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A Belgian 32 calibre pistol, bearing mark to body "R" with crown above, housed in a leather holster CONDITION REPORTS No certification. Of obsolete calibre and not deactivated. The barrel runs freely suggesting that the piece needs attention. Appears to have had corrosion and rusting which appears to have been cleaned. There is wear and tear to the handles. Screws have clearly been taken in and out, damage to the heads. Wear and tear conducive with age and use. See images for more details.
AFTER W H OVEREND "The War in the Sudan: Starting for Khartoum - Sir Charles Wilson with an Escort in the Sussex Regiment Embarking at Gubat to go up the Nile", coloured Illustrated London News illustration, heightened with white, together with three similar studies AFTER F VILLIERS "The 19th Hussars Charging the Enemy at the Second Battle of Teb, February 29", AFTER R CAYTON WOODVILLE "The War in the Soudan: An Affair with Outposts" and AFTER SIDNEY PAGET "The Scots Guards Marching Through Alexandria on Their Way to Ramleh", each approx 33 cm x 48 cm
AFTER R CAYTON-WOODVILLE "The Nile Expedition - The Advance on Khartoum: Capturing the Enemy's Supplies", AFTER G DURAND "At Bay - The Battle of Isandula, January 22 1879", AFTER W H OVEREND "The Zulu War: Colonel Pearson's Column Crossing the Tugela" and AFTER R C WOODVILLE "The Zulu War: On the Road to Ulundi, hand-coloured engraved plates for The London Illustrated News, each approx 33 cm x 49 cm
AFER R CAYTON-WOODVILLE "The Camel Corps for the Nile Expedition", black and white engraving by R Taylor for The London Illustrated News, later hand-tinted and heightened with white, approx 30 cm x 25 cm, together with three further similar studies including "The War in Egypt: The Scots Guards Embarking at Westminster Bridge on Sunday Morning Last", "The Afghan War: Guns Crossing the Khojak Pass on the Road to Candahar" and "The Rebellion in Afghanistan - Group of the Corps of Guides, Some of Whom Formed the Escort of the British Embassy at Cabul" (4)
Robinson and Leadbeater two parian ware figure groups, one entitled 'Evening Dew' measures 34cm high, the other measures 31cm high, both with 'R&L' marks to the reverse (2) Condition: Surface dust, dirt and scratches. RC209 example cherub/instrument damaged and repaired. Crack to the lady’s leg on the same figure. Restored chips on the robes.
An 18ct white gold five stone diamond ring, a row of graduated brilliant cut diamonds, claw set to the scrolling carved-style head, with eight cut diamonds grain set at the interstices, to a 'D' section shank, Sheffield 1999, 5.50g.Finger size RCondition report: Underneath of the diamonds a little dirty, would benefit from being cleaned.At base of ring shank slightly thinner, and uneven, where previously sized.Surface marks/scratches to mount.The claws to the end diamonds a little worn, but stones still appear secure.
A Victorian gold five stone turquoise ring, with a row of graduated oval cabochon turquoise, claw set to scrolling gallery, with plain shank, tested as approximately 18ct gold, together with a gold five stone opal ring, one opal deficient, tested as approximately 18ct gold, 7.06g total (2)Finger size R, HCondition report: Turquoise ring:Some discolouration to the turquoise.Surface marks/scratches to gold.Opal ring:One opal missing.Wear/abrasions to the remaining opals.Claws worn.Surface marks/scratches to mount.
A 9ct gold diamond cluster ring, with eight cut diamonds claw set to a lozenge, to tapered chenier shoulders and a 'D' section shank, Sheffield, head 8.2 x 10.3mm, together with a 9ct gold sapphire cluster ring, Birmingham 2002, head 11.5 x 16.2mm, 4.26g total (2)Finger size K, RCondition report: Surface reaching inclusions to some of the diamonds.Surface reaching inclusions to some of the sapphires.Minor surface marks to mounts of both rings.Maker's mark to sapphire ring appears to have been scratched out.
A gold vacant ring mount with diamond shoulders, a vacant four claw oval collet to the centre, with a trefoil of brilliant cut diamonds rub set at each side, to a 'D' section shank, tested as approximately 18ct gold, 3.16g.Finger size RCondition report: Collet at the centre is vacant.It's possible the claws would need some work before a stone is set.Surface marks/scratches to mount.A sizing/solder join is just visible at the base of the shank.
