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Lot 276
A ruby and diamond ring, finger size R1/2; an 18 carat gold opal five stone ring, finger size S (a.f.); a diamond three stone ring, finger size R (a.f.); a silver trace link chain, length 45.5cm; and a Wedgwood pendant on chainRuby -1.5 grams. Opal – 4.8 grams. Diamond ring – 2.5 grams, silver chain – 63.2 grams
Lot 291
A 9 carat gold chain (a.f.); a pair of earrings stamped '583'; an indistinctly marked ring, finger size R; together with a quantity of costume jewellery including Eastern necklaces and bangles; a silver swivel fob; various earrings; an inlaid box etcChain - 1.4 grams. Earrings - 5.6 grams. Ring - 10.0 grams.
Lot 294
An 18 carat white gold diamond heart-shaped cluster ring, finger size RThe ring is in fair condition, the shank is misshapen. It is hallmarked but the sponsor's mark is lacking, London (import), 1975. The approximate qualities of the diamonds are; caratweight 0.85, colour I/J/K, clarity SI1/SI2/I1. Gross weight 3.6 grams.
Lot 1038
Simon R Painter (20th Century)Coal mining sceneSigned, pencil and charcoal, 36cm by 53cm; together with a mixed media study of a Military Aircraft in flight, signed Roy Partington (19)82; An early 20th century watercolour of a river landscape with two white cottages and a figure on a bridge, G. Johnson, dated 1923; In indestinctly signed mixed media abstract study, a pair of prints and one other unframed work (7)
Lot 853
Brillantring 750-er Weißgold, ca. 9,0 g. Eleganter Ring, breite Ringschiene schauseitig schleifenförmig geschwungen mit insgesamt 108 pavéausgefassten Brillanten, zus. ca. 3,0 ct, W-TC/SI. Ringgröße 57.Bitte beachten Sie, dass dieses Objekt regelbesteuert ist. Fu?r Kunden innerhalb der EU wird auf den Zuschlag zuzu?glich 26 % Aufgeld,die gesetzliche Umsatzsteuer von derzeit 19 % erhoben. Ausgenommen hiervon sind Käufer aus dem Drittland, der Schweiz sowie Händler innerhalb der EU mit Umsatzsteuer-ID-Nr.. Please note that this item is calculated with standard taxation.EU customers have to pay the hammer price plus 26 % premium and value added tax (19%).Excluded from this are buyers from non-EU countries, Switzerland and EU Dealers with valid VAT no.
Lot 854
'Lovecut'' Diamantring und Vorsteckring 585-er Weißgold, ca. 7,8 g. Zentrale Chaton-Fassung mit drei Triangel-Schliff-Diamanten, die optisch zu einem runden Diamanten zusammengesetzt sind, zus. ca. 0,75 ct, River D-E/VS. Ringschultern ausgefasst mit Brillanten und Diamant-Baguettes, zus. 0,83 ct. (eingraviert) TW/VS-SI. Dazu zarter Vorsteckring. Ringgröße: 54 u. 55. Die ''Love Cuts Collection'' ist eine innovative, patentierte Spezialmethode zum Schleifen und Fassen von 3-6 Diamanten. Die Diamanten sind in ''Mikro-Chatons'' gefasst um das Aussehen eines einzelnen Diamanten zu erzeugen.Bitte beachten Sie, dass dieses Objekt regelbesteuert ist. Fu?r Kunden innerhalb der EU wird auf den Zuschlag zuzu?glich 26 % Aufgeld,die gesetzliche Umsatzsteuer von derzeit 19 % erhoben. Ausgenommen hiervon sind Käufer aus dem Drittland, der Schweiz sowie Händler innerhalb der EU mit Umsatzsteuer-ID-Nr.. Please note that this item is calculated with standard taxation.EU customers have to pay the hammer price plus 26 % premium and value added tax (19%).Excluded from this are buyers from non-EU countries, Switzerland and EU Dealers with valid VAT no.
