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Lot 28
THREE 9CT GOLD DIAMOND AND GEM SET RINGS, to include a single cut diamond tiered cluster ring, estimated/stated total diamond weight stamped 0.25, hallmarked Sheffield, approximate ring size N, a sapphire and diamond cluster ring, set with circular cut sapphire and single cut diamond accents, hallamrked London 1980, approximate ring size R, together with a sapphire and cubic zirconia wish bone ring, hallmarked Sheffield 1988, stamped CZ, approximate gross weight 6.4 grams (condition report: overall condition good, diamonds appear bright and lively, sapphires have dark blue body colour)
Lot 328
A BING & GRONDAHL COPENHAGEN PORCELAIN GIRL WITH MILK CAN FIGURINE, back stamp 2181 VO, designed by Axel Locher (1879-1941), height 22cm, together with a miniature Royal Doulton 'Daisy May' figurine M73 R No. 793086 (2) (Condition Report: 'Daisy May' has spots of missing glaze to back of hair, and three small black marks under the glaze on her skirt, the Milk Maid figure appears in good condition, may benefit from a gentle wash)
Lot 8
THREE 9CT GOLD GEM SET RINGS, the first designed with a four claw set, oval cut tanzanite, flanked with single cut diamond accents to each crossover terminal, leading onto a polished band, hallmarked 9ct Birmingham, ring size R, the second designed with a four claw set, oval cut garnet, openwork shoulders leading onto a thin polished band, hallmarked 9ct Birmingham, ring size M 1/2, together with a cubic zirconia set wishbone ring, hallmarked 9ct, ring size Q 1/2, approximate gross weight 4.8 grams (condition report: general light wear, stones are secure, overall condition good)
Lot 143
* WILLIAM NORMAN GAUNT (BRITISH 1918 - 2001), ON IONA watercolour on paper, signed image size 36cm x 52cm, overall size 55cm x 71cm Mounted, framed and under glass. Note: William Norman Gaunt was born in Leeds In 1918 and studied at Lancaster School of Art under Walter Bayes RWS. He gained his National Diploma in 1949 and was made a Fellow of the International Institute of Arts and Letters in 1959. His work is well renowned for his characterful depictions of figures, coastal scenes and equestrian portraits. Gaunt worked in oils but was also a gifted watercolourist. It's not known how often he visited Scotland but he is known to have painted in Kirkcudbright, Sutherland, Loch Earn, in Glasgow and around the Clyde. His Scottish paintings were sold by T&R Annan & Sons (Glasgow). Norman Gaunt's Scottish paintings rarely appear at auction but we sold "Kite Flying" lot 18, 27th November 2016, for £900 (hammer) and "Boats On The Clyde" (lot 30, 24th January 2021) for £2800. Most recently, a relatively small watercolour "Boats on the Clyde" sold for £1200 (lot 256 29th September 2022).
Lot 150
Ca. 4th century BC. A pouring vessel known as a prochous, wheel-thrown and decorated with a lustrous black glaze. The vessel is defined by its discoid foot, a bulbous teardrop-shaped body, a narrow neck which tapers to a projecting spout, and a high-arching strap handle which joins shoulder to spout base. The body is intricately painted with white, and yellow hues to form a horizontal band of grape vine with projecting leaves, below a band of linear lines centred by ovolo and dots above. For a similar see: Green, J. R., "The Gnathia Pottery of Apulia", The Art of South Italy: Vases from Magna Graecia, eds. M. E. Mayo and K. Hamma, Richmond, Virginia Museum of Fine Arts, 1982.Size: L:60mm / W:113mm ; 360gProvenance: Property of a central London Gallery; formerly in a South English estate collection; acquired in the 1990s from Andre de Munter, Brussels, Belgium; previously in and old European collection.
Lot 214
Ca. 1st-3rd century AD. Blown glass flask with a roughly cuboid body and an elongated neck that flares outwards towards the top. Deep green-brown hue. Roman glass expanded upon Hellenistic techniques with the arrival of glass blowing in the 1st century, popularising the material and allowing the manufacture of vessels that looked ethereal, then and now, with swirling colours that catch the light magnificently. Although the Romans did not invent glass, they certainly revolutionised it. Developing techniques of glass blowing, it allowed them to create unusual shapes, make the glass thinner and have it be accessible for large proportion of the population.Size: L:120mm / W:70mm ; 45gProvenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in before 2000 on the UK art market.
