MASATSUGU: AN IVORY SHUNGA NETSUKE OF OKAME WITH TENGU MASKBy Masatsugu, signed Masatsugu Japan, late 19th century Finely carved as Okame seated on the phallic nose of a tengu (crow demon), her hair finely incised and colored black, the tengu mask with a fierce expression. Natural himotoshi through the mask. Signed underneath with MASATSUGU.HEIGHT 3.3 cmCondition: Very good condition, minor wear.Provenance: Ex-collection Teddy Hahn, Darmstadt.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
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A POLYCHROME AND GILT-LACQUERED 'FOREIGNER' TABLE SCREEN, KANGXI PERIODChina, second half of 17th to early 18th century. Finely painted to one side with a red-haired Dutchman standing on the grassy ground and wearing a characteristic buttoned robe tied at the waist, a boy attendant standing behind him and holding a long blood-stained sword, two lanterns hanging above them. The other side with a gnarled branch with flowers, leafy vines and a butterfly. The frame decorated in gilt lacquer with lotus scrolls and other floral and geometric designs against a black ground.Provenance: Estate of Sear Hang Hwie Pao (1937-2009). Old illegible collector's label attached to frame. Pao was one of Canada's leading dealers of Chinese porcelain and works of art. His antique store, Pao & Moltke Ltd., owned together with his wife Mrs. von Moltke, who descended from a German and Danish noble family, was a fixture in Toronto's trendy Yorkville area from the 1980s to early 2000s.Condition: Old wear, natural age cracks, minor losses and touchups to the frame but not the screen itself. Overall superb condition for a lacquer table screen from the second half of the 17th century.Weight: 352.7 gDimensions: Size 24.5 x 19.3 x 11.4 cmThere was a fascination with all things European at the Qing court during the 17th and 18th centuries. This 'occidentalism' may be directly compared with the fascination of 'chinoiserie' that was sweeping Europe at approximately the same time. This interest in foreigners, their clothes, customs, and belongings is reflected in works of art of the period (see Auction result comparison). Scrolls depicting tribute bearers from foreign lands were commissioned by the court, on which male and female figures from various countries were shown in their different costumes. Reflecting the imperial view of China as at the center of all nations, the scrolls also reveal a certain curiosity about those outside the Middle Kingdom. On one such handscroll in the collection of the Palace Museum, Beijing, many of the figures are described as being from the West and the attributes of each couple are discussed in both Chinese and Manchu (see Splendors of a Flourishing Age, Macau, 1999, no. 42).Interestingly, however, the present figure is devoid of the typical caricatural elements, such as an overtly large nose and eyes or a grotesque expression. Moreover, he is depicted with long earlobes, which are normally seen on Buddhist figures, but were also regarded as lucky in China. The long sleeves and boy attendant are also typical elements of Chinese art that usually did not appear in depictions of foreigners. This suggests a certain respect for the depicted foreigner that went beyond curiosity or fascination. Perhaps he is a Dutch missionary, as indicated by his curly red hair and buttoned robe. One such Dutch missionary was George Candidius (1597-1647), the first missionary to be stationed on the island of Taiwan, who stayed there from 1627 to 1637.Auction result comparison: Compare a famille rose spirit barrel depicting a Dutch drunkard, wearing a similar buttoned jacket, dated to the Qianlong period, at Bonhams London in Fine Chinese Art on 12 May 2016, lot 299, sold for GBP 25,000, and an ivory figure of a kneeling Dutch foreigner, with a similar hairstyle, at Bonhams London in Fine Chinese Art on 16 May 2013, lot 366, sold for GBP 31,250.康熙時期漆金彩繪《外族人像》桌屏中國，十七世紀中葉至十八世紀初。桌屏一面可見彩繪一位紅髮荷蘭人站在草地上，腰間繫著一件極有特色的係扣長袍。身後站著一位童子侍從，他手裡拿著一把染血的長劍。頭部上方掛著兩個燈籠。桌屏另一面描繪著精美的牡丹花卉，鮮花怒放，花團錦簇，旁邊飛舞著一隻蝴蝶。桌屏框以金漆裝飾，黑色地上飾有纏枝蓮紋和其他花卉和幾何圖案。 來源：Sear Hang Hwie Pao (1937-2009) 收藏。畫框上有難以辨認的收藏家舊標籤。Pao是加拿大中國瓷器和藝術品的主要經銷商之一。 他和妻子創立了Pao＆Moltke Ltd古玩店，他們的古玩店從1980年代到2000年代初期曾是多倫多時尚的Yorkville地區的熱門店鋪。 品相：舊時磨損，自然老化的裂紋，輕微缺損。屏框處有修補。對於十七世紀下半葉的漆繪桌屏來説，其總體狀況極佳。 重量：352.7 克 尺寸： 24.5 x 19.3 x 11.4 厘米 拍賣結果比較：一件粉彩醉酒荷蘭人物，穿著相似外袍，乾隆時期，見倫敦邦翰思Fine Chinese Art 2016年5月12日lot 299, 售價GBP 25,000；一件象牙雕荷蘭人像，相似髮型，見倫敦邦翰思 Fine Chinese Art 2013年5月16日 lot 366, 售價GBP 31,250。
A RED MOMO CORAL NECKLACEJapan for the Tibetan market, mid-20th century. Composed of 47 coral beads, each separated by small knots, joined by a 14-karat gold closure. The beads in a bright red coral shade with white inclusions.Provenance: Austrian private collection.Condition: Overall very good condition, minor notches, some coral beads with natural inclusions and fissures.Weight: 122 gDimensions: Length 47 cm, Diameter 1.8 cm (largest bead), Diameter 0.9 cm (smallest bead)This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
