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Lot 1625
R P Bonington Two coastal studies of a couple on the sand sorting a fishing catch whilst a younger figure looks toward a ship run aground and a depiction of a fishermen stood with holding a basket full of the days catch, around him sit other figures at rest, watercolour, one signed, in pen lined card mounts and gilt frames under glass, 60 cm x 49 cm overall largest
Lot 59
EIGHTEEN CARAT GOLD CASED HALF HUNTER FOB WATCHthe front cover with central glazed panel surrounded by enamelled chapter ring, the white enamel dial with black Roman numerals, the outer case with decorative engraved decoration, in fitted case marked 'R.&.W. Sorley. 93 St Vincent Street Glasgow', total weight approximately 31.4 grams
Lot 1226
Pair of silver candlestick table lamps with presentation inscription to Mr R Cartwright, employee of the Tamworth Colliery, hallmarked Chester, 1907, H20cm; pair of hallmarked silver small candlesticks, H7.5cm; and a cut glass vinegar bottle with silver collar by Wilmot Manufacturing, Birmingham 1912 (5)
![[William Combe]: 'The Tour of Doctor Syntax in Search of the Picturesque. A Poem', London, R. Ackerman, [1812], 2nd edition,](https://cdn.globalauctionplatform.com/b3c2c738-19d0-4d60-8532-b0c100bdc003/8c6362c4-340d-4749-a610-b0c10108e05e/468x382.jpg)
Lot 6249
[William Combe]: 'The Tour of Doctor Syntax in Search of the Picturesque. A Poem', London, R. Ackerman, [1812], 2nd edition, hand coloured aquatint vignette title, hand coloured aquatint Frontis and 29 hand-coloured aquatint plates from etchings by Thomas Rowlandson, old calf backed boards, sometime rebacked
Lot 6307
(Suffragettes, W.S.P.U., D.H. Lawrence.) A Leather bound visitor book 1912-1954 The Duke of Edinburgh Hotel, Barrow-in-Furness, and Tan Llan, Llanelltyd, containing signatures of D.H. Lawrence and Suffragette W.S.P.U. members. The Duke of Edinburgh Hotel, Barrow-in-Furness, attracted fashionable society and the artistic and literary elite in the pre WW1 years. Signatures/guests 1912-1914 include D.H. Lawrence (1885-1930); W.S.P.U. members Gwendoline E. Cook, Lilian Lenton (1891-1972), active member of the W.S.P.U., arrested and held hunger strikes multiple times, winner of a French Red Cross for her service in WWI, Elizabeth Grew, Emily & Maud Fussell; Laurence Housman (1865-1959), writer, artist & radical activist, Adolph Paul Oppé (1878-1957), British art historian, critic, art collector and museum official, Hugh Dalton (1887-1962), Maurice Grey, Janet & George Trevelyan, Ellen Melicant Cobden, R. Elliott Seabrooke, William Arnold-Forster (1886-1951), W. Walmesley White, Maurice Gray (1890-1918) etc etc, plus a few photographs post 1914, at the last entry for The Duke of Edinburgh Hotel, the hostess wrote "The Play is Ended", mounted photograph at the beginning of the album c.1912, possibly depicting the hostess. A gap in years follows before re-emerging at 'Tan Llan', Llanelltyd, Wales. Tan Llan gives a contrasting atmosphere of a refuge away from society, politics, and WW2; guests write short descriptions of their stay and the peace and beaty of their surroundings. The hostess is praised for her welcoming hospitality "After weeks of Air Raids & nightly bombing, this has been the MOST lovely & peaceful change" Ethel H. Dunbar Sewart, a regular visitor 1940-42. Signatures/inscriptions/addresses: Suffragette Lilian Lenton describes her address as "Al Large", 1-6th August, 1914, meeting D.H. Lawrence on his arrival (6-8th August.) Lawrence is known to have stayed following a walking tour of Westmoreland (where Elliott Seabrooke had also built a studio.) D.H. Lawrence signature and address clipped from a letter (likely to be a booking request.) Writer and social activist Janet Penrose