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Nicholas R. Brewer (American, 1857-1949). Oil on canvas landscape painting depicting a road curving into a group of trees with towering mountains rising in the background. Signed along the lower right.Lot Essay:Born in a log cabin in Minnesota in 1857, Nicholas Brewer’s work typifies his frontier spirit and love for the American landscape. He grew up on a farm, where his days were defined by hard work, but he still found the time to draw and paint in between chores. At the age of 18, he moved to St. Paul. He received some art training there from Henry Koempel, a local painter and decorator, and ended up marrying Koempel’s daughter. He eked out a living for his swiftly growing family through portrait commissions and teaching.In 1885, Brewer first traveled to New York, determined to make it as a serious artist. He received a small amount of training there; however, he remained primarily self-taught. He began receiving some success in New York, and continued spending winters there for much of his career. His work was included in several exhibitions, and he was inducted into the illustrious Salmagundi Club. In his later career, he traveled the United States, giving traveling lectures and exhibitions, as well as taking portrait commissions wherever he went. During one productive visit to Washington D.C., Brewer even painted a portrait of President Franklin Delano Roosevelt.The main reason for his travels, though, was his love of the American landscape. Although Brewer was never able to fully make a living by landscape painting, it remained his true passion. His agrarian upbringing left him with a sense of reverence for the earth, and he delighted in experimenting with colors and textures to best capture the mood of a landscape. He paid particular heed to the flora he passed by, from the solemn Minnesota prairie grasses to southern blue bonnets to the tiny patches of scrub grass clinging to vertiginous California cliffs. His paintings rarely depict specific places; Brewer instead preferred to paint landscapes that he felt represented an ideal, more the spirit than the actuality of a location. Nevertheless, his travels provided him with a rich backdrop upon which to base his works.Sight; height: 20 in x width: 24 in. Framed; height: 21 3/4 in x width: 25 3/4 in.br/>Condition:The colors are bold and bright. The surface is stable. There are no major losses or signs of restoration under UV light. There is minute craquelure along the top half of the painting, particularly along the white areas. In the top right quadrant there is a loose brush hair in the paint, that was assumedly artist generated. The verso of the canvas is in stable condition, there are no losses or signs of repair.
Riker Bros. Newark 14k yellow gold Art Nouveau brooch with hidden bale. Set with a central opal in a gold bezel with milgrain detail, flanked by two gradient blue basse-taille enamel wings. Central opal surmounted by an approximately 0.10 ct diamond. Marked "14k" and maker's mark (scimitar with R) on the reverse of the wings. Chain for photography purposes only, not included with lot.Height: 16.62 mm x width: 38.36 mm x depth: 10.37 mm. Gross weight: 5.5 grams.br/>Condition:Small chip to the enamel at right wing in the upper right portion. Crack to the enamel at left wing in the lower portion of the point. Opal shows minor wear including light scratches.
American Waltham Watch Co., United States. One "Royal" pocket watch with open face 14k yellow gold case ornately engraved with a "K" on the back. Red enamel dial in a sunburst pattern with Arabic numerals. Serial number 7199068. Back case inside marked "R & F Warranted 14k US Assay 42534" and inner case inside marked, "14k 42534."Diameter: 34.65 grams. Gross weight: 30.6 grams.br/>Condition:Some scratches to the case and glass, dial in good condition. Watch winds, not tested for prolonged use or time.
Marc R. Hanson (American, b. 1955). Oil on canvas painting titled "Skimmers" depicting a seascape with a low sun and a flock of birds, 2019. Signed along the verso.Unframed; height: 20 in x width: 24 in. Framed; height: 26 1/2 in x width: 30 1/2 in.br/>Condition:Extremely good condition. No notable issues. Light dust gathered in the recessed areas of the frame. Edges not inspected. Clean verso.
Louis Icart (French, 1888-1950). Group of three erotic color etchings. Includes "Bearskin Encounter," from "Le Sopha," 1935; "A New Day," from "L'Ingenue Libertine," 1926; and one untitled erotic print of three women laying in a field. All signed along the lower right.Literature: William R. Holland, "Louis Icart Erotica," Atglen, Pennsylvania: Schiffer Publishing, 1998.(Sight) Height ranges from 9 in to 9 1/2 in; width ranges from 6 in to 7 in. (Framed) Height ranges from 17 1/4 in to 19 1/4 in; width ranges from 14 1/2 in to 16 1/4 in.br/>Condition:All prints appear to be in good condition with no visible tears, losses, or restorations. Extreme edges and versos not inspected. Not inspected out of frame. The print of women in a field is framed under glass; the other two are framed under plexiglass. Light wear to the frames.
