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Lot 1668
A collection of British and world coins, medals and medallions, including a First World War 1914-15 Star to 'SS-15928 Pte. R. Warner. S.S.C.', a Victory Medal to '3741 Tpr. A. Hoare 1-L-Gds', a Sarawak J. Brooke Rajah one cent 1863, a Cyprus forty-five piastres 1928, a Woodside Ferry Contractors ticket 1862, a Meissen porcelain medal/coin celebrating Johann Sebastian Bach, dated 1923, a small group of year-type sets and other British commemorative coins, and an RAF medallion commemorating the Battle of London 1940-41.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1728
Paul & Bente R. Withers 'British Coin-Weights: A Corpus of the Coin-Weights made for use in England, Scotland and Ireland', together with two other books on trade weights.This lot is subject to a Buyer’s Premium of 24.5% (including VAT @ 0%) of the hammer price. Purchased online via the-saleroom.com, this lot will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 1781
An early Anglo-Saxon period sceatta, secondary phase, annulet cross type, obverse with degenerated radiate bust facing right, runic legend before, reverse with annulet cross, Abramson 14.10, variety P3c, series R obverse, weight 0.90g, with an old collector's ticket.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 234
A WILLIAM IV MAHOGANY METAMORPHIC LIBRARY ARMCHAIRDATED 1833The upholstered back above open arms with padded elbow rests, the arms with push buttons to engage and lock the ratchet reclining action, the front seat rail sliding forward to reveal ratchet adjustable footrest, on turned legs terminating in brass castors, with a paper label to underside of footrest dated January 1833 17, Margaret Street, Cavendish Square, London - Robert Daws, each leg stamped R DAWS L B Q GR PATENT, as a chair 102cm high, 64cm wide, 77cm deep The label to the underside of the footrest states that not "the least derangement has not to his knowledge averaged one in FIVE HUNDRED during five years". Other examples which have come up for auction have a differing number of years stated we can therefore be fairly confident in dating this to 1832. Daws warranted his chairs for seven years at an original cost for a chair of "moderate proportions" of £10 10S. He promised the chairs would form a "thousand positions". King George IV is believed to have owned one and commended it. The three 'B L Q' initials stamped to the sides of the patent are presumably those of the chair-maker, other chairs which have appeared for sale have differing pairs of initials. Daws traded from 17 Margaret St, Cavendish Square, London from 1820-1839.
Lot 339
A HARDWOOD AND BRASS MOUNTED CAMPAIGN TRUNKFIRST HALF 19TH CENTURYWith a plaque engraved Capt Cha Malcolm R N, also one for Mifs Malcolm Provenance:Formerly belonging to Captain Charles Malcolm of the Royal Navy (later Vice-Admiral, died 1851); Christopher Clarke, Antique Dealers in Campaign Furniture and Travel RequisitesCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, chips and losses, the top with old crack through the centre, also similar crack to the baseMarks and wear overallAll the metal mounts, hinges, locks appear to be original, there is a key operating the lock at time of report - this is a bit stiff and may benefit from a clean/lubricateOld woodworm to the rails to the undersidePlease see additional images for visual reference to conditionCondition Report Disclaimer
Lot 358
LALIQUE, RENE LALIQUE, LAURIER, AN OPALESCENT GLASS VASESECOND QUARTER 20TH CENTURYThe cylindrical body decorated with laurel leaves and fruitSigned R. LALIQUE, FRANCE to the side, indistinctly numbered to the base18cm high, 10.5cm diameter Provenance:From the private collection of author and publisher Colin SmytheSee Marcilhac, no. 947 designed 1922, not reprised after 1947 Condition Report: No damage or restoration detected. Some surface scratches to the underside of the base.Condition Report Disclaimer
Lot 359
LALIQUE, RENE LALIQUE, LYS, AN OPALESCENT GLASS BOWLSECOND QUARTER 20TH CENTURYThe bowl above lily pattern stems and spreading petals Signed R. LALIQUE, FRANCE to the underside12.5cm high, 24cm diameterProvenance:From the private collection of author and publisher Colin SmytheSee Marcilhac, no. 342 designed 24 Juillet 1926, not reprised after 1947Condition Report: Minute chip to interior of rim, barely visible and detectable with thumbnail. Image available upon request.Condition Report Disclaimer
Lot 360
