RENÉ LALIQUE (Ay, France, 1860 - Paris, 1945).Tray "Coquilles I". France, ca.1930Translucent and opalescent cut glass.Signed in the centre of the reverse "R. Lalique France, n.3009".Work reproduced in "Le Catalogue Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur, p. 701, no. 3009, with photo.Measurements: 30 cm (diameter); 4 cm (height).Circular tray decorated with four reticulated shells. The piece is an exceptional combination of translucent and opalescent glass, the latter in a shade of blue in keeping with the marine theme.The Lalique firm was originally founded by René Jules Lalique (1860 - 1945), one of the foremost glassmakers of the time, and one of the first to sculpt glass for large monumental works such as the fountains on the Champs Elysées. He enjoyed great renown for his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory to produce them in large quantities, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
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LALIQUE. France, second half of the 20th century."Anemone flower".Patterned glass, satin and enamel.Signed "Lalique France" in the area of the base.Work reproduced in "Le Catalog Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur, page 488, No. 1179.It retains the Lalique signature label.Measures: 10.7 cm (diameter).Sculpture of a glass anemone flower belonging to the firm Lalique. The sculpture represents a delicate flower, conceived as a symbol of purity and innocence. The design of the anemone was created by Lalique in 1931.The firm Lalique was originally founded by René Jules Lalique (1860 - 1945), one of the most prominent glassmakers of the time, and one of the first to sculpt glass for large monumental works, such as the fountains on the Champs Elysées. He enjoyed great renown thanks to his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory to produce them in large quantities, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
LALIQUE. France, second half of the 20th century."Pair of Partridges".Moulded and satin-finished glass. Chiselled plumage in relief.Signed on the back of the foot.Work reproduced in "Le Catalogue Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur, Pag. 494-495, nº 1235-1241.Sizes: 18 x 8 x 15 cm and 13 x 8 x 15 cm.Pair of partridges with a meticulous, descriptive and above all realistic treatment. The pieces are heirs to nineteenth-century animal-themed sculpture, which finally achieved a status of its own. Seeking to break away from the classical sculptural ideal, many artists saw animal themes as a new avenue of expression, linked to the emotional and irrational aspects of nature, in a distinctly romantic sense which, on this occasion, is filtered through Lalique's exceptional glass work.The firm Lalique was originally founded by René Jules Lalique (1860 - 1945), one of the leading glassmakers of the time, and one of the first to sculpt glass for great monumental works, such as the fountains on the Champs Elysées. He enjoyed great renown thanks to his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory to produce them in large quantities, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
RENÉ LALIQUE (Ay, France, 1860- Paris, 1945).Art Deco table clock "Feuilles", ca.1930.Moulded glass.Work reproduced in "Le Catalogue Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur, Pag. 371, nº725.Size: 16.5 x 21 x 9 cm.Table clock in moulded glass decorated with fern leaves on a satin-finish background. Of semicircular format, it has a white dial, Arabic numerals, Breguet-type hands, central chronographic needle highlighted in red and quartz machinery.Lalique was originally founded by René Jules Lalique (1860 - 1945), one of the foremost glassmakers of his time, and one of the first to sculpt glass for great monumental works such as the fountains on the Champs Elysées. He enjoyed great renown thanks to his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory to produce them in large quantities, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
RENÉ LALIQUE (Ay, France, 1860 - Paris, 1945).Coupe "Coquilles 1". France, ca. 1925.Moulded opalescent glass centre, acid-etched, decorated with four reticulated shells. The piece is an exceptional combination of translucent and opalescent glass, the latter in a shade of blue in keeping with the marine theme. Top profile in silver.Signed on the base R. Lalique -France no. 3200.Work reproduced in "Le Catalogue Raisonné del L'Ouvre en Verre de R. Lalique", by Felix Marcilhac, Les Editions de l'Amateur , Page 478, nº 3200, with photo.Measurements: 9.5 cm (height); 24 cm (diameter).The firm Lalique was originally founded by René Jules Lalique (1860 - 1945), one of the most prominent glassmakers of the time, and one of the first to sculpt glass for large monumental works, such as the fountains on the Champs Elysées. He enjoyed great renown thanks to his original creations of jewellery, perfume bottles, glasses, plates, etc., in the Art Nouveau and Art Deco styles. He trained with the Parisian jeweller Louis Aucoq, and then continued his studies at Sudenham Art College in London. The excellence of his creations and the taste he applied to his work earned him important commissions for the interior decoration of ships, trains such as the Orient Express, churches such as Saint-Nicasius in Reims, and numerous religious and civil goldsmiths' works. Lalique was not content with simply designing his models, but also founded a factory to produce them in large quantities, patenting several innovative glass manufacturing processes, and various technical effects such as "Lalique satin" or opalescent glass. Pieces by Lalique are preserved in prominent museums such as the Corning Museum of Glass and the Metropolitan Museum of Glass in New York, the Louvre and the Orsay Museum in Paris, among many others.
