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Click here to subscribePeter Bower, Redlench. An 18th century oak longcase, the 30 hour movement within a posted frame and striking on a bell, cast 'R Wells', to a 10in brass dial with chapter ring and shell spandrels, the centre engraved a figure fishing with houses in distance and foreground and inscribed Peter Bower, Redlench, 76in (193cm) h.
Naze Golf Club,'Garnham Cup', a silver trophy cup, engraved and dated 1928, 11.8ozs. With wooden base mounted with plaque and engraved winner name 'W.C.P. Hepworth'; A silver trophy cup engraved 'Challenge Cup' presented by A.N Garland' 1915; two further smaller silver trophy cups presented by 'R N S Y C' sailing club to 'Twinkle'. (4)
G. R. Gill (late 19th/early 20th century). Beach scene with figures. Oil on panel. Rigned lower left 22cm x 27.5cm. W. Ball (early 20th century) ‘Hamble Hants'. Watercolour. Rigned, inscribed with title and dated 1911 lower left 20cm x 35.5cm. And four other watercolours (6). (see illustration on our website). Please note - this lot may be subject to Droit de Suite . Best Bid
Jeremy King (Contemporary) ‘Magdalen Bridge'. Limited edition photolithograph. Rigned in pencil within the margin lower right. Inscribed 'artist's proof' and 3/25 lower left. R. 42.5cm x 62.5cm. And fourteen other limited edition prints by the same artist, all unframed (15). (see illustration on our website). Please note - this lot may be subject to Droit de Suite
Jeremy King (Contemporary) ‘Queen of the Thames'. Limited edition photolithograph. Rigned in pencil within the margin lower right. Inscribed 'artist's proof' and 6/25 lower left. R. 45.5cm x 65cm. And fourteen other limited edition prints by the same artist, all unframed (15). (see illustration on our website). Please note - this lot may be subject to Droit de Suite
Issam El Said (Contemporary). Figure Seated. Limited edition screenprint. Rigned and dated 79 in pencil within the margin lower left. Inscribed 25/70 lower right. P. 54.5cm x 34.5cm. And. Pierre Doutrelehl (Contemporary). Dasies in a blue vase. Limited edition photolithograph. Rigned in pencil within the margin lower right. Inscribed 102/350 lower left. R. 64cm x 50cm (2). (see illustration on our website). Please note - this lot may be subject to Droit de Suite. Best Bid
David Humphries (Contemporary) ‘Hop Farm Kent'. Limited edition screenprint. Rigned in pencil within the margin lower right. Inscribed with title lower centre and 77/100 lower left. R. 52cm x 76.5cm. N. Peperell (Contemporary). Henley Regatta. Acrylic 30.5cm x 45.5cm. Don Kinrade (Contemporary) ‘Shadows in the Lane' ‘Riverside Footpath. The first pastel. The second watercolour. Each signed. Each 31.5cm x 41.5cm. And two photographic prints, the first after A. Kaldor, the second after B. J. Zhang (6). (see illustration on our website). Please note - this lot may be subject to Droit de Suite. Best Bid
Original Oil Paintings, qty 3 comprising:- LMS liveried Jubilee 5671 Prince Rupert by John R. Mason. An accurate depiction by this unlisted artist, c1970's. Measures approximately 28" x 24" in its un-glazed frame; 4956 Plowden Hall and Jubilee 5695 Minotaur at Bristol Temple Meads Station in 1938 by John Mason. Measures 33½" x 23" in frame. Good quality from an unknown artist; Bredon Station on the Birmingham - Gloucester main line, by John Mason dated 1976. This is a going away view of 6028 King George VI and an unidentified Jubilee coming south into the station. The view shows clearly the up platform waiting room (still in situ in 2007) and the old entrance to the platform. Considerable artistic licence as King class locos never ran this line in steam days. Measures 40½" x 28¼" in wooden frame. Good quality from an unknown artist.
* Poster, British Railways D/R "Sawbridgeworth, Hertfordshire" Tranquil scene of a couple of small rowboats on the river beside an old malt house and a few cottages. From a painting by Edward Wessom. Published by British Railways Eastern Region ref no. PP1165 and printed by Jordison Ltd., London & Middlesborough. Some edge creasing and a 2" square piece missing from bottom right corner. This has take off the 'UGH' of the word Middlesborough so doesn't really detract.
* Poster, 'Post Office Savings Bank - The Post Office, Port Isaac, Cornwall' Almost D/R size, the central image is an early view from down on the beach that is bedecked with period cars and boats, looking up to the cliff top shops with a prominent Post Office of course. Extremely good condition.
Poster, D/R colour Air Ministry 1953 'Carelessness Costs Lives'. Image of crashed aircraft in civilian populated area with period rescue vehicles. The message conveyed is about the dangers of loose tools causing controls to jam. A scarce poster in reasonable condition. Together with a selection of 8 D/R size colourful Poster for the Royal Society For The Prevention Of Accidents. (1) Don’t Be A Jimp - Obey The Highway Code. (2) Cyclists Take Extra Care In Bad Weather. (3) Don’t Use Your Headlights Unnecessarily. (4) Always Light Up In Good Time. (5) Pedestrians Use Proper Crossings. (6) Use The Proper Crossings. (7) Visibility - Drive Within The Limits Of Your Lights. (8) 'Learn The New Traffic Signs Signs'.
BRITISH CERAMICS: FIVE REFERENCE BOOKS; comprising Godden, G.A., Encyclopedia of British Porcelain Manufacturers, pub. 1988, dust wrapper; Copeland, R., Spode & Copeland Marks, second ed., pub. 1997, dust wrapper; Fisher, S.W., English Blue and White Porcelain of the 18th Century, pub. 1947; Lewis, G., A Collectors History of English Pottery, fifth ed., pub. 1987; and Lewis, J. & G., Pratt Ware 1780-1840, pub. 1993. (5)
CLOCKS: FIVE REFERENCE BOOKS; Clutton C., and Daniels G., Clocks & Watches, pub. 1980;, Edwardes, E.L., The Story of the Pendulum Clock pub. 1977; Hana, W.F.J., English Lantern Clocks pub. 1979; Good, R., Victorian Clocks, pub. 1996; and exhibition catalogue, Horological Masterworks, English Seventeenth-Century Clocks from Private Collections, Museum of the History of Science Oxford. (5)
A combined billiards and lifepool scoreboard by R. Stevens and Sons of London early 20th century, set with a maker's plaque on the arched pediment top, designed with a blackboard, two score rollers and slides and counters, some ivorine markers and slide buttons missing, 67.5 by 81cm., 26 1/2 by 32in.
Flesher (M. printer) The Anatomy of Humane Bodies Epitomized....by a Fellow of the College of Physicians, London, 1692, (plates incomplete), Turner (Daniel) The Art of Surgery, 1722, Volume II only, James (R) Pharmacopoeia Universalis or A New Universal English Dispensatory, 2nd edition (incomplete) and a book of manuscript notes on Medical Jurisprudence, Toxology and Public Health. Litttlejohn, inscribed C J Lewis, Edinburgh, circa 1900
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