Trevelyan (1879-1956,) her husband, the historian George Macaulay Trevelyan; Ellen Melicent Ashburner "Nellie" Cobden (1848-1914), was a suffragette, author & the first wife of the painter Walter Sickert; Artists, pacifist & actor R. Elliott Seabrooke (1886-1950); Frederick Bligh Bond (1864-1945) English architect, illustrator, archaeologist and physical researcher "Much enjoyed my rest after a rather strenuous time, and improved greatly under the care of my kind hostess" Aug. 5th, 1941. Mounted black & white photograph of the Tan Llan rooftops, looking towards the surrounding Welsh hills on leaf preceding 1944 entries, approx. 35 pages of manuscript entries in total spanning the period July 1912-c.1954. Oblong quarto leather bound tobacco brown traditional visitor book, decorative gilt border, all edges gilt, pale blue marbled end papers, approx. dimensions 21 x 26cm
Lot 6266
(Perfume.) Simon Barbe: 'Le Parfumeur François, qui enseigne toutes les Manières de tirer les Odeurs des Fleurs, & de faire toutes Sortes de Composition de Parfums: avec le secret de purger le tabac en poudre, & le parfumer de toutes fortes d'odeurs ; pour le divertissement de la noblesse, l'utilité des personnes religieuses, & necessaire aux baigneurs & perruquiers.', Amsterdam, Chez Paul Marret, 1696, engraved frontispiece, 50 unnumbered pages, 170pp, 20 unnumbered pages. Classic manual of perfumery originally published in 1693, this 1696 edition being the first illustrated edition. Scarce in all editions, describing the extraction of fragrances from plant and animal sources and providing recipes for their use in hair and face powders, soaps, essences and oils, pomades, mouthwashes, scented gloves, and snuff. Boun together in one volume with three other late 17th Century works in French language, comprising Sir Kenelm Digby: 'Discours fait en une celèbre assemblée touchant la guérison des playes & la composition de la poudre de sympathie : enrichie avec beaucoup des remèdes et rare secrets tirez de memoires du Chevallier Digby, avec aucuns secrets pour la conservation de la beauté des dames', Utrecht, R. Van Zyll, 1681, 378pp. Powder of sympathy was a form of early pseudoscientific navigation and alchemy, in the 17th century in Europe, whereby a remedy was applied to the weapon that had caused a wound with the aim of healing the injury it had made. Weapon salve was a preparation, again applied to the weapon, but based on material from the wounded patient rather than on any remedy for the wound; [Claude Boutet]: 'Traité de mignature, pour apprendre aisément à peindre sans maître; et le secret de faire les plus belles couleurs l'or bruny, l'or en coquille, et le vernis de la chine', A La Haye : chez Estienne Foulque et Louis Van Doolen, 1688, "Dernière édition, corrigée et augmentée de plusieurs secrets", [16], 168, [8]pp; 'Instruction générale pour la Teinture des Laines et manufactures de Laine de toutes couleurs, et pour la culture des drogues ou ingrédiens qu'on y employe.', Paris, Chez Francois Muguet, 1671, [24],188pp, 12mo, contemporary calf gilt (worn), spine gilt in compartments, gilt titled to spine "Remedie Experimé"
Lot 6264
(England, Gazetteers, Sir Henry Spelman: 'Villare Anglicum: or A view of the townes of England. Collected by the appointment of Sir Henry Spelman Knight.', London, Printed by R. Hodgkinsonne, 1656, 1st edition, 396 unnumbered pages, disbound, contemporary ownership signature of one Roger Hill, 1656, at head of title page, with contemporary manuscript list to blank leaves at front showing reigns of the Kings of England from 1067 to 1665, m/s list to blank leaf at end of towns and villages in Taunton hundred, Somerset; together with another antiquarian title, Marcus Tullius Cicero: 'M. Tullius Cicero de oratore ad Q. fratrem. Ex MSS. recensuit Tho. Cockman ...', Oxoniæ : E Theatro Sheldoniano, 1696, engraved frontis, engraved vignette title page, [10], 294, [46]pp, contemporary full calf worn, boards detached but present (2)
