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Lot 29
Garboliński, Wiesław (Głownie, Łódź 1927-2014) "Samotność II" (Einsamkeit) Sign. u. dat. 1972. Öl auf Lwd. 170×150 cm. Rücks. polnisches Klebeetikett des "Zentralen Büros für Kunstausstellungen, Zweigstelle Łódź" mit Angaben zum Künstler, Adresse, Maße und Titel. Stempel des Denkmalschutzamts in Warschau. (Leichtes Krakelee, teils etwas aufbrechend). Der Künstler war u.a. Professor und Rektor der Akademie der Bildenden Künste in Łódź. Provenienz: Galerie Lange, Berlin. R. (60664)
Lot 299
Potsdam - Guckkastenbild (um 1770/80) Prospect der Sämmtlichen Gebäude des neuen Königl. Palais bey Potsdam. Kol. Kupferstich. Gestochen v. J. Riedel. Se vend a Augsbourg au Nagoce. Zweisprachig beschriftet. Ca. 27×41 auf 45,5×75 cm. (Gebräunt, leckig). Unter Passepartout, nicht geöffnet. R. (60736)
Lot 306
Anna Dorothea, Herzogin von Kurland und Semgallen (um 1810) "Anne Dorothée Duchesse de Courlande". Geb. Gräfin von Medem (Mesothen, Löbichau 1761-1821). Kniestück auf Sofa. Lithographie von G. Engelmann, Paris, nach dem Gemälde von Nicolaus Henri Jacob (1782-1871). 25,4×21,8 auf 30,5×22,5 cm (Papier teils knapp beschn., gebräunt, Lichtrand). R. Dazu: Prinzessin Adelaide von Hohenlohe Langenburg. Brustbildnis im Oval. Stahlstich. 21,5×17 cm (Blattformat). Deckblatt der Buchausgabe "Fisher's Drawing Room Scrap-Book", Vol. II., ed. Peter Jackson, London. 19. Jh. (Mit Tesafilm mont). R. (60737)
Lot 58
Leisten, Jacobus (Düsseldorf 1844-1918) "Auf Tod und Leben" Wilderer mit erlegter Gemse wird am Felsvorsprung von Jäger verfolgt. Sign. u. dat. 1907. Öl auf Lwd. 113×74 cm. Rücks. altes Klebeetikett mit Düsseldorfer Adresse des Künstlers, Titel und Versicherungs- u. Verkaufswert. (Kl. Loch, 2 Risse, Retuschen). R. (60663)
Lot 6
Bensinger, Amalie (Bruchsal, Reichenau 1809-1889) Rückenansicht einer Italienerin mit Früchtekorb Sign. Öl auf Lwd. 64×53 cm. (Oval). Rücks. Rest eines alten Etiketts mit Künstler- u. Bildangaben. Mitte 19. Jh.; entstanden im Zuge des Italienaufenthalts der Künstlerin 1851/52; später widmete sie sich insbesondere sakralen Themen. (Krakelee). R. (60740)
Lot 61
Lemoine-Benoit, Victor Philippe (Versailles 1802-?, tätig 1831-1850) Ballonfeier zu Ehren Montgolfiers Sign. u. bez. 'Chateau de la Muette', betit. 'Fête de Ballons pour glorifier Montgolfier'. Öl auf Lwd. 71×91 cm. (Krakelee, Farbaplatzungen, rücks. mit Leinenflicken restaur. Löcher und Risse). R. (60650)
Lot 69
Monogrammist G. H. (um 1834) Bildnis einer jungen Frau in olivfarbenem Schinkenärmelkleid mit weißem Batisteinsatz. Ihr dunkles Haar streng gescheitelt und kunstvoll mit seitlich geflochtenen Schnecken und Haarknoten frisiert. Monogr. u. dat. G. H. 1834. Öl auf Holz. 51×46 cm. (Platte mittig quer gerissen (rest.), Retuschen, leichte Kratzer). R. (60268)
Lot 89
Porträtmaler (um 1825) Zwei Bildnisse eines Ehepaares Sie in rotem Kleid mit weißer Bluse, um den Hals schwarzes Samtband mit Brosche und Kreuzanhänger. Er in dunklem Mantel und weißem Hemd, mit Halsbinde um den hohen Kragen. Je Öl auf Lwd. Ca. 37×31 cm. (Krakelee). R. (Rahmen 1x besch.). (60268)
Lot 931
