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Lot 650
Sword Models - A highly detailed and desirable Sword Models SW 2027-R 1:50 scale diecast Peterbilt 379 Day Cab with Nelson Ramp Trailer in red. The model appears to be in Mint condition housed in original polystyrene packaging and presented within a Good box with some storage wear and tear. The model is unchecked for completeness.
Lot 669
NZG - A boxed 1:50 scale NZG #617 Liebherr R 994 B Litronic Hydraulic Excavator. This massively impressive model in white appears to be in Mint condition housed within its original polystyrene packing and is presented within an Excellent box with some minor storage wear. The model is unchecked for completeness.
Lot 670
Conrad - A boxed diecast 1:50 scale Conrad #2811 Liebherr R 996 Litronic Hydraulic Excavator. This large model in white appears to be in Very Good - Excellent condition is quite dusty from display and has a detached railing and ladder. Housed in its original polystyrene packaging which has some wear to one side, and is wrapped in a Fair Plus cardboard sleeve with some storage wear and imperfections. Model is unchecked for completeness. An impressive model nonetheless.
Lot 596
FA AMATEUR CUP FINAL 1923 Programme Evesham v London Caledonians Amateur Cup Final at Crystal Palace 21/4/1923. This was the only ever appearance in an Amateur Cup Final by a Midlands team. It comes with a press cutting from the Daily Chronicle of the previous day previewing the match and a small photo of 3 Caledonian players R Noble, A Sloan and J McGubbin. The programme was issued as a large single sheet fold out 8 page programme but the sheet has been separated in half to look like normal 8 page programme. The programme has a couple of horizontal folds with no writing. Generally good
Lot 666
1950's Ten programmes Bradford C v Southport 55-56, Bradford PA v Oldham 54-55, B&HA v Millwall 1st home match 53-54, Football L v Scottish FL at Chelsea 53-54, Huddersfield T v Newcastle 51-52, Ipswich v Doncaster R 57-58, Middlesbrough v Blackpool 52-53, Man Utd v Charlton A 54-55, Norwich v Leicester C 53-54, & Torquay v Swindon 51-52. Minor faults. Generally good.
Lot 14
SALVADOR DALÍ (1904-1989)Couple aux têtes pleines de nuages signed, inscribed and dated 'Gala Salvador Dalí 1937' (lower right on the left panel); signed, inscribed and dated 'Gala Salvador Dalí 1937' (lower right on the right panel)oil on two panels within the artist's frames94.5 x 74.5cm (37 3/16 x 29 5/16in) (left panel, including the artist's frame) 87.7 x 65.8cm (34 1/2 x 25 7/8in) (right panel, including the artist's frame)Painted in 1937Footnotes:Please note that online bidding is not available for lot 14. If you wish to bid on this lot, please contact the department to arrange a room paddle, telephone bid or an absentee bid by emailing impressionists@bonhams.com or on +44 (0) 20 7468 8328, or our Client Service Office by emailing bids@bonhams.com or on +44 (0) 20 7447 7447.Provenance(Possibly) Paul Éluard Collection, Paris.Giacinto Scelsi Collection, Rome.Fondazione Isabella Scelsi Collection, Rome (bequeathed by the above in 1987).ExhibitedVenice, Palazzo Grassi, Dalí, The Centenary Retrospective, 12 September 2004 – 16 January 2005, no. 155 (later travelled to Philadelphia).Rovereto, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Cent'anni 1900 - 1950. Opere dalla collezione permanente del MART, 2008 - 2009.Rovereto, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Tra avanguardia e tradizione 1912 - 1945 e oltre. Opere dalla collezione permanente del MART, 2009 - 2010.Stockholm, Moderna Museet, Dalí Dalí featuring Francesco Vezzoli, 19 September 2009 - 17 January 2010, no. 18.Milan, Palazzo Reale, Salvador Dalí, il sogno si avvicina, 22 September 2010 – 30 January 2011.Vienna, Kunsthalle, Le Surréalisme, c'est moi! Hommage an Salvador Dalí, 22 June - 23 October 2011.Rome, Complesso Monumentale del Vittoriano, Dalí, un artista un genio, 9 March - 1 July 2012, no. 25.Dublin, Irish Museum of Modern Art, What We Call Love, From Surrealism to Now, 12 September 2015 - 14 February 2016.London, Royal Academy of Arts, Dalí/Duchamp, 7 October 2017 - 3 January 2018, no. 137.Barcelona, Museu Nacional d'Art de Catalunya, Gala Salvador Dalí, A Room of One's Own at Púbol, 7 July - 14 October 2018.LiteratureL. Martinis, 'A proposito di un dittico di Dalí', in I suoni, le onde. Rivista della Fondazione Isabella Scelsi, no. 9, Rome, April - June 2002 (illustrated on the front and back covers). Fundació Gala-Salvador Dalí (eds.), Catalogue Raisonné of Paintings by Salvador