Greenlight Collectibles 1/43 scale movie group to include (1) #86431 'Steve McQueen - Bullitt' - 1968 Ford Mustang GT; (2) #86432 'Steve McQueen - Bullitt' - 1968 Dodge Charger R/T; (3) #86221 'Fast & Furious' - Dom's Custom 1969 Dodge Charger Daytona - Mint within Mint sealed boxes and rigid perspex cases. (3)
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1/18 scale mixed group to include (1) Maisto - #31844 Lamborghini Diablo SV; (2) Maisto - #31872 2000 Mustang SVT Cobra R; (3) Universal Hobbies Eagle's Race - Porsche 917K No.2-Gulf-Racing Team, 1970 24H Daytonna Winner; (4) Classico Collezione - 1972 Ferrari 312 P & Racing Fuel Pump - Near Mint to Mint within Good boxes. (4)
Mecccano Circuit 24 Slot Car Racing sets (1) Set SX includes 2 x Racing Cars, track & various accessories, also with instructions & many inner card packing pieces (2) Set R - smaller set that include cars, track & power pack - also with some instructions & packing pieces - Fair to Good unchecked for completness in Fair packaging.
Robert Watson (British, 1855-1921) Cattle in a Highland landscape; Sheep in a Highland landscapeeach signed 'R. Watson' lower right and dated 1910oil on canvas, a pair34 x 52cmOverall both works in very good, original, clean condition with no damages or losses to the paintwork or canvases. Framed and glazed, the frames with age related cracks commensurate with age, minor losses and signs of repair but overall in stable condition.
Attributed to Luigi Mayer (Italian, 1755-1803) Pompey’s Pillar, Alexandria, Egyptwatercolour38 x 53cmThe present image relates closely to a well known depiction of the same subject, reproduced in print after Mayer, from 'Views in Egypt, Palestine, and Other Parts of the Ottoman Empire' (pub. R. Bowyer, London,1802-1805). However, the fact that the present watercolour mirrors the print in reverse, with some small compositional differences, is indicative that it may be an original preparatory study by the artist himself.
A group of small silver and oddments. Various dates and makers. The group comprising: a Tiffany & Co. T-clip ballpoint pen and propelling pencil, both stamped 925, sterling; a trinket box, Birmingham, 1962, Adie Brothers, of oval form and raised on four pad feet, the shaped oval hinged cover with engine turned design, lining to interior, 7.5cm wide; a set of six George V teaspoons and pair of sugar tongs, London, 1918, Josiah Williams & Co., the spoons 13.7cm long, the pair of sugar tongs 11.8cm long, in fitted case; a set of six coffee spoons, London, 1989, Guild of Handicraft, Hanoverian rat-tail pattern, 11.4cm long; a napkin ring, Birmingham, 1965, maker's mark rubbed, with decorative bandings to rims and engraved with name JOANNA; a small posy vase, Birmingham, 1976, maker D (S), with knopped stem to a stepped circular foot and filled base, 10.8cm high; an ingot pendant, Birmingham, 1977, R P, of rectangular form, 4cm long; a small pocket knife with stainless steel blade, unmarked; and a silver ring of abstract design, London, 1982, maker's mark indistinct, ring size approx. L, total weighable silver approx. 13.4ozt (a lot)Condition Report: The pens, posy vase and the pocket knife are not included in the weighable silver. The trinket box is included in the weighable silver.