Offizielle Fotografie des Staatsbesuchs im Jahr 1965 in Deutschland Queen Elizabeth II. und der Prinzgemahl Philip mit eigenhändigen Unterschriften. 28×20 cm. (Kl. Fleck). In originalem Silberrahmen. London und Juwelier H. H. Plante. Dazu: Offizielles Fotoalbum des Besuchs H. R. M. Queen Elizabeth II in Deutschland vom 18. Mai - 28. Mai 1965. Überreicht von Senator E. H. Dr. Franz Burda. 30 Seiten. Ledereinband, in separater Schatulle (leicht besch.). Aus dem Besitz von Dr. Georg Diederichs, Hannover. (60765)
Lot 937
Kaurimuschel-Dose Wohl England, 18. Jh./1. H. 19. Jh. In Gestalt eines jungen Seehundes "Heuler". Tropfenförmige Silbermontierung mit Klappdeckel, fein graviert mit Muschel und Blattranke. Im Deckelinneren Punze R im Oval. Gefleckte Kaurimuschel mit Metallaugen, Schwanz und maulartigen Endungen. D. ca. 8,7×3,6 / H. ca. 2,8 cm. Vgl. Christie's Katalog, 25. July 1978, Nr. 76, Plate 3. (60779)
Lot 96
Porträtmaler (um 1860) Bildnis eines eleganten, bärtigen Herren im Gehrock vor weiter Landschaft Öl auf Lwd. 45,5×37,5 cm. (Leichtes Krakelee und Druckstellen an den Bildkanten). R. Dazu: Pastellmaler. M. 19. Jh. Herr in blauem Rock und Windstoßfrisur. Brustbildnis. Pastell. 31,5×26,5 cm. R. (60268)
Lot 985
Deutscher Miniaturist(nach Vorbild von 1780)Canonicus Christoph Wilhelm Gerhard (Wolfenbüttel, Walbeck 1733-1805) und seine Gemahlin Sophie Laurencia, geb. Langeniem (Helmstedt, Walbeck 1734-1797). Zwei Miniaturen. Aquarell auf Papier. 9×7,5. Beigelegt handgeschriebener Zettel mit Angaben zu den Dargestellten. R. (58946)
Lot 31
Possibly Keith Haring (American, 1958-1990). Felt-tip pen drawing or doodle on a DJ album cover depicting four figures in Haring's iconic style with the word "Smokey" written below them. With a vinyl record by Zuzan titled "Girls Can Jack Too."Provenance: From the collection of Mark Kamins, a DJ in the New York club scene, 2017; Private Minnesota Collection.Lot Essay:Keith Haring, born on May 4, 1958, in Reading, Pennsylvania, emerged as one of the most influential artists of the 20th century. With an innate talent for drawing, Haring's artistic journey began in the streets of New York City, where he used subway stations as his canvas, creating bold, dynamic images that captured the vibrant energy of the city. His iconic style, characterized by simple, yet powerful lines and vibrant colors, quickly garnered attention and became synonymous with the downtown art scene of the 1980s.Haring's work was more than just visually striking; it was deeply rooted in social and political activism. Inspired by his own experiences and the world around him, he used his art as a platform to address pressing issues such as AIDS awareness, apartheid, and the crack cocaine epidemic. His famous "Radiant Baby" and "Crack is Wack" murals became symbols of hope and resistance, transcending cultural boundaries and sparking important conversations about societal injustices.Mark Kamins was a prolific club DJ starting in 1977 with gigs at the Mudd Room and Danceteria. He worked in A&R for Island Records where he signed the bands The Waitresses and Was (Not Was). He was the driving force in getting his girlfriend at the time, Madonna, a record contract with Sire Records. The presently offered item comes from his 20,000+ record collection which passed from Mark to his mother upon his death and was purchased privately in 2017.Height: 12 1/4 in x width: 12 in 1/4 in.