Lot 6204
(Art Deco), Guillaume Janneau: 'Le luminaire et les moyens d'éclairages nouveaux, Exposition internationale des arts décoratifs modernes Paris 1925', Editions d'art Ch. Moreau, Paris, 1926, 48 plates as called for depicting Art Deco light fittings shown at the 1925 Paris Exhibition, including examples by Lalique, Edgar Brandt etc., original half cloth portfolio designed by L. Romanet; together with 19 issues and a bound volume of 'L'Artisan Pratique' circa 1920's, illustrations (some folding), original printed wraps; Leon Moussinac, 2 titles: 'Étoffes imprimées et papiers peints.', Paris, Albert Levy, 1924, 50 plates (of which 14 coloured en pochoir) including some designs by Raoul Dufy, 'Tapis', Paris, Albert Levy, 1925, 56 plates depicting carpets, some coloured, including examples by Süe et Mare, Dufrène M., Ruhlmann J., Herbst R., Da Silva Bruhnns, Jourdain etc, each housed in original quarter cloth gilt portfolios, ribbon ties; plus two other similar fRench publications with plates depicting 1930's Art Deco glass
Lot 31
The 18ct white gold ring is set with three old cut diamonds weighing approx. 0.75ct, with the principal diamond approx. 0.30ct (estimated colour approx. G-H, estimated clarity approx. SI1-2). The ring is marked for 18ct gold and has platinum claws.Box not included; for display only.Size: R 1/2 Weight: 5.3g
Lot 279
A large Wemyss Ware pig, naturalistically modelled seated upon its haunches in treacle glaze, 27 cm high x 45 cm long, together with another smaller, 9.5 cm x 16 cm, each impressed 'Wemyss Ware/ R H & S' to underside.Generally good condition, crazing on both pigs, few scratches, wear to decoration commensurate with age, restoration to both ears of larger pig
Lot 30
A group of silver to include: a pair of George VI silver gilt napkin rings, with reed and ribbon borders, hallmarked by Walker & Hall, Sheffield, 1946, in fitted case, a plain silver napkin ring, by R F Mosley Ltd, Sheffield, 1945 and an Edwardian silver taperstick holder, by Grey & Co., Birmingham, 1901 combined weight approx 4.91 ozt (152.6 grams) (3)
Lot 1013
No reserve - 8-piece fish cutlery ''Haags Lofje'' silver-plated. 4 fish forks and 4 fish knives in model Haags Lofje. The Netherlands, Zeist, Gero Factory, first half 20th century, hallmarks: 90, maker's mark, GERO, year letters Q and R. 388 grams, silver plated. Dim. L 22 cm, W 2.8 cm. This lot will be auctioned without reserve price.
Lot 908
No reserve - Cake server silver. Beautiful model with twisted stem and classic decorations, complete with original box. The Netherlands, Rhenen, B. Drost, 1977, hallmarks: lion, Minerva, maker's mark, r. 65 grams, 835/1000. Dim. L 22.5 cm, W 6.2 cm. This lot will be auctioned without reserve price.
Lot 913
No reserve - Bonbon / sweetmeat basket silver. Beautiful model with moulded decoration and provided with (on) soldered handles and legs. The Netherlands, Zutphen, B.W. van Eldik & A.F. van der Scheer, 1927, hallmarks: lion, Minerva, maker's mark, R - signs of use. 142 grams, 833/1000. Dim. L 16.7 cm, W 10.3 cm, H 7.2 cm. This lot will be auctioned without reserve price.
Lot 945
No reserve - Crystal glass sugar sprinkler with silver cap. Very nice conical shaped model with crystal glass holder in block motif. Also equipped with silver screw cap with star-shaped sprinkle holes. United Kingdom, London, H. Pidduck & Sons, 1932, hallmarks: lion, panther's head, maker's mark, year letter r - minimal signs of use. 267 grams, 925/1000. Dim. H 13 cm, diameter 7.5 cm. This lot will be auctioned without reserve price.