An Edwardian silver mounted shaped rectangular photograph frame, decorated in relief with foliate scrolls and presentation inscribed 'To R. Craven Barnard Scenic Artist', Chester 1908 by J. & R. Griffin, height 30cm, together with a signed photographic portrait of 'G.L. Battenberg', dated 'April 1909'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
(1) Enwogion Cymru: A Biographical Dictionary of Eminent Welshmen, by Rev Robert Williams, London. 1834 8vo. Original cloth some wear, and repair but a sound copy (2) The Cambrian Plutarch Comprising Memoirs of Some of the Most Eminent Welshman, by John H Parry, (3) Who's Who in Wales, by A. G. Reynolds, London Reynolds. 1933. The Second Edition . Original blue cloth. Frontispiece portrait and many other illustrations. A useful and uncommon reference book.(4) Eminent Welshman – A Short Biographical Dictionary of Welshmen, by T. R. Roberts, Cardiff and Merthyr. 1908. Vol.1. [all Published]. Large 4to. Original cloth. Profusely illustrated with portraits.(5) Deacon’s North and South Wales Court Guide and County Blue Book, LONDON C.W. Deacon. First Edition 1887. A thick 8vo. With two large coloured fold out maps with some repaired tears. Many very interesting advertisements at the front and rear and interspersed throughout the text. Part Biographical and part commercial directory. Scarce and very informative.The Jeff Towns Collection of Welsh related antiquarian books
London 1834. Small octovo in Original Boards, spine rubbed. Open with a 40 page life of Gwilym. Frome the Library of Welsh Author R. Rice Davies signed and with about a dozen of his neat notes and corrections scattered through the text.The Jeff Towns Collection of Welsh related antiquarian books
(1) The Earls, Earldom and Castle of Pembroke, by G. T. Clark, Tenby R. Mason, 1880. First edition, 8vo, (iv), 132 pp. 6 fine engravings. Fine copy ion original cloth gilt. (2) Memoirs of the Ancient Family of Owen of Orielton, by J. Roland Phillips, London Chiswick Press. 1886. Good copy in original buckram binding . (3) South Pembrokeshire, by Mary Beatrice Mirehouse, Some of its History and Records. London David Nutt .1910. 4to . Black cloth gilt. A good copy of a scarce book.The Jeff Towns Collection of Welsh related antiquarian books
comprising (1) Cardigan Priory in the Olden Days by Emily Pritchard (Olwen Powys), London, William Heinemann, 1904. 4to. Plates and large folding map of Cardiganshire. Very good copy in original cloth gilt1. (2) Sheriffs of Cardiganshire: From A.D. 1539 to A.D. 1868 by J. R. Phillips, with Genealogical and Historical Notes. Carmarthen 1868. Good copy in original cloth(3) Cardigan County History Volume 1: From the earliest times to the coming of the Normans by J L Davies, 1994. Large 4to. Colour frontis and many diagrams and illustrations. Mint copy in dust jacket.(4) Lewis Morris and the Cardiganshire Mines, by David Bick and Philip Wyn Davies, Aberystwyth. N.L.W. 1994. Small folio with large fold- out map, illustrations and diagrams. Fine copy in dust jacket(5) Historic Cardiganshire Homes, by Francis Jones, Brawdy Books 2000, Large 4to. Illustrated. Mint copy.The Jeff Towns Collection of Welsh related antiquarian books