LALIQUE, RENE LALIQUE, CHAMARANDE A CLEAR AND FROSTED GLASS VASESECOND QUARTER 20TH CENTURYThe twin projecting handles modelled as dog-rosesSigned R. LALIQUE to the underside19.5cm high, 24.5cm wide Provenance:From the private collection of author and publisher Colin SmytheSee Marcilhac, no. 974 designed 27 august 1926, not reprised after 1947Condition Report: Some minute chips and nibbles to the extremities of the handles. Wear to base. See photos available upon request.Condition Report Disclaimer
Lot 361
LALIQUE, RENE LALIQUE, OLERON, A FROSTED GLASS VASESECOND QUARTER 20TH CENTURYThe twin projecting handles modelled as dog-rosesSigned R. LALIQUE to the underside and Hi70089cm highProvenance:From the private collection of author and publisher Colin SmytheSee Marcilhac, no. 1008 designed 5 December 1926, not reprised after 1947Condition Report: Minute nibble to neck rim. See photo available upon requestCondition Report Disclaimer
Lot 362
LALIQUE, RENE LALIQUE, BEAUTREILLIS, AN OPALESCENT GLASS VASESECOND QUARTER 20TH CENTURYThe bowl-shaped top above a pedestal with cabochons Signed R. LALIQUE, FRANCE to the underside14cm high, 18.5cm wide Provenance:From the private collection of author and publisher Colin SmytheSee Marcilhac, no. 989, designed 16 February 1927, not reprised after 1947Condition Report: No damage or restoration detected. Some surface scratches to the underside of the base.Condition Report Disclaimer
Lot 363
LALIQUE, RENE LALIQUE, RAMPILLON, AN OPALESCENT GLASS VASESECOND QUARTER 20TH CENTURYThe tapering body applied with cabuchons on a foliate groundSigned R. LALIQUE, FRANCE to the underside12.5cm high, 11cm diameterProvenance:From the private collection of author and publisher Colin SmytheSee Marcilhac, no. 991 designed 8 March 1927, not reprised after 1947Condition Report: The odd microscopic nibble to the top surface of the rim. Too small to effectively photograph.Condition Report Disclaimer
Lot 364
LALIQUE, RENE LALIQUE, COQUILLES, AN OPALESCENT GLASS DISH OR COUPESECOND QUARTER 20TH CENTURYThe twin projecting handles modelled as dog-rosesSigned R. LALIQUE, FRANCE to the underside, numbered 301026.5cm diameterProvenance:From the private collection of author and publisher Colin SmytheSee Marcilhac, no. 3200-3204 designed 1928, not continued after 1947Condition Report: Some very slight surface scratches.Condition Report Disclaimer
Lot 365
LALIQUE, RENE LALIQUE, PRIMAVERES, A FROSTED GLASS POWDER BOWLSECOND QUARTER 20TH CENTURYThe body decorated with flower-headsMoulded R. LALIQUE to the underside7cm high, 17cm wide overall Provenance:From the private collection of author and publisher Colin SmytheSee Marcilhac, no. 86 designed 22 October 1930, not reprised after 1947, this is the base section of a powder bowl.Condition Report: 5mm rim chip. A couple of bashes to the flower band. See supporting images available upon request.Condition Report Disclaimer
Lot 366
LALIQUE, RENE LALIQUE, ST FRANCOIS, AN OPALESCENT GLASS VASESECOND QUARTER 20TH CENTURYThe flared body decorated with perching birds on foliate branchesSigned R. LALIQUE, FRANCE to the underside17.5cm high, 17cm diameter Provenance:From the private collection of author and publisher Colin SmytheSee Marcilhac, no. 1055 designed 4 November 1930, not continued after 1947Condition Report: No damage or restoration detected. Some surface scratches to the underside of the base.Condition Report Disclaimer
Lot 369
LALIQUE, RENE LALIQUE, ACTINIA, A CLEAR GLASS PLATE OR COUPESECOND QUARTER 20TH CENTURYMarked R LALIQUE, FRANCE to the underside27.5cm diameterProvenance:From the private collection of author and publisher Colin SmytheSee Marcilhac, no. 10-391 designed 1933, not continued after 1947Condition Report: No serious damage detected.Condition Report Disclaimer
Lot 370
LALIQUE, RENE LALIQUE, ASTERS, AN OPALESCENT GLASS SHALLOW DISHSECOND QUARTER 20TH CENTURYMarked R LALIQUE, FRANCE to the underside25cm diameterProvenance:From the private collection of author and publisher Colin SmytheSee Marcilhac, no. 10-3039 designed 1935, not continued after 1947Condition Report: A little surface scratching to the interior well.Condition Report Disclaimer
Lot 209
A silver mounted Doulton Lambeth stoneware tyg, with figural handles modelled as hounds and body decorated with figures, hounds, stag and figure on horseback, with impressed marks and patern no. 2241 to base, the collar inscribed 'Wiee Jump B (16ft, 3in.) - R. Hargreaves K.E.S.B Athletic Sports 1896'. Excellent condition.