[SURREY & KENT] AUBREY (John) Natural History and Antiquities of the County of Surrey, 5 vols, 8vo, vol. 1 lacks a - c8 (author's life & intro) apparently never bound in, plates & map present, contemp. calf, L., Curll, 1719/1718; KILBURNE (R.) Topographie or Survey of the County of Kent..., s. 4to, lacks last index leaf, A2 & A3 torn with small loss of text, upr cvr & title detached, L., Mabb, 1659; HURSBURGH (E.) Bromley, Kent, 4to, illus., clo., L., 1929; THISTLETHWAITE (B.) The Bax Family...of Surrey, 4to, illus., clo., family copy, L., 1936; & slipcased 3 vol set of Domesday Book / Survey (11).
[GENDER STUDIES, etc.] WORSLEY (Lady Dorothy Seymour, nee Fleming, 1757-1818) A4 ring-bound unpublished / as yet unrealised filmscript by Richard Grenville Clark, pp. 159, entitled "Seymour", ca. 1989; RUBENHOLD (Hallie) Lady Worsley's Whim: An Eighteenth Century Tale of Sex, Scandal, and Divorce, 8vo, SIGNED & INSCRIBED to RGC, 1st Edn., L., 2008; & a facsimile of the 1782 2nd edn. of "An Epistle from L-y W-y to S-r R-d W-y, Bart." (3)
GRAHAME (Kenneth) Dream Days. John Lane 1897; with DAVIDSON (John) A Queen's Romance, Grant Richards 1904, 1st Edn.; MORLAND (Henry) The Cardinal's Snuff Box, John Lane 1903, 1st illustrated Edn.; GALLIENNE (R. Le) Prose Fancies, 1894, 1st Edn., Lithograph frontis. By R. Wilson Steer; all in publisher's cloth (4).
[THEATRE] COLLIER (Jeremy) Short View of the Immorality, and Profaneness of the English Stage, 8vo, pp. [16], 288, contemp. sprinkled calf (upr. cvr. off), 1st Edn., L., 1698; [SHERIDAN (R. B.)] School for Scandal, 8vo, disbound, Dublin, 1787; [BEAUMONT & FLETCHER] a King and No King, 4to, lacks title page / a.f., disbound [5th Edn., L., 1655]. (3)
SOUTH AFRICA. Gold 1/4 krugerrand, 2017. Pretoria. Proof. Left facing portrait of Stephanus Johannes Paulus 'Paul' Kruger; SUD-AFRICA SOUTH AFRICA./ Springbok with 50th anniversary privy mark; 1/4 KRUGERRAND\r\n2014 FYNGOUD 1/4 OZ FINE GOLD. Edge milledComes with the original box as issued by the Mint and the certificate of authenticity (COA). Mintage: 5,000.Diameter: 22 mm.Weight: 8.48 g. (AGW=0.2500 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 2 pounds (double sovereign), 1989. Royal Mint. Proof. Commemorating the 500 years anniversary of the sovereign 1489-1989, this is the first special design issued under Queen Elizabeth II, often held to be the most beautiful coin design during her reign.Facing full length portrait of Elizabeth II seated in King Edward's Chair as at her coronation, all within beaded border; legend around in Medieval typeface, ELIZABETH · II · DEI · GRA · REG · FID · DEF ·. Design by Bernard Sindall. / St. George on horseback rearing right, dragon below, date and B.P. in exergue. Design by Bernard R. Sindall. Edge milled.Comes with the original box as issued by the The London Mint and the certificate of authenticity (COA). Reference: S-SD3 (was 4262); KM-957Mintage: 14,936.Diameter: 28.4 mm.Weight: 15.9761 g. (AGW=0.4711 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
UNITED KINGDOM. Elizabeth II, 1952-2022. CuproNickel halfcrown, 1953. Royal Mint. Proof. First, laureate bust of Elizabeth II facing right; M.G. on truncation; ELIZABETH II DEI GRATIA BRITT: OMN: REGINA Design by Mary Gillick. / Crowned square-topped shield quartered with the arms of England, Scotland and Ireland dividing Royal cypher E R; HALF CROWN and date around below; FID · DEF above. Design by F. G. Fuller and Cecil Thomas. Edge milled.Uncirculated, handling marks. Reference: S-4137; KM-893Mintage: 40,000.Diameter: 32.3 mm.Weight: 14.14 g.Composition: CuproNickel.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold sovereign, 1989. Royal Mint. Proof. Commemorating the 500 years anniversary of the sovereign 1489-1989, this is the first special design issued under Queen Elizabeth II, often held to be the most beautiful coin design during her reign.Facing full length portrait of Elizabeth II seated in King Edward's Chair as at her coronation, all within beaded border; legend around in Medieval typeface, ELIZABETH · II · DEI · GRA · REG · FID · DEF ·. Design by Bernard Sindall. / Crowned Royal Shield of Arms set in a double Tudor rose, within beaded circle; inscription around in medieval typeface, 'ANNIVERSARY · OF · THE · GOLD · SOVEREIGN · 1489 · 1989'. Design by Bernard R. Sindall. Edge milled.Comes with the original box as issued by the Mint and the certificate of authenticity (COA). Reference: S-SC3 (was 4272); KM-956Mintage: 23,471.Diameter: 22.05 mm.Thickness: 1.52 mm.Weight: 7.9881 g. (AGW=0.2355 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