Lot 962
No reserve - Sweetmeat basket silver. Oval model with ajour openwork side, pearl edge and soldered bow handles. The Netherlands, Voorschoten, Voorschoten silver factory, 1927, hallmarks: lion, Minerva, maker's mark, R . 88 grams, 833/1000. Dim. L 17cm, W 10cm, H 4.8cm. This lot will be auctioned without reserve price.
Lot 967
No reserve - Teaspoon vase silver. Sleek tulip-shaped model with fillet edges. The Netherlands, Voorschoten, silver factory Voorschoten, 1927, hallmarks: lion with key, Minerva, maker's mark, R - small dent. 47 grams, 833/1000. Dim. H 7 cm, diameter 6 cm. This lot will be auctioned without reserve price.
Lot 120
SINTENIS, RENÉE1888 Glatz/Schlesien - 1965 BerlinTitel: Ponyhäuptling. Datierung: 1940 (Entwurf). Technik: Bronze, dunkelbraun patiniert. Maße: 11 x 13 x 3,5cm. Bezeichnung: Monogrammiert auf der hinteren linken Ecke der Plinthe: RS. Gießerstempel: Darunter auf der Plinthenseite Gießerstempel: H. NOACK BERLIN. Sockel/Rahmen: Auf Marmorsockel (2 x 13 x 4,5cm).Dem Werk liegt ein Kurzgutachten von Frau Dr. Ursel Berger vom 03.11.2023 bei. Es handelt sich um einen Guss, der vermutlich nach 1945 entstanden ist. Provenienz:- Privatsammlung Rheinland-PfalzLiteratur: - Berger, Ursel/Ladwig, Günter (Hrsg.): Renée Sintenis - Das plastische Werk, Berlin 2013, WVZ.-Nr. 173, Abb. - Buhlmann, Britta E.: Renée Sintenis - Werkmonographie der Skulpturen, Darmstadt 1987, WVZ.-Nr. 172- Hagelstange, Rudolf/Heise, Carl Georg/Appel, Paul: Renée Sintenis, Berlin 1947, S. 122- Kiel, Hanna: Renée Sintenis, Berlin 1956, S. 74- Ausst.-Kat.: R. Sintenis. Das Plastische Werk, Zeichnungen, Graphik, Haus am Waldsee, Berlin 1958- Die Bildhauerin war eine schillernde Figur in der Berliner Kunstszene der 1920er Jahre- Die kleinformatigen Tierskulpturen erfreuen sich einer großen Beliebtheit auf dem Kunstmarkt Voraussichtliche Versandkosten für dieses Los: Deutschland: 22,00 Euro inkl. 3,51 Euro MwSt EU: 32,00 Euro inkl. 5,11 Euro MwSt Weltweit: 65,00 Euro inkl. 10,38 Euro MwSt zzgl. VersandversicherungErläuterungen zum Katalog
Lot 281
MACIEJOWSKI, MARCIN1974 Babice/PolenTitel: "07:15". Datierung: 2008. Technik: Öl auf Leinwand. Maße: 170 x 130cm. Bezeichnung: Betitelt, bezeichnet, signiert und datiert verso unten rechts: "07:15" (wg. "Dwanascie" M. Swietlickiego) MARCIN MACIEJOWSKI 2008. Hier zudem mit Werkangaben versehen. Provenienz:- Galerie Meyer Kainer, Wien- Privatsammlung Süddeutschland (seit 2010)Ausstellungen:- Kunstforum Ostdeutsche Galerie, Regensburg 2010Der 1974 in Babice bei Krakau geborene Maler Marcin Maciejowski ist einer der bekanntesten zeitgenössischen Künstler Polens. Von 1996 bis 2001 studiert er an der Kunstakademie in Krakau und erlangt internationale Bekanntheit als Gründungsmitglied der Grupa ?adnie (Hübsche Gruppe), zu der auch Rafa? Bujnowski, Marek Firek, Wilhelm Sasnal, und Jósef Tomczyk Kurosawa gehören. Maciejowski hält Szenen aus dem Alltag