OKATOMO: AN IVORY NETSUKE OF A WOLF WITH HAUNCH OF VENISONAfter Okatomo, signed OkatomoJapan, early 19th century, Edo period (1615-1868)Carved as an emaciated wolf with neatly incised and inked fur, large pricked ears, and eyes inlaid in dark horn, eating a haunch of venison in front of it, some sinew from the carcass in its mouth, the underside with the signature OKATOMO within a rectangular reserve.LENGTH 5 cmCondition: Very good condition with minor surface wear and few natural age cracks.Provenance: British private estate.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
MINKOKU IV: AN IVORY NETSUKE-OKIMONO OF TWO FARMERS WITH DOGBy Minkoku IV, signed Minkoku Japan, Tokyo, Meiji period (1868-1912)Depicting a dynamic scene with two farmers, one of them carrying a goose on his back and commanding his dog to chase a rabbit that tries to sneak between the legs of the second farmer, who lifts his foot to make way for it. Single himotoshi encircled by flower petals and signature MINKOKU underneath.HEIGHT 2.9 cmCondition: Very good condition with minor surface wear. Provenance: Ex-collection Teddy Hahn, Darmstadt.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
KAZUTOMO: AN IVORY OKIMONO OF MUSICIANSBy Kazutomo, signed Kazutomo and with kakihanJapan, Meiji period (1868-1912)Finely carved and stained depicting a group of musicians, three playing drums and a flute, the fourth hiding under a Shishimai lion dance costume. The pouch of one musician with a silver inlay. The base signed KAZUTOMO and with kakihan.HEIGHT 5.2 cmCondition: Very good condition, minor wear.Provenance: European private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A SMALL IVORY NETSUKE OF TOBOSAKU SENNINJapan, 19th centuryThe peach sennin standing and holding a fruiting peach branch in one hand and a basket in the other, wearing a neatly incised robe, the features carved with fine detail. Small himotoshi to the back.HEIGHT 4.8 cmCondition: Very good condition, expected age cracks and wear, fine patina. Provenance: European private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
AN IVORY NETSUKE DEPICTING THREE MONKEYS CLIMBING ON A SCREENJapan, Meiji period (1868-1912)The finely carved ivory netsuke depicting three monkeys with neatly incised fur and inlaid eyes climbing on top of a screen showcasing figural sceneries. With natural himotoshi.HEIGHT 5.3 cmCondition: Good condition with usual traces of wear and age. Provenance: East German private collection, assembled in the 1970s and 1980s.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
KAIGYOKUSAI MASATSUGU: A SUPERB IVORY OJIME OF TWO TURTLESBy Kaigyokusai Masatsugu (1813-1892), signed Masatsugu 正次Japan, Osaka, mid-19th century, Edo period (1615-1868)Carved from a choice piece of lightly stained tokata ivory as two turtles embracing one another, the cord channel between them. The details are masterfully worked, especially when considering the size, the eyes are inlaid in pale, translucent horn. Signed MASATSUGU. HEIGHT 1.7 cm Condition: Good condition, tiny nicks.Provenance: From the Melvin Jahss Collection. Notable European collection, acquired from the above. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0242).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A CARVED SOAPSTONE FIGURE OF A LADY, 1900sChina, late Qing dynasty (1644-1912) - Republic period (1912-1949). The figure is shown standing and holding a large teapot in both her hands. She wears a shawl over her shoulders, an elaborated ruyi-head and petal collar and a long flowing robe that falls to cover her feet. Her hair is worn in an elaborate topknot. The stone is of warm ivory color with iron red inclusions. Condition: With some wear and chips to exposed areas, some losses, restorations to the topknot, neck, and shawl. The stone with natural fissures and remains of pigments. Provenance: French private collection. Weight: 886 g Dimensions: Height 21 cm
A LEATHER TABAKO-IRE (TOBACCO POUCH) AND ENSEMBLE WITH SILVER-FITTED KAGAMIBUTA NETSUKE DEPICTING A TIGER AND YOUNGUnsigned Japan, late 19th centuryThe pipecase and pouch in tooled brown leather, the pouch applied with a shibuichi kanamono with silver and gold highlights depicting a tiger and dragon, fitted with a kagamibuta netsuke, the shibuichi plate with gilt and silvered decoration of a tiger and cub amid crashing waves, set into an ivory bowl, the components joined with a silver chain and fittings.LENGTH 19.5 cm (the pipecase) and 12 cm (the pouch), DIAMETER 5.5 cm (the netsuke)Condition: Good condition with some wear and traces of use, particularly to leather, the ivory bowl with light surface scratches and good patina.Provenance: European collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certThis item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.ificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.
