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Lot 35
Tri-ang Hornby 'Electra' and 3-Car Blue Pullman, R351 BR blue EM2 twin pantograph 27000 'Electra' electric Locomotive, a little grubby, both pantographs good, R555 Midland Pullman Power Car, R 556 unpowered Trailer, both with repainted yellow fronts and R426 Parlour Centre Car, all in original boxes, F-G, boxes, all poor, two taped together (4)
Lot 566
BR Cap Badges, a lion over wheel brass Midland Region example with enamelled bar inscribed Station Master, a brass lion and wheel example and four totem cap badges BR Southern green enamel Ticket Collector, BR Midland red Foreman and BR Western Guard and Ticket Collector, all four by J R Gaunt London, G, (6)
Lot 598
Train Related Colour Albums, various volumes, Yeadon's Named Trains on LNER Part1/11, Steam Colour Portfolio Keith R Pritt (four volumes), North West England in the Latter Days of Steam Malcolm Castledene, Return to Ryde/Ryde by Steam Andrew Britton, Locomotives we have Lost Will Adams, One Man and His Camera Paul Chancellor, Looking Back Riddles & Ivatt/Stanier locomotives, London's East End D Brennand (two volumes), London's Engine Sheds Griffiths and Hooper (two volumes), Steam at Woodhead E M Johnson (three volumes), The Big Four in Colour David Jenkinson, A Colour Rail Journey by Colour Rail and Eastern Steam in Colour Hugh Ballantyne. G, (22)
Lot 889
A Lionel 0 Gauge electric 'L A S E R' Space-age Train Set, sealed in original packaging, Lionel ref 6-1150, containing chrome-finish 0-4-0 diesel No.8161, helicopter car, rocket launcher, satellite-tracking car and security car, 3-rail 027 track and playmat, all M, in original box in sealed plastic wrapper
Lot 993
A Kit-or Scratch-built Live Steam (gas-fired/radio-controlled) Gauge 1 Canadian Pacific 4-6-2 Locomotive and Tender, well-made and reasonably finished in CPR crimson/grey/black livery as No. 2467, with twin cylinders, displacement lubricator at front end, water and pressure gauges, regulator and pull-rod reversing both with R/C servo connections from tender, with fitted gas burner and tender pipework for an external gas tank (i.e. in a trailing vehicle), G-VG, appears to have been well-used, (motion turns smoothly), a little oily, tender lacks coal-space cover, also missing R/C sender unit (Futaba receiver and 2 servos are fitted) and lacks vehicle with fuel tank
Lot 185
Bachmann 00 Gauge GNR and GWR Locomotives and Tenders 31-760NRM GNR lined green Atlantic Class C1 No 251 and 31-089 GWR green Earl Class 3214, both in original boxes, E, both appear test or lightly run only, boxes VG, Earl lacks plastic sleeve, together with 37-2011K W R Davies PO Wagon, in original box, E, box VG (3)
Lot 1611
Jack Matthew - Come on Board Join the R. N. R. Royal Naval Reserve poster, 72 x 47cm, framed and a reproduction enlisting poster after Chandler Christie - I Want You For The Navy, image 71 x 47cm, presentation inscription to mount (2) Matthew poster folded and creased. Reproduction poster good
Lot 625
A William III silver dog nose spoon, 19.7cm l, by William Brett, London 1697 and a Queen Anne silver trefid spoon, engraved with contemporary initials R T*S, maker's mark rubbed, London 1702, 4ozs 5dwts (2) Dog nose spoon in good condition for age. Trefid spoon also in good condition with rather more heavy wear, as to be expected being of thinner gauge
Lot 1129
Queen Elizabeth the Queen Mother (1900-2002) - A fine photograph signed Elizabeth R and dated 1942, silver print, photographer's credit (Dorothy Wilding, London), loosely laid down on the original mount, 32.5 x 25.5cm (45 x 34.5cm), in the original 1940's flat oak frame A particularly fine example, good condition. Long in the present private family ownership
Lot 1132
Harold Knight RA, ROI, RP, RWA (1874-1961) - Head of a Girl (Lily Poyser), in profile to left, charcoal, E.S.K. blindstamp, 34 x 23.5cm, on the reverse part of a charcoal drawing by the same hand of a statue in a niche [see lot 1134], unframed Provenance: Frederick Riley (1867-1915) an art teacher, by whom acquired from the artist when a student at Nottingham School of Art, 1888-1895; thence by descent to the present vendor. As a young artist in his 20's, Harold Knight was both a spirited and sensitive draughtsman. This precocious talent, utterly devoid of sentimentality was noticed by many of his contemporaries. Laura Knight in her autobiography (The Magic of a Line, 1965) was to recall a remark of Philip Connard RA, one of the South Kensington examiners, about the tedious task of wading through student work sent from the provinces, quoting his fellows' saying "Never mind - just wait until the work from Nottingham". In 1895 Harold Knight declined the offer of a full time teaching post at Nottingham School of Art. Having obtained a British Institute Travelling Scholarship he left for Paris to study under Jean Paul Laurens and Benjamin Constant at the Academie Julien To be included in the catalogue raisonne currently being compiled by Dame Laura Knight's great nephew R John Croft FCA (who's assistance is gratefully acknowledged in the cataloguing of this lot) Several faint horizontal lines beneath the subjects ear are impressions of creases and stands slightly proud, as distinct from scratches.