Box of vintage and antiquarian books to include; a Christmas 1903 scrap album, 9 volumes of 'My Garden' all 1930's, a quarter calf bound 'History of Great Britain' Volume II dated 1895, 'The Green Roads of England' by R. Hippisley Cox, 'The Story of Princess Elizabeth & Princess Margaret' by Anne Ring, 'Blackies Science for Beginners Animal Physiology', 'Family Herbal', 'Story of 25 years' compiled by W.J Makin celebrating the Royal Silver Jubilee 1910-1935.(B.P. 21% + VAT)
Box of Beatles records to include LPs and singles. Possible first pressing of 'Please Please Me' 45rpm, red label, marked: 45-R 4983 (7XCE. 17217); parlophone singles including: 'Ticket to Ride'; 'Love Me Do'; 'The Beatles' Hits', extended play; 'The Beatles' Movie Medley' etc. Apple 45rpms including: 'Hey Jude'; 'Get Back'; 'The Ballard of John and Yoko'; 'Let it Be' etc. Odeon, 'All You Need is Love', 42 singles in total. Twenty LPs including: 'Let it Be'; 'Help'; 'Sgt. Peppers Lonely Hearts Club Band'; 'White Album' (x2); 'Rubber Soul'(x2); 'Revolver' etc. (a number of duplicates). Together with a possibly 1960's, Beatles tea tray. (See additional images)(B.P. 21% + VAT)
Webb Corbett, an English cut glass vase1930s, with acid maker's markFlared form on a circular spreading foot, both the side and the foot with cut decoration, 24 cm high; together with a Webb Corbett cut glass decanter (no stopper) designed by Irene Stevens, c.1949, with a set of 8 sherry glasses and two port glasses, each cut with with horizontal banding and circular discs, two sherry glasses and one port with maker's marks, 19.5 cm, 10.5 cm and 9.8 cm high respectively (12)Literature: Charles R. Hajdamach, '20th Century British Glass', Woodbridge, 2009, p.279, pl. 593, (vase illustrated with similar pattern found on the decanter and glasses)Light natural wear, a few abrasions and scratches. No stopper with the decanter. Only vase, 2 sherry & 1 port glass marked.
Paul Raoul Larthe, a Costume design for Icare 20th Century, signed 'Paul R. Larthe' (both lower left and lower centre) Watercolour and body colour, on paper/card further inscribed and dedicated 'ICARE. amis d'Icare, THEATRE-NATIONAL-DE-L'OPERA-PARIS-, Pour madame Norman en téimognage d'amitié' pencil, framed and glazed Sheet/image 42 cm x 63 cm Not removed from frame. Sheet/card heavily foxed overall.Christie's auction label on reverse for 'An Aristocratic Chateau on the Cote d'Azur' 14 July 2020, Lot 63
A French solifleur ceramic vase attributed to Félix Optat Milet, Sevres c.1890, printed 'Sevres', painted 'R' on underside of base The baluster form decorated with flowers and leaves in slip-trailing and colours, against a textured gilt ground 19.5 cm high A tiny nick to the foot on the base rim. Some texturing to the glaze on the end of the white flowers but this appears to be from the firing. Light natural wear to base.
René Lalique (French 1860-1945), a clear and frosted scent bottle and stopper 'Misti' for Piver (L.T.) - 4 Flacon Designed 1912, moulded R Lalique The bottle of compressed form moulded in intaglio with butterflies, the top of the stopper moulded with a flower 5 cm high, 8 cm wide (2) There is a small bruise on the side edge of the bottle, a small chip on the outside of the neck, a couple of small necks beneath the frosting, and some tiny nicks to the inside of the neck and on end of shank. The bottle wobbles slightly. The stopper is not frozen.
Lalique (French 1860-1945), an ‘Yvelines’ clear, frosted and sepia stained glass vase No.975, Designed 1926, wheel cut R. Lalique France The oviform with lug handles moulded with a deer and leaves, the leaves partly extending on to the plain body 19.8 cm highThere are some horizontal scratches on one side, one quite long; with some further abrasions and scratches. Wear and fine scratches to the top on the neck rim. A few bubbles and in the glass and two mould stress lines on the bottom inside, but these are how it was made.
Rubaiyat of Omar Khayyam, with inscription To Mr Morshead from Mary R, Badminton 1942, with two press cuttings reporting on a visit by Queen Mary to George Bayntun's, Bookbinders in Bath, accompanied by Mr O F Morshead, (chief librarian of Windsor Castle), this being where the Queen made several purchases, one of which she subsequently presented to Mr Morshead, illus, ge, red mor gt, slip case, 12mo, 1933, marked Bound by Bayntun (Riviere), Bath, England.
Eight Flying Log Books of R C Bovill RCAF and later, RNAS for the years 21st Oct 1943 to 2nd Sept 1991, in particular covering flying training in Canada, 1943-4 and transfer to Naval Instrument Flying School to the end of the war; Pilots Notes for Seafire I, II and III, Baracuda Mks II and III, Sea Fury 10 and 11 (x2), Mustang III and Firefly 4 and 5; an I.C.A.N. calibration navigational computer Mk III and other items.
Warden (William), Letters Written On Board His Majesty's Ship The Northumberland and at St Helena ........ of Napoleon Bonaparte, 2nd edn, frontis, plt, folding facsimile, cl, (bds detached and taped), 8vo, 1816, two other early-19th century volumes and A Short History of Napoleon the First by J R Seeley, cl gt, 8vo, 1886, (4).