fest und bedient sich dabei einer Vielzahl von Medien - darunter Zeitungen, Fernsehen, Werbung, Comics sowie eigene Fotografien. Die sozialen und politischen Implikationen von Maciejowskis Vorlagen werden in seinen gemalten Versionen beibehalten und durch den Wechsel des Mediums in den Mittelpunkt gerückt. Er verbindet eine Comic-Ästhetik mit dem Realismus altmeisterlicher Gemälde, um eine rätselhafte Form des sozialen Kommentars zu finden. Das vorliegende Gemälde gleicht einem Polaroid-Foto, nicht nur inhaltlich, sondern auch formal: Am unteren Rand sehen wir, fast wie auf einem Beweisfoto, das Datum und die Uhrzeit der festgehaltenen Szene. Zwei Männer und Frauen befinden sich in einer leeren Bar, tanzend oder vor ihren leeren Gläsern an der Bar sitzend oder stehend. Das grelle Licht der Polaroid-Kamera scheint die vier Personen ganz ungefiltert zu treffen. Dem Betrachter stellt sich unmittelbar die Frage, wer die Dargestellten sind, wo sie sich befinden und wie sie zueinander gehören. Ausgelassen und glücklich wirkt keine der dargestellten Personen. In der gewählten Farbigkeit schwingt eine melancholische, fast bedrohliche Stimmung mit. Maciejowski gelingt es meisterhaft, den Betrachtenden im Ungewissen zu lassen und gleichzeitig, fein nuanciert, seinen persönlichen Blick auf die photographische Vorlage preiszugeben. Marcin Maciejowskis Werke finden sich u.a. im Centre Georges Pompidou in Paris, im Center for Contemporary Art in Warschau, im San Francisco Museum of Modern Art, im Solomon R. Guggenheim Museum und im Whitney Museum of American Art, beide in New York sowie in zahlreichen namhaften Privatsammlungen weltweit. Voraussichtliche Versandkosten für dieses Los: Absprache nach der Auktion.Erläuterungen zum Katalog
Lot 305
AWE, CHRISTIAN1978 BerlinTitel: "Honey, Girls In Da World R Nothing But Trouble". Datierung: 2011. Technik: Acryl und Sprühlack auf Leinwand. Maße: 145 x 145cm. Bezeichnung: Signiert, betitelt und datiert verso oben links: Christian Awe "Honey, girls in da world r nothing but trouble" 2011. Hier zudem Werkangaben. Provenienz:- Privatsammlung Norddeutschland Voraussichtliche Versandkosten für dieses Los: Absprache nach der Auktion.Erläuterungen zum Katalog
Lot 416
TROCKEL, ROSEMARIE1952 SchwerteTitel: Ohne Titel. Datierung: 1983. Technik: Mischtechnik auf Karton. Maße: 36 x 48cm. Bezeichnung: Gewidmet, signiert und datiert verso unten rechts: Für Willi R. Trockel '83. Provenienz:- Privatsammlung Nordrhein-Westfalen (direkt von der Künstlerin)- Privatsammlung Nordrhein-Westfalen Voraussichtliche Versandkosten für dieses Los: Deutschland: 44,00 Euro inkl. 7,03 Euro MwSt EU: 70,00 Euro inkl. 11,18 Euro MwSt Weltweit: 120,00 Euro inkl. 19,16 Euro MwSt zzgl. VersandversicherungErläuterungen zum Katalog
Lot 430
