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Lot 678
A 22 carat gold ring, the band with textured detail, stamped 22 with full London hallmarks for 1968, finger size R, 3.3g; a 9 carat gold ring, stamped 375 with full Birmingham hallmarks, 1.4g; a ropetwist chain, stamped 375, 50cm long, 7.3g; and a fancy link chain, stamped 375, 45cm long, 6g
Lot 252
CAREY MORRIS (WELSH 1882-1968, born Llandeilo, known as a portrait painter and maintained a studio in London, badly gassed in the First World War), portrait of Mrs V. R Williams, Marble Villa Llandeilo, dated 1906, oils on canvas laid on board. 50 x 40cm approx. (B.P. 24% incl. VAT) CONDITION REPORT: Canvas laid down on board rather unevenly. Very grubby, some crazing and craquelure in places. Evidence of some overpaint and possible restoration.
Lot 294
TWO SIMILAR AND UNUSUAL ENGLISH SILVER SPICE OR MEDICINAL TOWERS each cylindrical form in three sections with removable cap, one featuring Maltese cross and each with various initials including I.N.F, C.A,T, C.H,R, the other O.S, S.C and O.I. 8.5cm and 6.5cm high approx. The larger London 1965, the smaller Sheffield 1952 with makers initials H.A. 7 troy ozs approx. (2)
Lot 308
18CT GOLD FULL HUNTER POCKET WATCH with engine turned and engraved outer case, Roman enamel face with seconds dial marked R. Howard and Company Boston. The dust cover engraved 'Mary Jenkins from my husband January 1st 1887', the lever movement named to E. Howard & Son Boston with no. 10542.(B.P. 24% incl. VAT) CONDITION REPORT: Overall in very good condition, commensurate with age. Winds and ticks. 4cm diameter.Weight - 71g approx. Serial number of the movement is 102542. Capital G on the movement. No animal mark - stamped 18k with crown.
Lot 337
18CT GOLD AND DIAMOND ART DECO RING. The rectangular openwork mount milligram set with a group of eight old cut diamonds within diamond set openwork mount with three diamonds set to each shoulder. Ring size R. Weight 3.3g approx. (B.P. 24% incl. VAT) CONDITION REPORT: In good condition, stamped 18ct.
Lot 343
A GEORGIAN ENAMELLED MOURNING RING. The central oval panel in pale blue with a white band and the initials TH picked out in gold, the whole surrounded by a border of pearls. The shank inscribed in gold, 'Thos Hayes. 06 June 1796 NE57' on a dark blue ground with white borders. Ring size R. Weight 6.5g approx. (B.P. 24% incl. VAT) CONDITION REPORT: Unmarked yellow metal. Some slight damage to the enamel on the shank. Otherwise good.
Lot 500
TWO SIMILAR ROYAL WORCESTER DESSERT PLATES dated 1912 and 1916, painted and signed by R Sebright with fruit on a woodland bank in a raised gilt foliate frame. 22cm diameter approx, puce printed marks to base, shape no. W8860, manufactured for H.G Stephenson Ltd, Manchester. (2)(B.P. 24% incl. VAT) CONDITION REPORT: The plate dated 1912 has a noticeable fine hairline crack in places to the underside which does not show through the front of the plate. The other plate appearing in excellent condition with no obvious damage.
Lot 507
EARLY 20TH CENTURY ROYAL WORCESTER GILDED BONE CHINA CABINET CUP AND SAUCER enamelled in colours with a kingfisher and another in flight, signed R. Austin, puce printed marks to base. Together with two larger Royal Worcester cabinet cups and saucers signed and painted by R. Austin, to include: kingfisher, bull finch, owls and a jay. Puce printed marks to both bases. (3)(B.P. 24% incl. VAT) CONDITION REPORT: Evidence of some crazing in places but overall no obvious damage, chips, cracks or restoration noted.
Lot 579
MOUNTED HEAD OF A REED BUCK on oak shield shaped plaque with smaller raised plaque inscribed 'Inyasune R. P.E.A 6th Sept 1906', bearing the label and incised carving to the back for Rowland Ward. (B.P. 24% incl. VAT) CONDITION REPORT: Overall reasonable condition, some losses and tears to the ear area, some losses to the hair at the back and losses in other areas. Overall ok in general for age.
Lot 680
An early 20th century gold and diamond eleven stone cluster ring, centred with an old-cut diamond approximately 0.20cts within an old-cut and eight-cut diamond ten stone surround, set throughout in white on a yellow shank, indistinctly stamped '18ct', size R, 2.5g gross, in a J W Benson box.
![[ALLBESTREE, Richard] The Whole Duty of Man: laid down in a plain and familiar way for the use of all .... with private devot](https://cdn.globalauctionplatform.com/35146dfd-4471-4921-9ad8-a9ea00c97ca9/70e97646-3f57-4636-802e-a9eb0126d398/468x382.jpg)
Lot 1348
[ALLBESTREE, Richard] The Whole Duty of Man: laid down in a plain and familiar way for the use of all .... with private devotions for several occasions, engraved pictorial and printed titles, Royal arms as frontispiece, advert. leaf at end, ruled throughout in red (including all prelims.), contemporary gilt ruled and panelled calf with all-over elaborate red and black floral decoration, marbled endpapers,a.e.g., cr. 8vo., printed by R Norton for Robert Pawlet ... 1675.Illustrated
Lot 207
R. Ackermann's Lithographic Press : Albert Durers Desjors of the Prayer book, one volume dated 1817. CONDITION REPORT: Interesting additional information provided at the time of consignment : THE FIRST MAJOR BOOK PRINTED IN BRITAIN BY MEANS OF LITHOGRAPHY. As documented by Abbey and Twyman, a few earlier attempts to print books using lithography were made in the Britain, but Ackermann s book is "the first serious attempt to popularize the new method" (Abbey). Dürer s marginal drawings for the manuscript prayer book of the Emperor Maximilian, now in the Bayerische Staatsbibliothek in Munich, were considered a national treasure in Germany, and lithography was used to produce several facsimile editions of it. Alois Senefelder, the inventor of lithography, printed an edition in Munich in 1808 entitled Albrecht Dürers Christlich-Mythologische Handzeichnungen, which included 43 border designs printed in several single colors matching those that Dürer had originally used. Ackermann s 1817 edition, the first important production from his lithographic press, used plates that were copied from Senefelder s 1808 edition by an unknown artist. The book s title page was printed in red and black, as was a single text page of the original manuscript. According to Michael Twyman, "These two pages may well be the earliest examples of colour lithography from separate stones to have been produced in Britain"
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