Second quarter of 19th century paired cased silver pocket watch having gold hands to a white enamel dial with black Roman numerals, minor losses and hairline cracks, dial diam 4.5cm, the verge movement signed "R H Bullock, Bungay" and numberred 66516, both cases bearing the London hallmark for 1840
Charming letter signed Catherine R. (Catherine of Braganza) to the Marquis De Sande (the Spanish envoy) who had arranged her marriage with Charles II expressing the wish that he could stay some time in England and give her the opportunity to prove her friendship for him, London 1st March, 1666, 8ins x 11.5ins approximately, folded and stuck down
One page letter signed James R. (Francis Edward Stuart - the old pretender) to Lady Dillon, thanking her for her New Year's greetings and assuring her that she will always be glad of occasion to show her and her family particular regard and consideration, Rome, 28th January, 1744 / 5, together with an autograph letter, signed Clementine R. to Lady Dillon, informing her she had shown her letter to her husband (King James), 28th April, 1733
Eight early 19th Century miniature leather bound volumes, ' The Spectator ' published London by Suttaby Evance & Fox and B & R Crosby, thirteen miniature volumes ' The Handy Volume Shakespeare ' by Bradbury, Evans & Co. 1868, a red leather bound and silver mounted Book of Common Prayer and three other small similar hymn and prayer books
One volume ' Her Majesty Queen Mary, an Authoritative Portrait of a Great Lady in her Years as Queen Mother ', by Louis Wulff M.V.O. Sampson, Low, Marston and Co. Ltd, Gilbert Street, London, bound in gilt tooled vellum and signed - Mary R. 1950 (warping to the boards and slight foxing to the covers, early and late pages)
A white stoneware David & Goliath jug, Thomas Till & Son, impressed marks, 20.5cm; blue stoneware Judgment of Solomon jug, Wood & Brownfield, impressed mark, 17cm; white stoneware Samuel & Eli jug, possibly T & R Boote, unmarked, 20cm; and white stoneware Ruth jug, Cork, Edge & Malkin, printed marks, 18cm.
A Parian type Aristo and Tasso jug, with profile portrait roundels, Samuel Alcock & Co, printed marks and no. 184, 21cm; a white stoneware 'Arabic' jug, probably Samuel Alcock & Co, named, 19cm; a white glazed Marriage Procession jug, probably Minton, no. 119 on a scroll, 16cm; and a large white stoneware Samuel & Eli jug, probably T & R Boote, Britannia Metal hinged lid, 27cm.
A white stoneware and blue painted Arches & Scrolls jug, W H Copeland, 20cm: off-white stoneware blue and brown painted Gothic Floral jug, Beech & Hancock, 23cm; off-white and blue painted Coral and Seaweed jug, Beech & Hancock, printed marks, Britannia Metal hinged lid, 21cm; green painted Blackberry jug, perhaps Liddle & Elliott, Britannia Metal hinged lid, 26cm; blue painted patterned jug, probably Hope & Carter, registration mark, Britannia Metal hinged lid, 24cm; and a blue glazed and white decorated jug with classical figures, possibly T & R Boote, Britannia Metal hinged lid, 25cm.
An Agiflex III Camera Outfit. serial no R 6962, shutter curtain not cocking, body G, light wear, with 80mm f/2.8 Anastigmat lens, serial no 580264, barrel G, some light marks, elements F-G, some fungus, with 16cm f/5.5 lens, serial no 100969, barrel G, light wear, elements F-G, some fungus spots, with 30cm f/5.5 lens, serial no 400134, barrel G, some paint scratches, some wear, elements G, some light fungus, dust, with lens cases, filters, in outfit case
A Voigtländer Bessa R Camera, serial no 00102037, shutter working, battery tested, meter working, viewfider clear, rangefinder working, self timer working, body VG, with Voigtländer 35mm f/2.5 MC Color-Skopar lens, serial no 9050256, barrel VG, elements VG, slight dust, with front and rear lens cap, Bessa-R body camera box, lens box, camera and lens manuals and Bessa-R bag in maker's box, VG
A Leitz Wetzlar Leicaflex Camera, chrome, serial no 1154502, 1966, shutter working, meter responsive, self timer working, body G, faint wear to film door edges and hinge, with Elmarit R 135mm f/2.8 lens (2 cam), serial no 2172125, 1966, barrel G, light wear, elements G, fungus to rear element, with front cap
A late 19th Century W H Humphries & Co mahogany and brass 10in x 8in Field Camera, with rising front, maker's plate 'W H Humphries Co, maker's, 268 Upper Street Islington, London N', with Humphries '10 x 8 Drayton 1077' brass lens, with case of Waterhouse stops, and Humphries 'Drayton R R Special', with case of Waterhouse stops and set of three dds, with later Thornton-Pickard roller blind shutter, circa 1890, company recorded from 1889-1892, G-VG, focusing screen replaced, pinholes to bellows, shutter P, elements G, some fungus

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297893 item(s)/page