Lot 266
Ca. 100 AD. A matched pair of rare gold pendants shaped as a bird’s claw. The surface of each gold pendant is decorated with a fine granulated pattern. The three endings of each pendant display a small gold bead. There is an integral hoop at the top for attachment to a clasp. Aristocratic Roman women owned expensive jewellery. Information about jewellery is gathered from inscriptions and statues as well as excavated material. We also have several references to jewellery in contemporary literature – usually by male satirists (e.g. Juvenal, Satires VI, 457) complaining about women’s extravagance in this respect. Pliny says that women spent more on their ears than on any other part of their bodies and continued: “Women glory in hanging pearls on their fingers and using two or more for a single car-ring … as if they enjoyed the sound and mere rattling together of the pearls; nowadays even more people covet them — it is a common saying that a pearl is as good as a lackey for a lady when she walks abroad”. To find out more about Roman jewellery, see, for example, Higgins, R. (1980). Greek and Roman jewellery. London: Methuen.Size: L:Set of 2: 23mm / W:16mm ; 5.2gProvenance: Private UK Collection; From an old London collection formed in the 1990s.
Lot 275
Ca. 1000-800 BC. A stunning large bronze spearhead with a leaf-shaped blade, prominent midrib, conical shoulder decorated with five horizontal ribs, terminating in a circular socket. This spear is a beautiful stand out example of Celtic Bronze Age Craftsmanship.Size: L: 225mm / W: 40mm; 130gProvenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1990s on the UK art market.
Lot 279
Ca. 600 AD. A long Migration period iron sword with rare patterned Damascus steel blade, comprising a lentoid-section parallel-sided blade with a broad tapering tip. A rectangular lower guard of inset garnet cloison set in a stepped pattern. The long hilt at the mid-section is decorated with a gold circular plaque set with spiraling garnets and the hilt is finished with a small gold pommel with a central inset. At the time of the fall of the Roman Empire, other cultures began to evolve, grow and eventually prosper and their culture and art thrived. The Merovingians (476-750 AD) were one such group and they are traditionally reckoned as the "first race" of the kings of France. Size: L:1050mm / W:105mm ; 785g Provenance: Formerly in a collection of a European collector; previously in a Belgian collection of Mr. R. Bogaert, 1970s-1990s.
Lot 3
Ca. 400-200 BC.A terracotta votive of hollow form depicting a young male. His young visage comprises of large almond-shaped eyes, incised pupils, a prominent aquiline nose, full bow -shaped lips, naturalistic ears and a slender neck. He is shown with characteristic Etruscan wavy coiffure beneath a long veil. The unarticulated verso forms the veil which also covers the crown of his head. For similar see: Bonhams28 November 2019, lot 81.We are a dynamic company proud of the innovations we can bring to the traditional Ancient Art market. This is one of the first catalogues in the world to offer NFTs/DOTs of Ancient Art. Apollo Art Auctions and Coinllectibles, world leaders in digital art markets, have started working on this collaboration to bring Ancient Art together with digital content. Lots 1 to Lot 5 in this catalogue have been specially chosen due to their beauty and fantastic provenance to be transformed into DOTs. The buyer of each lot will receive both the physical and digital assets, which gives ownership over the DOT that making it a liquid access on both traditional and virtual marketplaces.From Coinllectibles Coinllectibles™️Coinllectibles Coinllectibles™️ is a technology company supporting the collectibles industry with a focus on rare memorabilia and artworks that exist and have intrinsic value in the real world, whether tangible or intangible in nature. Coinllectibles™️ applies blockchain, marketplace, metaverse and DOT technologies as tools to enhance the real-world collectibles industry. The technology underpinning DOTs (digital ownership tokens) has multiple functional use cases that Coinllectibles™️ is applying to areas including art and collectibles areas. A DOT (Digital Ownership Token) is a proprietary DOT format that provides a gold standard of rights and title of ownership of a digital asset, securely underpinned by smart contracts and legal documents stored on the blockchain, each with a unique identification code and metadata, also beneficial title to the relevant Collectible to which it is pegged.Size: L:340mm / W:235mm; 5.2KgProvenance: Ex. New York Gallery; previously part of collection of Dr. Angelo R. Bergamo, NJ., Ex. Christies NYC, June 1993. Thermoluminescence Report from Oxford Authentication LTD. Exhibited: Olympia Art & Antiques fair, London June 2022.
