The Anthony R. East Classic Motorcycle Collectionc.1932 Triumph 494cc Silent Scout Model BRegistration no. CWP 821Frame no. K1574Engine no. K1582 DWA• Built for three years only• Purchased by Tony East in 2001• Fully restored• Only four miles since completionTriumph's two 'Silent Scout' models were newly introduced in March 1932: the 549cc Mode A sidevalve and the Model B with a 493cc overhead-valve engine, both of had cylinders inclined forwards in the fashionable 'Sloper' manner. As its name suggests, the Val Page-designed Silent Scout was intended to be relatively quiet; pushrods were enclosed and harmonic cams fitted, and the machine could be supplied with optional enclosure panels that shrouded the engine and gearbox. A Model BS sports version joined the range in 1933. Unfortunately, for Triumph, the Silent Scout was far to expensive to make and would prove to be short-lived, the Model A disappearing from the line-up at the end of the 1933 and the B Models at the end of 1934. Very few were sold, with some being exported to Europe and Iceland. There's no denying, though, that the sporting Model B, as seen here, was one exceedingly handsome motorcycle. Notable features include a twin-port cylinder head, oil tank in crankcase, exposed valve springs, and a four-speed hand-change gearbox. Produced for only three years, the Silent Scout is one of the rarest of pre-war Triumphs and highly sought-after by serious Triumph collectors. One of only eight known to survive, this overhead-valve Model B was purchased by Tony East from a Yorkshire dealer in 2001 in a poor state and fully restored to 'as new' condition, with paintwork by Allan Templeton. Interestingly, the instruments set in the top of the tank include a rubber oil pressure gauge, not the usual dial - the rubber gauge pops up and stands proud when the correct oil pressure has been reached! Only four shake-down miles have been covered since restoration. Accompanying paperwork includes a Silent Scout parts catalogue; BMS photocopied Triumph Silent Scout spare parts list and workshop manual; and a current V5C document. A very rare motorcycle - you will struggle to find another one.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
We found 297893 price guide item(s) matching your search
There are 297893 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
297893 item(s)/page
The Anthony R. East Classic Motorcycle Collection1955 Norton 497cc 'Dominator 88'Registration no. not registeredFrame no. 13 89656Engine no. 59680 K12Norton jumped aboard the vertical-twin bandwagon in 1948 when it introduced the Model 7. Designed by the legendary Bert Hopwood, the new 500cc engine went into the existing ES2 chassis, a marriage that necessitated a redesign of Norton's well-proven four-speed gearbox. In November 1951 Norton's 500cc twin found a new home in the racing singles' 'Featherbed' duplex frame. Initially for export only, the newcomer - titled 'Dominator 88' - was the first production Norton roadster to feature the lightweight, race-proven chassis. Updated year by year, the Dominator had received an alloy cylinder head, full-width hubs, welded rear sub-frame, alternator electrics and coil ignition by the decade's end and - for 1960 - the narrower 'slimline' Featherbed frame among countless other improvements. Motor Cycle magazine clocked 92mph on an '88' in 1957 and, needless to say, the handling and roadholding were found to be first class. This Dominator 88 was acquired by Tony East in May 1993. The machine is offered with an original maintenance manual; Franks' Book of the Norton; a factory brochure; bills totalling £4,418 relating to its full restoration in 1996 by Bryan Small; and a quantity of MoTs showing the mileage total increasing from 58,362 in May 1993 to 60,991 in May 2008, and increase of 2,629 miles in 15 years. It should be noted that the frame number's '13' prefix indicates that it started life in a Model 50. There is no registration document with this Lot.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