Lot 118
A Höchst Commedia dell'Arte figure of Pantalone, circa 1755Modelled by J.C.L. von Lücke, wearing a fur-lined red hat, black long coat, red shirt and breeches with a dagger to his left side, on a marbled pedestal with tree-stump support at the rear, 23.3cm high, (minor crazing to glaze on legs)Footnotes:Provenance: With Guido Rossi, Milan (paper label to base);European private collection since the 1960sFor a discussion of the model, the attribution to the modeller Johann Christoph Ludwig von Lücke, who was also active at the Meissen and Vienna factories, see Horst Reber, Die Commedia dell'Arte an der Höchster Porzellanmanufaktur, in R. Jansen (ed.), Commedia dell'Arte, Fest der Komödianten (pp. 138-144 in the German language volume). The author suggests (p. 41) that the Höchst Italian Comedy figures of this series, and a series of Würzburg figures also on pedestals, were influenced by the statues that stood in the garden of the Schönborn Palais in Vienna through engravings of 1727 by Salomon Kleiner.The figure of Pantalone is probably based on the engraving of 'Pantalon', published by Johann Jacob Wolrab, Nuremberg, circa 1720.Another example of this figure, together with the female companion figure, was sold in these Rooms, 18 June 2014, lot 157.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 119
A Nymphenburg white figure of Anselmo, circa 1760Modelled by F.A. Bustelli, standing leaning on a stick, hunched forward slightly, bringing his left forefinger to his mouth in a silencing motion, wearing a hat, three-quarter length cape, lace collar, jacket and breeches, scroll-moulded base, 17.5cm high, impressed shield mark on top of base (finger and stick restored, section of base next to foot restuck)Footnotes:Provenance: European Private Collection since circa 1980Bustelli created 16 paired figures from the Commedia dell'Arte which appear in the factory's Inventory of Moulds in 1760. The source for this figure is a copperplate engraving by Martin Engelbrecht (dated to the mid 18th century, titled Sieur Geronte) a copy of which is known to have been in Bustelli's possession. Anselmo is depicted as an older man, soberly dressed, wearing a cape and holding his hat and cane. Bustelli animated his character and paired him with Corinne, the lady's maid who stands reading or singing aloud. His gesture to her hints at intrigue and may be to warn her to whisper or stop making a noise. Not much is known about the role of Anselmo, but some clues can be found in the dress and name of the figure as published by Engelbrecht. The clerical style of his hat and dress have led him to be named as the Abbé, or, as in the case of the Engelbrecht print 'Sieur [Seigneur] Géronte'. Géronte appears in Molière's Les Fourberies de Scapin or Scapin the Schemer, a three-act comedy of intrique, first staged on 24 May 1671 in the theatre of the Palais Royal in Paris. In the play, Scapino taunts Géronte and asks 'Quoi! jé n'aurai pas l'abantage dé tuer cé Géronte? et quelqu'un, par charité, né m'enseignera pas où il est? [What! I won't have the privilege of killing that Geronte? and someone, out of pity, will not tell me where he is?], and an exasperated Géronte answers: Ah! Scapin, je n'en puis plus. [Ah! Scapin, I can't take it anymore.]Two other examples of this rare model, one decorated in black enamel and another in the white are in the Bayerisches Nationalmuseum , Munich, and are illustrated by Katharina Hantschmann, Alfred Ziffer, Franz Anton Bustelli, Nymphenburger Porzellanfiguren des Rokoko, Exhibition Catalogue, 24 November 2004 - 13 March 2005 Munich, 2004, pp. 306 and 307. For another example of the figure see R. Rückert, Bustelli Munich, 1963, pl. 40. Another Anselmo is in the collection of the Victoria and Albert Museum, London.The most recent example of this rare figure to have been sold at auction appeared at Christie's London, 6 November 2008, lot 290, from a South German private collection.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 171