Lot 387
Ca. 1000–650 AD. . Western Asiatic, Urartu. A rare, intact bronze belt made of a wide lateral bronze band embellished with geometric, floral decoration as well as depictions of animals all over. The borders are decorated with circles. These wide bands are joined by a thin band of bronze at the back and a closure at the front fashioned in the shape of two interlaced snakeheads with incised decoration. Bronze belts first appeared in the 2nd millennium BC in Urartu, one of the ancient metalworking centres of the ancient world. From Iran, representations of belts in art are known from two regions: Susiana, Elam, and their adjacent districts, on the one hand, and north-eastern Iran on the other. (Neo-)Elamite belts are characterised by being narrower than their predecessors and sometimes decorated with a zigzag pattern or rosettes. Item comes with a professional historical report from Ancient Report Specialists. For more information on ancient belts, see Moorey, P. R. S. (1967). Some Ancient Metal Belts. Their Antecedents and Relatives. Iran 5, pp. 83ff. & Calmeyer, P. in Reallexikon der Assyriologie III, 1957-71, pp. 689-93.Size: L:385mm / W:98mm; 380gProvenance: ex-Davis collection, Houston, Texas, acquired before 2013 from various auction houses in London and New York. Exhibited: Olympia Art & Antiques fair, London June 2022.
Lot 437
Ca. 202BC - 220AD. A well-modelled, pottery standing female dancer with arms stretched out, the hands well hidden within the long, voluminous sleeves of the tight-fitting robe, the face carved with delicate features and the hair pulled back behind the ears and gathered into a long ponytail down below the shoulders. The elegant clothing comprises a flowing, long-sleeved robe decorated with red on the neckline. The figure retains most of the original white slip and there is additional decoration in pink and black to show the facial features and the hair. The potters have succeeded in imparting a vibrant sense of fluidity to the standing figure, displaying realism in the stance and adding movement and dimension by the curves of the long-draped sleeves. For a comparison piece of the standing dancers, see Christie's, Chinese and Japanese Ceramics and Works of Art, Live Auction 2624, 19 May 2004, Lot 414A. To find out more about the Han dynasty and its material culture, see Miller, A. R. (2021). Kingly Splendor: Court Art and Materiality in Han China. New York: Columbia University Press. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot.Size: L:550mm / W:280mm ; 6.12kgProvenance: From the private collection of a Somerset gentleman; previously in an old British collection, formed in the 1980s on the UK /European art markets.
Lot 468
82-81 BC. Obv: C·ANNI·T·F·T·N· PRO·COS·EX·S·C Diademed and draped female bust r.; behind, caduceus, before, scales and below, pelta. Rev: Victory in quadriga r., holding reins and palm-branch; above horses, Q·. In exergue, L·FABI·L·F·HISP. Babelon Annia 2 and Fabia 17. Sydenham 748. RBW 1375. Crawford 366/1a. Wonderful old tone, very fine.Size: D: 19.3mm; 4.0gProvenance: Private UK collection, acquired pre 2000.
Lot 50
Ca. 600 BC. A bronze combat helmet of Archaic Corinthian-Type, hammered from a single sheet of bronze with finely contoured almond-shaped eyes that gently taper to a point. Simplistic curvilinear eyebrows. Arched enveloping cheek pieces that provide a vertical opening for the mouth. A border has been drilled with rounded head-headed rivets to secure an interior lining. The nose-guard is wide with a round conical shaped terminal end. The dome-shaped calotte with a widely protruding round back of the head continuing into a slightly flaring neck-guard. The ridge decorated with linear decoration above the eyebrows. The domed skull with attachments for plumes. This fine example of helmet would have been owned by a wealthy member of the social elite. Perhaps someone of high importance. Item comes with a professional historical report from Ancient Report Specialists. Literature: Martin D’Arcy, S.J., Dr Werner Muensterberger, Edward Sullivan, C.S.B Persona Grata, an Exhibition of Masks from 1200 B.C. to the Present, exhibit catalogue, University of St. Thomas, Houston, 1960, no. 1, illus. R. Hixenbaugh, Ancient Greek Helmets: A Complete Guide and Catalogue, New York, 2019. Cf. Christie’s, 19738, Antiquities, 21 April 2021, lot 52 and 72. The Walters Art Museum, Accession Number: 54.2304. The British Museum, Accession Number: 1824.0407.32. This elite form of hoplite helmet is commonly referred to as “Corinthian-Type” because it is worn by the goddess Athena on Corinthian coins. Originating in Greece it was named after the polis Corinth. Although these helmets were not limited to one production place. These helmets were popular in Greece and in territories colonised by or in regular contact with the Greeks. The hoplite wearing a Corinthian helmet would have been a frightening sight to any enemy with a pair of glaring eyes behind a stylised cut-out.The helmet is completely intact, without repair or restoration which is rare on the global art market.Size: L:160mm / W:280mm ; 725gProvenance: Important Private collection of Ancient Art, London UK; formerly in an old Spanish 'Cervera' collection, acquired in the early 1990s.