The Anthony R. East Classic Motorcycle Collection1937 BSA 350cc B24 Empire StarRegistration no. EGY 454Frame no. HB24.2174Engine no. JB24.314During the 1930s BSA concentrated on producing a range of dependable, well-made, competitively priced motorcycles. The firm's single-cylinder range was re-designed by Val Page for 1937, the engines taking on many of the characteristics they would retain in the post-war era, most notably dry-sump lubrication, rear-mounted magneto and that distinctively shaped timing cover. There were four new offerings in the 350 class: the sidevalve B23 and a trio of overhead-valve models. These comprised the B24 Empire Star, the B26 Star, and the B25 Competition model, which came equipped for trials use. The new engines were housed in conventional cycle parts and drove via four-speed gearboxes, the Empire Star's benefiting from the convenience of foot change. These B-series models lasted until the wholesale revision of the range for 1940, which saw all four dropped. This B24 Empire Star was acquired by Tony East in April 1988. There are sundry bills on file dating from 1988 and others from circa 1998 relating to the BSA's full restoration for Tony by Bryan Small totalling £4,874. Last taxed in May 2002, the machine also comes with SORN paperwork, old/current V5Cs and an expired MoT (2001).Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
The Anthony R. East Classic Motorcycle Collection1955 Triumph 200cc Tiger CubRegistration no. XPA 22Frame no. T12391Engine no. T20 12391With the introduction of the 149cc Terrier in 1952, Triumph re-entered the market for lightweight commuter machines. A simple, compact, unitary construction four-stroke with four-speed gearbox, the Terrier was joined in 1954 by an enlarged version - the 200cc Tiger Cub - that offered 60mph-plus performance and 100mpg. A big success, particularly with younger riders, the Cub underwent continual development for the next 16 years, finally ending up with BSA Bantam cycle parts (as the Bantam Cub) before being dropped in 1970. The model remains a favourite with today's collectors, many of whom would have commenced their riding career on a Cub, and is well served by an extensive network of parts suppliers and other specialists.This Cub was delivered new to Heath Bros. of Farnham in April 1955 and comes with its original buff logbook listing only one private owner, John Remnant of Guildford, up to 1970. The Cub was re-registered with its original number 'XPA 22' in 1994 and has belonged to Tony East since then. Restored throughout, the machine comes with Bryan Small's related invoice for 4,891 and some older invoices. Additional documentation includes a TOMCC dating letter; old V5/V5C documents; 1971 tax disc; an original parts list and instruction manuals (x2); a factory brochure; and six MoTs (issued 1994-2002) showing the mileage rising from 1 to 16 (current reading 19 miles). The Cub was last taxed in April 2003. Offered with keyFootnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
"Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings.One of Sultan's most famous series is the Disaster Paintings created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds. In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors. Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.74 x 7.74 Verso is blank.Mounted to archival quality paper.
Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings.One of Sultan's most famous series is the ""Disaster Paintings"" created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds. In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors. Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.74 x 7.74 Verso is blank.Mounted to archival quality paper."
"Bullitt" is a 1968 American action thriller film directed by Peter Yates. The film stars Steve McQueen as the titular character, Frank Bullitt, a San Francisco police detective. The movie is known for its iconic car chase scene, which takes place on the streets of San Francisco and involves a 1968 Ford Mustang GT 390 and a 1968 Dodge Charger R/T 440 Magnum.The plot of "Bullitt" revolves around Detective Bullitt, who is assigned to protect a key witness in a high-profile case. However, the witness is assassinated, and Bullitt embarks on an investigation to uncover the truth behind the killing. The film is praised for its realistic portrayal of police work and its gritty, no-nonsense approach to storytelling.The car chase scene in "Bullitt" is considered one of the greatest in cinematic history and has had a lasting impact on action filmmaking. The film is also notable for its cool and understated performance by Steve McQueen, who became an icon of the "tough guy" persona in Hollywood. "Bullitt" is often cited as a classic of the genre and has left a lasting legacy in the world of cinema.Measures 24 x 36.
Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings. One of Sultan's most famous series is the Disaster Paintings created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds. In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors. Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.74 x 7.75 Verso is blank.Mounted to archival quality paper."
Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings. One of Sultan's most famous series is the Disaster Paintings created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds. In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors. Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.75 x 7.75 Verso is blank.Mounted to archival quality paper."
Frank Lloyd Wright (June 8, 1867 – April 9, 1959) was one of the most influential American architects of the 20th century and a key figure in the development of modern architecture. Here are some key points about Frank Lloyd Wright and his architectural contributions:1. **Early Life and Education**: Frank Lloyd Wright was born in Richland Center, Wisconsin, and grew up in a family of Welsh and English descent. He showed an early interest in architecture and eventually studied civil engineering at the University of Wisconsin-Madison.2. **Apprenticeship with Louis Sullivan**: Wright's career in architecture began with an apprenticeship under the renowned architect Louis Sullivan in Chicago. Sullivan's design principles, particularly the idea that "form follows function," had a lasting influence on Wright's work.3. **Prairie School**: Wright is closely associated with the Prairie School, a regional architectural movement that emphasized horizontal lines, flat or hipped roofs with overhanging eaves, and integration with the natural environment. His Prairie-style houses, including the Robie House in Chicago, are iconic examples of this architectural style.4. **Organic Architecture**: Wright is known for his concept of "organic architecture," which aimed to harmonize human habitation with the natural world. He believed that buildings should be designed to work in harmony with their surroundings, reflecting the principles of nature.5. **Fallingwater**: One of Wright's most famous and iconic designs is Fallingwater (also known as the Kaufmann Residence), a house built over a waterfall in rural Pennsylvania. It is considered a masterpiece of 20th-century architecture and a prime example of Wright's organic design philosophy.6. **Taliesin**: Wright designed and built his home, studio, and school called Taliesin in Spring Green, Wisconsin. It became a hub for his architectural work and experimentation and continues to serve as the Frank Lloyd Wright School of Architecture.7. **Usonian Houses**: Wright developed the concept of Usonian houses, which were designed to be affordable, efficient, and easily adaptable to various family sizes and needs. These houses often featured open floor plans, flat roofs, and innovative building techniques.8. **Guggenheim Museum**: Wright's design for the Solomon R. Guggenheim Museum in New York City is one of his most famous works. The building's spiral design was groundbreaking and continues to be celebrated for its unique approach to museum architecture.9. **Legacy**: Frank Lloyd Wright's influence on architecture and design is immeasurable. His innovative ideas, use of new materials and technologies, and commitment to blending architecture with the natural environment have left a profound impact on the field.10. **Personal Life**: Wright's personal life was marked by controversies, including tumultuous relationships and financial challenges. However, his architectural genius and contributions to the field have endured.Frank Lloyd Wright's architectural vision and commitment to pushing the boundaries of design have made him a lasting and influential figure in the world of architecture. His work continues to inspire architects and designers, and his legacy remains a vital part of American architectural history.Measures 12 x 12.