DOSHO: AN IVORY OJIME WITH BRANCHES AND FLOWERSBy Dosho (1828-1884), signed Dosho 道笑 Japan, 19th centuryThe finely caved ivory ojime of ovoid form with silver lacquered inlays, depicting a beautiful composition of branches and blossoming flowers, with mother of pearl and carnelian inlays, and the engraved signature DOSHO. The top and bottom encircled by a tortoise shell inlaid collar.HEIGHT 2.2 cmCondition: Overall fine condition with a tiny chip and some inlays missing.Provenance: Notable European collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
MUNEYOSHI: AN IVORY OKIMONO OF DARUMABy Muneyoshi, signed Muneyoshi sakuJapan, Meiji period (1868-1912)The Zen patriarch standing atop a single reed - after an unsuccessful encounter with the Chinese Liang-dynasty Emperor Wu, Bodhidharma is said to have sailed up the Yangtze River on a single reed to continue his journey to promote Zen - and holding a hossu in one hand, his characteristic cowl neatly incised with Ho-o birds amid swirling clouds. His face is well detailed with a bushy beard and brows as well as large eyes and a prominent cleft chin. Signed to the underside above the feet MUNEYOSHI saku [made by Muneyoshi]. Note the variety of textures creating a striking contrast and appealing feel to the okimono.HEIGHT 16.5 cmCondition: Very good condition with minor surface wear and few natural age cracks.Provenance: French private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A selection of Chinese silk embroidered panels, 19th century and later, comprising; two peach ground sleeve panels 46cm x 8.5cm, a pair of ivory ground polychrome embroidered panels, 45.5cm x 9cm, a circular panel embroidered with gourds, 21.5cm wide, a framed and glazed silk panel, 57.5cm x 27.5cm overall, and a further panel (7) (at fault)
A late 17th/early 18th century oyster laburnum veneered chest on stand, the pair of star veneered doors opening to an arrangement of drawers, the central cupboard door opening to a further arrangement, with conforming star veneer to the inside of the doors and the central door, raised upon a later associated ebonised stand, with tapering bobbin turned legs terminating in brass shoes and castors, 138cm H x 92cm W x 38cm D Condition reportSlight warp to the top of the cabinet with some minor blistering and cracks to the veneer.Sun bleaching/fading to the RHS of the cabinet, overall minor chips and repairs to the veneer.LH door very tight and won't close without force, possibly due to being warped, repaired split on the same door running from the top hinge.Splits running vertically on the inside of both doors, door fittings possibly later with some evidence of repairs around the lock of the interior door.General marks, chips and losses commensurate with age and use, ebonised stand is later associated.Please note this lot is offered for sale in accordance with the Ivory Act 2018, Trevanion Auctioneers & Valuers LLP have applied for a de minimis exemption licence for the ivory in this lotRef: 5LKRBLEC
A mahogany cased square piano by Longman & Broderip, London, circa 1790, serial number 446, possibly made by John Geib, the rectangular case inlaid with rosewood cross banding and ebony stringing enclosing the satinwood fascia applied with harebell swags and the makers name 'Longman & Broderip Musical Instrument Makers, No. 26 Cheapside & No. 13 Haymarket, London', above the 61 key five octave keyboard with ivory naturals and ebony accidentals, raised upon slender tapering legs of square section and castors, 83cm H x 155cm W x 55cm D Approx fifteen of the keys do not work at all, the remainder appear to be out of tune and would require some attentionPlease note this lot is offered for sale in accordance with the Ivory Act 2018, Trevanion Auctioneers & Valuers LLP have applied for an exemption licence for the ivory in this lotRef: VJSV8KUI
A LARGE INLAID EBONY WOOD NETSUKE OF PUPPIES ON A STRAW HATJapan, second half of 19th centuryThe ebony wood netsuke depicting two puppies on a finely carved straw hat (kasa). One puppy has three inlaid ivory spots on its fur. The underside of the straw hat depicting a delicately engraved design of a dragon ascending Mount Fuji. The natural himotoshi through the legs of the spotted puppy and an inlaid ivory signature underneath the straw hat - TOMOTADA.LENGTH 7.4 cmCondition: Good condition with minor associated wear and a small chip to the rim of the straw hat. Provenance: German private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
AN IVORY NETSUKE OF A KYOGEN ACTOR WITH FOX MASKJapan, 19th century, Meiji period (1868-1912)The finely carved and stained netsuke depicting a kyogen actor, wearing a kitsune (fox) mask and a richly patterned ceremonial attire, holding an open fan in his left hand behind his head, and suzu bells in the other. Below the actor's raised foot is a closed mask box. The two symmetrical himotoshi at the backside.LENGTH 5.4 cmCondition: Fine condition with usual traces of wear and age. Provenance: Notable European collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A FINE IVORY NETSUKE OF SEVEN HUNGRY MONKEYS BY HOICHIBy Hoichi, signed Hoichi 芳一 saku 作Japan, Tokyo, late 19th century, Meiji period (1868-1912)A very fine and dense carving of a large monkey with six young monkeys portrayed in various attitudes. The large monkey is biting into a peach, while a young monkey in front of her is trying to reach the fruit. The other monkeys are climbing on top of the large one, clambering and