Lot 253
R. G. & A. W. REEVE (BRITISH 1803-1889; 1807-1880) IN COMMEMORATION OF THE ESTABLISHMENT OF STEAM NAVIGATION BETWEEN GREAT BRITAIN AND AMERICA, THIS ENGRAVING OF THE MAGNIFICENT STEAM SHIP, THE GREAT WESTERN, LIEUT JAMES HOSKEN, R. N., COMMANDER, TAKING HER DEPARTURE FROM BRISTOL FOR NEW YORK, HAS BEEN PREPARED. engraving in colours by Joseph Walter of Bristol, published 1840 by Thomas Freebody, Hull, Ackermann & Co. London58 x 78cm; 22 3/4 x 30 3/4in79 x 99.5cm; 31 1/4 x 39 1/4in (framed)Property from a London Collectionoffered for sale without reserve
Lot 58
Stanislas Lépine (French, 1835-1892)La Porte de Montrouge signed 'S.Lepine' (lower left)oil on canvas37.5 x 55.5cm (14 3/4 x 21 7/8in).Painted between 1867-72Footnotes:ProvenanceEx. coll., Durand-Ruel, Paris.Ex. coll., Charles W. Descamps, London.Ex. coll., Charles Viguier, Paris.Sale, Galerie Georges Petit, Paris, 4 May 1906, lot 39.Private collection, UK. LiteratureR. & M. Schmit, Stanislas Lepine, catalogue raisonne de l'oeuvre peint, Paris, 1993., cat. no. 567, illustrated p. 227.For further information on this lot please visit Bonhams.com
Lot 57
Stanislas Lépine (French, 1835-1892)Montmartre, La Rue Cortot signed 'S Lépine' (lower left)oil on canvas46 x 38cm (18 1/8 x 14 15/16in).Painted between 1872-76Footnotes:ProvenanceWith Galeries Durand-Rurel, Paris.Martin A. Ryerson, Chicago.With Galerie Alfred Daber, Paris.With Richard Green, London.The Estate of The Late Mr Cornelis Paulus van Pauwvliet (acquired from the above).ExhibitedParis, Galeries Durand-Ruel, 1890-91, no. 90.Dallas, Texas, The Dallas Museum for Contemporary Arts, Impressionists and Their Forebears from Barbizon, 9 March -2 April 1961.LiteratureR. & M. Schmit, Stanislas Lepine, catalogue raisonne de l'oeuvre peint, Paris, 1993., cat. no. 214, illustrated p. 89.Saleroom notices:Please note, the provenance of this lot is the collection of the late Cornelis Paulus van Pauwvliet.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 74
Edward Reginald Frampton, ROI (British, 1873-1923)'Or in a clear-wall'd city on the sea Near gilded organ pipes, her hair wound with white roses, slept St.Cecily, An angel look'd at her' signed 'E Reginald Frampton' (lower left)oil on canvas laid to panel94 x 40cm (37 x 15 3/4in).Footnotes:ProvenancePrivate collection, UK.The subject of the present work is taken form Tennyson's poem The Palace of Art, first published in 1832 and extensively revised by the poet ten years later. The poem expresses the spiritual despair of the Soul who isolates herself in her arts and can only be cured by leaving the palace of art for a cottage among men. Frampton would certainly have been familiar with The Palace of Art: St Cecilia published by Edward Moxon in 1857 with engraved illustrations by the Dalziel brothers after original designs by Rossetti.In the introduction to the Frampton Memorial Exhibition catalogue of 1924 the art critic Rudolf Dircks noted that the artist 'was amongst the few distinguished modern painters who sought to express decorative form in his pictures...his spirit moved in the type of legendary or religious subject which lends itself particularly to decorative treatment...' and 'the poetic and decorative fervour' of his works, which were 'all accomplished in detail, beautiful and sensitive in colour'1Frampton had travelled in Italy as a young man and this, combined with his love of the work of Puvis de Chavannes and Edward Burne-Jones informed his art and resulted in easel and mural painting and stained glass characterised by a 'restful and dignified serenity'.2Saint Cecilia is famous in Christian iconography as the patron saint of music and is shown here having fallen asleep whilst playing the organ, the instrument most usually associated with her. Her hair is adorned with a garland of white roses (an attribute often associated with her) and by her feet grow poppies a well-known emblem