illustrated with Views by Sir R C Hoare, A New Map of the County and Other Engravings T Cadell, Jun. and W Davies. London: The Strand, 1801. 2. Vols. 4to. Copiously illustrated, all maps and plates present as listed. 2 maps, 55 views, 11 portraits, 7 town plans, 16 ground plans, etcThe Jeff Towns Collection of Welsh related antiquarian booksCondition report: Comments: very good set in full tree calf bindings, spines expertly re-laid
GEORGE E BOLTON: A SPECIALIST IN CRIME, London, Grant Richards, 1904, 1st edition, original pictorial cloth worn + EDGAR WALLACE: THE FIGHTING SCOUTS, London, C Arthur Pearson, 1919, 1st edition, 3pp adverts at end, leaves browned, original blind stamped cloth + H H MUNRO ('SAKI'): THE TOYS OF PEACE AND OTHER PAPERS, London, John Lane, 1919, 1st edition, portfrontis, secondary issue binding, light blue black letter cloth with some fading and foxing to spine + R C SHERRIFF: THE HOPKINS MANUSCRIPT, London, Victor Gollancz, 1939, 1st edition, original cloth (4)
E W TRISTRAM: ENGLISH MEDIEVAL WALL PAINTING, THE TWELFTH CENTURY WITH A CATALOGUE BY E W TRISTRAM COMPILED IN COLLABORATION WITH W G CONSTABLE, Humphrey Milford, Oxford University Press, 1944, 1st edition, 4to, ex-lib + M R JAMES & E W TRISTRAM: THE WALL PAINTINGS IN ETON COLLEGE CHAPEL AND IN THE LADY CHAPEL OF WINCHESTER CATHEDRAL, Oxford University Press, John Johnson, 1929, reprinted from the XVIIth volume of the Walpole Society, 4to, original cloth gilt, book plate of Samuel Gurney (2)
![[MONTAGUE THOMAS HAINSSELIN]: 2 titles: IN THE NORTHERN MISTS, A GRAND FLEET CHAPLAIN'S NOTEBOOK, London, Hodder & Stough](https://cdn.globalauctionplatform.com/8b018ddd-ef12-4715-b992-ae5200884c4f/b179f30c-b6a5-4407-bb8d-ae5900e837e9/468x382.jpg)
[MONTAGUE THOMAS HAINSSELIN]: 2 titles: IN THE NORTHERN MISTS, A GRAND FLEET CHAPLAIN'S NOTEBOOK, London, Hodder & Stoughton, 1916, 1st edition, original cloth, spine dulled; GRAND FLEET DAYS, London, Hodder & Stoughton [1917], 1st edition, 2pp adverts at end, original cloth + GORDON FRANKLIN 'GF': 2 titles: A NAVAL DIGRESSION, THE STORY OF A SHIP'S COMPANY, Edinburgh and London, William Blackwood, 1916, 1st edition, original cloth; ANOTHER NAVAL DIGRESSION (THE STORY OF AN ORCADIAN YEAR), London, Heath Tranton [1920], 1st edition, original boards worn + 'AESCULAPIUS', A SURGEON OF THE ROYAL NAVY: THE 'DOC' AND SOME OTHERS, London and Edinburgh, W & R Chambers [1917], 1st edition, 1pp adverts at end, original cloth worn, spine dulled + 'GUNS QFC' and 'PHYL THEELUKER': MIDDLE WATCH MUSINGS, London, Simkin, Marshall, Hamilton Kent & Co, Portsmouth, W H Barrell [1911], 1st edition, adverts at front and end, original pictorial cloth (6)
Two 19th century coloured engravings, The Death of The Roebuck, engraved by H Allen & R. Greene after the drawings by W.P Hodges, pub 1834, 38.5cm x 53cm x 5cm, glazed frame, and Hare Hunting, plate 2 War - Turnips, engraved by R A Reeve from drawing W.P Hodges, 38.5cm x 52.5cm, glazed framesLocation:
![A M LOCKYER: THE ROBBERS OF SQUEAK, London, Belfast and New York, Marcus Ward [1890], 1st edition, oblong 4to, original cloth](https://cdn.globalauctionplatform.com/8b018ddd-ef12-4715-b992-ae5200884c4f/dec43964-c9b6-408d-a009-ae5900e85665/468x382.jpg)
A M LOCKYER: THE ROBBERS OF SQUEAK, London, Belfast and New York, Marcus Ward [1890], 1st edition, oblong 4to, original cloth backed pictorial boards worn + RANDOLPH CALDECOTT: R CALDECOTT'S PICTURE BOOK, London, George Routledge [1879], 1st edition, containing 1st four 'picture books', contemporary inscription on ffep, 4to, original pictorial boards, v worn and soiled, lacks most of backstrip, inner joints weak + CHARLES MORLEY: TEUFEL THE TERRIER, ill James Yates Carrington, London, 'Pall Mall Gazette' office, 1890, 3rd edition, lacks ffep, 4to, original pictorial boards worn and soiled + WALTER CRANE: THE BABY'S OPERA, London, Frederick Warne, circa 1900, original cloth backed pictorial boards worn (4)