A group of silver sugar tongs and spoons. Various dates and makers. The group comprising: a pair of Georgian sugar tongs, Hester Bateman, the arms engraved with scrolling motifs and the bridge with initials W over R M, 13.5cm long; a late George III pair, of tongs, 1820, Thomas Wilkes Barker, 14.5cm long; a Georgian pair, maker IL, engraved with scrolling motifs and with terminals modelled as acorns, 13.5cm long; a late William IV caddy spoon, London, 1837, James Beebe, the interior of bowl with bright cut engraving of floral motifs and the terminal with initials, 9.5cm long; a Victorian caddy spoon, London, 1894, Maxfield & Sons, the shell-shaped elongated bowl to handle decorated with gadrooned edge, 12.7cm long; two Georgian Fiddle pattern coffee spoons, Exeter, Isaac Parkin, engraved with initials to terminals, 12.7cm long; a Hanoverian pattern coffee spoon, marks rubbed, with initials EG engraved to reverse of terminal, 12cm long; and a Georgian caddy spoon, maker GW, 8.2cm long, total weight approx. 5.4ozt (a lot)
A group of silver cruets and salt spoons. Various dates and makers. The group including: a pair of Edwardian salt cellars, Chester, 1906, J & R Griffin, of circular form with scalloped rims, on three ball feet, with blue glass liners, 5.7cm wide; two further Edwardian salt cellars, London, 1909 and 1910, Reid & Sons, of circular form with scalloped rims, on three pad feet, with blue glass liners, 4.7cm wide; a mustard pot, salt cellar and pepper shaker, Birmingham, 1924 and 1925, Docker & Burn, all on stepped moulded feet and with blue glass liners, the pepper shaker 5.5cm high; two George V mother-of-pearl and silver mounted glass pepper shakers, Birmingham, 1935, Barker Brothers Silver, 7.5cm high; a George V pepper shaker, Sheffield, 1912, Walker & Hall, the urn-shaped body with half gadrooned decoration and raised on a spreading oval base, 9.5cm high; a George IV salt spoon, London, 1823, John, Henry & Charles Lias, 10.3cm long; two Victorian salt spoons, Exeter, 1855, Josiah Williams & Co., 9.3cm long; a further Victorian salt spoon, London, 1843, Joseph & Albert Savory, with initials engraved to terminal, 10.4cm long, and others, total weighable silver approx. 11.9ozt (a lot)
A group of Continental, Scandinavian and Canadian silver flatware. Various dates and makers. The group comprising: A19th century Canadian silver Fiddle pattern table fork, Montreal, c.1840, Nelson Walker, engraved with serpent and cross crest to reverse of terminal, 20.2cm long; four Austro-Hungarian table spoons and two forks with shaped terminals, Vienna,1867-1922, 800 standard, the two forks by Silberwarenfabrik Alexander Sturm, the spoons with maker's mark B&Z; six 19th century Danish silver dessert forks, two tablespoons and a teaspoon, Copenhagen 1850, assay master Peter R. Hinnerup, maker AM; two similar Thread pattern French silver table forks; and a French silver dessert fork by Henin & Vivier, 1891-1896, total weight approx. 36.3ozt (a lot)
Of sporting interest. A William IV silver snuff box. Edward Smith, Birmingham, 1834. Of rectangular, engine-turned design with applied foliate scroll border, the inside of the hinged lid engraved '2nd prize for men not exceeding 11st. This box was wrestled for by Cumberland and Westmoreland men residing in London, 24th March 1837', the cartouche to lid engraved 'R. James', 4 x 8.6cm, approx. weight 3.9ozt
A quantity of silver teaspoons and coffee spoons. Various dates and makers. The group including: a set of six teaspoons, Sheffield, 1923, Mappin & Webb, with seal top terminals, 11.2cm long, in fitted case (tongs deficient); a set of six coffee spoons, Sheffield, 1921, Walker & Hall, with lobed decoration to terminals, 9.4cm long, in fitted case; a George III Fiddle pattern spoon, London, 1816, William Eley I & William Fearn, engraved with bird crest to terminal, 17.4cm long; a George IV Fiddle pattern spoon, Dublin, 1828, James Scott, with letters J R engraved to reverse of bowl, 14.8cm long; a George IV Fiddle pattern teaspoon, London, 1825, William Bateman I, engraved with initials to terminal, 14.2cm long; a part set of four Georgian Fiddle pattern teaspoons, London, 1830, Robert Hennell II (probably), engraved with initials to terminals, 13.8cm long; a part set of five Victorian Fiddle pattern teaspoons, London, 1884, Josiah Williams & Co., engraved with initials to terminals, 13cm long; three coronation spoons, London, 1902, Edward Barnard & Sons, the handles with Celtic decoration to half lobed bowls engraved with scrolling foliate motifs, 11.3cm long; two further coronation spoons with the same decoration, one London, 1901, maker SS and the other Birmingham, 1901, C P & Co.; and various others, total weight approx. 15.3ozt (a lot)