of oblivion and sleep as her guardian angel looks on.Frampton is known to have painted this subject on several occasions and exhibited versions at The Royal Academy in 1911 and 1917. Writing in The Art Journal in 1907, Rudolf Dircks reflects on Frampton's treatment of the subject 'In St Cecily, have we not a precise and sympathetic interpretation of the lines of Tennyson – in which the full poetic beauty is apprehended pictorially?'1R. Dircks, cited in Memorial Exhibition of Paintings and Water-Colours by the Late E.Reginald Frampton, London, 1924, pp. 3-4.2Aymer Vallance, The Paintings of Reginald Frampton, R.O.I., International Studio, 1919, p. 66.For further information on this lot please visit Bonhams.com
![LONDON - EVELYN, THE GREAT FIRE AND POLLUTIONComposite volume, containing the following plans and works:[KITCHIN (THOMAS)] A](https://cdn.globalauctionplatform.com/0bd63aaa-74ab-480d-abc7-b12c00be1b45/2c6db093-f12c-4fa4-aa50-b12c00c12d0e/468x382.jpg)
Lot 51
LONDON - EVELYN, THE GREAT FIRE AND POLLUTIONComposite volume, containing the following plans and works:[KITCHIN (THOMAS)] A New and Correct plan of the Cities of London, Westminster, and Borough of Southwark... to the Present Year 1781..., engraved folding map in 12 sections, extending from Islington to Newington Butts, and from Stepney to Hyde Park, with tables of buildings, parishes and churches in corners, heading slightly cropped, one or two tears at folds [Howgego 163 (4)], 448 x 725mm., R. Sayer & J. Bennett, 1781HOLLAR (WENCESLAS) A True and Exact Prospect of the Famous Citty of London; Another Prospect of the Sayd Citty Taken... After the Sad Calamitie and Destruction by Fire, engraved folding panorama showing London before and after the fire, single tear affecting image but without loss, 230 x 723mm. 1666 [but John Overton, 1669-1707, state iii][EVELYN (JOHN) and CHRISTOPHER WREN] First Plate. Londinum redivivum. Presented by me to His Majesty, a Week after the Conflagration... J.E.; Another Projection; Second Plate. A Plan of London... described by J. Evelyn; A Plan of the City of London, after the great Fire... according to the design and proposal of Sir Christopher Wren, together 2 folding engraved plans on 4 sheets, Society of Antiquaries, 1748FITZ-STEPHEN (WILLIAM) Description of the City of London, newly translated from the Latin [by Samuel Pegge], translator's name and biographical note added in ink on title-page, B. White, 1772E[VELYN] (J[OHN]] Fumifugium: or the Inconvenience of the Aer, and Smoake of London Dissipated, editor's name ('Thomas White Esq. F.R.S.') supplied in ink on title, Re-printed for B. White, 1772together 7 items bound in 1 vol., including (at front) the section on London extracted from Lysons' 'Magna Britannia', occasional light soiling, several library stamps to Lysons extract, on reverse of one of the Evelyn plans and in the upper margin of the 'To the Reader' leaf in the last work, contemporary calf, rebacked, 4to, [eighteenth-century]Footnotes:A curious sammelband of works and plans relating to London, several by John Evelyn including the second edition of his work on pollution in the city and the Overton printing of Hollar's panorama.Provenance: Benjamin White, Lambeth (publisher and brother of Gilbert White), circular book label dated 1777; John White, Selborne, bookplate; George Soaper (of Guildford, who purchased Gilbert White's diaries and papers from the family in 1843), bookplate on fly-leaf; Free Public Library, Southampton, ink stamps.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 3