JOHN PARSLOW: BREEDING BIRDS OF BRITAIN AND IRELAND, Berkhamsted, T & A D Poyser, 1973, 1st edition, original cloth, d/w, vgc + LEO BATTEN AND OTHERS: BIRD WATCHERS YEAR, Berkhamsted, T & A D Poyser, 1973, 1st edition, original cloth, d/w, vgc + J T R & E M SHARROCK: RARE BIRDS IN BRITAIN AND IRELAND, Berkhamsted, T & A D Poyser, 1976, 1st edition, original cloth, d/w, vgc + J T R SHARROCK & P J GRANT: BIRDS NEW TO BRITAIN AND IRELAND, Calton, T & A D Poyser, 1982, 1st edition, original cloth, d/w (price clipped) + R J FULLER: BIRD HABITATS IN BRITAIN, Calton, T & A D Poyser, 1982, 1st edition, original cloth, d/w, vgc + BRUCE CAMPBELL & ELIZABETH LACK (EDS): A DICTIONARY OF BIRDS, Calton, T & A D Poyser, 1985, 1st edition, 4to, original cloth, d/w (price clipped) otherwise vgc + J N DYMOND, P A FRASER & S J M GANTLETT: RARE BIRDS IN BRITAIN AND IRELAND, Calton, T & A D Poyser, 1989, 1st edition, original cloth, d/w, vgc (7)
T R BIRKHEAD: THE MAGPIES, London, T & A D Poyser, 1991, 1st edition, original cloth, d/w, vgc + HEIMO MIKKOLA: OWLS OF EUROPE, Calton, T & A D Poyser, 1983, 1st edition, original cloth, d/w (price clipped) otherwise vgc + RONALD HICKLING (ED): ENJOYING ORNITHOLOGY, Calton, T & A D Poyser, 1983, 1st edition, original cloth, d/w, vgc + NORMAN ELKINS: WEATHER AND BIRD BEHAVIOUR, Calton, T & A D Poyser, 1983, 1st edition, original cloth, d/w (price clipped) otherwise vgc + BARBARA & DAVID SNOW: BIRDS AND BERRIES, Calton, T & A D Poyser, 1988, 1st edition, original cloth, d/w, vgc + N A OGILVIE: DUCKS OF BRITAIN AND EUROPE, Berkhamsted, T & A D Poyser, 1975, 1st edition, original cloth, d/w, vgc + BRYAN NELSON: THE GANNET, Berkhamsted, T & A D Poyser, 1978, 1st edition, original cloth, d/w (price clipped), otherwise vgc + JANET KEAR & A J BERGER: THE HAWAIIAN GOOSE, Calton, T & A D Poyser, 1980, 1st edition, original cloth, d/w, vgc + P J GRANT: GULLS, Calton, T & A D Poyser, 1982, 1st edition, original cloth, d/w + M A OGILVIE: WILD GEESE, Berkhamsted, T & A D Poyser, 1978, 1st edition, original cloth, d/w (price clipped) otherwise vgc (10)
FRANCESCO TIRADRITTI (ED): THE CAIRO MUSEUM MASTERPIECES OF EGYPTIAN ART, London, Thames & Hudson, 1991, 1st edition, fo, original cloth, d/w + EDNA R RUSSMANN: EGYPTIAN SCULPTURE, CAIRO AND LUXOR, London, British Museum Publications 1990, 1st edition, fo, original cloth, d/w + CYRIL ALDRED: JEWELS OF THE PHARAOHS, London, Thames & Hudson, 1971, 1st edition, 4to, original cloth, d/w + WILLIAM H PECK: DRAWINGS FROM ANCIENT EGYPT, London, Thames & Hudson, 1978, 1st edition, 4to, original cloth gilt d/w + GAY ROBINS: THE ART OF ANCIENT EGYPT, London, British Museum Press, 1997, 1st edition, 4to, original cloth, d/w, all titles vgc (5)
KENT R WEEKS (ED): VALLEY OF THE KINGS, THE TOMBS AND FUNERARY TEMPLES OF THEBES WEST, Vercelli Italy, 2001, fo, original cloth gilt, d/w + BILL MANLEY (ED): THE SEVENTY GREAT MYSTERIES OF ANCIENT EGYPT, London, Thames & Hudson, 2003, 1st edition, 4to, original cloth, d/w + PAUL JORDAN: RIDDLES OF THE SPHINX, Stroud, Sutton Publishing 1998, 1st edition, 4to, original cloth, d/w + NANCY JENKINS: THE BOAT BENEATH THE PYRAMID, KING CHEOPS ROYAL SHIP, London, Thames & Hudson, 1980, 1st edition, 4to, original cloth gilt, d/w, all titles vgc (4)