pushing and pulling on each other. Another smaller monkey on top has managed to find another peach and is heartily biting into it. The hairwork is masterfully incised and all the eyes are minutely inlaid with pale translucent horn. The style of the carving, as well as the finish and the unstained ivory, is reminiscent of Kaigyokusai Masatsugu. The signature is found on the underside in a rectangular reserve, HOICHI saku. The carver probably comes from the school of Hojitsu in Tokyo. Kaigyokusai Masatsugu was also known to have opened a school in Tokyo during the Meiji period.HEIGHT 5.1 cmCondition: Very good condition, minor discoloration to the ivory in limited areas and some imperfections such as plugged nerve channels.Provenance: European collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A FINE IVORY NETSUKE OF NITTA NO SHIROJapan, 19th centuryWearing the distinctive straw hat of a Japanese hunter, a sword on his back, the hero sits astride the overthrown boar, pinioning it and immobilising it by holding a foreleg, the animal's fur finely engraved. Natural himotoshi.HEIGHT 3.9 cmCondition: Very good condition with expected wear and some age cracks. Light honey-yellow patina to the underside. Provenance: European private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A THREE-TIERED MOMO CORAL BEAD NECKLACEJapan for the Tibetan market, mid-20th century. The necklace with three strings, composed of 359 red-orange coral beads, each separated by a small knot, joined by a 14-karat gold closure with coral inlays.Provenance: Austrian private collection.Condition: Overall very good condition, one bead missing, some beads with natural inclusions and fissures.Weight: 146 gDimensions: Length 59 cm, Diameter 0.9 cm (largest bead), Diameter 0.6 cm (smallest bead)This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
YOSHIMASA: A RARE IVORY NETSUKE OF A DRUNKARDBy Yoshimasa, signed YoshimasaJapan, Kyoto, late 18th century, Edo period (1615-1868)Finely carved as a peasant seated and looking upwards, laughing, holding a sake-bottle in one hand and a sakazuki (sake cup), with a carved key fret border on the rim, in the other. His expression is amusing and conveys his drunkenness very well. Excellent honey patina and the himotoshi through the back. Signed YOSHIMASA 吉正 to the side of the sake-bottle.HEIGHT 3.6 cmCondition: Good condition with minor age cracks.Provenance: European collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
TOMOTSUGU: AN IVORY NETSUKE OF A SMOKING MANBy Tomotsugu, signed Tomotsugu Japan, around 1850, Edo period (1615-1868)The ivory netsuke depicting a seated man, wearing traditional Japanese garment and headdress, smoking his pipe with an amusing facial expression, while holding an inscribed Tonkotsu in his left hand. Two himotoshi at the backside and the engraved signature TOMOTSUGU inside a lobed cartouche on the underside.HEIGHT 4.5 cmCondition: Good condition with minor traces of wear and age, restoration to left foot. Provenance: Notable European collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A MINIATURE IVORY OKIMONO OF FATHER AND CHILDJapan, Meiji period (1868-1912)The charming ivory okimono depicting a father and a child with a toolbox next to them. The small child is holding a tool in his right hand, showing it to the father, and the father appears to explain the tool to the curious child. The artist's signature underneath the father's right leg.HEIGHT 3.4 cmCondition: Good condition with traces of wear and age. Provenance: French private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
AN IVORY NETSUKE OF A MONKEY TEACHING HIS YOUNG BY SEIGYOKUBy Seigyoku, signed SeigyokuJapan, late 19th century, Meiji period (1868-1912)A beautifully carved study of a father monkey holding down a sparrow and showing his offspring how to kill it. The young monkey looks on enthusiastically and is holding another smaller sparrow by the wing. Sensitive details in the facial expressions and overall a very charming netsuke. Natural himotoshi and signature SEIGYOKU on the underside. Compare also to the netsuke by Gyokumin no. 104 in this catalog.HEIGHT 3.2 cmCondition: Very good condition, fine patina, minor areas of discolorationProvenance: European private collectionAuction comparison: A similar netsuke as sold at Bonhams, Fine Japanese Art including two masterpieces by Kitaoji Rosanjin (1883-1959), London, 7 November 2013, lot 43 (sold for 1,625 GBP).Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
AN IVORY OKIMONO OF MONJU BOSATSUJapan, Meiji period (1868-1912)Finely carved and stained depicting the bodhisattva seated on a shishi, reading the scroll he is holding in his hands, dressed in long robes with a billowing scarf, and adorned with jewelry.HEIGHT 5.5 cmCondition: Good condition, few small age-related cracks, a chip to one side of the scroll with associated material loss.Provenance: European private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
MUNENARI: AN IVORY OKIMONO OF RAKAN HANDAKA SONJABy Munenari, signed MunenariJapan, Meiji period (1868-1912)Finely carved, depicting the rakan standing, his right hand raised while holding an alms bowl, a cane in his left, dressed in long robes, and with a wrathful dragon wrapped round his arm. The necklace and eyes of the dragon with inlays. The base signed MUNENARI within an oval reserve.HEIGHT 20.2 cmCondition: Good condition, minor chips to exposed areas, age-related cracks.Provenance: European private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
