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Lot 1

OSCAR R GOODALL. Coastal study. Canvas. Signed. 19" x 23".

Lot 1

Robinson and Leadbetter parian bust of Ruskin, 20cm, another R & L bust of Tennyson and a small parian bust of Milton (3)

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F & R Pratt paste jar and cover 'The Sportsman', 11cm, also another 'Picnic', 12cm, and a rectangular jar and cover 'The Hunting Party' after Wouvermann, 14cm (3)

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Victorian silver teapot by W R Smily, London 1847, of squat melon form, the hinged, domed lid with melon finial, engraved throughout with Rococo scrolls, raised on four anthemion scrolled feet, weight approx 28ozs

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Rolex Watch Co. 9ct gold cased gent's wristwatch, circa 1930, the dial with Roman numerals and subsidiary seconds, the movement signed 'Rolco', 15 jewels, the case signed 'R W C Ltd'

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George R Kennerley (b.1908) 'The wooden horse', oil on board, signed, 32cm x 38cm

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George R Kennerley (b.1908) 'Pull along horse', oil and wax resist, signed, 22cm x 30cm

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George R Kennerley (b.1908) 'Flower piece I', oil on paper, signed, 44cm x 57cm

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George R Kennerley (b.1908) 'Flowers in a vase', signed oil on paper, 18cm x 23cm, also 'Blue flowers in a vase', oil on paper, 24cm x 19cm (2)

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George R Kennerley (b.1908) 'Afternoon tea', oil on paper, signed, 65cm x 58cm

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George R Kennerley (b.1908) 'The blank canvas', oil on board, 53cm x 62cm

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George R Kennerley (b.1908) 'Self portrait', oil on canvas, 50cm x 40cm

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George R Kennerley (b.1908) 'The dining table', oil on board, 20cm x 52cm

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George R Kennerley (b.1908) 'Dried flowers', oil on paper, signed, 39cm x 42cm

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George R Kennerley (b.1908) 'Reclining nude', oil on board, signed 27cm x 22cm

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George R Kennerley (b.1908) 'Jeannie', oil on board, signed 20cm x 25cm

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George R Kennerley (b.1908) 'Lady with a hat and fur stole', oil on board, signed, 14cm x 15cm

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George R Kennerley (b.1908) 'The artist's studio', oil on canvas, 81cm x 106cm

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George R Kennerley (b.1908) 'Swan Lake', oil on board, signed, 36cm x 35cm

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George R Kennerley (b.1908) 'Flowers in a vase', 35cm x 27cm

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George R Kennerley (b.1908) after Vincent Van Gogh 'Sunflowers in a vase', oil on canvas, 50cm x 60cm, unframed, also another example of similar size (2)

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George R Kennerley (b.1908) after Degas 'Reclining lady with green dress and floral hat', oil on board, signed Kennerley, 56cm x 67cm

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George R Kennerley (b.1908) after Maurice D Vlamink 'Landscape with trees', oil on canvas, 62cm x 78cm

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George R Kennerley (b.1908) after Albert Marquet 'La Fenetre a la goulette', oil on canvas, 49cm x 39cm

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George R Kennerley (b.1908) after Cezanne 'Woodland . landscape', oil on canvas, 56cm x 69cm

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George R Kennerley (b.1908) after Matisse 'Nude de Folie Bergere', oil on canvas, 90cm x 70cm

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George R Kennerley (b.1908) after Lowry 'The Buoy', oil on board, 25cm x 18cm

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George R Kennerley (b.1908) after Lowry 'The Pier', oil on board, 17cm x 23cm

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George R Kennerley (b.1908) 'Flowers in a jug', oil on canvas, 20cm x 21cm

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George R Kennerley (b.1908) after Degas 'Reclining woman in green dress and floral hat', oil on board, signed Kennerley, 52cm x 55cm, unframed, also four further unframed works (5)

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George R Kennerley (b.1908) 'Boarded end terrace in Liverpool', oil on canvas, signed, 35cm x 45cm

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George R Kennerley (b.1908) 'Liverpool street corner', oil on canvas, 50cm x 60cm

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George R Kennerley (b.1908) 'Still life with bottle', oil on paper, signed, 30cm x 37cm

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George R Kennerley (b.1908) 'The artist in his studio', oil on paper, signed, 37cm square

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R. B. (20th century school), Cavalry passing through a triumphal arch, oil on board, signed with monogram, dated '27 30cm x 40cm.

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A. R. Percy (20th century school), Figure resting by a river, oil on panel, signed, 45cm x 54cm.

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Edwardian Art Nouveau style silver photograph frame, maker's mark J & R G, of rectangular form, embossed with stylised flowers and scrolling tendrils, on a scaled ground, green velvet easel back, Chester 1905, 30.7cm high x 23cm wide, the aperture 19.9cm x 15cm, slightly worn.

Lot 1

Late Victorian mahogany cased brass binocular microscope, by R & J Beck, London No.17724, complete with spare optics and glass manipulating platform, the case 36cm high.

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Robert Murdoch-Wright (19th/20th century). The Welcome Pool - a dessert scene, watercolour on papers, signed R. Murdoch-Wright, Cairo, 23cm x 51cm.