Frank Lloyd Wright (June 8, 1867 – April 9, 1959) was one of the most influential American architects of the 20th century and a key figure in the development of modern architecture. Here are some key points about Frank Lloyd Wright and his architectural contributions:1. **Early Life and Education**: Frank Lloyd Wright was born in Richland Center, Wisconsin, and grew up in a family of Welsh and English descent. He showed an early interest in architecture and eventually studied civil engineering at the University of Wisconsin-Madison.2. **Apprenticeship with Louis Sullivan**: Wright's career in architecture began with an apprenticeship under the renowned architect Louis Sullivan in Chicago. Sullivan's design principles, particularly the idea that "form follows function," had a lasting influence on Wright's work.3. **Prairie School**: Wright is closely associated with the Prairie School, a regional architectural movement that emphasized horizontal lines, flat or hipped roofs with overhanging eaves, and integration with the natural environment. His Prairie-style houses, including the Robie House in Chicago, are iconic examples of this architectural style.4. **Organic Architecture**: Wright is known for his concept of "organic architecture," which aimed to harmonize human habitation with the natural world. He believed that buildings should be designed to work in harmony with their surroundings, reflecting the principles of nature.5. **Fallingwater**: One of Wright's most famous and iconic designs is Fallingwater (also known as the Kaufmann Residence), a house built over a waterfall in rural Pennsylvania. It is considered a masterpiece of 20th-century architecture and a prime example of Wright's organic design philosophy.6. **Taliesin**: Wright designed and built his home, studio, and school called Taliesin in Spring Green, Wisconsin. It became a hub for his architectural work and experimentation and continues to serve as the Frank Lloyd Wright School of Architecture.7. **Usonian Houses**: Wright developed the concept of Usonian houses, which were designed to be affordable, efficient, and easily adaptable to various family sizes and needs. These houses often featured open floor plans, flat roofs, and innovative building techniques.8. **Guggenheim Museum**: Wright's design for the Solomon R. Guggenheim Museum in New York City is one of his most famous works. The building's spiral design was groundbreaking and continues to be celebrated for its unique approach to museum architecture.9. **Legacy**: Frank Lloyd Wright's influence on architecture and design is immeasurable. His innovative ideas, use of new materials and technologies, and commitment to blending architecture with the natural environment have left a profound impact on the field.10. **Personal Life**: Wright's personal life was marked by controversies, including tumultuous relationships and financial challenges. However, his architectural genius and contributions to the field have endured.Frank Lloyd Wright's architectural vision and commitment to pushing the boundaries of design have made him a lasting and influential figure in the world of architecture. His work continues to inspire architects and designers, and his legacy remains a vital part of American architectural history.Measures 3.5 x 7.5 x 0.5.
"Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings. One of Sultan's most famous series is the Disaster Paintings created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds. In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors. Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.74 x 7.75 Verso is blank.Mounted to archival quality paper."""
"Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings. One of Sultan's most famous series is the Disaster Paintings created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds. In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors. Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.52 x 7.74 Verso is blank.Mounted to archival quality paper.
Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings. One of Sultan's most famous series is the Disaster Paintings created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds. In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors. Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.75 x 7.75 Verso is blank.Mounted to archival quality paper."
