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Lot 547
R. A. Stone (20th century), 'Rock Garden' and 'Lost', signed, watercolour and four other small unframed watercolour drawings, including 'Along Life's Green and Quiet Ways [A Backwater at Pangbourne] by Herbert Harding Bingley (1887-1972), signed, a woodland scene by Gabriel Blair, signed, a cottage garden by Read Wallace, signed and 'Oratava' [Tenerife] by C. Boyle, signed, inscribed and dated 1948 (6), 28 x 18.5cm (largest)
Lot 556
Edith Alice Andrews (1873-1958), a group of six watercolours of flowers, comprising Anemones, Canterbury Bells, Hydrangeas and Blue Thistle, Polyanthus, Spring Comes to Britain and Victorian Decoration, together with two similar watercolours by A. R. Young, all signed and unframed (8) 31.5 x 25.5cm to 45 x 62cm
Lot 600
J. R. WARBURTON (20TH CENTURY) an early 20th Century watercolour depicting a female figure sitting on a step of a thatched cottage, signed bottom left, framed, size approximately 28cm x 33cm, together with a lone female walking on a rural road, unsigned, watercolour, approximate size 33cm x 24cm (2)
Lot 360
A BOXED HORNBY DUBLO THREE RAIL CLASS 8F LOCOMOTIVE, No 48158, B. R. black livery (LT 25), in good condition with very minor paint loss and wear, in a blue striped box complete with original guarantee form and a pink Meccano Repair return slip for the loco dated 1965, box complete with interior but has some wear and minor damage
Lot 56
TWO CLUSTER RINGS, the first designed with a central oval cut orange stone assessed as citrine, within a seed pearl surround, hallmarked 9ct gold Sheffield, ring size R, approximate gross weight 3.7 grams, together with a square cut cluster set with a square cut red paste within a circular cut colourless paste surround, stamped 9ct and Silver, ring size R, approximate gross weight 2.6 grams
Lot 42
William R. Davis (Massachusetts, Born 1952) "Artist View of Niagara" Oil on canvas painting. Depicting an artist painting with an easel in the lower right foreground, the Niagara falls in the distance. Housed in a gilt fluted cove frame. Signed lower left. Sight size: 7.5 x 11.5 in.Overall framed size: 17.25 x 21.25 in.
Lot 302
700-1100 AD, Viking Age. Bronze pendant showing a horned, winged beast, probably a dragon, in profile. In Norse mythology, Fáfnir (Old Norse and Icelandic) or Frænir is a son of the dwarf king Hreidmar and brother of Regin, Ótr, Lyngheiðr and Lofnheiðr. After being affected by the curse of Andvari's ring and gold, Fafnir became a dragon and was slain by the brave hero Sigurd. Dragons were powerful mythological symbols, embodying power and strength. Good condition, beautiful patina; Size: L:30mm / W:30mm ; 5.4g; Provenance: Private Kent collection, formed in the 1980s on the UK art market.
Lot 271
c. 1000-1100 AD. Viking age. A beautiful bronze ring with a circular hoop and an octagonal bezel bearing incised decoration in the form of a hunter and a dragon, probably Sigurd and Fáfnir. In Norse mythology, Fáfnir (Old Norse and Icelandic) or Frænir is a son of the dwarf king Hreidmar and brother of Regin , Ótr, Lyngheiðr and Lofnheiðr. After being affected by the curse of Andvari’s ring and gold, Fafnir became a dragon and was slain by the brave hero Sigurd. The wearable reminder of this myth would have inspired bravery in Viking warriors. Good condition; Size: D: 20.02mm / US: 10 1/4 / UK: U; 10.55g; Provenance: Property of a North London gentleman; previously acquire on the UK/European art market before 2000.
Lot 325
1100-1300 AD. Medieval. Bronze ring with circular hoop and round bezel bearing an incised scene of a man and a woman standing below a tree: these individuals represent Adam and Eve. Adam and Eve are central to the creation stories of the Abrahamic religions. Adam, the first man, and his wife, Eve, created from his rib, lib in the paradisical Garden of Eden, where they are told that they can eat freely of all the trees in the garden, except for a tree of the knowledge of good and evil. Eve is subsequently tricked into eating from the forbidden tree by the Devil in the guise of a serpent, precipitating the primordial couple’s expulsion from Eden. This ring would probably have belonged to a faithful Christian individual living during the Middle Ages, when the story was particularly important and popular. Excellent condition; wearable.Size: D: 18.9mm / US: 9 / UK: R 3/4; 5.1g; Provenance: Important London collection of Ancient art; formed in 1970-80s then passed by descent.
Lot 320
500-1 BC, Celtic Iron Age. Simple, open hoop silver ring with overlapping terminals and a circular section. This simple yet elegant ring probably would have belonged to an Iron Age noblewoman. Excellent condition; wearable.Size: D: 18.6mm / US: 8 5/8 / UK: R; 8.2g; Provenance: Obtained from a B.F; previously in a collection formed in the 1990s on the UK art market.