CARTWRIGHT (JOSEPH)Selections of the Costume of Albania and Greece, with Explanatory Quotations from the Poems of Lord Byron and Gally Knight. Including a Highly Finished Portrait of Ali Pacha, FIRST EDITION, 12 hand-coloured aquatint plates by R. Havell after Cartwright (dated February-June 1822, one watermarked 'J. Whatman 1821'), light off-setting onto blank versos, contemporary half morocco over boards, gilt morocco lettering label ('Greek Costumes') on upper cover, worn with some loss to spine and corners, label scuffed [Colas 544; Tooley 131; cf. Abbey, Travel 134, note; not in Atabey, Blackmer or Lipperheide], folio (460 x 310mm.), R. Havell, [1822]Footnotes:VERY RARE COMPLETE COPY IN THE ORIGINAL BINDING - only one other complete copy traced at auction in the past fifty years.Known primarily for his marine paintings Joseph Cartwright was Paymaster-General of the British forces in Corfu during 1816-1820, publishing his Views in the Ionian Islands in 1821 and this work on his return to Britain in 1822. Published during the campaign for Greek Independence, eight of the plates are accompanied by quotations from works by Byron, including Childe Harold, The Giaour, and Don Juan.Provenance: Charles Richard Fox, ink inscription 'Charles R. Fox 1822', with price '2£-10' on upper cover. Fox (1796–1873) was an army officer, member of the Society of Dilettanti and numismatist whose important collection of 11,500 Greek coins was purchased after his death by the Royal Museum in Berlin. His early interest in coin collecting was strengthened by his travels in Greece and Turkey in 1820 while aide-de-camp to Sir Frederick Adam at Corfu, at which time he would possibly have become acquainted with Joseph Cartwright.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
![WILDE (OSCAR)A House of Pomegranates, FIRST EDITION, [LIMITED TO 1000 COPIES], pictorial title, endpapers and other illustra](https://cdn.globalauctionplatform.com/0bd63aaa-74ab-480d-abc7-b12c00be1b45/17350b19-af78-4609-b196-b12c00c14884/468x382.jpg)
Lot 76
WILDE (OSCAR)A House of Pomegranates, FIRST EDITION, [LIMITED TO 1000 COPIES], pictorial title, endpapers and other illustrations by Charles Ricketts, 4 plates by Charles Shannon, pictorial endpapers, light spotting, modern cloth [Mason 347], James R. Osgood, 1891; Lord Arthur Savile's Crime & Other Stories, FIRST EDITION, AMERICAN ISSUE, [500 copies], publisher's decorative cloth [Mason 346], New York, Dodd, Mead and Co., 1891; Epigrams & Aphorisms, NUMBER 31 OF 50 COPIES PRINTED ON JAPAN PAPER, publisher's boards, t.e.g., soiled and rubbed, small loss to foot of spine [Mason 641, ordinary copy only], Boston, John W. Luce, 1905; Poems... Together with his Lecture on the English Renaissance (Now first Published), NUMBER 104 OF 250 COPIES, modern cloth, Paris, [no publisher], 1903; The Portrait of Mr. W.H., NUMBER 60 OF 200 COPIES, small rust stains on half-title and final leaf, publisher's blue printed wrappers [Mason 611], Privately Printed, [c.1904]--For the Love of the King, LIMITED TO 1000 COPIES, on hand-made paper, publisher's white buckram gilt, t.e.g., spine soiled, Methuen, [1922]; Letters after Reading. I. Bernaval, NUMBER 4 OF 23 COPIES, signed by the publisher, 1921; Letters after Reading II. Naples and Paris, NUMBER 1 OF 23 COPIES, signed by the publisher, 1921, VYVYAN HOLLAND'S COPIES signed by him on front free endpapers, contemporary morocco-backed buckram gilt lettered on spine, publisher's wrappers bound in, New York, Paul R. Reynolds--HYDE (H. MONTGOMERY, editor) The Trials of Oscar Wilde, second printing, 16 plates, publisher's cloth, soiled, William Hodge, [1948], 8vo; and the chromolithograph of Oscar Wilde ('Oscar') from Vanity Fair, 1884 (10)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 18