RANICHI: AN IVORY NETSUKE OF A PUPPY WITH AWABIBy Ranichi, signed Ranichi 蘭一Japan, Kyoto, early 19th century, Edo period (1615-1868)The ivory netsuke with neatly incised fur and stained patches, depicting a piebald puppy pressing one paw down on an awabi shell. The canine's expression is quite amusing - its mouth is opened, baring a row of oddly large teeth, and the double-inlaid eyes are placed wide apart. Natural himotoshi and signed within an elliptic reserve RANICHI - a pupil of Rantei.LENGTH 3.1 cmCondition: Very good condition, minor wear, some age cracks.Provenance: German private collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A FINE IVORY NETSUKE OF A GROUP OF SHISHIUnsignedJapan, Tokyo, second half of 19th centuryFinely carved as a lively group of a mother Shishi with her three cubs, the entire composition set on a circular base. The mother is snarling, while the three young Shishi have their heads lifted to the sky. Fine details, the underside with himotoshi. The manner of carving and stain is very much reminiscent of Ishikawa Rensai of Asakusa, Tokyo.HEIGHT 2 cm, DIAMETER 3.3 cmCondition: Excellent condition.Provenance: British collection.Auction comparison: Compare the manner of carving and stain to a netsuke sold by Zacke, Fine Netsuke, Sagemono & Okimono, 24 November 2018, Vienna, lot 144.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
ICHIEISAI KOMIN: AN IVORY MANJU NETSUKE DEPICTING SHOKI AND KOINOBORI (CARP STREAMER)By Ichieisai Komin, signed Ichieisai Komin 一永齋孝民 with kakihanJapan, Edo (Tokyo), c. 1830, Edo period (1615-1868)Of thick, circular form with a central himotoshi peg, carved in relief with a grim-looking Shoki looking toward a large koinobori (carp streamer) fluttering in the wind (presumably an oni hides within), the reverse incised with a hut as well as the signature ICHIEISAI KOMIN with kakihan.DIAMETER 5.3 cmCondition: Good condition with some surface wear, expected age cracks, a small chip to the himotoshi peg. Fine, smooth, honey-yellow patina.Provenance: European collection.Trade Certificate: In accordance with new EU regulations that went into effect in January 2022, we have applied for a certificate to sell this item within the EU. We expect the Austrian Federal Ministry for Climate Action, Environment, Energy, Mobility, Innovation and Technology to issue the certificate in 3-6 weeks. The item can only be shipped / handed over once the certificate has been issued.This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
Dish; Gujarat, India, 16th century.Mother-of-pearl and bronze.Measurements: 3 x 23 cm.Dish made of mother-of-pearl with bronze finials that can be seen in the lower part of the piece. From the trade routes of the Indies they arrived in Europe, with this one having the peculiarity of being made entirely of mother-of-pearl, as the majority of examples come from China and are made of porcelain. In India, this type of mother-of-pearl work was traditionally associated with rituals, being especially used for holy water.Through the trade routes that linked Europe, America and the Indies, various oriental products, most of which were considered luxury items, reached the Iberian Peninsula. Royal families, nobility and people of high social standing all desired exotic objects for their collections, and ivory carvings were among the most prized, both for the value and exoticism of the material itself and for the quality of the workmanship. These carvings also had a dual function. Firstly, they were precious and decorative objects, but they also had a didactic and evangelistic purpose, as carvings were made with Christian themes and iconography, using decorative motifs, elements and techniques typical of the Far East. Generally speaking, the missionaries commissioned local artists to make them, showing them European models to imitate. These types of pieces, intended for Portuguese clients, were made especially in Goa (India).
A Victorian papier mache hand fan, painted with shipping and a lighthouse; a pair of Victorian hand fans, decorated with landscapes scenes in pencil on card, turned rosewood handles with integral ivory elements, the card embossed 'Dober London'; an Art Nouveau peacock design hand fan; kid gloves, other gloves, and haberdashery.Parts of this lot contain elephant ivory. Ivory Act 2018 Registration Reference; BAAQXK64The purchaser should contact ivoryact@apha.gov.uk to inform them they are the new owner.
English School, early 19th centuryA lady, half length miniature,oval watercolour on paper,9.5 x 8cm,rectangular black lacquered frame;Regency oval portrait miniatureYoung lady, half-length seated, oval ivory panel, gilt metal frame, 9 x 7cm.Ivory Act 2018 Registration Reference; N99UARJBThe purchaser should contact ivoryact@apha.gov.uk to inform them they are the new owner.Qty: 2
An 18ct gold pair cased key wind open faced pocket watch, by Mitchell Russell, Glasgow,with a 55mm outer case. An ivory coloured enamel dial with black Roman numerals, a subsidiary seconds dial and gold and blued hands, damaged. An engine turned outer case, damaged, with a plain interior case, signed Mitchell and Purcell, Glasgow. London, 1835. Movement no. 20930. 135.14gDent to outer case. Engine turning to back case very worn. Crest to central escutcheon scratched out.Hands damaged or broken.Pendant, porosity under 10x magnification.Winds, does not tick even when gently shaken.Glass scratched. Noticeable scratches and marks.