A Victorian silver tea caddy. Josiah Williams & Co., London, 1894. Of oval form with crimped borders, the central banding repousse decorated with scrolling floral motifs, engraved initials within shaped cartouche to front and vacant shaped cartouche to back, 9.4cm high. The caddy together with a group of silver and metal mounted items and vanity jars, comprising: a silver mounted photo frame, Birmingham, 1920, F R Gomm, of rectangular form, with engine turned design, 16.2cm x 12cm; an Edwardian silver powder puff box and cover, Chester, 1906, Stokes & Ireland, of cylindrical form and with weight inside, approx. 11cm high; a small silver mounted hand mirror, Birmingham, 1912, maker's mark rubbed, engraved with scrolling motifs and garlands, 11cm long; two silver mounted Victorian cylindrical glass jars, London, 1892, maker's mark WG, both with lid engraved with scrolling foliate motifs and initial, the higher example 18cm; a further silver mounted Victorian cylindrical glass jar, London, 1889, Wright & Davies, the lid with engraved initial, 17.3cm high; a silver mounted Edwardian cylindrical glass jar, London, 1905, Charles Fox & Co., the lid with vacant cartouche and repousse decorated with scrolling floral and foliate motifs, 17.3cm high; a silver mounted and enamelled small glass jar, Birmingham, 1921, maker's mark indistinct, the lid with blue guilloche enamel, 7.8cm high; and two metal mounted glass jars, unmarked, total weighable silver approx. 11.8ozt (a lot)
Four gold and silver dress rings, to include a 9ct gold and garnet cluster ring, size P½, approximately 3.7g, a cameo ring, size O, approximately 3.2g, a silver eternity ring, size R, approximately 1.6g and a white gold and illusion set diamond cluster ring, size S½, approximately 4.5gWear and tear commensurate with age, all stones intact
An 18ct gold, diamond and turquoise-coloured stone ring, size R½, total gross weight approximately 2.8g and an 18ct gold diamond and seed pearl ring, size M½, total gross weight approximately 2.3gTurquoise ring generally good, some thinning to shank, the other appears to have a pearl in replacement of a diamond
REGINALD JAMES LLOYD R.I. (BRITISH 1926-2020) LAKE SCENE AND HILLS - 1956/8 Signed and dated lower right, oil on board, and a companion, Tin Mine Study - 2001, Signed and dated lower left, acrylic on board (2) 32cm x 44cm (12.5in x 17.5in); 16cm x 15cm (6.25in x 6in) Exhibited: Hereford City Museum & Art Gallery, R. J. Lloyd Retrospective Exhibition, cat.no.179
MARJORIE (MARY) BAYLIS BARNARD (BRITISH 1870-1946) PORTRAIT OF DUNCAN MACGREGOR WHYTE Signed with initials lower right, pastel 50.5cm x 40.5cm (20in x 16in) Exhibited: The Pastel Society, London, no.4Handwritten label verso states 'Property of D. MacGregor Whyte. Exhibited: Pastel [illegible], London; R. S.[illegible], Edinburgh; Royal Institute, GlasgowFurther handwritten label verso states ‘Property of Mrs MacG. Whyte’ Bears Duncan McGregor Whyte's studio stamp, no.122
A miscellany of works on sports and recreation, comprising: Cooper (J. W.), GAME FOWLS, THEIR ORIGIN AND HISTORY, standard edition, published by the author, West Chester, Pennsylvania 1869; Acton (C. R.), SILK AND SPUR, first edition, DJ, Richards, London 1935; Fitz-Barnard (L), FIGHTING SPORTS, Odhams Press Ltd, London; and Hackwood (F. W.), OLD ENGLISH SPORTS, T. Fisher Unwin, London 1907 (4) (at fault)
A selection of three rings, including a 9ct yellow gold band ring, with engraved star decoration, stamped 'MS&S' London 1981, ring size S, with a yellow metal white stone set ring, the seven stones set within yellow metal shank, stamped '375' ring size R, and a further yellow metal and paste set stone ring, ring size R, gross weight 6gms (3)
An extensive collection of used and unused postcards, loose and in two albums, to include Louis Wain cat cards, a Charles R Stanton 'The Opopanoddle' card, zoological examples, Naval examples, military portraits, Ethel Parkinson, M Sowerby, H G C Marsh Lambert, Bonzo, Halliday and others, with an album of Christmas cards and two scrap books (one containing pasted down Louis Wain cards) (Qty) (at fault)
Five graduated copper haystack measures, late 19th century, some with lead or stamped 'V R' excise seal, comprising Gallon, Half Gallon, Quart, Pint, and Gill, the Gallon 27cm high, the Gill 9cm high, with a further Half Gallon copper haystack measure, a further measure with wrought iron handle, two miniature copper kettles, and a brass chestnut warmer (10)
Taxidermy Cast: a common roach, Rutilus rutilus, in a bow-front case with a gilt border, in a naturalistic setting, with a handwritten paper label 'Roach Caught by D Selby, R Ouse Jan 15th 1950 1lb 3oz', 47cm wide 13cm deep 26.5cm highShipping Disclaimer: Buyers must be aware of their country’s shipping and import policies regarding taxidermy prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and taxidermy due to the prohibitions, restrictions or import regulations of their country. Condition ReportSome rubbing to the edges, moun and case fair overall.