Lot 1133
Harold Knight RA, ROI, RP, RWA (1874-1961) - Life Model Nottingham School of Art, charcoal, 52 x 37cm, laid down on the original mount with rectangular purple ink stamp inscribed Student's surname - Knight and Age 21, Registration No 3597, Subject No 8c2, unframed Provenance: Frederick Riley (1867-1915) an art teacher, by whom acquired from the artist when a student at Nottingham School of Art, 1888-1895; thence by descent to the present vendor This highly accomplished life study by Harold Knight is almost certainly of the half blind Jack Price, or Mark Wharley, both of whom were hired by the Nottingham School of Art as models for its Life Class. At this period only male students could attend the School's Life Class. His fellow student Laura Knight recalled (Oil Paint and Grease Paint, 1936) "If the men worked from the living figure I had to go in to the Antique Room; the hatred of those plaster figures stays with me today - I never got any benefit out of their study..." After she left the School, Laura Knight employed Jack Price as a model. He was the first naked figure she drew. In lieu of a fee, she gave him some of her studies to sell (The Magic of a Line, 1965) Since Harold Knight was born on the 27th November 1874, the present drawing, which gives his age as 21 means the South Kensington Exhibition must have been sometime from 25th November to 31st December 1895 To be included in the catalogue raisonne currently being compiled by Dame Laura Knight's great nephew R John Croft FCA (who's assistance is gratefully acknowledged in the cataloguing of this lot) Good condition
Lot 1134
Harold Knight RA, ROI, RP, RWA (1874-1961) - Head of a Girl (Lily Poyser), charcoal, E.S.K. blindstamp, 32.5 x 29.5cm, on the reverse a charcoal drawing by the same hand of the lower part of a statue [see lot 1132], unframed Provenance: Frederick Riley (1867-1915) an art teacher, by whom acquired from the artist when a student at Nottingham School of Art, 1888-1895; thence by descent to the present vendor To be included in the catalogue raisonne currently being compiled by Dame Laura Knight's great nephew R John Croft FCA (who's assistance is gratefully acknowledged in the cataloguing of this lot) Good condition
Lot 1135
Harold Knight RA, ROI, RP, RWA (1874-1961) - Study of an Unknown Boy, head and shoulders, charcoal, 43 x 29.5cm, unframed Provenance: Frederick Riley (1867-1915) an art teacher, by whom acquired from the artist when he was a student at Nottingham School of Art, 1888-1895; thence by descent to the present vendor This meticulous and empathetic portrait of an unknown boy is reminiscent of the contemporary artist-photographers of the Linked Ring of the 1890's. The angle of the head and expression, suggestive of pity, or pathos, so ably rendered in the present example was attempted by many other British artists of the period, notably Walter Langley RI and other early members of the Newlyn School. To be included in the catalogue raisonne currently being compiled by Dame Laura Knight's great nephew R John Croft FCA (who's assistance is gratefully acknowledged in the cataloguing of this lot) Good condition
Lot 1136
Harold Knight RA, ROI, RP, RWA (1874-1961) - Head of a Girl (Lily Poyser), oil on canvas laid on board, E.S.K. blindstamp, 38.5 x 28cm, on the reverse a later framer's label of F W Charman and Sons Art Dealers, Frame Makers, etc 75 Wey Hill Haslemere and in their mid 20th century wood frame Provenance: Frederick Riley (1867-1915) an art teacher, by whom acquired from the artist when a student at Nottingham School of Art, 1888-1895; thence by descent to the present vendor Lily Poyser (also the subject of lot 1132 and 1134) was the model for Laura Knight's The Yellow Lady, 1891, later exhibited at the Royal Academy Retrospective Exhibition of Paintings and Drawings by Dame Laura Knight 1965, Catalogue No 9. In her autobiography (Magic of a Line, 1965) Laura Knight recounted an incident at Nottingham School of Art when "A sensation came about one life class later on: This happened when Wilson Foster [Life Class master] having reached Harold's profile drawing of a lovely young girl - Lily Poyser - stayed there for a long time without saying a word, eventually to tell that Harold's study was beyond criticism". Lily Poyser's three sisters also posed for both Harold and Laura Knight receiving wages of a halfpenny (article in Nottingham Evening Post, February 25 1997) To be included in the catalogue raisonne currently being compiled by Dame Laura Knight's great nephew R John Croft FCA (who's assistance is gratefully acknowledged in the cataloguing of this lot) Minor scratches and marks, dirty, entirely original condition and unrestored, presumably placed in to the modern frame by Charman & Sons in the mid 20th c
