geschnitzt. Aus mehreren Teilen zusammengesetzt. Antikisierender Dekor. Runder Fuß mit naturalistisch gearbeiteten gefallenen Kriegern, Amazonen und Pferden. Vollplastisch gearbeiteter Schaft in Form eines Mannes, der eine Frau ersticht. Hierbei handelt es sich um Achilles, der Penthesilea tötet. Die zylindrische Kuppa mit sehr detaillierter Darstellung der Amazonenschlacht. Der Steckdeckel ist entsprechend dem Fuß gestaltet. Knauf in Form eines vollplastischen Kriegers mit Hund, hierbei könnte es sich um Odysseus mit seinem Hund handeln. Kleine Fehlstellen: Schwert, Helmspitze. Deckel restauriert. Höhe 34,5 cm. Gutachten vorliegend.Achtung: Ein Export dieses Loses aus der EU ist leider nicht möglich. A German ivory lidded goblet showing the battle of the Amazons, circa 1800 Fully sculptured ivory. Composed of several pieces. Antique-style embellishment. The circular base with naturalistically modelled fallen warriors, Amazons and horses. The fully sculptured shaft in the shape of a man stabbing a woman. This represents Achilles slaying Penthesilea. The cylindrical bowl with extremely detailed scene from the battle of the Amazons. The press-in lid repeats the design of the base. The pommel in the shape of a fully sculptured warrior with a dog, possibly Odysseus with his dog. Minor defects on the sword, top of the helmet. The lid restored. Height 34.5 cm. Includes an expert report.Attention: This lot can only be shipped within the European Union.
Weiß glasierte Tasse, China, wohl Sui-/Tang-Dynastie oder später (613 - 628) Runder Standring. Umseitig weiß/elfenbeinfarben glasiert, krakeliert. Stand unglasiert. Produktionsbedingte Fehlstellen. Höhe 9 cm, Durchmesser 10 cm. A Chinese white-glazed cup, probably Sui/Tang Dynasty or later (613 - 628) Round stand. Covered overall with an ivory-tinged crackle glaze, the foot unglazed revealing the white body. Manufacturing losses. Height 9 cm. Diameter 10 cm.
Konvolut: 6 figürliche Schnitzereien aus Holz. AFRIKA: 1.) JBEDJI Figur. NIGERIA, YOROUBA, weiblich, H: 23 cm. 2.) weibliche Puppe der FANG, GABUN, H: 25 cm. 3.) Männliche Fetischpuppe, FANG, GABUN, H: 30 cm. 4.) Frau mit Ziernarben, KONGO, H: 39 cm. 5.) Stampfer, SENUFO, ELFENBEINKÜSTE, H: 54,5 cm. 6.) Figur eines Königs mit Schmucknarben, Arm- und Halsringen und Medizinhorn auf dem Kopf. KONGO. Trockenrisse, H: 44 cm.| Convolute: 5 figural carvings made of wood. AFRICA: 1.) JBEDJI figure. NIGERIA, YOROUBA, female, H: 23 cm. 2.) Female doll of FANG, GABUN, H: 25 cm. 3rd) male fetish doll, FANG, GABUN, H: 30 cm. 4.) Woman with decorative scars, KONGO, H: 39 cm. 5.) Tamper, SENUFO, IVORY COAST, H: 54,5 cm. 6.) Figure of a king with decorative scars, arm and neck rings and medicine horn on his head. KONGO. Dry cracks, H: 44 cm.
19th century table clock.Bronze, ebonised wood and porcelain dial.Measurements: 66 x 34 cm.Table clock made for the Turkish market, with ebonised wood structure, applied bronze decorations and porcelain dial, with Turkish numerals for hours and minutes in black and openwork hands. The design is historicist in style, inspired by pieces from the Baroque period, hence the combination of an architectural structure of mixtilinear forms and emphatic volumes with the application of bronze. Also typical of the decorative arts of the Baroque period was a taste for contrasting qualities, colours and textures, hence the use of contrasting materials such as ebony, bronze, tortoiseshell and ivory. The clock stands on a stepped base, supported on cut-out legs (the bronze front legs) and decorated with classical relief mouldings in bronze and, on the front, with a chiselled, openwork and cut-out plaque with a composition of sinuous stems, leaves and bunches of grapes. The body of the clock rises above this base, open at the bottom to form a curved-sided recess, flanked by openwork bronze plaques similar to the base. The dial is set in a frame formed by sunbursts, directly inspired by French models from the time of Louis XIV, the Sun King. On both sides of the case are vertical bodies that stand out in plan and are decorated with openwork plaques, mouldings with reliefs, pinjantes, classical vase-shaped finials and openwork side rosettes as handles, all in bronze with Baroque vegetal motifs. Finally, the piece is crowned by a cup-shaped body also decorated with bronze appliqués, which stand out against the black background of the ebonised wood, and culminates in a large classical vase with relief decorations.