Lot 51
Ca. 400 BC. A bronze helmet forged from a single hammered sheet with a finely central crest in high relief depicting a stylised gorgoneion with intricately made snake heads depicting scales, in between two long cyclindrical erect plume holders. The crown with a raised spiral tendril in relief. The ridge terminates at the back in a pronounced carinated edge, an arching ridge above the neck-guard; the cheek-pieces hinged. The helmet is surmounted by a pair of engraved sheet bronze wings. Two finely decorated wings of sheet bronze riveted to the sides. This extraordinary example of Chalcidian helmet was likely owned by someone of importance. A wealthy member of social standing. Item comes with a professional historical report from Ancient Report Specialists. Literature: R. Hixenbaugh, Ancient Greek Helmets: A Complete Guide and Catalog, New York, 2019, p. 491, no. X356. For a similar helmet in the Mougins Museum with plume holders and peaked brow see no. 108 in Merrony, op. cit. Graells, R. Lorrio, A., Qesada F.. Cascos Hispano-Calcidos, 2014. Mainz. John Hewitt, Official Catalogue of the Tower Armouries, London, 1859, no. 1.19. M. Burns, “Graeco-Italic Militaria” in M. Merrony (ed) Mougins Museum of Classical Art, France, 2011, p.215. fig 97.Cf. Christie’s, 19992, Antiquities, 12 Ocober 2021, lot 44. Christie’s, 5524 Axel Guttman Collection of Ancient Arms and Armour, Part 2, lot 101. Christie’s. 2364, Antiquities including property from the collection of Max Palevsky, lot 109. Hermann Historica, 7 October 2009, lot 58. The Royal Armouries, Accession Number: 11.197.This extravagant form of helmet with a pair of divine celestial wings would have would have been a frightening sight to any enemy. The Chalcidian-Type helmet started to replace the Corinthian-type helmet on the battlefield in the 5th century BC due to its restrictive attributes. The new versatile Chalcidian form of battle helmet enabled the owner to adapt on the battlefield. The Chalcidian helmet enabled greater sensory perception as the helmet was lighter and made in with senses in mind. By the time of the Peloponnesian War (434-402 BC) the Chalcidian helmet was the most widely distributed helmet in the Greek ranks.Size: L:355mm / W:485mm ; 1.11kgProvenance: Important private collection of Ancient Art, London UK; acquired from J.Lawton collection Surrey, UK; previously with the Parthenon Gallery, obtained from Axel Guttmann (Munich) pre-2000.
Lot 52
Ca. 500-300 BC. A helmet comprising of hammered tinned bronze. The domed crown with front with medial ridge, with contoured double curve above the brow continuing as an occipital rib around the helmet, with pronounced arched brows and narrow flared neck guard. The crown domed with a mask-like front featuring eyes that have been carefully cut out. The round sections are each accentuated with a separately applied moulded bank. A tear-drop shaped nose guard is reaching down, moveable articulated crescentic cheeky guards with contoured edges are attached by hinges on the sides, rounded, and tapering towards the thin allowing binding.Cf. The Walters Art Museum, Baltimore, accession number 54.2468. The British Museum, London, accession number: 1919, 1119.6. Bonhams, 7th October 2021, lot no 72. Literature: R. Hixenbaugh, Ancient Greek Helmets: A Complete Guide and Catalog, New York, 2019. Ohly, D., Die Ägineten, Die Ostgiebelgruppe, Munich, 1976; Pflug, H., 'Chalkidische Helme' in Antike Helme, RGZM Monographien 14, Mainz, 1988, pp.137-150. The Chalcidian-Type helmet started to replace the Corinthian-type helmet on the battlefield in the 5th century BC due to its restrictive attributes. The new versatile Chalcidian form of battle helmet enabled the owner to adapt on the battlefield. The Chalcidian helmet enabled greater sensory perception as the helmet was lighter and made in with senses in mind. By the time of the Peloponnesian War (434-402 BC) the Chalcidian helmet was the most widely distributed helmet in the Greek ranks. Size: L:345mm / W:285mm ; 1.16kgProvenance: Property of an European collector; formerly in the private English collection of J.Q., forrmed in the 1980s; purchased on the London art market.