The Anthony R. East Classic Motorcycle Collectionc.1951 James 98cc Comet J10 Dismantled ProjectFrame no. none visibleEngine no. 797A 7612James had begun concentrating on the manufacture of two-stroke lightweights in the 1930s and continued the policy after WW2. Its first post-war models were the ML, a 122cc Villiers-engined machine derived from a successful military design, and an autocycle. The next introduction - in 1948 - was the Comet, again Villiers-powered but this time using the 98cc 1F unit, the latter housed in a simple loop-type rigid frame fitted with single-tube girder front fork. Standard (direct lighting) and De Luxe (battery) models were offered. James' own telescopic fork, featuring rubber as the damping medium and codeveloped with Dunlop, became available on the Comet in the early 1950s. Suitable for spares only, this dismantled James is offered without documents, the condition and suitability of its components being unknown. Close inspection advised.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Runde Kumme Meissen 1723-24 Walzenförmig, sich nach unten verjüngend, auf erhöhtem Standring. Beide Schauseiten und Spiegel mit Goldspitzenkartuschen und Böttgerlüster, eisenrot gesäumt. Reserven bunt bemalt mit Chinoiseriendekor. Freiräume bunt bemalt mit Kakiemonblütenzweigen und Insekten. Porzellan, ohne Marke, am Boden Goldziffer „93.“. Malerei von Johann Gregorius Hoeroldt. Vgl. R. Rückert 1966, Taf. 46, Nr. 150. H=8,4 cm, D=17,5 cm
Paar Papageien „Mittlerer Größe“ Meissen 1740-45 Je sitzend, auf Baumstumpf mit Blattbewuchs. Naturalistisch modelliert und staffiert. Porzellan, mit blauer Schwertermarke. Modell von Johann Joachim Kaendler. Auszug aus der Taxa Kaendlers von 1741 Oktober: „Annoch einen Pappagoy kleinste Sorte neu pouss. damit auch 2 gegeneinander sehen.“. Vgl. R. Rückert 1966, Taf. 267, Nr. 1083 ff. H=14,2 cm
Kumme Meissen 1723-24 Walzenförmig gemuldet, sich nach unten verjüngend, auf erhöhtem Standring. Beidseitig und Spiegel mit Goldspitzenkartuschen und Böttgerlüster, eisenrot und purpur gesäumt. Reserven bunt bemalt mit Chinoiseriendekor, Freiräume bunt bemalt mit Kakiemonblütenzweigen und Insekten. Weißes Böttgerporzellan, ohne Marke, mit Goldziffer „39.“. Malerei von Johann Gregorius Hoeroldt. Vgl. R. Rückert 1966, Taf. 46, Nr. 150 sowie Schulz-Codex, Bl. 8. H=8,1 cm, D=17 cm
Jagd-Deckelbecher Meissen 1723 Walzenförmig, sich nach unten verjüngend. Unterhalb und Deckel umlaufend mit Akanthusfries sowie oberhalb mit Kelchblumenrelief. Umlaufend exzellent bunt bemalt mit Uferlandschaften, Bergketten, erlegten Hirschen, Federwild, Jagdhunden und Jägern. Am Rand eisenrote Behangborte. Weißes Böttgerporzellan, ohne Marke. Malerei von Johann Gottlieb Mehlhorn. Vgl. R. Rückert 1966, Taf. 196, Nr. 54. H=17,4 cm
Tischuhr Nymphenburg 19. Jh. Stehend, auf rechteckigem, unregelmäßig reliefiertem Sockel. Darauf ein naturalistisch modelliertes Nashorn mit Satteldecke. Bekrönt von hohem, eingestecktem Uhrengehäuse in Rocailleform. Schultern bunt floral bemalt und purpur gold gesäumt. Porzellan, aufwendig modelliert, am Boden eingepresstes Rautenschild, Formnummer „1826“. Auf der Schulter beschriftet: „To His Excellency Sir William Gorvers In remembrance for all Your Kindness during my stay in Uganda Eric R. Miville“. Vgl. F. H. Hofmann, Taf. 191, Nr. 749. (vier Quasten fehlen/Funktion ungeprüft) H=45,5 cm
Augustus-Rex-Bechervase Meissen 1730-35 Walzenförmig, sich nach unten verjüngend. Umlaufend purpur bemalt mit Floraldekor und Insekten. Lippenrand mit Goldspitzenbordüre, unterhalb Goldränder. Porzellan, am Boden unterglasurblaue, ligierte AR-Marke, Drehermarke „X“ für Johann Daniel Rehschuh. Malerei von Johann Gottfried Klinger. Vgl. R. Rückert 1966, Taf. 72, Nr. 275. H=23 cm
Flakon Meissen 1735 Balusterförmig, sich nach oben verjüngend. Seegrüner Fond mit ausgesparten vierpassigen Reserven, gold und schwarz gesäumt. Diese bunt bemalt mit Watteauszenen in Parklandschaft. Porzellan, am Boden blaue Schwertermarke, mit vergoldetem Silberstandring, -montur und -stöpsel. Vgl. R. Rückert 1966, Taf. 78, Nr. 307. H=9,6 cm
Koppchen mit Unterschale Meissen 1723-24 Beide Teile mit breiter Goldspitzenbordüre. Schauseiten mit Goldspitzenkartuschen und Böttgerlüster, eisenrot gesäumt. Reserven bunt bemalt mit Chinoiserien. Weißes Böttgerporzellan, ohne Marke, am Boden Goldziffer „80.“. Malerei von Johann Gregorius Hoeroldt. Vgl. R. Rückert 1966, Taf. 48ff., Nr. 153ff.