Box: assorted items re Robert Charles Dudley (1826-1909), watercolourist, lithographer, book cover designer, illustrator of the 1866 book 'The Atlantic Telegraph' etc, together with assorted related family items comprising [FRANCIS DAVIS]: THE FAIR ONE WITH THE GOLDEN LOCKS, ill [Robert Dudley] Edinburgh, William P Nimmo, [1872], 1st edition, Marcus Ward's Royal Illuminated Legends Series, 12 coloured lithoplates, oblong 4to, original decorative wraps disbound, 2 copies on COPAC; ROBERT DUDLEY: KING FO, THE LORD OF MISRULE, London, Thos de la Rue [1844] 1st edition, 6 full page coloured ills, 2 copies, both signed and inscribed by the author's son Ambrose + 3 calendar cards and one duplicate illustrated by Robert Dudley, a set of 48 Happy Family cards designed by Robert Dudley with his manuscript captions + one odd card, a small lot of Victorian postally used envelopes to Robert Dudley, a barnacle, later label with non-contemporary inscription 'From the bottom of the sea on the Great Eastern 1864 or 1868, given to R Dudley by Sir John Anderson' [Commander of the Great Eastern] + a Victorian unused album, large fo, half calf gilt, aeg, the top board stamped 'GD' [Guildford Dudley] + JOHN BUNYAN: THE PILGRIM'S PROGRESS, ill Ambrose Dudley, London, H R Allenson, 1904, 1st edition, original blind stamped cloth gilt + JANE SHAW: 2 titles: SUFFER LITTLE CHILDREN, ill Ambrose Dudley, London, John F Shaw, [1910], 1st edition, 4to, original pictorial cloth; LONG AGO IN BIBLE LANDS, ill Ambrose Dudley, London, John F Shaw, [1911], 1st edition, 4to, original pictorial cloth gilt + a pen, ink and watercolour map on paper 'Hardanger to Molde' date unknown, approx 330 x 220mm, backed onto linen + a manuscript travelogue of a 1934 voyage on Blue Stars SS 'Arandora Star' with mounted photos etc together with a typescript transciprt and photocopies of the manuscript, the manuscript stated to be by Ambrose Dudley accompanied by his brother Guildford + a folder containing Hunt/Frost-Dudley family tree and various photocopies re history of the Atlantic Cable and undersea communications etc
![JOHANN R WYSS: A SWISS FAMILY ROBINSON, ill Mervyn Peake, London, Heirloom Library [1950], 1st edition, 8 coloured plates as](https://cdn.globalauctionplatform.com/8b018ddd-ef12-4715-b992-ae5200884c4f/33eec93e-6f2c-4060-af38-ae5900ecdcc8/468x382.jpg)
JOHANN R WYSS: A SWISS FAMILY ROBINSON, ill Mervyn Peake, London, Heirloom Library [1950], 1st edition, 8 coloured plates as list, original decorative cloth, d/w (part losses and closed tears) + CHARLOTTE MORROW: THE WATCHERS, ill Brian Wildsmith, London, Hutchinson, 1963, 1st edition, original pictorial cloth, d/w + CAROLA OMAN: ALFRED, KING OF THE ENGLISH, ill E Boye Uden, London, J M Dent, 1939, 1st edition, original cloth, d/w + DIANA WYNNE JONES: THE HOMEWARD BOUNDERS, London, MacMillan, 1981, small School Library stamp on ffep, no other lib markings, original cloth, d/w + HILDA LEWIS: THE SHIP THAT FLEW, ill Nora Lavrin, London, Oxford University Press, 1965, 1st edition thus, inscription on ffep, original cloth, d/w + THERESA WHISTLER: THE RIVER BOY, London, Rupert Hart-Davis, 1955, 1st edition, original cloth, d/w + ROGER NETT: THORNTREE MEADOWS, ill John Nash, Edinburgh, Thomas Nelson, 1960, 1st edition, original cloth, d/w (7)