Female figure with dog in the style of KARL HAGENAUER (1898-1956), 20th century.Patinated wood.Measurements: 42 x 34 x 12 cm.The modelling of this sculpture is essential and synthetic without leaving aside the naturalism, typically Art Deco. Thus, in general, the details are left to one side, the meticulous rendering of the real model, although the author, a follower of Karl Hagenauer's style, pays special attention to capturing the movement of the animal's anatomy. These characteristics ascribe the piece to Art Deco, an artistic style that emerged in 1920 and whose influence continued until the mid-20th century in some countries. It sought to renew all disciplines, championing the value of the technological progress of the time and the new sciences of the day. The son of the goldsmith Carl Hagenauer, Karl studied at the Vienna School of Arts and Crafts, where he was taught by Josef Hoffmann and Oskar Strnad and imbued with the spirit of the Wiener Wekstätte. After obtaining his diploma in architecture, he did military service between 1917 and 1919, and on his return he began to work as an architect and in his father's studio. During these years he created numerous pieces in silver, brass, copper, enamel, ivory, stone and wood. In 1928, after his father's death, he took over the management of the workshop and was responsible for the expansion of the firm, extending production to cabinetmaking and opening shops in Vienna and Salzburg. Since then he has exhibited his best pieces both in Austria and abroad, was twice awarded the gold medal at the Milan Triennale and was made a member of the Austrian Werkbund and the Werkstätte. His works are now in collections all over the world, including the Victoria & Albert Museum in London, the MoMA and the Jewish Museum in New York, the Casa Lis in Salamanca and many others.
House of Commons. Report from the Select Committee...on Metropolitan Improvements..., 15 folding plans with partial hand-colouring, some light water-staining, a few tears and repairs, modern boards, uncut, August 1836 § Edwards (Percy J.) London County Council. History of London Street Improvements 1855-1897, maps & plans, 2 large & folding loose in newly-constructed pocket at beginning, spotting to lower margin of title and following few leaves, contemporary half calf, faded, rebacked preserving old spine, 1898 § Lockie (John) Lockie's Topography of London, printed in double-column, modern calf-backed boards, 1810 § Wilkinson (Robert) Londina Illustrata: Graphic and Historic Memorials of Monasteries, Churches, Chapels, Schools..., 2 vol., book-plate of the architect Sir A.E.Richardson, contemporary half morocco, t.e.g., one joint split, 1819-1825 § London Interiors... with an additional cut-out silhouette bound in at p.viii, later red morocco, gilt, navy blue morocco doublures & ivory silk moiré flyleaves, g.e., a little faded, rebacked preserving old gilt spine, n.d. § Elmes (James) London and its Environs in the Nineteenth Century, 2 vol. in 1, some foxing, contemporary half morocco, 1830, the last three with numerous engraved plates, occasional foxing, most rubbed; and 4 others on London, v.s. (11)
Falda (Giovanni Battista) Le Fontane di Roma nelle Piazze, e Luoghi Publici dell Citta, con li Loro Prospetti..., engraved throughout with 4 titles, 4 pictorial dedications and 98 numbered plates only (of 99, lacking plate 27 in Part I), 2 folding, plate 6 in Part II ?supplied from another copy (slightly wider and frayed at fore-edge), on ivory wove paper without watermarks, some light marginal foxing but generally clean, bookplate of Emily Mercer Lansdowne, Countess of Shelburne and later Marchioness of Lansdowne, late eighteenth century half vellum, spine gilt with red roan label, rubbed, new endpapers, [cf.Berlin Kat.3603; Fowler 117; Millard Italian 36], oblong folio, Rome, Gio.Giacomo de Rossi, [1675-89 but later].⁂ "This collection of plates is the most charming that has ever appeared on the fountains of Rome and its environs". (Fowler).
Gauger (Nicolas) Fires Improved: or a New Method of Building Chimnies, so as to prevent their smoking, second edition, engraved frontispiece and 10 plates, all folding, advertisement leaf at end, some spotting to frontispiece and title, contemporary calf, rubbed, corners worn, rebacked, red morocco label, [Harris 245], for J.Senex and E.Curll, 1736 § Accum (Fredrick) A Practical Treatise on Gas-Light..., fourth edition, 7 hand-coloured engraved plates, 4 aquatint, 2 folding, 6pp. publisher's catalogue at end, frontispiece soiled and torn along fold (trimmed and laid down), some spotting, modern half calf, uncut, spine slightly faded, [cf.Abbey, Life 436, first edition], R.Ackermann, 1818 § Richardson (C.J.) A Popular Treatise on the Warming & Ventilation of Buildings..., third edition, 17 folding lithographed plates, some tinted, Ernest Augustus, Crown Prince of Hanover and Duke of Cumberland's copy with red ink stamp to title and bound in red velvet blocked in gilt with ornamental border and crown to upper cover, g.e., ivory silk moiré endpapers, spine rubbed and faded, 1856; and 2 others on chimneys and coal fires, 8vo (5)⁂ The first item is "the earliest treatise on domestic heating and the basis of all eighteenth-century books on the subject in English...Desaguliers published a translation of Gauger's book, omitting what he thought superfluous and adding his own improvements to suit the burning of coal in England". (Harris). It was first published in Paris in 1713, and first in English in 1715.