Kanne Meissen 1723-25 Birnförmig, auf eingeschnürtem, wulstigem Standring. Seitlich geschweifter S-Henkel und kurze V-förmige Schnaupe. Überstehender, gewölbter Deckel mit Kugelknauf. Beide Schauseiten mit Goldspitzenkartuschen und Böttgerlüster, purpur gesäumt. Reserven und Deckel bunt bemalt mit Chinoiseriendekor. Freiräume mit Kakiemonblütenzweigen. Weißes Böttgerporzellan, ohne Marke. Am Boden und Innendeckel Goldziffer „96“. Malerei von Johann Gregorius Hoeroldt. Vgl. R. Rückert 1966, Taf. 47, Nr. 152. Provenienz: Heinz Reichert, Freiburg 9.3.1984, 45.000,- DM. H=19,8 cm
„Eyß Topf“ Meissen 1730 Walzenförmig, auf erhöhtem Standring stehend. Beidseitig geschweifte S-Henkel mit je einer aufbossierten Sirenenbüste. Überstehender, gewölbter, sich nach oben verjüngender Deckel, bekrönt von der Büste eines Orientalen mit Turban. Rand umlaufend mit exzellenter, eisenroter Bordüre, teilweise gold überdekoriert. Wandung und Deckel umlaufend bunt bemalt mit Kakiemonblütenzweigen und Paradiesvögeln, gold überdekoriert. Porzellan, am Boden unterglasurblaue Schwertermarke. Modell von Johann Christoph Lücke. Auszug aus der Taxa Kaendlers: „Einen Henckel in Forma einer Sirena auf einem Eyß Topf“. Vgl. R. Rückert, Taf. 133, Nr. 525. (min. rest.) H=33 cm, D=21 cm
Brûle-Parfum Gotha 1772-75 Vierpassiger, rocaillemodellierter Sockel mit oval gewölbtem Spiritusbrenner. Gebogte Beine mit Volutenabschluß. Darauf ruhend ovaler, gedeckter Henkelbehälter mit aufgelegter Blüte und vier kleinen Öffnungen. Wandung mit aufbossierten Blütenranken, bunt bemalt. Freiräume bunt bemalt mit Insekten. Porzellan, am Boden graue R-Marke. Vgl. Ausstellungskatalog Gothaer Porzellan des 18. Jhs., Schloßmuseum Friedenstein 1995, S. 38 ff, Nr. I. 13 ff. (Gold ber.) H=18 cm
Sieb-Durchbruchkorb Ludwigsburg 1770 Rund, mit hoher Wandung und gewelltem, purpur staffiertem Lippenrand. Spiegel bunt bemalt mit Blumenbouquet, umgeben von Streublumen. Porzellan, am Boden unterglasurblaue, ligierte, bekrönte CC-Marke und roter Malerbuchstabe „R.“. Provenienz: Aus schwäbischem Privatbesitz. H=5,7 cm, D=16,5 cm
Große bedeutende Augustus-Rex-Deckelvase Meissen 1725-30 Eiförmig, sich nach unten verjüngend mit abgerundeten Schultern und erhöhtem, walzenförmigem Mündungshals. Darauf überstehender, gewölbter Deckel mit angespitzem ovalem Knauf. Beide Teile mit kobaltblauem Fond und Goldrand. Beide Schauseiten mit Goldspitzenkartuschen. Reserven bunt bemalt mit Kakiemonblütenzweigen. Porzellan, am Boden unterglasurblaue, ligierte AR-Marke, Drehermarke „XII“ für Johann Christoph Leibnitz (1702-1748). Malerei von Ehrenfried Stadler. Provenienz: Ersteigert am 18.11.2008 bei Christie's. Vgl. R. Rückert 1966, Taf. 71, Nr. 271. (feiner Glasurriss im Boden) H=37,9 cm