ROALD DAHL: ROALD DAHL'S CHARLIE AND THE GREAT GLASS ELEVATOR, A PLAY ADAPTED BY RICHARD R GEORGE, intro Roald Dahl, London, George Allen & Unwin, 1984, 1st edition, original cloth, d/w, vgc + JAMES THURBER: THE THIRTEEN CLOCKS, ill Mark Simont, London, Hamish Hamilton, 1951, 1st edition, inscription on ffep, original cloth, d/w (price clipped, small part losses and closed tears) + NAOMI MITCHISON: THE SWAN'S ROAD, ill Leonard Huskinson, London, The Naldrett Press, 1954, 1st edition, original cloth, d/w (3)
L T MEADE: 3 titles: A SISTER OF THE RED CROSS, A TALE OF THE SOUTH AFRICAN WAR, London, Thomas Nelson, 1901, 1st edition, added pictorial title 5 plates as list, original pictorial cloth worn and soiled, new end papers; THE ANGEL OF LOVE, ill T Pym, London, Hodder & Stoughton, 1903, 5th edition, added title and frontis, numerous text ills, original pictorial cloth gilt and silver worn; A BUNCH OF COUSINS, ill Hilda Cowham, London, W & R Chambers, 1911, 1st edition, 4 plates as list, original pictorial cloth gilt, vgc (3)
![JOHN COLLIS SNAITH: WILLOW THE KING, THE STORY OF A CRICKET MATCH, London, Ward Lock, [1899], 1st edition, 4 plates as called](https://cdn.globalauctionplatform.com/8b018ddd-ef12-4715-b992-ae5200884c4f/ac17c8fd-0e98-47df-8a21-ae5900edfbe1/468x382.jpg)
JOHN COLLIS SNAITH: WILLOW THE KING, THE STORY OF A CRICKET MATCH, London, Ward Lock, [1899], 1st edition, 4 plates as called for, 6pp adverts at end, original cloth backed pictorial boards re-cased, new end papers + SIR EDWARD ABBOTT PARRY: THE FIRST BOOK OF KRAB, CHRISTMAS STORIES FOR YOUNG AND OLD, ill Archie MacGregor, London, David Nutt, 1897, 1st edition, 3 plates as list, 12pp adverts at end, original pictorial cloth + MRS LOUISA BALDWIN: THE PEDLAR'S PACK, London, Charles Pears, London and Edinburgh, W & R Chambers [1904], 1st edition, 9 coloured plates as list, original pictorial cloth (3)
JOHN DENTON: JAMIE AND JOCK'S PRESENT, ill Stanley Smith, London, Ernest Benn, 1959, 1st edition, oblong, original cloth, d/w + JACK ORR: THE TRAVELS OF PERRY WINKLE, [L] Bendix Publishing [1944], 1st edition, oblong, original pictorial boards, lacks parts of backstrip + CHRISTINE CHAUNDLER: WINKIE WEE AND THE SILVER SIXPENCES, London, Museum Press, 1947, 1st edition, coloured frontis and 4 full page coloured ills, original pictorial boards, d/w + MARY WARDEN: SQUIRE RABBIT'S PICNIC, ill Michael Lambart, London, Sandle Bros, 1948, 1st edition, original pictorial boards, d/w (part losses and closed tears) + MRS H G C MARSH LAMBERT: THE STORY OF WEE BLACKIE, London, W & R Chambers, 1931, 1st edition, 6 full page coloured ills, original pictorial wraps, spine reinforced with clear adhesive tape + EDITH FRASER: BUNKY THE BEAR CUB AND PETER THE PENGUIN, ill Peter Fraser, Glasgow, Art & Educational Publishers [1945], 1st edition, contemporary pencil inscription on front paste down, original pictorial boards + EDGAR SPENCELEY (ILL): BENJAMIN THE BRAVE, A TALE OF LONG AGO, [L], Bendix Publishing [1945], 1st edition, original pictorial boards, d/w (price clipped, small part losses and closed tears) + JOHN ELLIOTT: NIBBLE THE SQUIRREL, ill Julian Slade, London, Ernest Benn, 1946, 1st edition, 20 coloured plates, contemporary pencil inscription on ffep, original cloth + DOROTHY BURROUGHES: THE ROBIN AND THE WREN, London, ed J Burrows [1947], 1st edition, signed and inscribed, original pictorial boards + ANON: SQUIRE FOX AND HIS LITTLE FAMILY, [ill William Foster], London, Humphrey Milford [1912], 1st edition, 6 coloured plates, original boards, pictorial paper label, lacks backstrip + FRANK MUIR: WHAT-A-MESS HAS LUNCH, ill Joseph Wright, London, A & C Black, 1986, 1st edition, original pictorial laminated boards (11)