Lot 235
A 9ct gold Elco lady's wristwatch, Swiss 15 jewel movement, silver dial, gold coloured Arabic numerals, 9ct gold bracelet 8.3g (without movement & glass); a 9ct gold Hefik lady's wrist watch, Swiss 17 jewel movement 3.1g (without mmovement & glass); a 9ct gold gent's ring, set with a round white stone (chipped), size R, Chester, 1953 2.8g; broken gold 3.9g
![[Casement (Roger)], Curry (Dr. C.E.) Sir Roger Casement's Diaries, 8vo Munich 1922. First Edn., port. frontis & other ill](https://cdn.globalauctionplatform.com/ef3ff363-6384-4d6f-83f0-afd400992227/077f8938-4b6f-46a7-a03a-afd501171b77/468x382.jpg)
Lot 503
[Casement (Roger)], Curry (Dr. C.E.) Sir Roger Casement's Diaries, 8vo Munich 1922. First Edn., port. frontis & other illus., orig. cold. wrappers; Mackey (H.O.) The Life and Times of Roger Casement, D. 1954. First Edn. illus. orig. d.w.; also same author, Roger Casement A Guide to the Forged Diaries, D. 1962, First Edn., illus.; Monteith (Capt. R.) Casement's Last Adventure, D. 193, First Edn., illus., pict. d.w.; Inglis (Brian) Roger Casement, N.Y. 1973. First Edn., pict. d.w. (5)
Lot 74
An attractiveÿand large early 18th Century French giltwood Mirror Overmantel, probably R. Gence, c. 1715, the shaped floral decorated cornice with central shell design over a centre mirror flanked with floral scroll uprights with figural heads surmounted, approx. 183cms h x 112cms w (72'' x 44''). (1)
Lot 162
An early 20th century French brass carriage clock with repeatthe dial signed Primavesi Bros, Bournemouth, the movement stamped for Richard et Ciethe Gorgè case with canted scrolling swing handle, the 2' enamel dial with Roman numerals, the brass twin drum movement with jewelled platform lever movement with compensated balance, striking on a coiled steel gong, the backplate stamped R&C MADE IN FRANCE, 15.5cm high, 8cm wide, 7cm deepFor further information on this lot please visit Bonhams.com
Lot 209
A Napoleon III ormolu mounted tortoiseshell and brass 'Boulle' marquetry hauteur d'appui or pier cabinet by Charles-Guillaume Diehl (1811-1885)missing its marble topCirca 1865, inlaid premiere-partie with elaborate scrolled stylised foliage, acanthus, flowers and husks, the panelled door with scrolled foliate lambrequin mounted angles, enclosing a mahogany lined interior with two shelves, on a shaped plinth base, missing its marble top, the lock plate engraved: 'DIEHL, PARIS, 19, R. MICHEL COMTE, 56cm wide, 36cm deep, 133cm high (22in wide, 14in deep, 52in high) Footnotes:Charles-Guillaume Diehl (1811 - 1885), like many cabinet makers who plied their trade in France during both the 18th and 19th centuries, was actually of German origin. However Diehl settled in Paris in 1840 and established a large atelier at 39, rue Saint-Sebastien. By 1870, there were no fewer than six hundred craftsmen employed at his company.As well as producing furniture for his many wealthy clients, Diehl's firm also made a vast array of luxury objects such as jewellery caskets, liqueur cabinets, games boxes and humidor cabinets. Among Diehl's most well known pieces are those he supplied for the important international exhibitions which took place during the third quarter of the 19th century and begun with the most significant of them all, the Great Exhibition of 1851. He won numerous awards and prizes at all of these exhibitions. A selection of items executed by Diehl are currently housed in the Musee d'Orsay in Paris, the Musee de l'Ecole de Nancy and the Rijksmuseum in Amsterdam, as well at the Metropolitan Museum of Art in New York, C. Payne, European Furniture of the 19th Century, 2013, p.37.This lot is subject to the following lot symbols: TP YTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 215
Rudolf Kaesbach (German, 1873-1955): A patinated bronze figure of a female dancerscantily clad in a diaphanous dress holding up her skirts and standing on one foot on oval base, signed, R. KAESBACH, and mounted on a canted rouge and rose-tinted veined stepped grey veined marble plinth, 27cm high overallFor further information on this lot please visit Bonhams.com
Lot 333