A group of six German silver boxes comprising;three Hanau examples,the first by Simon Rosenau, marked 800, the lid with a repousse scene of two winged putti, the base depicting a figure playing the lute, 7cm wide, another by Gebruder Glaser, Chester import 1911, 8cm wide, the final with a crowned R mark, imported by John George Smith, London 1900, depicting a courting couple, 5.5cm widea cylindrical box or purse,marked 90, with a repousse tavern scene,9cm widea rectangular box,with a repousse stag, to gilt bands,6cm wideand a final example,marked 925, depicting two putti, 5.5cm widetotal 12.28ozt (6)Condition ReportThe repousse decoration is worn to all examples. The unmarked stag example tests as silver.
Framed Coins Found at the Archeological dig at Taxila (North West Frontier, Pakistan) in 1958-1962. Some of which were left by the army of Alexander the Great during his conquest of what is now Pakistan. Comes with a booklet on the Archeological information of the site dated 1959. These Coins were bought by Captain R (S.O.E WW2) Bower in the early 60’s from the sight when he visited it. (Information card in the frame and to back of the frame)
A collection of contemporary dust pressed 6 inch tiles, to include a H&R Johnson tile with grey and black screenprinted decoration by The Dovecot Studios of John Knox's house, Edinburgh, another tile with the same image screenprinted in polychrome colours, two others from the same series with images of Kilbarchan Weaver's Cottage and Old Bakehouse Close, and three other tiles with views of buildings by Pilkington's and Purbeck Decorative Tile Co. (7)
A 19th Century T & R Boote 6 inch dust pressed tile, with red transfer printed decoration depicting a seated figure holding a sword and wheel representing a classical muse titled Fortune, surrounded by a black border in the aesthetic style over a cream ground, together with two other tiles from the same series, the first decorated with a figure representing Industry and the second representing Affection all in red transfer print. (3)
A collection of Four assorted early 20th Century 6 inch dust pressed tiles, makers to include Gibbons Hinton & Co, T & R Boote, Sherwin & Cotton, J & W Wade etc, all with relief moulded and hand painted stylised floral decoration picked out in colour glazes, together with a rectangular Sherwin & Cotton tile with hand painted yellow flowers over an ochre ground, RMB initials verso, 21cm x 15.5cm. (5)
A collection of 19th Century 6 inch embossed floral tiles to include a plastic clay tile, designed by Bronyn Williams Ellis, moulded abstract design in tonal green glaze, pseudo Chinese mark verso, together with five 6 inch dust pressed tiles, embossed designs including T A Simpson and H & R Johnson. (6)
Four 20th Century H & R Johnson 6 inch dust pressed tiles, decorated with circular and hexagonal shapes with banded decoration to the interior in brown glaze over white ground, together with five assorted H & R Johnson tiles, with stylised and abstract decorated designs in colour glaze finish, maker's marks verso. (9)
A collection of 19th Century 6 inch dust pressed embossed floral tiles to include examples from Minton Hollins & Co, Pilkington's Pottery & Tile Co, C. P Sutcliffe & Sons, T & R Boote, Craven Dunnill & Co and T. A Simpson, all with relief moulded florals decorated in single colour majolica glazed finish, various marks. (16)
A 20th Century Pilkington Tiles, 6 inch dust pressed tile, embossed and tube lined, orange uranium and black infilling on cream ground, decorated with stylised flower head within geometric banded border, together with another by H & R Johnson, tube lined with orange uranium, grey and black infilling, chevron and geometric forms. (2)
A 20th Century T&R Boote 6 inch dust pressed tile, hand painted with a character study of Mrs McStinger from Charles Dickens, Dombey & Son, together with another tile from the same series illustrating Mayor Bagstock, also two similar A. Bell & Co. 6 inch dust pressed tiles with Character Studies including Mr. Turvey from Bleak House and Luffey from Pickwick Papers, all hand painted in colour glazes over white grounds. (4)

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297887 item(s)/page