A WILLIAM IV HOT WATER JUGby Alexander Edmonston, 1830 Edinburgh 1830 and further stamped with the mark of Marshall & Sons,Ornately embossed to depict figures beside a bridge in a landscape to one side, and a cherub riding a dolphin to the other, 21cm high, weight 32oz.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A GEORGE III TEAPOTby Francis Howden, Edinburgh, 1811 Of oval, partly gadrooned form, with a bright-cut engraved band of flowers, together with a George IV sugar bowl, London, 1825. of lobed form, weight 31oz. (2)Footnotes:Cites No. YTD9JWQ4This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A VICTORIAN EWERBy JM, Glasgow, 1856 Of ovoid form, chased overall with scrolls, foliage and flowers on a matted diaper ground, the branch-form handle with ivory insulators, height 30cm, weight 25oz.Footnotes:Cites No. LL3Z6S9AThis lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A GEORGE IV SILVER WATER JUGJames McKay, Edinburgh, 1827 On moulded foot, the pear-shaped body engraved with engraved arms, crest and motto and with presentation inscription 'The Highland Society of Scotland to John Carstairs of Springfield for a satisfactory report made by him of an improvement of a tract of moss 1829', with Bacchus mask to spout and scroll handle with ivory insulators, the domed lid with scroll thumbpiece and leafy finial, height 21.5cm, weight 25.5oz.Footnotes:Cites No QQU2ARQZThis lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A Scottish silver hot water jugEdinburgh 1822Of baluster shape engraved with crest and motto; and a small salver, Edinburgh 1848, engraved with initial and with a further engraved and moulded decoration, 25cm diameter. (2)This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A GEORGE III SILVER TEAPOTBy Alexander Edmonston, Edinburgh, 1784, incuse duty mark The moulded and beaded pedestal foot supporting an urn-shaped body, bright-cut engraved with swags and a blank cartouche, with leaf-capped spout and handle with ivory insulators, the domed cover with leafy finial, marked to the lid only, height 23.5cm, weight 22oz.Footnotes:Cites No. XVG6DXUCThis lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A FOUR PIECE VICTORIAN ZODIAC PATTERN TEA SERVICEBy John Russell, Glasgow, 1875, the water pot 1876, diamond registration mark Each piece of barrel form, chased with zodiac symbols against a patterned ground and with temple-form finials, the handles with ivory insulators, weight 63.5oz.Footnotes:Cites No. ICFQQEJUThis lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A VICTORIAN THREE PIECE TEA SERVICEBy David Crichton Rait & Son, Glasgow 1848 With matched silver plated hot water pot, of globular shape finely chased with a charioteer and a trio of horses and female figures amid clouds, the hinged lid with Greek helmet finial, the foot of the teapot engraved 'Presented to Frederick D Rait Esq by a few friends as a mark of respect on the occasion of his marriage, Glasgow, 14th September 1866', the handles with ivory insulators, weight 51oz.Footnotes:This tea service made by David Crichton Rait for his son Frederick D Rait as a wedding present. It is amongst the most impressive examples of classical revival silver produced in Glasgow in the 19th century.Cites No. V9MUA1CCThis lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A FINE SET OF SILVER MOUNTED BAGPIPESby P.Henderson, GlasgowThe Celtic knotwork silver mounts hallmarked for R G Lawrie, Glasgow 1937, lacking bag, in an oak case; together with a chanter stamped R G Lawrie, Glasgow.Footnotes:NotesIvory registration reference 9EL1951FThis lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A SCOTTISH SET OF LOWLAND PIPES20the CenturyWith nickel mounts, tartan bag and a chanter stamped 'R.G.Hardie Glasgow'; together with three further chanters, two stamped 'GRAINGER' and 'A.McARTHUR GLASGOW', and a Ross electronic bagpipes, (5)Footnotes:NotesIvory registration number FB91MGVHThis lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A SET OF SILVER AND IVORY HIGHLAND BAGPIPES Made by Peter Henderson, Glasgow, 1956 The silver mounted bagpipe chanter signed and hallmarked for Peter Henderson, a further ivory mounted chanter by Henderson, a practice chanter by R.G.Lawrie, the drones with plated fittings and ivory mounts, boxed.This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A SET OF 19TH CENTURY LOWLAND 'HALF-LONG PIPES'Possibly by Alexander GreenIn cocus wood and marine ivory; including a chanter stamped 'ALEX WOOD EDINr' (a/f); a second chanter stamped 'R.G.HARDIE GLASOGOW; with modern blue velvet bag and a modern set of wood bellows together with the old bellows and marine ivory fittings, in restored condition.Footnotes:NotesIvory Registration Number XCR92DQSThis lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
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239713 item(s)/page