FARADAY (MICHAEL)Experimental Researches in Electricity (Nineteenth, Twentieth, and Twenty-first Series.)... from the Philsosophical Transactions - Part I. for 1846, AUTHOR'S PRESENTATION COPY, inscribed to '?E. Selby Esq. from the Author' on the title-page, passage on p.62 marked in margin in pencil, contemporary plain stiff wrappers, pencil note saying 'see page 62' on front wrapper, age-soiling, spine defective, vertical crease to cover and contents, 4to, Printed by R. and J.E. Taylor, 1846Footnotes:RARE OFFPRINT OF ARTICLES DEMONSTRATING 'THE FARADAY EFFECT', INSCRIBED BY THE AUTHOR. The three articles, from Faraday's ground-breaking 'Experimental Researches in Electricity' series which helped to demonstrated the link between magnetism and light, here comprise: On the magnetization of light and the illumination of magnetic lines of force; On new magnetic actions, and on the magnetic condition of all matter; On new magnetic actions, and on the magnetic condition of all matter – continued.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 46
DICKENS (CHARLES)The Posthumous Papers of the Pickwick Club, FIRST EDITION IN BOOK FORM, VERY EARLY ISSUE, 43 etched plates (including frontispiece and additional title) by R. Seymour, R.W. Buss and 'Phiz', with half-title and Directions to the Binder leaf, plates with the usual foxing, mostly in margins but heavy and affecting image in some cases, modern red calf gilt, spine with decorative tooling and lettering in gilt, 8vo (212 x 127mm.), Chapman & Hall, 1837Footnotes:AN EXCEPTIONAL COPY OF 'PICKWICK' IN BOOK FORM: WITH ALL THE EARLY ISSUE TEXT POINTS, ALL THE KEY PLATES IN THE FIRST STATE, AND ONE OF 'THE RAREST OF ALL PICKWICK PLATES'.Text:Rather remarkably, this copy has every first issue point noted by Hatton & Cleaver, with the exception of the impossibly rare early page variant ('only twice has it come under writer's notice', Hatton & Cleaver, p.56), being page 261 with the signature mark N2 rather than the correct X2 as in our copy. Plates:The present copy has the vast majority of the plates in the first state recorded by either Johannsen, Miller & Strange or Hatton & Cleaver (or all three), including the Seymour plates, and also has the two Buss plates. A few of the plates are Hatton & Cleaver's 'second plate', but according to Johannsen at least two of these are not genuine second plates but simply have the page number burnished out.Copies with the first plate ('Mr. Pickwick addressing the Club') in the first state are particularly scarce, John F. Dexter suggesting that of the first issue of 400 copies of part 1, 'I very much doubt whether more than 50 impressions in first state were obtained from the first set of steels' (Johannsen, p.2). Also present here is the extremely scarce Plate 14, one of two incorrectly paginated (as 169): 'In point of rarity, however, none exceed the two plates as originally etched for Part 6. To quote again the words of J.F. Dexter, 'they are the greatest rarity known to me in this book'' (Hatton & Cleaver, p.22). Plate 15 has the correct page number (154).List of plates with Johannsen and Hatton & Cleaver references:1. Mr Pickwick Addresses the Club: Plate A, First state, signature faint but visible.2. The Pugnacious Cabman: Plate A, First state, signature legible. 3. The Sagacious Dog: Plate A, the gun with hammer and trigger and no break in the barrel. Johannsen, Miller & Strange and J. Christian Bay all disagree with Hatton & Cleaver's assertion that the first state has the break in the gun.4. Dr. Slammer's Defiance of Jingle: Plate A, First state.5-7: All Plate A, First state.8-9: The two Buss plates.10. The Breakdown: Plate A, First state (the 'NE' in 'NEMO' just visible under magnification).11. The First Appearance of Mr. Samuel Weller: Plate A1 (cane showing a break), First state, with 'NEMO' signature.12. Mrs. Bardell Faints in Mr Pickwick's Arms: Plate A2 (faces slightly retouched), First state.13. The Election at Eatonswill: Plate A1 (staff faintly etched), First state.14. Mrs. Leo Hunter's Fancy-Dress Dejeune: Plate A (with incorrect page number 169, making it 'the rarest of all Pickwick plates'), First state.15. The Unexpected Breaking-Up of the Seminary for Young Ladies: Plate A (correctly paginated 169), First state.16-21. All Plate A.22. Christmas Eve at M. Wardle's: Plate A, First plate.23. The Goblin and the Sexton: Plate