λ Claire Jeanne Roberte Colinet (1880-1950) Towards the Unknown (Valkyrie) patinated and gilded bronze and ivory on textured stone base signed in the stone base Cl J R Colinet, 68.5cm high 70cm. wide Provenance From the collection of Richard Hollins Murray, Dinmore Estate, thence by descent. Literature Bryan Catley Art Deco & Other Figures, ACC Books, page 111 for this and the smaller size illustrated.
A Martin Brothers stoneware 'monk' bird jar and cover by Robert Wallace Martin, dated 1912, modelled standing, with short broad beak, forward stare and balding pate, wings tucked behind, glazed in shades of green, blue and brown, with pale blue highlights to wings, on ebonised wooden base incised to head, R W Martin & Bros London & Southall, 17.2.1912,and 5.8.1911 to base, 19cm high
James II silver trefid spoonthe reverse of the oval bowl with a rat-tail, the reverse of the terminal with engraved initials M over R. E, bearing marks for (possibly) Edward Hulse, London, 1688, 19.5cm overall, 44g approx overallCondition report: Hallmarks are mostly very clear, overall scratches and signs of wear, consistent with age and use. Minor indentations and wear to the tip of the bowl. Very small dent to the back of the bowl, edges of spoon very slightly creased.
Three ringsthe first a unmarked (possibly 18ct gold) sapphire and diamond chip ring, size S, 5g approx overall, an 18ct gold, red stone and diamond ring, size S, 4g approx overall and an indistinctly marked precious yellow metal ring, size R, 4g approx overall (3)Condition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report.
Peter Bonetti Chelsea 16x12 inch Signed black and white Autographed Editions, Limited Edition photo. Photo shows Chelsea players (L to R) Alan Hudson, Peter Bonetti and John Boyle enjoy their victory over Real Madrid in the 1971 European Cup Winners Cup Final replay in Athens. Goals from John Dempsey and Peter Osgood defeated their Spanish opponents after the sides had drawn the final (1-1) two days previous. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
A precious opal and diamond ring, the central cabochon measuring approx. 8.16mm x 6.02mm x 1.91mm, surround by 16 round brilliant cut diamonds weighing approx. 0.60 carats each, band unmarked, gross wt. 3.83g, size R. Condition - good, sold without certificate, however, the diamonds are bright and lively, appear without any visible yellowness and minor inclusions visible with 10x loupe only, most of the stones appear loupe clean, minor wear to band.
A diamond and sapphire ring, the central oval cut stone weighing approx. 1.37 carats, set between four diamonds off centre weighing approx. 0.64 carats in total, band marked '18ct', gross wt. 4.45g, size R/S. Condition - good, sold without certificate, however, the diamonds appear without any visible yellowness and minor inclusions visible with 10x loupe only, band a little thin towards back but not severe, no evidence of re-sizing, minor abrasions to sapphire along a coupl of facet edges.
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