OF COLLECTORS' INTEREST: A pair of George I walnut, featherbanded and fruitwood marquetry side chairsCirca 1720, each with a featherbanded vase shaped splat inlaid with an Arabesque comprising a pair of opposing masks and stylised foliage, on C-scroll carved cabriole front legs, with splayed column-and-block rear legs and a waved H-stretcher, 60cm wide x 57cm deep x 102cm high, (23 1/2in wide x 22in deep x 40in high) (2)Footnotes:ProvenanceThe offered lot formerly belonged to Ralph Edwards C.B.E., F.S.A. (1894-1977), grandfather of the current owner and vendor. One of the offered chairs appears illustrated in R. Edwards and P. Macquoid, The Dictionary of English Furniture, Vol. II, the revised and enlarged edition by R. Edwards, 2000, New York, fig. 90, p. 256. The chair is even noted in 'The Dictionary' as being: 'from Mr Ralph Edwards' and is dated to circa 1710.Ralph EdwardsAlthough principally renowned for The Dictionary of English Furniture, his most influential book first published in the period 1924-1927, Ralph Edwards was also an art historian, academic, connoisseur, author and collector within various fields of the fine and decorative arts. His genuinely eclectic yet thorough knowledge included, but was not limited to, subjects as diverse as: European paintings, watercolours, Hogarth, Old Master drawings, bronze sculpture, needleworks, porcelain, silver and English miniatures. Nonetheless his foremost area of expertise was undoubtedly in English furniture.Following his involvement in World War I, and despite successfully completing the necessary professional legal examinations, Ralph Edwards joined Country Life magazine as a member of their editorial team, where he remained for five years. The motivations behind this career-defining decision are a mystery, however as Nicholas Goodison writes in his superb 1978 obituary it was clear that on this occasion: '...art history gained what the law lost.' N. Goodison, 'Obituary, Ralph Edwards', The Burlington Magazine, May 1978, Vol. 120, No. 902, 'Special Issue Devoted to the Victoria and Albert Museum', p. 316.Throughout 1924 and 1925, Edwards continued in this capacity at Country Life at the same time as working closely with Percy Macquoid (1852-1925) on compiling and creating what would thereafter become their seminal work, The Dictionary of English Furniture. Only one year later, Edwards took up the position of Assistant in the Department of Woodwork at the Victoria and Albert Museum, eventually being promoted to Keeper of that Department in 1937. In total he would retain this significant role for seventeen years until retiring, albeit apparently somewhat reluctantly, in 1954. During his tenure as Keeper at the Victoria and Albert, Ralph produced a number of books and articles concerning furniture, typically with particular attention to the history of English furniture. Arguably among the most notable of these were; a brief analysis of English chairs in the museum collection; Georgian Cabinet-Makers, which he assembled together with Margaret Jourdain in 1944; and the three volume revised edition of 'The Dictionary', eventually published in 1954. In his obituary on Edwards, Nicholas Goodison brilliantly encapsulated his primary achievement as Keeper in the Department of Woodwork:'In this role he [Edwards] did a great deal to raise the study of furniture from an inconspicuous to an important branch of the decorative arts.'N. Goodison, Ibid, p. 316.In spite of his retirement from the Victoria and Albert, that same year Ralph Edwards started to accept employment - essentially as a kind of senior consultant - with the Historic Buildings Councils of England and Wales. His invaluable aiding of these Councils lasted a staggering twenty-one years. At the same time, Edwards' output of publications persisted and this is exemplified by; the appearance in 1955 of the third version of Georgian Cabinet-Makers; a 1963 condensed single volume edition of his by then widely celebrated 'Dictionary'; and an almost continual provision of furniture-related articles. Added to this, for two years Ralph Edwards assisted in the editing process for the Connoisseur Period Guides (1956-1958). Yet, regardless of this huge workload he was always available to help the Arts Council and other official bodies whenever requested or required to do so.Aside from this specialist study in the realm of furniture, it is incredible to consider that Edwards was additionally responsible for literature on an assortment of other visual arts topics. For example he finished Early Conversation Pieces in 1954 which was a survey of the progression of what are generally referred to as 'conversation paintings', beginning in the medieval period and concluding with examples from the early 18th century.Evidently over the last two