B1 (knot in place of a face in tree trunk), First plate.24. Mr. Pickwick Slides: Plate A, First state.25. The First Interview with Mr. Sergeant Snubbin: Plate B1 (no roll of paper), Second plate.26. The Valentine: Plate A2 (with number burnished out), Second plate, first state. This and all following plates have no etched page number.27. The Trial: Plate B1, Second plate, first state.28. The Card Room at Bath: Plate A, First plate.29. Mr Winkle's situation when the door blew to: Plate B1, Second plate..30. Conviviality at Bob Sawyer's: Plate A, First plate.31. Mr Pickwick Sits for his Portrait: Plate B1, Second plate.32. The Warden's Room: Plate A, First plate.33. Discovery of Jingle in the Fleet: Plate A, First plate.34. The Red-nosed Man Discourseth: Plate B1, Second plate.35. Mrs Bardell Encounters Mr. Pickwick in the Prison: Plate A, First plate.36. Mr Winkle Returns under Extraordinary Circumstances: Plate A, First plate.37. The Ghostly Passengers in the Ghost of a Mail: Plate B1, Second plate.38. Mr. Bob Sawyer's Mode of Travelling: Plate A, First plate.39. The Rival Editors: Plate A, First plate.40. Mary and the Fat Boy: Plate A, First plate.41. Mr. Weller and His Friends Drinking to Mr. Pell: Plate A, First plate.42. Frontispiece: Plate A, First plate.43. Etched title: Plate A: First plate.References:Albert Johannsen, Phiz Illustrations from the Novels of Charles Dickens, 1956; Thomas Hatton & Arthur. H. Cleaver, A Bibliography of the Periodical Works of Charles Dickens,, 1933; W. Miller & E.H. Strange, A Centenary Bibliography of the Pickwick Papers, 1936; J. Christian Bay, ('The Pickwick Papers', in Amateur Book Collector I, December 1950, pp.7-8).This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 278
Ludwig Hartmann 1835 München - 1902 ebenda Halt vor dem Dorfgasthaus R. u. signiert, Ortsbezeichnung München und 1902 datiert. Öl auf Lwd. 45,5 x 86,5 cm. Doubliert. Rest. Besch. Provenienz: Privatsammlung Karl Wormser, Nürnberg. Vgl. zum rastenden Reiter mit Bierkrug auf seinem Pferd: Braungart, Richard, Der Münchner Landschafts- und Pferdemaler Ludwig Hartmann. 1835-1902. München 1925, Tafel 12 "Unterhaltung".
Lot 206
Francesco Foschi, zugeschrieben 1710 Ancona - 1780 Rom Phantastische winterliche Gebirgslandschaft mit antiken Ruinen. R. u. (auf dem kleinen Felsvorsprung im Wasser) Reste eines Monogramms und einer Datierung "FF [?] ...] 69 [...]". Öl auf Lwd. 98 x 140 cm. Doubliert. Rest. Links eine Bauernfamilie, die sich in einer Felsgrotte am Feuer wärmt. Es nähert sich ihnen ein Soldat. Am Gewässer vorne eine Mühle. Im Mittelgrund im Sinne eines Architekturcapriccios die Ruine eines antiken Amphitheaters (mit deutlicher Reminiszenz an das Kolosseum in Rom), hinter Bäumen eine Allusion auf die Cestius-Pyramide. Im Hintergrund ein italienisches Gebirgsdorf. Francesco Foschi erhielt seine künstlerische Ausbildung in Rom. 1729 übersiedelte er mit seiner ganzen Familie nach Rom. Weitere Wohnsitze waren Loreto und Pesaro. Seit 1764 nahm er seinen letzten Wohnsitz an der Piazza di Spagna in Rom, in den Matrikeln der Pfarrkirche S. Andrea delle Fratte wird Foschi erstmals als "conte" geführt. Neben seiner Tätigkeit als Kunsthändler beschäftigte sich Francesco Foschi vorwiegend mit der Malerei. Ab 1750 spezialisierte er sich dabei auf Winterlandschaften, die sich damals in Italien großer Beliebtheit erfreuten. Markante kompositorische und stilistische Übereinstimmungen sowie das mutmaßliche Monogramm FF sollten das vorliegende Gemälde in das Schaffen Francesco Foschi einordnen lassen. Die Autorin des Werkverzeichnisses zu Foschi, Marietta Vinci-Corsini, Monaco, schließt in Unkenntnis des Orignals eine Autorschaft Francesco Foschi an vorliegendem Gemälde allerdings aus.Stilistisch vergleichbare Arbeiten finden sich auch im Schaffen des Jules-César-Denis van Loo (1743 Paris - 1821 ebenda), den man auch als "peintre des neiges" bezeichnete.