AN 18TH CENTURY MAHOGANY FRAMED AND LATER CARVED ARMCHAIRIn the Gainsborough styleRe-upholstered in yellow ground and ivory damask, the cut-away down-swept arms carved with harebell chains and acanthus leaf terminals on acanthus carved cabriole legs and pad feet, 75cm high x 65cm deep (29 1/2in high x 25 1/2in deep)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A GEORGE III MAHOGANY AND INLAID STEPPED FRONT SIDEBOARDThe top with line inlay border above frieze drawer with cupboard below, flanked by two deep drawers on turned reeded and fluted supports, with ivory escutcheon, 182cm wide x 75cm deep x 91cm high, (71 1/2in wide x 29 1/2in deep x 35 1/2in high)Footnotes:The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). Ref.FMF3VB5L.This lot is subject to the following lot symbols: TP Y ФTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A GEORGE III MAHOGANY AND SATINWOOD-BANDED SECRETAIRE BOOKCASELate 18th centuryThe rectangular moulded dentil cornice over a pair of lancet and balloon glazed doors enclosing shelves, the secretaire drawer over three satinwood crossbanded long drawers, shaped apron and splayed bracket feet, ivory drawer pulls and escutcheons, labelled 'Geo. Speer, The Seven Stars, No. 2 Great Tower Street, London', 118cm wide x 59cm deep x 239cm high, (46in wide x 23in deep x 94in high)Footnotes:Provenance: Acquired from W. R. Harvey & Co. (Antiques) Ltd.The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). Ref 54DKA1B5.This lot is subject to the following lot symbols: TP Y ФTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A COLLECTION OF VICTORIAN DEVONSHIRE SPECIMEN MARBLE DESK FURNITUREComprising a desk thermometer; a deskstand; a circular inkwell; candlestick; stationary stand; paperknife; a paperweight inscribed 'IN'; and other items, the candlestick, 50cm wide, 28cm high (20in wide, 11in high) (10)Footnotes:The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). Ref.81R83246.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A COLLECTION OF VICTORIAN TORQUAY MARLACHITE AND MARBLE DESK FURNITUREIncluding a circular desk thermometer, a set of letter scales by Gordon of Torquay, a circular inkwell, on bun feet, 7.5cm high, a circular tray, 20.5cm diameter, a pen tray, a pair of candle stands, 7cm high, a short banded cylindrical vase and a pair of circular candlesticks, engraved 'Easter 1877' to the base, 17cm (7.5 inches) high (10)Footnotes:The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). Ref.K518CU3K.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A COLLECTION OF DERBYSHIRE BLACK MARBLE PIETRA DURAComprising three ornamental thermometers, a pair of slender baluster ewers, an oval desk stand with glass inkwell on bun feet, and two garniture vases, largest 41cm high, (16in high) (8)Footnotes:The item within this lot containing ivory has been registered in accordance with the Ivory Act (Section 10). Ref.1J2BH47R.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Y NORTHERN ITALIAN MILANESE SCHOOL RENAISSANCE REVIVAL SIDE CABINET, CIRCA 1880 ebonised wood with ivory inlay, set with semi-precious stones including agate and lapis lazuli, glazed panels(103cm wide, 102cm high, 44.5cm deep)Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference XH66X6M3. Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside Great Britain, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Y STYLE OF CHRISTOPHER DRESSER FOR PRATT & PRINCE, BRADFORD PAIR OF BOOKCASES, CIRCA 1880 ebonised oak and fruitwood, inlaid with ebony and ivory, remnants of paper label to reverse of one bookcase(each 106cm wide, 149.5cm high, 34cm deep)Literature: Andrews, J. Arts and Crafts Furniture, AAC 2005, pl. 68 where these bookcases are illustrated. https://blairman.co.uk/designers-makers-and-patrons/pair-chairs-walter-morrison-1836-1921-new-discovery/ Note: Christopher Pratt, a cabinetmaker, and Thomas Prince, a carver and designer, formed a partnership based in Darley Street, Bradford, in about 1845. In 1850 they took over the workshop, showroom and stock of their former employer, Joseph Nutter, and began to trade as Pratt & Prince. This impressive pair of bookcases may have formed part of a suite of furniture designed for Walter Morrison of Malham House, Yorkshire. A pair of armchairs, possibly from this suite and with similar decorative details is with H. Blairman & Sons, London. Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference TS76R5PW. Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside Great Britain, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
§ A FINE SEMI-PRECIOUS STONES AND JADE EMBELLISHED TIBETAN BUDDHIST RITUAL COVERED CONTAINER, POSSIBLY A ‘DRU PO’ HIMALAYA OR POSSIBLY EASTERN TIBET, LATE QING DYNASTY, 19TH CENTURY Resting on a conical spread foot, with a globular body, a waisted neck, a stepped rim and a dome-shaped lid. Very finely and deeply chiseled, notably with coiled dragon beasts (possibly chi dragons) to the neck, double scrolls amidst clouds. Further embellished with stone beads of various colors, notably red and green, imitating lotus lapets around the spread foot. Most important are even the white jade plaques, five in totals, four around the body and one topping the lid. They are deeply carved in a desirable stone with various flowers and leaves to the body, and with the wheel on dharma to the top of the lid. H: 21,5 cm Weight: 1528,9 grams Notes: 1. Tibetan Buddhism ritual objects are of various shapes and sizes. Along ‘dru po’, one can mention ‘torma’ (‘lha gya tor chig’), long-life vases (‘tshe-bum’), oboes (‘gyaling’), long horns (‘dung chen’), skull cup kapalas (‘tod-pa’, peacock vases (‘bumpa’), cylindrical containers (‘dug drab dze sum gyi nod) etc. Full sets of ritual implements would have been used throughout the year and were often offered to teachers from wealthy patrons and disciples. 2. The fine craftsmanship and lavish use and silver and jade indicate an important commission typically that may be associated with the craftsmen of Eastern Tibet in Derge. 精美半宝石和翡翠藏传佛教宝器 喜马拉雅时期，晚清，19世纪 Bidders should be advised that importation regulations of several countries, including the US, prohibits the importation of ivory and that of coral, or any goods containing same. Therefore Adams advises prospective purchasers who intend to ship lots containing either ivory or other specimen that fall under CITES regulation, to another country to familiarize themselves with the relevant importation regulations prior to bidding. Adams will not be responsible for shipping items herein and the onus will be on the buyer to organize shipping at their own behest. NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
