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Lot 96
An early 19th Century Newcastle type Davy oil lamp by R Watson (stamped to cover) CONDITION REPORTS Unknown if complete, has general wear and tear, rusting, surface scratching etc - see images for further details. Has some denting to the base as well as some cracks/fault lines. Inside the gauze there is a heavy metal component at the top. No glass. No movement in the vertical bars. Approx height excluding handle 26 cm.
Lot 181
Charles II, Third hammered coinage, halfcrown, m.m. crown (S. 3321), fine; other halfcrowns (15), Charles II-George II, 1679. 1682, 1687, 1689, 1697 (2), 1697 c, 16 (96 or 97) e, nono, 1697 n, nono, 1708 e, 1713, plain and roses and plumes, 1745 lima, 1746 lima, 1750, 1713 r&p good fine, others fair to fine; together with sixpence, 1746 lima, penny 1745, good very fine (17)
Lot 266
*Turner (William, 1789-1862, & others). Album of watercolour, wash and pencil views of Oxford, Oxfordshire and the South of England, circa 1822-71, a mid-19th century folio album containing approximately 50 various watercolour views, pencil drawings, by or attributed to William Turner of Oxford and other artists, including At Botley, Berks., Botley Old Mill, Forest Hill, Magdalen College Tower, Saltwood, Kent (1842), St. Lawrence, Isle of Wight (1842), Alderley Rectory (1839), Malvern, Chichester (1842), Sedgley, Staffordshire, Tintern, Malver, The Old Greyhound Inn, Gravel Walk, Magdalen College, Iffley Church, Littlemoor Church, as first built by Rev. J.H. Newman & his mother, Blenheim (11 July 1834), Monument, Blenheim, Oxford from Holywell, Pembroke College Dining Hall, etc., many executed in blue, brown and grey watercolour wash, 5 botanical studies (initialled S.G., E.M.P. and LAM), 2 pencil drawings entitled The Hermit and Gravestone Radley Church, by W.A. Delamotte (1775-1863), Ruins of Beaumont Palace, Oxford, by Miss Bathurst, Ethorpe, Oxfordshire by Heythrop, Witney Church by Mackenzie, Iffley Mill by R. Mingaye, 1869, Front Entrance of New College, Oxford, by A.J. Mingaye, 1871, Alfred Street, St. Giles's, Oxford, by A. Mingaye, 1864, 3 watercolour views by R. Davidson of Godstow Nunnery, near Oxford, 1854, Remains of the Chapel of Godstow Nunnery, 1855, & Remains of Newby Abbey, Oxford, 1855, plus 44 various photographs of similar locations, including Worcester Cathedral, Malvern, Little Malvern Church, Newlands, Gloucester Cathedral, Tewkesbury, Goodrich Castle, Entrance to Dugdale, Ludlow, Witney and Bury St. Edmunds, all mounted into album leaves, various sizes, original brown half morocco gilt, rubbed and some wear, with backstrip detached, folio (34.5 x 25.5 cm, 14 x 10 ins) (1)
Lot 187
WW1 East Lancashire Regiment pair both correctly inscribed 24263 Pte F Redman E. Lan. R. Replacement ribbons plus framed picture of soldier wearing East Lancs uniform. Dedication reads: Your brother Harry and a Lancashire Fusiliers hand painted velum parchment depicting the battle honours of the 20th of Foot, the Lancashire Fusiliers, showing the battle honours up to and including the Boer War, on scrolls entwining garlands surrounding the badge of the regiment and an Imperial Crown. In gilt frame under glass, 13 cm by 10 cm
Lot 181
WW1 Distinguished Conduct Medal group - Royal Engineers. BWM & Victory medals correctly inscribed to 432173 Sjt JW Hill R.E. DCM correctly inscribed 432173 Spr A Sjt JW Hill RE. Sjt Hill served with the Divisional Signals Company of the 57th West Lancashire Division. Citation in the London Gazette 11 March 1920 reads: 432173 Spr. (A. Sjt.) J.W. Hill 57th (W. Lan.) Div. Sig. Coy., R. E. T.F. (Preston). For gallantry in leading his cable detachment during the operations against Lille in October, 1918. It was mainly due to him that telephone communication was maintained throughout these battles.
Lot 281
Godfrey Place VC signed RNSC(2)1 Navy cover comm 75th ann of the launch of the Submarine cover. Also signed by Lt Cdr R Jones OC HMS Onyx. Good condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95.
Lot 411
Dr Gordon Mitchell signed Benham official 1995 Booklet Centenary R J Mitchell aircraft designer BLCS107b FDC. Good condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95.
Lot 195
A pair of diamond set earrings by Piaget, each a looped and reeded band set at intervals down the length with sets of six round brilliant cut diamonds, post and clip fittings engraved L and R (the earrings are book-matched castings, so have a left and right), signed Piaget on edges, and '© Piaget 1990', further marked '750' for 18ct gold, and with serial or design number A03617, length 2.3cm
Lot 555
Edward Robert Smythe (British, 1810-1899) A beach scene, probably on the coast of North Norfolk, with a cottage, figures and ponies near a cottage and fishing vessels signed lower right "E R Smythe" oil on canvas, unlined 51 x 77cm (20 x 30in) Oil on canvas which is unlined and has a supplier's stamp on the reverse for the Winsor and Newton company. The canvas is slightly slack but generally in a good condition. The paint layers are in a good condition overall. There is a thin layer of yellowed varnish and some surface dirt including fly spots. The frame is in a poor condition with loose and flaking gesso and gilding.
Lot 581
W *** R *** Waters (British, fl. 1829-1877) View of Dover Castle, Kent, with a fruit and vegetable market in the foreground signed lower right "W R Waters" oil on canvas 60 x 44cm (23 x 17in) Lined. Craquelure overall. The painting is in oil on canvas which has been stiffly lined. The paint layer is stable. There are a few localised areas of retouching. The painting has a glossy varnish which is slightly yellowed but acceptable. The gilding on the frame is flaking.
Lot 605
Edward Robert Hughes, RWS (British, 1851-1914) The Nymph Callisto signed lower right "E R Hughes" watercolour, gouache and bodycolour on panel 37 x 28cm (14 x 11in) Exhibited: London, The Royal Society of Painters in Water Colours, No. 3 (date unknown)Other Notes: Edward Robert Hughes was a British painter and watercolourist. He was nephew of the Pre-Raphaelite artist Arthur Hughes and studio assistant to William Holman Hunt. He was also model to Dante Gabriel Rossetti who wrote of one of Hughes' works that it was "exquisite in feeling, poetry, and colour". Hughes exhibited widely including the Royal Academy of Arts and was Vice President of the Royal Society of Painters in Watercolours. Having spent a year studying in Paris, Hughes was as much a Symbolist as a Pre-Raphaelite. He would often experiment with ambitious techniques and paid incredible attention to detail, using, for example, gold to paint fine strands of hair. His work is in public collections including Birmingham Museum and Art Gallery, the Ashmolean Museum, Oxford and the National Trust for Scotland. Callisto, a nymph of King Lycaon, was transformed into a bear and set among the stars as Ursa Major ("the Great Bear") - she was the "bear-mother" of the Arcadians through her son Arcas. Condition report: The panel is bowing slightly, visible in the middle when looking side on. There are three foxing spots - one below Callisto's eye, one on her chin and one in the bluebells. Colours are fresh and good. Old original gilt frame, and the panel is out of the frame at the moment, for viewing purposes. Old exhibition label to the reverse. From the collection of the late Eila Grahame of Claverhouse.
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