A Sèvres oval stand ('plateau ovale'), dated 1770Painted by Jean-Nicolas Le Bel with a pattern of blue and pink ribbons interlocking to form diamond shapes enclosing gilt trellis panels, alternating with interlocking flower garlands, the circular inset in the centre painted with a spray of roses, the shaped rim gilt, 18cm long, 13.8cm wide, interlaced LL monogram enclosing date letter R, painter's mark LB for Le Bel, incised marksFootnotes:Provenance:Collection of H.R.H. Princess Paley (paper label to reverse)For further information on this lot please visit Bonhams.com
Lot 44
A Meissen group of 'Spanish Lovers', circa 1745-50Modelled by J.J Kaendler, the fashionably dressed lady wearing a white feathered hat, turquoise bodice with black stomacher, wide yellow skirt over panniers embellished with indianische Blumen and a gilt-edged blue underskirt, her companion wearing a blue and black cloak, iron-red jacket with gilt floral scrollwork and turquoise rosettes, gilt-edged black breeches and red shoes with yellow bows, the base applied with leaves and flowers, 18.5cm high, traces of crossed swords mark in blue (small chips and minor losses)Footnotes:Based on an engraving by Pierre Filœul after the painting 'Le baiser donné' by Jean-Baptiste Pater of 1736, this group is not mentioned in Kaendler's Taxa or work records but is referred to as the 'Spanier Gropgen' [Spanish group] in a specification of figures and groups completed by the Weiße Corps in overtime in January 1740 (quoted by R. Rückert, Zur Staffierung der Gesichter von Meißener Porzellanfiguren, Teil IV, in Keramos 153 (July 1996), p. 156). Another example from the Marouf Collection, sold in these rooms, 5 December 2012, lot 65.For further information on this lot please visit Bonhams.com
Lot 54
A Meissen figure of a drunken peasant, circa 1745Modelled by J.J. Kaendler, wearing a grey hat, brown jacket and iron-red breeches, dancing and holding a mug of beer in the other, the base applied with leaves and flowers, 16.7cm high (some chips)Footnotes:A similar figure is illustrated by R. Rückert, Meissener Porzellan (1966), pl. 217, no. 890.For further information on this lot please visit Bonhams.com
Lot 61
A pair of Meissen models of leopards, mid 18th centuryModelled by J.J. Kaendler, each seated on its hind legs with slightly open mouth, the coats with black spots and detailed in grey, the bases applied with leaves and flowers, 14.5cm and 13cm high, crossed swords marks in underglaze-blue to rear of bases (one restuck through front legs and across base and with chip to tail, minor chips to both) (2)Footnotes:A similar single leopard in the Dr. Ernst Schneider Collection, Schloss Lustheim, is illustrated by R. Rückert, Meissener Porzellan (1966), no. 1052, where the model is dated to 1749.For further information on this lot please visit Bonhams.com
Lot 6290
William Camden - Britannia: or, a Chorographical Description of Great Britain and Ireland, volume 1, third edition, 1753 London: Printed R. Ware, J. and P. Knapton [...] together with volume 2, the second edition, 1722 London: Printed by Mary Matthews, for Awnsham Churchill, both full calf, large folio, both lacking maps (2)
Lot 146
A rare Corinthian terracotta monkey with mortar Late 5th Century B.C.The monkey modelled with pierced nostrils and mouth, with applied ears, holding a pestle in his right hand, the left hand holding the rim of the spouted, knucklebone-handled mortar, with yellow painted body, red face and pestle, with white on the pestle and the base of the mortar, 5.5cm highFootnotes:Provenance:Private collection, London, acquired in the 1960s; by descent to the present owner.Accompanied by an Oxford Authentication Thermoluminescence Report, no. N122e7.This is a finely preserved hand-made monkey with the original colour extremely well preserved, the mortar would have been mould made. A similar Corinthian monkey 'from Tanagra' cited below is depicted standing in the mortar holding the pestle in one hand and a cake to its mouth in the other. See the British Museum, Museum No.1903,0518.4., cf. R Higgins, Catalogue of the Terracottas in the Department of Greek and Roman Antiquities in the British Museum, British Museum, 1970, Vol.I, p.135, pl.958, text p.260.For further information on this lot please visit Bonhams.com