A SHALLOW DISH WITH AN IVORY TONE GLAZE TONGZHI MARK CHINA, QING DYNASTY It rests on a short ring foot and has a round body with a slightly everted rim. It is all covered with a flawless glaze of white ivory tone, at the exception of the ring foot and the base. The base is inscribed in underglaze cobalt blue with a six-character mark of Emperor Tongzhi in kaishu within a double circle. H: 3,5 cm - D: 18,5 cm 象牙白浅盘，同治款识及可能时期 中国，晚清 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
FORMERLY THE PROPERTY OF CARLOS ALFREDO TORNQUIST ALTGELT (1885-1953): A PROMINENT ARGENTINIAN BANKER AND DIPLOMAT (BY REPUTE) A LARGE DEHUA / BLANC DE CHINE PORCELAIN FRAGMENT OF A BEAKER VASE, YENYEN CHINA, QING DYNASTY It has a trumpet foot and a globular central part of the body surmounted by a trumpet neck. It is either molded or carved with lotus scrolls under a covering white glaze of light ivory tone. H: 39,5 cm Provenance: - a private Collection; - Carlos Alfredo Tornquist Altgelt (1885-1953, by repute). Note: Carlos Alfredo Tornquist Altgelt (1885-1953) was the President of the banking house of Ernesto Tornquist Co., Ltd., and a member of a prominent Argentinian family. A person of influence, he is also known to have played a crucial role in helping to avoid a war between Argentina and Chile in 1902 by managing the British mediation in the border dispute. Throughout the years, he maintained a close friendship with Argentina Presidents Julio A. Roca (1843-1914) and Carlos Pellegrini (1846-1906). 大号德化白瓷花瓶残片 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence ofsuch a reference does not imply that an item is freefrom defects or restoration, nor does a referenceto particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
A LARGE DEHUA / BLANC DE CHINE PORCELAIN TWO-HANDLED PEAR-SHAPED VASE CHINA, QING DYNASTY It rests on a tall spread foot and has a pear-shaped body surmounted by a long tubular neck flanked by two open-worked handles. It is adorned with two registers of applied symbols and taotié masks, one located near the handles, the other one located on the central body. It is all covered with a desirable white glaze of ivory tone. H: 43,5 cm Comparison: A related Dehua vase with a similar applied design was formerly in the Yamanaka collection. Another related vase is published in Kokuritsu Hakubutsukan, 'Min Shin No Kaiga'. Tokyo, 1980, fig. 1-218, p. 47. 德化白瓷双耳梨形大花瓶 中国，清期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence ofsuch a reference does not imply that an item is freefrom defects or restoration, nor does a referenceto particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
A DEHUA / BLANC DE CHINE PORCELAIN PEAR-SHAPED VASE WITH A GARLIC NECK CHINA, QING DYNASTY It rests on a short ring foot left unglazed and has a slender pear shaped body surmounted by a garlic head. The neck is encircled by an applied chi dragon in high relief. The vase is all covered with a white glaze of slightly ivory tone. H: 22,8 cm Note: Compare with a related vase dated to the Kangxi period offered at SOTHEBY’S New York, USA, 2022-03-23, lot 323, sold for USD 12,600. 德化白瓷梨形蒜颈瓶 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence ofsuch a reference does not imply that an item is freefrom defects or restoration, nor does a referenceto particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
A DEHUA / BLANC DE CHINE MOLDED PORCELAIN FIGURE OF A SAGE, POSSIBLY LAOZI 老子 CHINA, QING DYNASTY He is represented seated in rajalalisana, his left hand, holding sacred texts and resting on a rock, wearing loose robes, a bear, a hair bun and two braids. All covered with a white glaze of slightly ivory tone. H: 10,9 cm Notes: 1. Laozi (老子 - 6th to 4th century BC) was an ancient Chinese philosopher and writer. He is the reputed author of the Tao Te Ching, the founder of philosophical Taoism, and a deity in religious Taoism and traditional Chinese religions. 2. Compare with a related Dehua model of Laozi sold at CHRISTIE’S New York, USA, 2015-03-15/16, lot 3140, for USD 18,750. 德化白瓷“老子”像 中国，清代 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
FORMERLY THE PROPERTY OF SENOR JORGE CASARES: A REPUTED ARGENTINIAN ORNITHOLOGIST (BY REPUTE) A DEHUA / BLANC DE CHINE MOLDED FIGURE OF A GUANYIN CHINA, QING DYNASTY, 18TH TO 19TH CENTURY The Goddess of Mercy is seated in rajalalisana on a rockwork throne, draped in a long cowled robe obscuring the high, ornamented coiffure, the soft, serene face with delicate features and a pointed chin, a large lotus necklace set against the bare chest and above the belted undergarment, originally holding a scroll (here missing) iin one of the delicate hands extending from a sleeve of luxuriant folds, a sutra text resting on an integral rock pedestal just behind the figure, the white clay body covered in a transparent, creamy-ivory glaze pooling in the recesses of the modeling and folds. H: 31,3 cm Provenance: - a private collection; - Señor Jorge Casares, Buenos Aires, Argentina, a reputed ornithologist born in a wealthy landowning family, also a relative of the renowned Argentinian fiction author Adolfo Bioy Casares (1914-1999) and a fellow of W.H. Hudson (1921-1982), an Argentinian-borned British Naturalist and Ornithologist. He is praised to have donated his library to the Sociedad Ornitológica del Plata (by repute). Note: Compare with a related figure of Guanyin dated to the 17th century sold at SOTHEBY’S New York, USA, 2020-09-23, lot 778, for USD 8,190. Also see a Dehua figure from the same collection sold in these rooms 2021-06-29, lot 20, for €11,000. 德化白瓷观音像 中国，清代，18-19世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
A selection of ceramics and glassware, including: a Beswick ceramic wall pocket formed as a floral encrusted summer hat; a Royal Ivory porcelain wall pocket; three various Wedgwood of Etruria white ceramic vases; a Royal Doulton "Old Charley" miniature toby jug; a Staffordshire flat-back figure group of three girls with clock aperture; a miniature tea-for-two service on tray; and a small selection of glassware.