Lot 85
Ca. 100-300 AD. A rock crystal intaglio bearing an engraved gryllos motif, comprising a bust of left-facing Minerva wearing a plumed helmet, and two bearded men, one in the nape of her neck, the other on top of the head, set in a possibly later gold ring comprising D-shaped hoop with amphora-shaped shoulders. The gryllos (from the Greek for a caricature) is an elusive figure in Roman mythology, who is often depicted as a conjoined old and young man, as in this example, and is commonly associated with the occult. Excellent condition; wearable.Size: D: 18.54mm / US: 8 1/2 / UK: Q1/2; 14gProvenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in before 2000 on the UK art market.
Lot 88
Ca. 100-300 AD. An amazing gold ring comprising a slender hoop with elaborately decorated shoulders and raised bezel with banded agate intaglio depicting the bust of helmeted god Mars above advancing gryphon. In ancient Roman religion and myth, Mars was the god of war and also an agricultural guardian, a combination characteristic of early Rome. He was second in importance only to Jupiter and he was the most prominent of the military gods in the religion of the Roman army. Most of his festivals were held in March, the month named for him, and in October, which began the season for military campaigning and ended the season for farming. Good, wearable condition.Size: D: 19.15mm / US: 9 1/4 / UK: S; 21.93gProvenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in before 2000 on the UK art market.
Lot 93
Ca. 1-100 AD. A finely rendered pair of gold earrings, each formed from a twisted wire hoop, which tapers towards one end and on the other displays an intricately decorated plinth on which a glass head with human features is placed and secured with gold wire from above. Size: L:39.1-40.5mm / W:18.3-21.4mm ; 15.04g Provenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in before 2000 on the UK art market.
Lot 95
New Kingdom period, Ca. 1292 -1077 BC, 19th - 20th Dynasty, Ramesside Period. A mummiform ushabti formed of painted pottery is wearing a bipartite or duplex wig that is painted black. The upper part has faint striations in the modelling at the front, and the long side lappets have echeloned curls falling by the sides of the face. The back of the wig shows no details. The arms are crossed holding a pair of hoes. The Ancient Egyptians believed even after getting to the afterlife that life would not be easy. In result, they took magical servant figures with then called shabtis. The dead would ask the shabti make their afterlife as easy and trouble-free as possible. Shabtis were made solely to do manual labour for the deceased in the afterlife. As a result, they were commonly depicted with arms crossed, holding hoes and baskets. Towards the end of the Pharaonic period, they had become so necessary and elaborate that some tombs contained one worker for every day of the year and thirty-six overseers, each responsible for ten laborers The idea of shabtis first appeared as wax figures in the 11th Dynasty, during the First Intermediate Period, (Staatliches Museum Ägyptischer Kunst, Munich ÄS 6085). These gradually moved onto figures formed of stone and wood in mummiform shape. By the time of the New Kingdom during the Reign of Thutmose IV these became more stylised and would carry agricultural tools to assist them plough the fields, bring in the harvest and fill in the water channels. These figures were an important object in the tombs of the deceased and by the time of the Third Intermediate Period, tombs would carry them in chests in large supplies. These shabtis would come alive on the command of the dead and were called upon with magic from the Book of the Dead. J.-F. Aubert/ L. Aubert, Statuettes _gyptiennes, chaouabtis, ouchebtis, Paris 1974, pp. 122-123. W. M. F. Petrie, Shabtis, London 1935, pl. XXXV, no. 240. M. J. Raven, A transom-window from Tuna el-Gebel, in: OMRO 69, 1989, pp. 51-64. H. Schneider, Shabtis. An introduction to the history of ancient Egyptian funerary statuettes, Leiden 1977, I, p. 206. R. Weill, Quelques types de figurines fun_raires des XIXe et XXe dynasties, in: Mon. Piot 25, 1921/2, pp. 419-438. The World Museum, Liverpool. https://www.liverpoolmuseums.org.uk/artifact/shabti-of-khonsuSize: L:210mm / W:60mm ; 245gProvenance: Private London collection; ex. B. Kickx and J. Peeters collections, pre 1978, Belgium.