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Royal Doulton triangular porcelain dish, the reserve painted with roses, signed R. Boden, within a gilt heightend border.

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A Pilkington Royal Lancastrian vase by Richard Joyce modelled in low relief with a fish, covered in a streaked blue and green glaze impressed mark, incised R monogram 12.5cm. high.

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A Martin Brothers stoneware vesta, wall mounted square section, modelled as an ox head supporting a ball, in shades of ochre and blue R W Martin Southall 22cm. high Chips to rim

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A Martin Brothers stoneware bird, slender form, modelled staring forwards, with shaved head, in shades of green and ochre incised to head rim and base rim R W Martin & Bros, London & Southall 6-1907 23.5cm high. Minor frits to rim of body.

Lot 1

A Martin Brothers stoneware gourd vase covered in a mottled brown ochre glaze incised R W Martin & Bros, Southall 23cm. high.

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A Martin Brothers stoneware gourd vase covered in an ochre glaze and another Martin Brothers vase incised R W Martin & Bros, Southall gourd 9cm. high.

Lot 1

'Catalogue of Martinware in the Collection of F.J. Nettlefold' by Charles R Beard, private publication 1936, 37cm. high.

Lot 1

A large and impressive Martin Brothers bird modelled with forward looking gaze, in shades of blue, green and brown, on ebonised wood base, the neck with brass reinforcer, incised R W Martin & Brothers, London & Southall II 1900 the base incised R W Martin London & Southall II 1900 37cm. high.

Lot 1

19th century Dutch school, Musicians playing outside a tavern, oil on copper, reverse bears letter R. 16cm x 12.5cm.

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A Lalique clear and satin glass car mascot, 'Faucon', 15.2cm high (6"), moulded mark R. Lalique and etched number 1124

Lot 1

A rare pair of earthenware waisted square section window rests, modelled in relief on three sides with head and shoulders portraits of Earl Grey, picked out in colours, on a purple ground, one side impressed 'Earl Grey R F', within green line borders, 7cm high (2 3/4"), circa 1832-35

Lot 1

A pair of Royal Worcester small ovoid vases, each with everted rim, painted in coloured enamels by R. Rushton with a thatched cottage in a garden, on a cream ground, 10cm high (4"), signed, printed mark in puce for 1937 and shape number G461

Lot 1

R** Little (early 20th century), A Meadow by the Colne, watercolour, bears initials lower right, 17 x 25 cm, bears paper label verso detailing artist and title, and numbered 5

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R** A** Fisher, 'Now Gentlemen, Watch the Birdie, - Carefully!!': a caricature of a pre-ware summit meeting, pen, ink and watercolour, signed and dated 45 lower right, inscribed with title upon the mount, 19 x 28 cm

Lot 1

A**C**R**, Highland cattle watering, oil on board, signed with initials and dated 27 lower right, 30 x 46.5 cm

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R. Dodd, Deptford, mezzotint, s. 43.5 x 68 cm

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J. R. Smith after William Peters, Hebe, mezzotint, p. 46 x 33 cm

Lot 1

R. G. Reeve after Captain Grindlay, The Rajah of Cutch with his Vassalls; The Town and Pass of Boondi in Rajpootana; Scene in Bombay; two plates, Scene in Kattianar; View of the City and Fortress of Tonk in Rajpootana; Fortress of Bonrie in Rajpootana, hand coloured aquatints, each s. 25 x 31 cm

Lot 1

Potter, Beatrix (1866-1943), The Tale of Peter Rabbit, London, Frederick Warne and Co., [n.d.], 16mo (140 x 110), half title, leaves loose, dedication inscription on front free endpaper 'M.C.M. from R. Potter', original decorative boards, covers loose, lacking spine.

Lot 1

Redoute, Pierre-Joseph (1759-1840), Roses, London, The Ariel Press, 1954, folio (405 x 280mm.), title printed in red and black, title vignette, and 24 chromolithographed plates, illustrations, initials printed in red, original paper wrappers. With a disbouond number of lithographed plates engraved by R. A. Artlett on 'Shakespeare' and his works.

Lot 1

Beche, Henry Thomas de la, & Trenham Reeks (curator), Catalogue of Specimens in the Museum of Practical Geology, illustrative of British Pottery and Porcelain, from the occupation of Britain by the Romans to the present time, London, by George E. Eyre and William Spottiswoode, for Her Majesty's Stationery Office, 1871, 8vo (210 x 130mm.), lithographed frontispiece, illustrations, contemporary half calf, spine separated by five raised bands, and printed in gilt, bookplate of W. T. (?), Second Edition. Stark, Robert M., A Popular History of British Mosses, London, George Routledge & Sons, [n.d.], 8vo (165 x 120mm.), half title, 20 colour plates, contemporary ownership inscription on verso of front cover, contemporary green cloth gilt, extremities rubbed. With a quantity of other works, including Marion I. Newbigin & J. S. Flett's 'James Geikie The Man and the Geologist' (Edinburgh, 1917), Archibald Geikie's 'A Long Life's Work' (London, 1924), and Dennis R. Dean's 'James Hutton and the History of Geology' (Ithaca & London, 1992).

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