HEISIG, BERNHARD1925 Breslau - 2011 Strodehne a.d. HavelTitel: "Aber Gott sieht zu, Herr Offizier". Datierung: 1995. Technik: Öl auf Leinwand. Maße: 90 x 70cm. Bezeichnung: Signiert und datiert unten rechts: Heisig 95. Zudem nochmals signiert, datiert, betitelt und bezeichnet verso oben links: B. Heisig 1995 "Aber Gott sieht zu, Herr Offizier..." (zu einem Gedicht von Johannes R. Becher). Rahmen/Sockel: Modellrahmen. Provenienz:- Privatsammlung SüddeutschlandAusstellungen:- Museum der bildenden Künste, Leipzig/K20 Kunstsammlung NRW, Düsseldorf/Nationalgalerie Staatliche Museen zu Berlin, 2005 Voraussichtliche Versandkosten für dieses Los: Absprache nach der Auktion.Erläuterungen zum Katalog
Lot 462
DORAZIO, PIERO1927 Rom - 2005 PerugiaTitel: Equinozio. Datierung: 1952. Technik: Mischtechnik auf Masonit. Maße: 50 x 50 x 6cm. Sockel/Rahmen: Objektkasten. Dem Werk liegt eine vom Künstler unterschriebene Fotoexpertise vom 8. März 1999 bei. Es enstammt einer kleinen und unter Sammlern sehr begehrten Serie früher weißer Reliefbilder, welche Dorazio zwischen 1952 bis 1954 schuf. Provenienz:- R. Springer, Berlin (direkt vom Künstler)- Rosa Fried Gallery, New York (Aufkleber)- Privatsammlung Nordrhein-WestfalenAusstellungen:- Casa Rusca, Locarno 2004 (Aufkleber). Voraussichtliche Versandkosten für dieses Los: Absprache nach der Auktion.Erläuterungen zum Katalog
Lot 284
Oakwood body, with four concentric geometric motifs on the front and right side in bone marquetry and geometric pattern forming an interlace in bone and fruit marquetry throughout the body. It has some losses of marquetry on the side and feet that were replaced by wood plates and repainted following the original pattern, the upper back of the chair in velvet was also replaced and painted in the form of flourishes following the same pattern of the velvet of the seat. Similar examples: a similar Burgos Jamuga, in a worse state of preservation, somewhat earlier than the present example in the National Archaeological Museum, Inventory number: 52044. Reference Bibliography: PACIOS LOZANO, Ana R. Bibliografía de arte mudéjar: Adenda (2003-2013). Teruel: Centro de Estudios Mudéjares, 2020. Provenance: acquired by the previous owner more than 40 years ago from a decorator from Barcelona. Provenance: important private Basque collection, Barcelona-Donostia
Lot 549
Sterling Ruby, American b.1972 - Mapping (Maybelline Express Finish Racy Red - Green), 2006; nail polish on plexi, 121 x 121 cmProvenance:with Marc Foxx Gallery, Los Angeles (according to the label attached to the reverse of the frame) Note:the Artist considers mapping our collective unconscious and social topologies in his work. Ruby works in a variety of media; the splattered red nail polish on a glossy green gives an arresting and violent view of U.S. culture.Ruby's works are in the collections of Tate Modern, London; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York and Museum of Modern Art, New York. Recent solo exhibitions include Gagosian, New York in 2022; Gagosian Athens and Rome in 2021 and London in 2019.