FIVE PIECES OF NINETEENTH CENTURY STAFFORDSHIRE POTTERY, comprising: GREYHOUND WITH HARE IN ITS MOUTH, ANOTHER, STANDING IN FRONT OF A HARE, and THREE COTTAGES, 11” (28cm) high and smaller, (5) C/R- GREYHOUND WITH HARE IN ITS MOUTH-badly broken and re-glued, OTHER GREYHOUND- both ears missing, front left leg re-glued and chip to the base, minor chips and losses to the cottages, mainly to the shredded clay outline, all pieces with the usual rubbing, mainly to the gilt
EARLY TWENTIETH CENTURY ROYAL WORCESTER PORCELAIN TWO HANLDED PEDESTAL VASE, of slender ovoid form with mask capped open scroll handles and short, waisted neck, painted in colours and gilt with summer flowers on a fading pink ground, and set between moulded borders heightened in gilt, 10 ¼” (26cm) high, printed marks, mould no: 1759 and date code for 1922 C/R- light rubbing, otherwise good
TWO LATE EIGHTEENTH/ EARLY NINETEENTHN CENTURY CHINESE FAMILLE ROSE PORCELAIN PLATES, each painted in colours with a matching design depicting a riverside scene depicting a lady at the water’s edge and a man on a sampan, set within a spearhead border and beneath a floral painted rim, 10 ½” (26.7cm) and 9” (22.9cm) diameter, (2) C/R- the larger plate with rim chips but rings well, the smaller with rim chips and hairlines, both with the usual rubbing and surface scratching
NINETEENTH CENTURY WHITE GLAZED PORCELAIN FIGURE, modelled as a seated naked female figure holding a jug and feeding a bird which sits on her shoulder from a cup which she holds in her other hand, set on a moulded oval, floral encrusted base, unmarked, 13 ½” (34.3cm) high C/R- head re-glued, chip to the tip of one of the bird’s wings, bad chip/ loss to the spout of the jug, three hairlines and a firing crack to the base, minor chips and losses to the encrusted flowers
GRAINGER. LEE & Co, WORCESTER PORCELAIN MODEL OF A RECUMBENT GREYHOUND, painted in matt tones of brown and modelled on an oblong gilt scrolled base, impressed mark, 4 ¼” (10.8cm) long C/R- one ear restored, hairline around the base of the back right leg, small firing crack to the raised section of the front right leg, usual rubbing
PAIR OF NINETEENTH CENTURY CHINESE BLUE AND WHITE PORCELAIN MOON FLASKS, each of typical form with applied dragon pattern handles to the neck, decorated with four toed dragons and leafy foliage, unmarked, 10” (25.4cm) high, (2) C/R- one with very bad chip/ loss to the base, above the footrim, 4cm x 3cm approx., small chip to one of the dragon tails and a firing crack visible to the inside of the neck, the other with firing crack to the footrim and base and very small chips and glaze pops to both rims
FIFTEEN PIECE WEDGWOOD CHINA COFFEE SET FOR SIX PERSONS, comprising: PEDESTAL COFFEE POT, MILK JUG and TWO HANDLED SUGAR BOWL AND COVER, and SIX COFFEE CANS AND SAUCERS, decorated with gilt Greek key borders on sponged blue grounds, pattern no: 8943, together with a SIMILAR, SMALL KIDNEY SHAPED DISH, printed marks, (16) C/R- coffee pot with hairlines and two cans do not ring well but no visible damage or faults
TWO PIECES OF ROYAL WORCESTER CHINA, comprising: LATE VICTORIAN BLUSH VASE, of orbicular, footed form with pinched rim, painted with flowers, between gilt lined rims, 3 ¼” (8.3cm) high, mould no: 1651 and date code for 1895, and a SERVING DISH, circular, with shell moulded handle, painted in colours with Oriental flowers, 9 ½” (24.1cm) diameter, date code for 1921, both with puce printed marks, (2) C/R- both with minor rubbing and surface scratching, otherwise good

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297887 item(s)/page