Lot 1048
A collection of medals including Victoria Defence of Ladysmith medal for Pte G Bennett, Faithful Service medal for Bennett and other medals.6888 PTE.G Bennett K.R.R.C - Queens south africa medal.George ernest bennett- Medal for faithful service .147994 SJT.H .Thompson RA - Territorial War Medal.147994 SJT.H Thompson R A - 1914-1918 War Medal.20781 PTE.J.Radford Royal Berks reg 1914-1918 Medal.
Lot 143
Original vintage advertising poster for David Bowie Halloween Weekend also appearing Sylvester and His Hot Band, Phlorescent Leech and Eddie 27-28 October at Winterland, the poster features an image of David Bowie sitting on a chair looking in the camera. Excellent condition. Country of issue: USA, designer: R. Tuten, size (cm): 56x35, year of printing: 1972.
Lot 161
Original vintage advertising poster for Negro Spirituals Gospel Songs The Stars of Faith of Black Nativity, featuring a photograph of ladies raising their arms as they sing on stage, the text below provides information on tickets and venue, as well as reads - r&b jazz club presents The world-renowned women's group from Black Nativity. Negro spirituals and gospel songs as they are sung in American Negro churches today. The Stars of Faith were a Philadelphia gospel vocal group formed in 1958. Printed by Zoller & Co., Berneck. Good condition, creasing, folds, tears, minor staining. Country of issue: Germany, designer: Unknown, size (cm): 60x40, year of printing: 1960s.
Lot 188
Original vintage poster advertising a Roy Lichtenstein retrospective exhibition that took place from October 8 1993 - January 16 1994 at the Solomon R. Guggenheim Museum - Design features iconic artwork from Roy Lichtenstein (1923-1997) titled Reflections: Whaam! from 1968. The exhibition was made possible by a grant from Marvel Entertainment Group Inc and additional support was provided by the Owen Cheatham Foundation. The Guggenheim Museum's official carrier for 1993 was Lufthansa German Airlines. Very good condition, creasing. Country of issue: USA, designer: Roy Lichtenstein, size (cm): 68x67, year of printing: 1993.
Lot 341
Original vintage propaganda poster for National Savings - Birds and Nests of the Countryside of Britain - We must provide for the future through national savings. The design features illustrations of birds with short descriptions next to each one. Below is a message from the RT. Hon. Lord Hurcomb KBE Chairman of Council: The Royal Society for the Protection of Birds - 'This poster gives you a clear idea of the great variety of our British birds. If you learn to identify the birds in your own district, and if by watching them you get to know their habits well, you will find a new exciting interest for yourself and will wish to do all you can to help to safeguard them.' Issued by the National Savings Committee, London, the Scottish Savings Committee, Edinburgh and the Ulster Savings Committee, Belfast. Printed for H.M. Stationery Office by R. B Macmillan LTD, London. Fair condition, creasing, staining, tears, fold, paper loss in top right corner, paper skimming. Country of issue: UK, designer: Unknown, size (cm): 100x73, year of printing: 1950s.
Lot 68
Rare original vintage printer's proof of a London Underground poster Find Michelangelo at the V&A, featuring great colourful artwork by R B Kitaj RA, a new work of art commissioned by London Underground depicting a silhouette of a man on red, yellow, blue and green background. Art on the Underground. Excellent condition, printers proof, untrimmed. Country of issue: UK, designer: R B Kitaj, size (cm): 64x46, year of printing: 1993.