Lot 84
A fine and very rare mid-19th century brass-bound mahogany two-day marine chronometer with Universal compensation, modified detent escapement and exhibition provenance.Thomas Adams 36 Lombard Street, London Number 4242The three-part case with vacant brass cartouche to the top lid, the centre with brass 12-point star button above an ivory signature plaque signed Adams, 4242, 36 Lombard Strt London, the lower section with inlaid brass escutcheon and campaign handles. Internally, the case is set with a pair of brass hinges, retaining lever, safety winding key set in a quadrant and a gimbal lock. The 3.75-inch silvered dial signed Thomas Adams, Maker to H. R. H. Prince Albert, 36 Lombard St. London, the minute track enclosing Roman numerals and gold Breguet style hands, the subsidiary power reserve dial at XII running from 0-54 marked in 6-hour increments with instruction to wind at 24 hours, the observatory-style subsidiary seconds dial between V-VII, engraved 4242, Universal Compensation, with blued steel hand. The spotted full plate movement with four ringed pillars and maintaining power to the chain fusee, free sprung blued steel helical balance spring with diamond endstone and modified Earnshaw type escapement, the cut and compensated bimetallic balance with timing screws and extremely rare wired weight compensation. Sitting in a weighted, gimballed bowl. Ticking with a Tipsy key and case key. Together with two documents.i) a handwritten service record from the previous owner's father who bought the chronometer in 1945 for 16 pounds and 10 shillings. ii) a technical drawing of the balance and escapement drawn by G.S.A. in 1969. 18cms (7ins) highFor further information on this lot please visit the Bonhams website
Lot 106
The Loch Ness Monster and Sea Serpents - autographed copiesR.T.Gould, The Case for the Sea Serpent (Allen, 1930). 1st edition, signed inside the cover: 'To my friend and collaborator R. Humphrey Eggar, from Rupert T. Gould, 30.x.30' and The Loch Ness Monster and Others, (Bles, 1934). 1st edition, signed inside the cover: 'The Reverend William Ewen, with the compliments of Rupert T. Gould, 29.III. 35'. Along with nine other books relevant to his interests and research into cryptozoology, including the German version of Sea Serpents... and Loch Ness..., with Forstner, (Grethlein, 1935); Heuvelmans, In the Wake of the Sea-Serpents, (Hill and Wang, 1968); Constance Whyte, More than a Legend, (Hamish Hamilton, 1957); and Eric Frank Russell, Great World Mysteries, (Dobson, 1957). (11)For further information on this lot please visit the Bonhams website
Lot 336
Ringo Starr: A Collection of Signed and Inscribed Greetings Cards and Other Signed Material,comprising; a Humiditas lithograph dedicated and signed To Hillary's Mum, Lots of love, Ringo; six Christmas/Birthday cards (some signed by Barbara Bach; four signed postcard photographs; a note initialled 'R & B'; a postcard signed by Ringo and Nancy; a black and white photo of Ringo signed and inscribed To Dear Hilary, Stick it up you nose, Love Ringo xxx; a picture sleeve signed by Ringo; a CD for With The Beatles signed by Ringo; a vinyl record for Liverpool by Ringo Starr signed by Ringo on the label; and an invitation to Barbara's 50th birthday party, print 8 1/2in x 8 1/2in (21cm x 21cm), (16)Footnotes:Provenance:From the Estate of the late Hilary Gerrard (1933-2023), formerly Business Manager to Ringo Starr from the 1970s onwards.For further information on this lot please visit Bonhams.com
Lot 349
Ringo Starr: Four Autographed Albums,each gifted to Hilary Gerrard, comprising: Introducing The Beatles Vee-Jay VJLP1062, the front cover signed and inscribed by Ringo in blue ballpoint, To Hilary Hi From Memphis Love Ringo * 1987; The Beatles, Apple, front cover numbered 0325146, inner gatefold signed and inscribed by Ringo in red felt-tip pen, To Hill Better Late Than Never Love R + B; Rotogravure, Polydor, front cover indistinctly signed and inscribed by Ringo in blue ballpoint; and Goodbye Yellow Brick Road, signed and inscribed to the front cover by Tony King To the lovely Hilary from the even lovlier Tony King, Happy Birthday, each 12in x 12in (30.5cm x 30.5cm) (4)Footnotes:Provenance:From the Estate of the late Hilary Gerrard (1933-2023), formerly Business Manager to Ringo Starr from the 1970s onwards.For further information on this lot please visit Bonhams.com
Lot 108