decades of his life there was much less focusing on the study of furniture which allowed his wide-ranging proficiency in many of the other decorative arts to flourish. Though it is difficult to know whether this was an intentional move away from his main specialism, it was perhaps inevitable given the nature of his involvement with the Historic Buildings Council and the National Museum of Wales. Edwards' participation with both of these groups led him to investigate virtually all manner of artefacts. Over the course of the twelve years prior to his death in 1977 he also formed a fundamental part of the advisory panel for The Burlington Magazine.Overall, Ralph Edwards' enormous influence on the way in which serious art historical research has been, and continues to be, undertaken is not something that can be easily overstated. Ralph was one of the earliest scholars to confirm factual information pertaining to objects by means of uncovering sources contemporary to them. In this process he was instrumental in bringing to the public consciousness numerous craftsmen, makers and artists, ranging from those who had fallen into complete obscurity to more major and more widely known figures.This was the technique pursued with regards to both The Dictionary of English Furniture and Georgian Cabinet-Makers, despite claims that he later opined that there had become too much emphasis upon the analysis of historical letters and invoices. It is alleged that his subsequent view was that this strict and narrow approach had caused furniture history to become too dry and mundane an affair, possibly more akin to a lifeless regurgitation of old account books than a true labour of love. However it is not clear to what extent he believed this had already happened.An exceptional memory for country houses and their contents meant that Ralph Edwards was almost always able to accurately date a work of art or object, and more often than not suggest an attribution to a certain artist or maker where relevant and possible. His natural affinity for British and European history, allied to his supreme level of connoisseurship, has meant that even today he maintains his position among the very highest echelons of academia within the broad domain that is art history.
Lot 509
A selection of Victorian gold and gold-plated noveltiesvarious makers and dates Comprising: a gold-plated propelling pencil with snake thumbpiece, incuse 'W' to end, in original 'R & S Garrard' fitted case, together with a gold-plated telescope pendant, unmarked, circular shape, encrusted with round turquoise beads, expanding telescopic form featuring a glass eyepiece to one end, to the other a lens, collapsible to wear as a pendant, suspension ring attached, and finally a gold 'crown' vinaigrette, unmarked, realistically formed, with pierced grill and suspension ring. (3)For further information on this lot please visit Bonhams.com
Lot 514
Possibly a Royal Spanish silver-gilt box with letters of provenanceunmarked, possibly Navarre circa 16th century Octagonal form, the whole in silver gilt, a hinged cover with a pierced repoussé and chased panel featuring a vase and floral sprays in high relief, the border chased in low relief with scrolling foliage, the sides having similarly embossed panels with plain polished borders, all pinned to the wooden box beneath , length 13.5cm.Footnotes:This pretty box comes with three old letters of provenance and a lot label dated 1st February 1978, Lot 154.By repute and according to the letters of provenance supplied, this box was given by Jeanne d'Albret (1528-1572) to the Marquis de Nérac (her son, who later became King Henry IV of France) while taking refuge with him at his Chateau, the Chateau de Nérac. Jeanne d'Albret (Joan III of Navarre) was Queen of Navarre, daughter of Marguerite de Navarre (1492-1549) and niece of King Francois I (Francis I of France, r. 1515-1547). She is best known for leading the Huguenots (French Protestants) in the French Wars of Religion (1562-1598) and as mother of King Henry IV of France.Nérac is a town in South West France, once the capital of the Duke's of Albret. Jeanne's son, Henri of Navarre (King Henry IV of France and King of Navarre) spent much of his youth in the Castle, where his mother, Jeanne D'Albret, and later his wife, the second Marguerite de Valois, held a brilliant court.The story of the box cannot be verified, however the letters of provenance have some age.For further information on this lot please visit Bonhams.com