Lot 170
A Greek marble alabastron Circa 5th Century B.C.With broad disc rim and single pronounced ridge encircling the upper part of the body, tapering to a rounded base, 10.5cm highFootnotes:Provenance:With Charles Ede Ltd, London. George R. Francoeur Collection, Bloomfield Hills, MI., USA. George R. Francoeur Collection, sold to benefit the George R. Francoeur Scholarship Fund at Cranbook Academy of Art; Hindman Auctions, Chicago, 16 June 2020, lot 36.Private collection, Switzerland.Published:Charles Ede Ltd, Catalogue 162, May 1996, no.46.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 235
A Large Group of Christie's, Bonhams and Antiquities Dealer Catalogues Including Christie's London Antiquities catalogues dated 16 March 1977, 22-25 April 1978, 20 May 1981, 13 July 1983, 11 July 1984, 12 December 1984, 16 July 1985, 10 December 1985, 16 July 1986 (x2), 10 July 1987, 8 June 1988 (x2), 13 December 1988, 6 June 1989, 12 December 1989, 11 July 1990 (x3), 12 December 1990, 10 July 1991, 2 December 1991 (x2), 8 July 1992, 9 December 1992 (x2), 7 July 1993, 7 December 1994, 25 November 1997, 8 April 1998, 23 September 1998, 27 October 2004, 27 October 2009 and Classical Sculpture from Marbury Hall, 10 July 1987 (x2), The Collection of the Late Henning Throne-Holst, 8 June 1988, Ancient Near Eastern Texts from the Erlenmeyer Collection, 13 December 1988, The Erlenmeyer Collection of Cretan Seals, 5 June 1989, The 'Canford' Assyrian Reliefs, 6 July 1994; Christies New York Antiquities catalogues dated 14 June 1979, 19 June 1985, 14 June 1993, 15 December 1993, 10 June 1994, and Important Tribal Art and Antiquities from the Collection of William A. McCarty-Cooper, 19 May 1992; Bonhams London Antiquities Catalogues dated 4 July 1995, 30 April 1996, 4 July 1996, 26 November 1997, 22 September 1998, 14 May 2003, 29 April 2004, 28 October 2004, 26 October 2007, and The Geddes Collection, 15 October 2008, A Library of Islamic & Indian Art and Antiquities Reference Books, Part I Islamic, 8 October 2009, Part II Antiquities 28 October 2009, The Antiquities sale, de Louxor à Rome, voyage d'un passionné, 7 October 2021; Gorny & Mosch catalogues comprising Hochwertige Münzen der Antike, 17 March 2008, Hochwertige Münzen der Antike Sammlung Karien, 13 October 2008, Antike Münzen und Lots, 13-14 October 2008, Slg. Hüseyin A. Dogan Medaillen auf die tükische Geschichte, 15-16 October 2008, Slg. Russland, 17-18 October 2008; and catalogues from Münzen und Medaillen comprising nos 34 (6 May 1967), and 60 (21 September 1982); Herbert Cahn, Auktion 1 (15 June 1998); Timeline Auctions, 9-12 September 2015 and 24-27 May 2016; Superior Galleries, Fine Antiquities Action, 8-9 June 1993; NFA Classical Auctions, Egyptian, Near Eastern, Greek and Roman Antiquities, 11 December 1991 and Scarabs and Design Amulets: a Glimpse of Ancient Egypt in Miniature, 11 December 1991; Hesperia Arts Auction Ltd, Antiquities, Part I and II, 27 November 1990; Ariadne Galleries, Byzantium: The Light in the Age of Darkness, 2 November 1988-31 January 1989; Ariadne Galleries, Idols: The Beginning of Abstract Form, 30 November 1989-31 January 1990; David Aaron Gallery, IV, 2020, Jean-David Cahn, Tiere und Mischwesen, Katalog 11, December 1999; Münzen und Medaillen, Sonderliste O, December 1972; Edward H. Merrin Gallery, The Majesty of Ancient Egypt and the Classical World, 1986; The Summa