Lot 20
3 x Corgi 'Famous Hauliers Around Britain' series. All Three Limited Edition's of 5,100. Commercial Vehicles. 14001 Beresford Transport Foden S21 6 Wheel Dropside Lorry H&R Transport(#1395 of 5100), 13901 Bassett Roadways Foden S21 'Mickey Mouse' 8 Wheel Platform Lorry & Canvas(#3951 of 5100) and 12301 The Motor Packing and Export Shipping Company - Foden FG 8 Wheel Platform Lorry with Crates(#705 of 5100). All appear mint in very good boxes
Lot 114
A collection of military and other medals and badges, belonging to members of the Sankey family: R. H. Sankey, J. O. Sankey and P. R. B Sankey, including a George V medallion for inscribed '1891-1911 Surgeon Major Julius O. Sankey, 4th Oxford & Bucks Light Infantry', together with three other silver medallions or tags, 1.3toz overall, a Long and Efficient Services medal for 'Dr. Peter R. B. Sankey', a Royal Army Medical Corp cap badge badges. (1 box)
Lot 139
A large Edwardian pine travelling chest, painted black with inscribed white lettering 'Lieut Col H. H. Costobadie, R. H. A., India' to the front and to the top 'Lieut Col H. H. Costobadie, R. H. A., C/O William Langley Esq., Estate Agent, Stamford, Midland Railway, England', recessed iron handles to the sides, 106 by 66 by 60cm high.
Lot 17
Corgi Model Truck Issue comprising No. CC13730 Scania R Houghton Parkhouse 'The Professional' Livestock Transporter in the livery of Valley Transport Livestock Hauliers. Limited Edition. Possibly displayed at some stage. Looks to be generally good with mirrors in bag, without obvious sign of fault in original box.
Lot 218
An assortment of Railway Literature comprising the following publications; Model Locomotive Construction in 4mm scale, The Steam Railway volume 2 Shrewsbury, Cade's Locomotive Guide, British Steam around the engines, Diesels and Electrics around Britain, Surviving Steam Railways, Before the Diesels came, DMUs Countrywide, Trains Illustrated annual, Live Steam Locomotives and lines today, L. N. W. R miscellany, British Rail 1948-78 A journey by Design, Silhouettes of the big Four, The Power of the Westerns, Tempo of Steam, In Search of Steam1962-68, BR Steam Motive Power Depots, Rocket 150 150th Anniversary of the Liverpool & Manchester Railway 1830-1980, The Great Western Scene, Railway World Annual 1985, Model Railway Constructor Annual 1985, Great Western Album, Model Railway Constructor Annual 1986, Diesels on the Eastern, The Last years of the Peaks, Steam in the Eastern Counties, Losing Track, Railway World Annual 1983, Great Central Album. (30) All appear in good condition.
Lot 234
Hornby Model Railway issues comprising of locomotives to include :1) B. R. Class 25 BO-BO Diesel Electric, 2) R. 239 BR 2-6-4T Loco Class 4P, 3) R. 859 B. R. 4-6-0 Locomotive 'Black Five Class', 4) R. 041 G. W. R. 0-6-0 Pannier Tank Loco, 4) R. 292 GWR 4-6-0 Loco 'King Richard'. All appear to be without significant fault in original boxes.
Lot 235
Mainline Model Railway issues comprising of locomotives to include; 1) Class 43xx Mogul Locomotive B. R. Green Livery, 2) N2 Class 0-6-2T Locomotive B. R. Lined Black Livery, 3) 6100 Class 2-6-2 (Prairie) Tank Locomotive B. R. Lined Green Livery, 4) Type 4 B-B Diesel Hydraulic Locomotive B. R. Green. All appear to be without significant fault in original boxes.
Lot 26
Corgi Model Truck Issue comprising No. CC13826 Mercedes Actros Fridge Trailer in the livery of Montgomery Transport. Limited Edition. Possibly displayed at some stage. Decals faded on trailer, missing mirrors. Plus No. CC13737 Scania R Vinyl Curtainside in the livery of Parker Transport Ltd. Possibly displayed at some stage. Mirrors in bag. Looks to be generally good without obvious sign of fault in original box, missing outer.
Lot 38
Corgi Model Truck Issue comprising No. CC13705 Scania R Series Topline Fridge Trailer in the livery of Scott Trawlers Ltd. Plus No. CC13108 Volvo F88 Tautliner in the livery of Mansel Davies & Son Ltd. And No. CC13413 Man TGA XXL Fridge Trailer in the livery of McCulla Ltd. All possibly displayed. Mirrors in bags. No sign of obvious faults in boxes.
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