Lot 107
Nice oil on canvas by Randy Peyton, signed R Peyton in the lower right, and also signed verso and dated 1995. Exterior door with elaborate carvings and a donkey off to the side. Native-born Texan Randy Peyton started painting the land of his birth when he was twelve years old. Landscape, architecture, figures, and sometimes a combination of the three are prevalent in his work. His palette varies from earth to jewel tones with emphasis on light and shadow. Combining soft realism with a touch of impressionism characterizes his paintings. Canvases range from miniatures to murals, all with equal ease.Sight: 23 1/2 x 17 1/2 in.Overall: 34 1/2 x 29 in.Please note that all sales are final. No refunds will be given under any circumstances.
Lot 113
Oil on Canvas, Signed lower right, titled verso. Impressionist outdoor landscape. Kent R. Wallis is active and lives in Utah and is known for floral, botanical landscape painting. He is currently a member of the Society of American Impressionists, as well as the Society of Plein Air Painters of America.Overall size: about 26 x 22 in.Sight size: 19 1/4 x 15 1/4 in.Please note that all sales are final. No refunds will be given under any circumstances. Location PLATFORM
Lot 266
Very large painted orange and black ceramic decorative platter, with a geometric snail design set against a Southwestern landscape; with a painted design along the edge. Signed R DANY on front.Diameter: 20 1/2 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 1009
6 hunting crops - one with silver collar inscribed G.J. Zair, makers, London with antler handle (stem has been sawn in half); hunt crop with antler handle and a silver collar inscribed R. Smith & Co., London with plaited stem and a plaited thong, meauring approx. 40ins; lady's Malacca crop with horn hand and silver collar; and three other crops. Estimate £50-60
Lot 2020
A Charles II Silver Tumbler-Cup, Maker's Mark Lacking, Attributed to Thomas Mangy, York, 1673, slightly tapering cylindrical, chased with foliage and flowers and engraved with a crest, 9cm diameter, 6.5cm high, 5oz 6dwt Provenance: with Alastair Dickenson Ltd., London. As the present cup is lacking a maker's mark it is impossible to confirm who made it, thought it does compare closely to other examples by Thomas Mangy, including a slightly smaller example of 1675, engraved with initials 'IH' over 'TH' which was sold Christie's London, 1 December 2005. In the catalogue for that example Christie's notes a further example of the same date which was sold 12 November 1980. A further example was previously in the Albert Collection (R. Butler, The Albert Collection: Five Hundred Years of British and European Silver, London, 2004, no. 122). Each of these examples is, like the present example, boldly chased with foliage and flowers and with a similar cartouche. Thomas Mangy was from an extensive family of silversmiths working in York in the 17th century, being at least a third generation silversmith, his father George having been made free in 1639 and his grandfather Christopher in 1610. His uncle Henry and cousins Arthur and George were also silversmiths, with the younger of his cousins having relocated to Leeds by 1690 and was eventually executed there for having forged a coin (see H. Murray, A Directory of York Goldsmiths, Silversmith and Associated Craftsmen, York, 1998, pp. 92-93 for further biographical details). Thomas was made free by Patrimony in 1665 and must have been a silversmith of some talent based on the existing plate which bears his mark. Items he was responsible for making include everything from spoons, see for example the Strickland Death's Head Spoon (Victoria and Albert Museum no. M.12-1932) to a tankard of 1680 (Christie's, London, 21 June 2011, lot 96).
Lot 2267
An 18 Carat Gold Diamond Solitaire Ring, the round brilliant cut diamond in a yellow rubbed over setting, to a cuff plain polished shank, estimated diamond weight 1.00 carat approximately, finger size R see illustration . The ring is in good condition. It is hallmarked with sponsor's mark 'MC' and continental mark. It is also stamped '1.01CT'. The approximate qualities of the diamond are; colour J/K, clarity I2/I3. Gross weight 7.6 grams. CR made 05.08.20.
Lot 2331
A Diamond Cluster Ring, the central fancy light brownish-pink emerald-cut diamond, in yellow claw settings, within a border of round brilliant cut diamonds, to a round brilliant cut diamond set shank, finger size R see illustration The ring is accompanied by a Coloured Diamond Report from The Gemological Institute of America, GIA, report number 14307009, dated May 11, 2005, stating the central diamond weighs 2.11 carat, colour grade fancy light brownish-pink, colour origin natural, clarity SI1. The ring is accompanied by an appraisal report for insurance purposes from Universal Gemological Laboratory in 2015 valuing the ring at $127000. The ring is in good condition. It is stamped 'EMJ' and '18K' and in our opinion would test as gold. The approximate qualities of the residual diamonds are; caratweight 0.80, colour H/I/J, clarity SI1/SI2/I1 Gross weight 4.5 grams. CR made 04.08.20.
Lot 191
A Nest of Regency Specimen Wood Quartetto Tables, in the manner of Gillow, early 19th century, of graduated rectangular form comprising rosewood, birch, amboyna and walnut, on spindle turned legs joined by stretchers, the smallest with games top and curved shelf to the base, the largest 59cm by 40cm by 75cm For a nest of similar tables supplied by Gillows to William Senhouse, c.1810, see Beard (G) & Goodison (J) English Furniture 1500-1840, 1987, p 254, fig.3; and Edwards (R) and Jourdain (M) Georgian Cabinet-Makers, rev. ed., London, 1955, p.221, fig.193. Also see Christie's, 27 March 2007, lot 233 for an almost identical nest of tables
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297887 item(s)/page