An early 18th century Portuguese ebonised table cabinet, of architectural form, with central door enclosing an ornately inlaid nonsuch interior, flanked by an arrangement of drawers. UK APHA Registration of an ivory item Submission reference: 6JVVBES5 width 87cm, depth 38cm, height 57cmEbonised finish is now rather dull with splitting running across the top right side, a number of small losses of mouldings to the front, interior with tortoiseshell, ivory and bone inlay, right side with scuffing and losses to the plinthPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. width 87cm, depth 38cm, height 57cm
An important 18th century Lombardy ebony banded walnut and ivory inlaid twin pedestal desk, the top and sides inlaid with a scenes from Homer’s Iliad, after original drawings by John Flaxman RA (1755-1826), within moulded shaped ebony cartouches, fitted with three frieze drawers over hinged cupboards, inlaid with allegories representing Hope and Faith, on later castors.UK APHA Registration of an ivory item Submission reference: D99UXPKP W.118cm D.61cm H.82.4cm LOT ESSAY BY DR. ARABELLA CIFANIThe scene is taken from a drawing that the English sculptor and draftsman, John Flaxman(1755–1826), made to illustrate the passages of Homer's Iliad, a commission proposed to him in 1791 by Georgiana Hare-Naylor while he was living in Rome. Here is represented a rare episode, with Polydamas, a character from Greek mythology soothsayer, adviser and valiant warrior, friend and lieutenant of Hector, who fought in the Trojan War and who, in the twelfth book of the Iliad, advises Hector not to cross a dangerous moat that was part of the defence at the Achaean port and also advises Hector not to continue the siege. Hector will not listen to him and will face death at the hands of Achilles (Homer Iliad 12.60).‘’Then verily Polydamus drew nigh to Hector, and spake, saying: “Hector, and ye other leaders of the Trojans and allies, it is but folly that we seek to drive across the trench our swift horses; hard in sooth is it to cross, for sharp stakes are set in it, and close anigh them is the wall of the Achaeans.’’ Homer - Iliad 12.60John Flaxman, sculptor and draftsman, a leading proponent of English neoclassicism, created 34 drawings for Homer's Iliad in Rome in 1793, which were engraved on copper for the first time in Rome by Tommaso Piroli in 1793 ("L'Iliade et the Odyssée d'Homère gravéepar Thomas Piroli d'après les desseins composés par John Flaxman. 94 gravures ", Francesco Romero publisher, Rome, 1793). The meeting Flaxman and Piroli was a happy union, sealed by a public success that also provoked real acts of editorial piracy. "The reprints followed one another in various original editions or copies of the branches in different European cities, attesting to the vast success achieved from Flaxman's inventions masterfully translated and propagated with the burin of Piroli. Two years later, the plates for "The Iliad" were republished in London. In 1805, publishers Longman, Hurst, Rees and Orme printed new editions of both series, including eleven extra illustrations commissioned from Flaxman (five for "The Iliad" and six for "The Odyssey").The style of the ivory inlay perfectly reflects the spirit of Flaxman's engraving, the figures in fact retain their taste for graffiti, which was an absolute novelty at the time. Flaxman avoided the background landscape, setting and detail, focusing on figures rendered with pure outlines. It has long been known that Flaxman drew on and synthesized a wide variety of visual sources in the development of his outline illustrations, combining classical figuration from "Etruscan" reliefs, sculptures, engravings and vases with forms derived from medieval and early Renaissance sources, life studies and observational sketches of daily Italian scenes and characters. Flaxman's style of illustration has been discussed and celebrated by a multitude of critics across Europe and has had a demonstrable influence on artists such as Ingres, Goya and Blake.The cabinet is also enriched with other ivory inlays, representing divinities and allegories, including the allegory of Hope and Faith.GORRINGE’S are grateful to Dr. Cifani, for her identification of John Flaxman’s designs, used in the ivory inlays on this desk.Overall a little evenly faded to a light walnut tone with old dents, small losses and splits throughout commensurate with age, ivory inlay looks to be mostly complete but some small losses notably to the right side of the top, the doors to the drawers are fitted with English locks but no escutcheons suggesting the later addition of the veneers, cupboard doors have Italian locks but no key, lower front right corner is broken with the foot now come loose, minor dents and scuffing elsewhere around the base.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. W.118cm D.61cm H.82.4cm
A late 18th century tortoiseshell poudre d'écaille box, the cover inset with two portraits of young ladies, below a monogram ‘JC’ with coronet, mounted in gilt metal UK APHA Registration of an ivory item Submission reference: H2MAVDWY 8cm diameterVery minor nibbles to the corner at corners meeting inset borders, the base underside evenly and reasonably wornPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 8cm diameter
English School c.1820 Miniature of a child painted as an angelwatercolour on ivoryUK APHA Registration of an ivory item Submission reference:7NFNM1JF7.5 x 6cm, diamond set framewatercolour on ivory in good clean condition with no faults noted, some matting to the surface of the glass, housed in a paste set gilt frame with discolouration to the back margins.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 7.5 x 6cm, diamond set frame, English School c.1820
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