Galleries Inc, Catalogue 1: Ancient Art, December 1976; Frederick Schultz/Ancient Art, Egyptian Art: the Essential Object, 28 May-25 June 1987; L'Ibis Gallery Ltd, Deities and Dignitaries in Ancient Egyptian Art, 1989; Gawain McKinley Ltd., Ancient Glass and Glazed Wares, Year 3; Gawain McKinley Ltd., Ancient Glass and Glazed Wares, Year 1; Rupert Wace Ancient Art, Summer 1990; Daedalus Gallery, Selections from the Opening Exhibition; Daedalus Gallery, Father Deities, 24 October-1 December 1990; Palladion, Antike Kunst, Katalog 1976; Nefer Gallery Ancient Art nos 1, 4 (1986) and 9 (1991); R. Nichols, Greek Gods & Goddesses in Miniature: an Exhibition of the Chesterman terracotta collection, 1978; The Fitzwilliam Museum, Classical Heritage: Greek and Roman Art from the Cambridge College Collections, 1978; (QTY)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 237
A collection of reference books and auction catalogues on glass P. Fossing, Glass Vessels Before Glass-Blowing, 1940; S. Matheson, Ancient Glass in the Yale University Art Gallery, 1980; F. Fremersdorf, Die Römishcen Gläser Mit Schliff, Benalung und Goldauflagen aus Köln, Band VIII, 1967 (x2); F. Fremersdorf, Das Naturfarbene Sogenannte Blaugruene Glas in Köln, Band IV, 1958; F. Fremersdorf, Römische Gläser mit Fadenauflage in Köln, Band V, 1959; F. Fremersdorf, Römishces Geformtes Glas in Köln, Band VI, 1961 (x2); F. Fremersdorf, Die Römischen Gläser Mit Aufgelegten Nuppen in Köln, Band VII, 1962; Musée du Luxembourg, A l'aube de la France: La Gaule de Constantin à Childeric, February-May 1981; A. von Saldern, Ancient Glass in the Museum of Fine Arts Boston, 1968; P. La Baume, Glas der Antiken Welt I, 1975; E. Riefstahl, Ancient Egyptian Glass and Glazes in the Brooklyn Museum, 1968; D. Harden, Catalogue of Greek and Roman Glass in the British Museum, Vol. I, 1981; A. von Saldern, Glass 500 B.C.-A.D. 1900: The Hans Cohn Collection, 1980; D. Harden et al., Masterpieces of Glass, British Museum 1968; W. Warmus, Emile Gallé: Dreams into Glass, Corning Museum, 1984; D. Whitehouse, English Cameo Glass in the Corning Museum of Glass, 1994; Kunstmuseum Luzern, 3000 Jahre Glaskunst: von der Antike bis zum Jugendstil, 1981; A. von Saldern, Glas-Antike bis Jugendstil, 1995; P. La Baume and J. Salomonson, Römische Kleinkunst Sammlung Karl Löffler, Band III, 1976; Y. Israeli, Ancient Glass Museum Haaretz Collection, 1964; O. Doppelfeld, Das Kölner Diatretglas und die Anderennetz-Diatrete, 1961; Ancient Glass from the Alfred Wolkenberg Collection, Exhibition October 1964-January 1965; M. Vanderhoeven, Verres Romains Tardifs et Mérovingiens du Musée Curtius, 1958; G. D. Weinberg, Glass Manufacture in Hellenistic Rhodes, 1971; M. Newby and K. Painter, Roman Glass: Two Centuries of Art and Invention, 1991; D. Barag, Catalogue of Western Asiatic Glass in the British Museum, Vol. I, 1985; S. Goldstein, Pre-Roman and Early Roman Glass in The Corning Museum of Glass, 1979; G. Eisen, Glass, Vols. I and II, 1927; M. Kovacek, Glas aus 5 Jahrhunderten, 1993; P. Lasarus, Cinzano Glass Collection, 1974; T.S. Buechner et al., Stanislav Libenský, Jaroslava Brychtová: a 40-Year Collaboration in Glass, 1994; C. Sheppard and J. Smith, Engraved Glass: Masterpieces from Holland, 1990; R. Charleston et al., The Glass Circle 1, 1972; Antiquarium Ltd, Reflections of Antiquity Ancient Glass through the Ages, 1989; J. Price, Glass Vessel Production in Southern Iberia in the First and Second Centuries A.D.: A Survey of Archaeological Evidence, 1987; Brooks Memorial Art Gallery, Ancient Glass from the Alfred Wolkenberg Collection, October 1964-January 1965; The Toledo Museum of Art, Museum News, Ancient Glass, Vol. 20, No. 3, 1978; The Corning Museum of Glass Annual Report, 1990; Gallery Mikazuki, An Exhibition of Ancient Near East, Mediteranian Art and Archaeology, 28 March-9 April 1977; Gallery Mikazuki, An Exhibition