Kaffeekanne Meissen 1720-25 Birnförmig, auf rundem, wulstigem und eingeschnürtem Standring. Seitlich geschweifter S-Henkel und kurze, V-förmige Schnaupe. Überstehender, gewölbter Deckel mit Knopfknauf. Beide Teile mit Kanneluren. Diese abwechselnd gold staffiert mit Punkt- und Schnörkeldekor. Wandung umlaufend gold bemalt mit Personenstaffage in Landschaft. Weißes Böttgerporzellan, ohne Marke. Hausmalerei von Bartholomäus Seuter, Augsburg. Vgl. R. Rückert 1966, Taf. 15, Nr. 41ff. H=20,4 cm
Teedose Meissen 1723-24 Birnförmig, hexagonal sich nach unten verjüngend. Erhöhter Mündungshals mit übergestülptem, spitz zulaufendem Deckel. Wandung durch gold staffierte Stege unterteilt in sechs vertiefte Reserven. Diese bunt bemalt mit Chinoiserien. Weißes Böttgerporzellan, am Boden blaue Schwertermarke. Malerei von Johann Gregorius Hoeroldt. Vgl. R. Rückert 1966, Taf. 47, Nr. 160. H=12,7 cm
Teedose Meissen 1740 Rechteckig, mit flachen Schultern. Erhöhter Mündungshals mit übergestülptem Deckel. Umlaufend bunt bemalt mit sogenannten Fächerchinesen in Landschaft. Porzellan, am Boden blaue Schwertermarke. Malerei von Johann Ehrenfried Stadler. Vgl. R. Rückert 1966, Taf. 59, Nr. 218. H=12,2 cm
Seltene Kanne Meissen 1724 In vierpassiger Form, sich nach oben verjüngend, mit leicht gewölbtem, innen liegendem Deckel. Tülle leicht gebogt mit aufmodellierten Akanthusblättern. Beweglicher Bügelhenkel aus Bronze mit Porzellangriff, gold gesäumt. Wandung umlaufend bunt bemalt mit Chinoiserien. Porzellan, am Boden unterglasurblaue Schwertermarke. Im Innendeckel und am Boden Goldziffer „4“. Malerei von Johann Gregorius Hoeroldt. Vgl. R. Rückert 1966, Taf. 112, Nr. 449. H=12 bzw. 14,3 cm
Runde Deckelterrine Meissen 1723-24 Auf drei Beinen stehend, mit eckigen Henkeln. Innen liegender, leicht gewölbter Deckel mit eingeschnürtem Kugelknauf. Umlaufend mit mehrpassigen Goldkartuschen, unterlegt mit Böttgerlüster und breitem Salamidekor. Reserven fein bunt bemalt mit Chinoiserien. Weißes Böttgerporzellan, ohne Marke. Malerei von Johann Gregorius Hoeroldt. Provenienz: Wohl Kunstkammer der Sammlung Schloss Friedrichstein, Gotha. Vgl. R. Rückert 1966, Taf. 70, Nr. 268. H=13,7 cm, D=16 cm
Teekanne Meissen 1723-24 Balusterförmig, mit gebogtem Ohrhenkel und geschweifter Röhrentülle mit Maskarone. Überstehender, gewölbter Deckel mit Erbsenkopfknauf. Beide Schauseiten mit Goldspitzenkartuschen, unterlegt mit Böttgerlüster. Reserven bunt bemalt mit Chinoiserien. Freiräume bunt bemalt mit Kakiemonblütenzweigen und Insekten. Weißes Böttgerporzellan, am Boden unterglasurblaue Schwertermarke mit „K.P.M.“. Am Boden und im Deckel Goldziffer „96.“ Malerei von Johann Gregorius Hoeroldt. Vgl. R. Rückert 1966, Taf. 46, Nr. 149. H=9,9 cm
Loading...-
297893 item(s)/page