Ray Richardson (British, born 1964)And the Cowards Let the Game Continue twice signed, titled and dated 'RAY RICHARDSON AND THE COWARDS LET THE GAME CONTINUE R Richardson 1992' (on canvas overlap)oil on canvas157.5 x 76cm (62 x 29 15/16in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 182
Richard Eurich R.A. (British, 1903-1992)Two Girls Trying to Catch a Dog signed and dated 'R. Eurich 79' (lower right)oil on board18.5 x 31.5cm (7 5/16 x 12 3/8in).Footnotes:ExhibitedBradford, Bradford Art Galleries and Museums, Richard Eurich R.A.: A Retrospective Exhibition, 25 November 1979-20 January 1980, no. 109This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 260
Robert Medley (British, 1905-1994)The Antique Room at the Slade signed and dated 'R. Medley/50' (upper right)oil on canvas76.5 x 63.5cm (30 1/8 x 25in).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 66
Richard Smith (British, 1931-2016)Four Corners 2 signed 'RICHARD SMITH' (on stretcher bar)acrylic on canvas122.5 x 122.5cm (48 1/4 x 48 1/4in).Painted in 1965(unframed)Footnotes:ProvenanceWith Kasmin Limited, London, 1972, where acquired byWith Studio La Citta, Milan, where acquired byPrivate Collection, ItalyWith Galleria Dell'Ariete, Milan (as Untitled)'There was painting before Dick Smith and there was painting after Dick Smith, and they were not the same.' (C. Stephens in R. Smith, Artworks 1954-2013, EFB Publishing and Thames & Hudson, London, 2022, p. 41)Richard 'Dick' Smith, who was born in Letchworth, Hertfordshire and studied at The Royal College of Art from 1954-1957, was a prodigious talent whose work became admired both in the U.K. and the U.S.A., where he would work for much of his career. By the age of 35 Smith had already participated in several influential mixed exhibitions, including representing the U.K. at the Venice Biennale, and enjoyed an early retrospective exhibition at the Whitechapel Gallery. He would exhibit again at the Venice Biennale in 1970, and further major exhibitions include a solo exhibition at the Hayward Gallery in 1973 and a second retrospective at the Tate in 1975. His output broadly comprises of early formal paintings rooted in Pop imagery, large colour field shaped canvases which push the boundary of painting into three dimensions, hanging 'kite' paintings which reject the conventionality of a traditional canvas construction and painterly canvases concerned with space and gravity which date to his final two decades.The present work is number two in a series of four paintings Smith executed in 1965 titled Four Corners. In these works, Smith, who had already moved his painting practice from two to three dimensions, instead chooses to work within the parameters of a traditional canvas painting and interrupts the conventional space with vibrant curving colour bands.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 67
Richard Smith (British, 1931-2016)Untitled (diptych) both signed and dated 'R Smith 75' (lower left)pencil and watercolour on folded paper with paperclipsboth 51 x 50cm (20 x 19 3/4 in).(2)Footnotes:ProvenanceThe Artist, from whom acquired by the present owner by 1979Richard Smith's works on paper, which were initially necessary preparatory exercises for his shaped canvases, became increasingly central to his practice in the 1970s and he began to exhibit them in this decade. Smith was entranced by the Japanese craft of origami. Cut, folded, and pinned coloured sheets were assembled to form, combine, and disrupt geometrical hues. The lightness of such works aided Smith in developing his painting practice, as his celebrated aerial 'kite' paintings of the period stemmed from a desire to align his works on canvas with such works on paper.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 68
Richard Smith (British, 1931-2016)Monogram signed and dated 'R Smith 78' (lower centre)pencil and watercolour on folded paper with paperclips56.5 x 56cm (22 1/4 x 22 in).Footnotes:ProvenanceThe Artist, from whom acquired by the present owner by 1979This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 107
A Large & Comprehensive Collection of Microscope Accessories, English, c.1865, objectives signed R & J Beck 31 Cornhill, London', an extensive set of accessories including 7 objective cans with 6 objectives, 7 eyepieces, a substage prism for a triangular bar, an Amici prism, various substage condensors, a large quadruple objective nosepiece, Leiberkuhns and many other accessories, case 42.6cm long, 20.8cm deep
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