of Ancient Glass and Glazed Ware collected by G. McKinley and K. Ishiguro, 14-26 July 1975; Smithsonian Institution, Ancient Glass in the Freer Gallery of Art, 1962; Sheppard & Cooper Ltd., An Exhibition of Glass of the Roman Empire, 4-12 December 1976; Sheppard & Cooper Ltd., Roman and Re-Roman Glass An Exhibition, 9-25 November 1978; Sheppard & Cooper Ltd., Glass: the Eighth Wonder of the Ancient World, 1994; Sheppard & Cooper Ltd., Glass of the Dark Ages, 1995; Sheppard & Cooper Ltd., A Collection of Glass from the Etruscan Tombs; Gawain McKinley Ltd., Ancient Glass and Glazed Wares, Year 3 (x2); Gawain McKinley Ltd., Ancient Glass and Glazed Wares, Year 1 (x2); Michael Ward Inc., Ancient Glass and Its Legacy, 1986; Sotheby's London Antiquities Catalogues The Constable-Maxwell Collection of Ancient Glass, 4-5 June 1979; The Krug Collection of Ancient Glass Part II, 7 December 2981; Ancient Glass, 20 November 1987; Important Ancient Glass from the Collection formed by the British Rail Pension Fund, 24 November 1997; Christies London Antiquities Catalogues Ancient Glass, 5-6 March 1985; The Alfred Wolkenberg Collection of Ancient Glass, 9 July 1991; Ancient Egyptian Inlays from the 'Per-neb' Collection, Part II, 7 July 1993; Antiquities and Islamic Works of Art, Sotheby's New York, 2 May 1975 (QTY)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 240
A group of books on Ancient Bronze Including: G. Faider-Feytmans, Les Bronzes Romains de Belgique, Vol. I, Text, 1979; G. Faider-Feytmans, Les Bronzes Romains de Belgique, Vol. II, Plates, 1979; H. Menzel, Die Römischen Bronzen Aus Deutschland, Vol. II, Trier, 1966; H. Menzel, Die Römischen Bronzen Aus Deutschland, Vol. III, Bonn, Text, 1986; H. Menzel, Die Römischen Bronzen Aus Deutschland, Vol. III, Bonn, Plates, 1986; A. Kaufmann-Heinimann, Die Römishen Bronzen Der Schwiez, Vol. I, Augst, 1977; A. Leibundgut, Die Römischen Bronzen Der Schweiz, Vol. II, Avenches, 1976; A. Leibundgut, Die Römischen Bronzen Der Schweiz, Vol. III, Westschweiz Bern und Wallis, Text, 1980; A. Leibundgut, Die Römischen Bronzen Der Schweiz, Vol. III, Westschweiz Bern und Wallis, Plates, 1980; G. Faider-Feytmans, Recueil des Bronzes de Bavai, 1957; R. Rolland, Bronzes Antiques de Haute Provance, 1965; H. Menzel et al., Römische Bronzen aus Bayern, 1969; Kestner-Museums Hannover, Römsche Bronzen, 1964; B. Popovic et al., Antiča Bronza u Jugoslaviji, 1969; S. Boucher, Intentaire des Collections Publiques Francaises, 17, Vienne, Bronzes Antiques, 1971; J. Petit, Bronzes Antiques de la Collection Dutuit: Grecs, Hellénistiques, Romains ed de l'Antiquité Tardive, 1980; S. Boucher, Bronzes: Grec Hellénistices et Étrusques des Musées de Lyon, Vol. II, 1970; S. Boucher, Bronzes Romains Figurés du Musée des Beaux-Arts de Lyon, Vol. IV, 1973; S. Boucher and S. Tassinari, Bronzes Antiques du Musée de la Civilisation Gallo-Romaine a Lyon, Vol. I, 1976; Prof. Dr. J. Sieveking, Antike Metallgeräte, 1925; R. Pirling, Römer und Franken am Niederrhein, 1986; A. Fol et al., The New Thracian Treasure: from Rogozen, Bulgaria, 1986; G. Nicolini, Les Bronzes Figurés des Sanctuaires Ibériques, 1969; Exhibition Catalogue, Trésors des Princes Celtes, Galeries Nationales du Grand Palais, October 1987-February 1988; A. Kosloff and D Mitten, The Gods Delight: The Human Figure in Classical Bronze, 1988; M. Cristofani, I Bronzi degli Etruschi, 1985; A. Busignani, The Bronzes of Raice, 1981; G. Colonna, Bronzi Votivi Umbro Sabellici a Figura Umana, I-Periodo 'Arcaico', 1970; F. Johansen, Reliefs en Bronze D'Étrurie, Glyptothèque Ny Carlsberg, 1971; R. O'Driscoll ed., The Celtic Consciousness, 1981 (31)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 242