Lot 279
Anton Seitz 1829 Roth bei Nürnberg - 1900 München Angenehme Unterhaltung Ein Bauernbursch im Gespräch mit zwei jungen Frauen. R. u. signiert, Ortsbezeichnung München und 1889 datiert. Rücks. Stempel Schachinger & Herrmann, München, Etikett Winsor & Newton, Reste eines Klebezettels sowie diverse Nummerierungen. Öl auf Holz. 40 x 31,5 cm. Besch. Provenienz: Privatsammlung Karl Wormser, Nürnberg.
Lot 260
Arturo Ricci1854 Florenz - 1919Gesellschaft im AtelierDer Künstler präsentiert seinen vier Gästen eines seiner Werke. R. u. signiert. Rückseitig Ölstudie "Galante Szene" sowie Zettel mit biographischen Hinweisen zum Künstler. Ölstudie auf Holz. 21,5 x 30,5 cm. Min. rest., min. besch. Rahmen besch. (33 x 41 cm).Vgl. Sothebys New York, 09.05.2014, Lot 51: Unsere Arbeit wohl Studie zu diesem Gemälde.
Lot 276
Théodule (Théodule-Augustin) Ribot1823 St-Nicolas dAttez (Eure) oder Breteuil - 1891 Comombes (Seine) oder ColombesFrüchtestilllebenIn einem aufgeklappten Weidekorb Trauben, Birnen und Äpfel. R. u. signiert. Rücks. verschiedene Etiketten mit Nummern. Öl auf Lwd. 46,5 x 55 cm. Doubliert. Firnis verschmutzt. Min. rest. Rahmen min. besch. (59 x 68 cm).
Lot 240
Friedrich Ernst Morgenstern1853 Frankfurt/M. - 1919 ebenda"Fischerhafen in Vlissingen"Blick auf Boote sowie auf die Statue des niederländischen Admirals Michiel de Ruyter. R. u. signiert. Rückseitig l. u. betitelt und 1882 datiert. Rückseitig r. u. bezeichnet "Admiral De Ruyter (steht jetzt auf der Dique 1902)". Öl auf Karton. 27,5 x 38,5 cm. Rahmen (45 x 56 cm).Vgl. Rudolf Bangel, Auktion 989, 04./05. November 1919, Kat.-Nr. 161: "Motiv aus Vlissingen" - wohl vorliegendes Gemälde.
Lot 215
Christian Ernst Bernhard Morgenstern1805 Hamburg - 1867 München"Isartal mit Burg Schwaneck"Im Sonnenuntergang. L. u. signiert, datiert 1851 und r. u. betitelt. Rücks. Papiersiegel "G. L. Eduard Harnier Freiherr v. Regendorf", Etikett "Georg" sowie auf Rahmen Etikett "J. P. Schneider Frankfurt". Öl auf dünnem Karton auf Lwd. 25 x 35 cm. Rest. Rahmen min. besch. (39 x 49 cm).Bei vorliegendem Gemälde handelt es sich um eine bisher unbekannte Wiederholung kleineren Formats der bei Mauß unter Nr. 215 aufgeführten Arbeit, die in den Besitz des Königs von Hannover gegangen ist.Vgl. Mauß, Martina, Christian E. B. Morgenstern (1805-67), Diss., Marburg / Lahn 1969, Verzeichnis des Katalogs, S. 67, Nr. 215.
Lot 258
Brynolf Wennerberg1866 Djourgorden / Schweden - 1950 Bad AiblingDamenbildnisIn blauem Kleid und mit blauem Hut. R. u. monogrammiert B. W. Rücks. mit Monogramm "E. L. W.". Öl auf Malkarton. 22 x 19,5 cm. Min. besch. Rahmen (36,5 x 32,5 cm).Bei der Dargestellten handelt es sich aufgrund des Rückseitenmonogramms wahrscheinlich um die Ziehtochter des Künstlers, Else Lang Wennerberg (1902-1988).
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