Lot 566
A silver five-piece tea and coffee service including kettle on standR F Mosley & Co, Sheffield 1913, kettle 1914 Oval form with two horizontal husk bands, each piece with engraved crest and motto CŒLUM NON SOLUM for STEVENSON, the pots with ebonised wood handles and finials, kettle with a plated burner, weight total 100oz.Footnotes:This is the crest and motto of descendants of Reverend Henry Joseph STEVENSON (1806-1853), who was born in Blackburn, Lancashire. Arthur William STEVENSON (1884-1955) and Major Edward Peel STEVENSON (1889-1971) are likely owners of this item.For further information on this lot please visit Bonhams.com
Lot 638
A William and Mary silver lidded tankardmaker's mark AR, possibly Alexander Rood, London 1693Cylindrical form with moulded skirted foot, hinged cover with scroll thumb-piece, scroll handle with engraved initials 'C' over 'I*R', height 16.6cm, weight 20.5oz.For further information on this lot please visit Bonhams.com
Lot 639
A George I silver lidded tankardWilliam Paradise, London 1724 Cylindrical form with applied girdle on a moulded skirted foot, hinged cover with cast scroll thumbpiece, the scroll handle with heart shaped terminal, also with engraved initials 'R' over 'I I', height 17.8cm, weight 21oz.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 789
ROBERT RADFORD WELCH: a silver coffee pot, tea pot and cream jug, designed for HealsBirmingham 1972 and 1973, the teapot London 1975 Plain polished cylindrical forms, pots with Indian rosewood mounted covers and handles, elongated curved spouts, height of pots 22cm and 12cm, weight total 62oz.Footnotes:ROBERT RADFORD WELCH RDI MBE (1929 – 2000)Born in Hereford in 1929. Served in the Royal Air Force and after the Second World War he attended Malvern School of Art. Trained as a silversmith at the Birmingham College of Art under Cyril Shiner and R. G. Baxendale. Between 1952 and 1955 he studied at the Royal College of Art under Professor Robert Goodden and was a contemporary of Gerald Benney.On graduating in 1955, Welch became a product designer and set up a workshop in Chipping Camden, Gloucestershire. The Silk Mill premises he found had been the home of C. R. Ashbee's Guild of Handicraft. Here Welch produced one off pieces and special commissions.In 1964, Welch produced a very successful range of domestic silver for Heals. Five years later he decided to open his studio shop. Also in this year he was elected a Royal Designer for Industry.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 855
Two George II silver mugsthe first William Williams I, London 1742, the second maker's mark partially struck over with leopards head, London 1752 or 1753Both of plain baluster form with leaf-capped scroll handle on spreading circular foot, underside of first with engraved initials 'R' over 'J*M', height 9.5cm and 9cm, weight 13.6oz. (2)Footnotes:From the collection of the late John HiltonFor further information on this lot please visit Bonhams.com
Lot 373
GOLD RING. A Victorian 18ct. gold, chased ring. Birmingham 1896. Approx. 7g. Size R. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 392
GOLD RING. A Victorian 18ct. gold, five stone sapphire & diamond ring. Approx. 3.9g. Size R. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 394
GOLD RING. An 18ct. gold ring, set with three old cut diamonds & two sapphires. Approx. 3.3g. Size R/S. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 79
R O Lenkiewicz (1941-2002), 'The Mary Notebook', with a signed certificate of authenticity from an edition of 350, in outer slip, together with a limited-edition signed print 'Study of Mary', 44.5 x 37cm, 216/350 and another book Robert Lenkiewicz, The Artist And The Man by Keith Nichols, (3).
Lot 154
SIGNET RING. A gentleman's 9ct. rose gold signet ring with faint monogram. Approx. 9.9g. Size R/S. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Lot 133
with hammered finishing, the mustard pots embossed with clovers, the salts with Tudor roses, (blue glass liners) and the pepper casters with thistles, with 4 matching condiment spoons, contained in a fitted case, by Cecil R Walker, London 1929; the case 9.75" (24.8cm) long; 14.3ozt weighable silver. *CR Just a bit of wear, some black pitting marks, case a bit scrappy and one of the liners on the salts is stuck inside the body Please contact Connor for further information connor.swanwick@lawremces.co.uk.