A group of Egyptian and Near Eastern reference books Including: H. Müller, Ägytische Kunstwerke, Kleinfunde und Glas in der Sammlung E. und M. Kofler-Truniger, Luzern, 1964; J. Haynes, Privately Owned Egyptian Antiquities in Ontario, Fascicle I: Shabtis, 1983; Museum of Fine Arts Boston, A Table of Offerings, 1987; T. James, An Introduction to Ancient Egypt, 1979; C. Aldred, Old Kingdom Art in Ancient Egypt, 1949; W. Hayes, The Scepter of Egypt, Part One: From the Earliest Times to the End of the Middle Kingdom, 1953 (x2); W. Hayes, The Scepter of Egypt, Part Two: The Hyksos Period and the New Kingdom, 1959; A. Kozloff and B. Bryan, Egypt's Dazzling Sun: Amenhotep III and his World, 1992; P. Amiet, Collection David-Weill Les Antiquites du Luristan, 1976; J.-C. Margueron, Mesopotamia, 1965; L. Stager, Ashkelon Discovered: From Canaanites and Philistines to Romans and Moslems, 1991; P. Amiet, Elam, 1966; F. Shinji and T. Satoshi, Persian Ancient Ceramics, 1980; Hayward Gallery,The Arts of Islam, 1976; E. Strommenger et. al., Sumer, Assur, Babylon: Sieben Jahrtausende Kunst und Kultur an Euphrat und Tigirs, 1978; H. Frankfort, The Pelican History of Art: The Art and Architecture of the Ancient Orient, 1970; D. Dinwiddie, ed., et al., Portraits of the Masters Bronze Sculptures of the Tibetan Buddhist Lineages, 2003; F. Dumas, La Tombe de Childéric, Père de Clovis, 1982; B. Radice, Who's Who in the Ancient World, 1973; R. Camber, A Hoard of Terracotta Amulets from the Holy Land, 1981; The Bulletin of the Cleveland Museum of Art, March 1976; The Bulletin of the Cleveland Museum of Art, March 1987; The Bulletin of the Cleveland Museum of Art, October 1989; The Bulletin of the Cleveland Museum of Art, November 1993; MVSE, Journal 1989-1992 (x3 books); Apollo, Vol XI, no. 65, May 1930 (29)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 8018
18ct gold oval light blue Ceylon sapphire and round brilliant cut diamond cluster ring, London 1995, sapphire approx 1.60 caratCondition Report:Approx 4.15gm, size R-S two sizing beads within the ring, few light surface nibbles to sapphire top facet would benefit from being polished, sapphire measures 7.98mm x 6.35mm x depth 4.2mm, bright well matched diamonds, overall head = 12mm x 11mm
Lot 8093
Gold single stone pearl ring, stamped 9ct, cameo ring and silver jewellery including tanzanite and diamond cluster ring, cubic zirconia cluster ring, abstract design pendant necklace and two other necklaces, all stamped or hallmarkedCondition Report:pearl ring approx 2.5gm, size R-S, cameo ring shank and some of the setting is 9ct gold however cameo mount/surround is gold-plated (probably converted from a brooch) approx 6.35gm
Lot 8098
Early 20th century 9ct gold glass portrait frame brooch, 9ct gold tigers eye ring and a Victorian silver 'Mizpah' ring, Birmingham 1881Condition Report:Brooch approx 19gm (gross), gold ring approx 3.3gm, brooch dimensions 7.3cm, tigers eye ring size S, stone loose in setting, Mizpah ring size Q-R (shank bent)
Lot 199
NOTES FOR COMMANDING OFFICERS ISSUED TO STUDENTS AT THE SENIOR OFFICERS SCHOOL, ALDERSHOT, 1918, Aldershot, 1918, 1st edition, original cloth worn and soiled + GENERAL STAFF WAR OFFICE: FIELD SERVICE POCKET BOOK, HMSO, [1915], folding plate 18 with part loss, original limp cloth worn, folding trench map of Hollebeke corrected to 26.1.17 in pocket at front + SIR JAMES LEWIS SLEEMAN: FIRST PRINCIPLES OF TACTICS AND ORGANISATION (WAR EDITION 1915)..., London, Gale & Polden, 1915, original cloth + BRIG-GENERAL R A K MONTGOMERY: LECTURE DELIVERED BY ... AT THE CAMP OF THE 8TH DIVISION NEAR WINCHESTER ON 30TH OCTOBER 1914, original wraps browned + FIELD SERVICE REGULATIONS PART ONE OPERATIONS 1909 (REPRINTED WITH AMENDMENTS 1912), HMSO, [1912], original cloth + INFANTRY TRAINING (4-COMPANY ORGANISATION), 1914, HSMO, 1914, original cloth + E JOHN SOLANO (ED): FIELD ENTRENCHMENTS, SPADE WORK FOR RIFLEMEN..., London, John Murray, 1914, original cloth + SOLDIERS PAY BOOK FOR USE ON ACTIVE SERVICE, [1914], unissued, original cloth + WHAT EVERY SOLDIER OUGHT TO KNOW, Oxford University Press, 1915, 2nd impression, small format, original limp cloth (9)