Lot 1137
Harold Knight RA, ROI, RP, RWA (1874-1961) - Portrait of a Woman, seated half length in a green dress, signed (or inscribed) on the stretcher 'Harold Knight Painting' and verso with the artist's address 34 Elm Avenue, rectangular ink stamp inscribed Student's surname - Knight and Age - 21 / 3597, Subject No - 17G (?), paper label No 879, stencilled E.S.K., oil on canvas, 74.5 x 53cm Provenance: Frederick Riley (1867-1915) an art teacher, by whom acquired from the artist when a student at Nottingham School of Art, 1888-1895; thence by descent to the present vendor The model for this early, fully achieved portrait by Harold Knight, bears a striking resemblance to Kate Johnson, a fellow student of Harold and Laura Knight at Nottingham School of Art. Kate Johnson was one of a small group photographed at the School c1893. She was unrelated to Laura Knight, nee Johnson. To be included in the catalogue raisonne currently being compiled by Dame Laura Knight's great nephew R John Croft FCA (who's assistance is gratefully acknowledged in the cataloguing of this lot) One or two minor scratches, varnish dirty, unlined, not holed or torn, in entirely original unrestored condition in narrow flat oak frame with traces of gilding. Note: extreme lower centre remains of a now browned and friable pasted label resembling a stamped edging, which, if inscribed, is no longer legible
Lot 1272
Attributed to W A Hargeaves - Portrait Miniature of W R Rodney aged 3, ivory, 14 x 11cm, signed, laid down on card inscribed Master Rodney, when 3 years of age by Wm Hargraves, birds eye maple frame, a Continental miniature of the Chateau de Chillon, gouache and a 19th c coloured engraving of a seated lady holding a fan, oval (3) Portrait miniature - ivory warped (bowed), not split.
Lot 1462
A late Victorian walnut cased wheel barometer with thermometer, with ivorine dial and thermometer register, inscribed Thomas Wallis & Co Ltd Holborn Circus London, 84cm h and a late Victorian Vienna style wall clock, with cream papered dial with Arabic numerals inscribed R L Cousins, Taunton, arched glazed door, visible pendulum, flanked by pair of turned split pillars, 54cm h Barometer - fair condition, staining to dial and register. Clock - extensive faults
Lot 1537
Victorian Children's Books Froggy Folk by G H E, colour title and plates, half title, cloth backed boards, pictorial cover, early ownership signature dated Christmas 1902, London: Grant Richards [1902] and seven others by Florence K Upton, Walter Crane, Thomas Crane, Madelaine Hall, A M Lockyer, J G Sowerby (and Frank Wright Bourdillon) and R Andre (8) All apparently complete and in fair condition with some stains but internally good, sold waf
Lot 1553
Erotica. The Genuine Book An Enquiry for Delicate Investigation into the Conduct of Her Royal Highness the Princess of Wales.... with fore-edge painting of a couple in flagrante, inscribed lower right C BRUNSWICK, contemporary calf boards neatly re-attached and booksellers ticket, Aspern 33 Cornhill at end, engraved bookplate (J W Borradaile) and later ownership signature (R M Ffinch)
Lot 1553A
Children's Books. Sinclair (J R) - Sir Golly de W**, No 1 Nursery Portrait Gallery, whole page colour illustrations and pictorial title, half title and text, black tape backed stapled limp card, 38 x 27cm and Bettina [Ehrlich] - Cocolo, colour title and illustration, yellow boards, pictorial dust jacket, stained and torn, c1945 (2)
Lot 265
Low (Charles R.) (Ed.) - Captain Cook's Three Voyages Round the World, London: George Routledge and Sons, Ltd; together with Edward Wilson of the Antarctic, by George Seaver; The Crossing of Antarctica, by Sir Vivian Fuchs and Sir Edmund Hillary; and The Battle of the Narrow Seas, by Lt. Cdr. Peter Scott. (4)
Lot 1202
René Lalique (1860-1945)A dressing table set "Enfants"Moulded glass of putti and beaded friezes decorationBottle with stopper. Vaporiser and box with coverMarked "Lalique France"Model created 1931Literature:Félix Marcilhac, "R. Lalique ; catalogue raisonné de l'oeuvre de verre", pp.345/ 353, ill. 609/ 610/ 663. Height: 9,5 cm (bottle)Height: 12 cm (vaporiser)Height: 8 cm (box)
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297887 item(s)/page