Lot 340
one inscribed "GEORGE BEER" below a galleon, one "R. PIRKEN 1859" and the other "M. MILLS 1859", together with a small gold mounted horn example (A/F), initialled & five handmade treen barrels; the largest 6" (15cm) high (9). *CR All pieces with wear & in mixed conditions Please contact Connor for further information connor.swanwick@lawrences.co.uk.
Lot 400
Collection of limited edition prints featuring Ayrton Senna, three times F1 World Champion, generally excellent previously rolled in card tube, range of sizes from A3 upwards, with Ayrton Senna's Final Victory by Alan Stammers (certificate no. 280/750) signed by R Dennis, J Ramirez and G Ascanelli, Senna in Lotus JPS by Craig Warwick (453/500), Senna McLaren Ford MP4/8 by Simon Taylor (306/850), Tribute by Alan Fearnley (646/850) and Ayrton Senna 1960-1994 by Craig Warwick (213/3000). Viewing highly recommended. Qty 5 prints.
Lot 429
A collection of Christmas & Santa themed ceramic items, with many collectable plates to include; Caverswall Christmas Plates by John Ball (each plate limited to 1000) including Christmas Eve at Mr Wardle’s, A Christmas Carol, The Pickwick Papers, The Posthumous Papers of The Pickwick Club x3 (6 plates in total), a Royal Worcester Holly Ribbons Cake Plate and Plates (x8), Knowles ‘Santa’s Surprise’ by Tim Browning in box with certificate Plate No. 984a, Knowles 1986 in the limited edition of “Christmas” Plate no 6551d with box and certificate, Coalport ‘Advent’ boxed, Franklin Mint ‘The Magic of Santa’ Limited Edition by Myles Pinkney plate no. 2076 with certificate, The Franklin Mint Coca-Cola ‘The Pause that Refreshes’ plat no.Coa2753, Coca-Cola ‘A Refreshing Pause’ plate no. GA1851, Hamilton Collection ‘Up On the Rooftop from the Classic American Santas Plate Collection’ by George Hinke plate no. 3221a, Royal Doulton ‘A Welcome Caller’ by Glynn Williams PN101, a Yuletide plate designed by Walter R. Duff ‘Merry Christmas’ decoration, a Royal Doulton miniature Santa Claus character jug (1987), three Royal Doulton ‘hand made ceramic sculpture’ figures in boxes with ‘Santa – feet in bowl’, ‘Santa in Chimney 2’ & ‘Santa on Sleigh’, two Snow Folks from Enesco figures in boxes with “Put on Your Holiday Best” & “I’ll Wait All Winter for You” and a Lladro hanging Christmas Bell. Two trays.
Lot 50
Robert John Hammond (British, 1879-1911) – Oil on canvas rural landscape with a thatched mill, trees, green hills, three figures and rocky river. Signed to lower left ‘R J Hammond’ in ornate gilt frame. Born in London, Hammond was a landscape painter who predominantly lived in the Birmingham area. 44.5cm x 29cm.
Lot 807
Five telegrams from or on behalf of HM Queen and Prince Charles, later HM King Charles III. First dated 16.08.63 sent from Balmoral and reads 'I am commanded by The Queen to thank you for the good wishes which you sent to Princess Anne on the occasion of her Thirteenth birthday, Lady In Waiting.' In original envelope. Second is dated 22.11.71, sent from Buckingham Palace and reads 'I was very pleased to receive your birthday greetings Please accept my sincere thanks = Charles.' In original envelope. Third is dated 21.04.76, sent from Windsor Castle and reads 'I thank you most sincerely for your kind congratulations on my birthday Elizabeth R' No envelope. Fourth is dated 22.04.80 , sent from Buckingham Palace and reads 'I thank you most sincerely for your kind congratulations on my birthday Elizabeth R' In original envelope. Fifth is dated 14.11.84 and reads 'The Prince of Wales desires me to thank you for your kind message of birthday greetings = Lady In Waiting.' In original envelope
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