![TESTAMENTI VETERIS BIBLIA SACRE SIVE LIBRI CANONICI PRISCAE LUDAEORUM ECCLESIAE A DEO TRADITI..., London, G P [Ishop], R N [E](https://cdn.globalauctionplatform.com/05bf9b26-a477-4f7a-b172-aec4006e9101/92b1bdc0-15d9-4f2b-b170-aecb00b250a3/468x382.jpg)
Lot 212
TESTAMENTI VETERIS BIBLIA SACRE SIVE LIBRI CANONICI PRISCAE LUDAEORUM ECCLESIAE A DEO TRADITI..., London, G P [Ishop], R N [Ewbery] and R B [Arker], 1593, 6 parts with divisional title pages, part 4, The Apocrypha and New Testament dated 1592, Apocrypha bound in at end, collates complete as per copy held at The University of Cambridge Library, fo, old calf worn, top board detached with title page and following leaf, later end papers
![C A PHILLIPS & R CLAUDE CANE: THE SPORTING SPANIEL, Manchester 'Our Dogs', [1927], 1st edition, original limp cloth + PEG](https://cdn.globalauctionplatform.com/05bf9b26-a477-4f7a-b172-aec4006e9101/e610c132-8d2d-4dc3-8498-aecb00b26e47/468x382.jpg)
Lot 220
C A PHILLIPS & R CLAUDE CANE: THE SPORTING SPANIEL, Manchester 'Our Dogs', [1927], 1st edition, original limp cloth + PEGGY GRAYSON: THE SUSSEX SPANIEL, Woodbridge, The Boydell Press, 1989, 1st edition, original cloth, d/w, vgc + MR & MRS R WILTON-MEYER: CLUMBER SPANIEL, Neptune City, New Jersey, NT, original pictorial laminated boards, d/w, vgc + BRIAN GHENT & ERIC GILLIBRAND: THAT'S A GOOD DOG, London, Seeley Service, [1953], 1st edition, original cloth, d/w (price clipped and part losses) + JOHN HOLMES: THE CHOICE AND TRAINING OF THE FAMILY DOG, London, Popular Dogs, 1966 reprint, original cloth, d/w (price clipped and rubbed) + KATE HUMBLE: FRIEND FOR LIFE, THE EXTRAORDINARY PARTNERSHIP BETWEEN HUMANS AND DOGS, London, Headline, 2016, 1st edition, original cloth, d/w, vgc + CATHERINE JOHNSON: DOGS, London, Phaidon Press, 2007, 1st edition, original cloth backed boards, photographic pictorial label, vgc (7)
Lot 234
LESLIE BROWN: BRITISH BIRDS OF PREY, London, Collins, 1976, 1st edition, New Naturalist Series No 60, original cloth (unpriced and spine faded), + ERIC SIMMS: BRITISH THRUSHES, London, Collins, 1978, 1st edition, New Naturalist Series No 63, original cloth, d/w (price clipped and spine faded) + W G HALE: WADERS, Collins, 1980, 1st edition, New Naturalist Series No 65, original cloth, d/w (spine faded) + NIGEL WEBB: HEATHLANDS, London, Collins, 1986, 1st edition, New Naturalist Series No 72, original cloth, d/w (unpriced and spine faded) + GRAHAM R HARRISON & OTHERS (EDS): STUDLEY WEST MIDLAND BIRD CLUB 1982, 1st edition, original cloth, d/w (5)
![R H MOTTRAM: 2 titles: BUXTON, THE LIBERATOR, London, Hutchinson, [1946], 1st edition, contemporary inscription on ffep, orig](https://cdn.globalauctionplatform.com/05bf9b26-a477-4f7a-b172-aec4006e9101/08423ed2-98fb-4c02-9d26-aecb00b2bb55/468x382.jpg)
Lot 238
R H MOTTRAM: 2 titles: BUXTON, THE LIBERATOR, London, Hutchinson, [1946], 1st edition, contemporary inscription on ffep, original cloth, d/w (part losses); ANOTHER WINDOW SEAT, London, Hutchinson, 1957, vol 2, inscription on ffep, original cloth, d/w (small part losses) + R W KETTON-CREMER: 2 titles: A NORFOLK GALLERY, London, Faber & Faber, 1948, 2nd impression, original cloth, d/w (price clipped); NORFOLK ASSEMBLY, London, Faber & Faber, 1957, 1st edition, original cloth, d/w + JAMES M ROSENHEIM: THE TOWNSHENDS OF RAYNHAM, Middletown, Connecticut, Wesleyan University Press, 1969, 1st edition, original cloth, d/w, vgc + ALAN MACKLEY: JOHN BUXTON, NORFOLK GENTLEMAN AND ARCHITECT, LETTERS TO HIS SON 1719-1729, Norfolk Records Society, 2005, 1st edition, vol 69, original cloth, d/w, vgc + TREVOR HEATON: A SCANDAL AT FELBRIGG, THE TRUE STORY OF THE NOTORIOUS MISS WILLOUGHBY AND 'MAD' WINDHAM, Dereham, Bosworth Books, 2012, 1st edition, original pictorial wraps (7)
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