Dalí, online catalogue, 2004, no. P 508 (illustrated).R. Descharnes & G. Néret, Salvador Dalí 1904 - 1989, The Paintings, Vol. I, 1904 – 1946, Cologne, 2007, no. 612 (illustrated p. 272; dated '1936').M. Draguet, W. Jeffett & D. M. Johnson, Dalí & Magritte, exh. cat., Brussels, 2019 (illustrated p. 69).'How can one forget that constant play between the interior and exterior worlds created by the large windows facing out on the ruins of the Imperial Forum; the palm in front of the French windows; the American vine on the facade, its fiery red colour in autumn ... The exterior creeping in, regularly interspersed with musical instruments, the creative disorder of the scores and books on the piano and on the tables, the drawers overflowing with recording tapes, the ancient objects, the portraits of the Yoga Masters and the Ascetics – a corner of mysterious Icons - the discreet tapestries, the worn rugs and, on the sofa in a visual axis with the palm, under two golden silhouettes, Giacinto Scelsi' -Luciano Martinis (translated from 'A proposito di un dittico di Dalí', in I suoni, le onde. Rivista della Fondazione Isabella Scelsi, no. 9, Rome, April - June 2002).For the fortunate visitor to Giacinto Scelsi's home in the historic centre of Rome, the sight of Salvador Dalí's Surrealist masterpiece Couple aux têtes pleines de nuages would have been an unforgettable one. In the midst of the composer's many scattered instruments, notes, recording tapes and antiquities, hung these exceptional panels in hand-carved shaped gilt frames: a couple, leaning contemplatively towards each other, their torsos filled with the unmistakable dreamscapes of the Spanish painter's finest work. The enigmatic and revolutionary composer Giacinto Scelsi Conte d'Ayala Valva (1905-1988) dedicated his life to writing innovative music, only achieving critical acclaim a few years prior to his death. Scelsi was born into a noble family in the South of Italy, and started playing the piano at the early age of three. After studying composition and harmony in Rome, Scelsi travelled abroad extensively and moved within Europe's avant-garde elite. Whilst living in Paris in the 1920s he encountered the Surrealists. Notable among these artists, writers and poets was Paul Éluard, the first husband of Gala Dalí and to whom, according to Scelsi, Dalí's stunning diptych Couple aux têtes pleines de nuages first belonged. He recounted to his biographer Luciano Martinis that the work had been gifted to Éluard by Dalí as a wedding present, and that he had in turn acquired the diptych from the French poet. Scelsi keenly followed the currents of Surrealism, and wrote Surrealist poetry in French – he often declared his love of Éluard's poetry to close friends and maintained links to the group, spending time with Salvador Dalí and Gala during their travels in Italy during the Spanish Civil War.Scelsi was a true innovator, and developed an idea of a 'spherical' sound which he translated through microtonal elements in his music. Much like the Surrealists before him, Scelsi was fascinated by the concept of automatic and intuitive improvisation, which he used to create works such as La nascita del Verbo (1948), Quattro pezzi su una nota sole (1959) and String Quartet No. 4 (1963), recorded séance-like on a tape recorder. He collaborated with American composers such as John Cage, Morton Feldman and Earle Brown, and became a source of inspiration for Ennio Morricone's Gruppo di Improvvisazione di Nuova Consonanza. However, Scelsi remained largely unknown for most of his career and he stopped composing in the late 1970s. The Parisian group Itinéraire declared Giacinto Scelsi the father of the avant-garde in 1982, and a series of concerts in the late 1980s debuted many of his pieces to great acclaim shortly before the composer's death. The impact caused by the late discovery of Scelsi's works was described by Belgian musicologist Harry Halbreich: 'A whole chapter of recent musical history must be rewritten: the second half of this century is now unthinkable without Scelsi [...] He has inaugurated a completely new way of making music, hitherto unknown in the West' (Halbreich quoted in P. A. Castanet, Giacinto Scelsi aujourd'hui: actes des journées européennes d'études musicales consacrées à Giacinto Scelsi (1905-1988), Paris, 2005, p. 191). In 1987, Scelsi founded the Isabella Scelsi Foundation and presided over it until his death in 1988. He named the Foundation after his sister Isabella, to whom he had remained close throughout his life. The Foundation is dedicated to the study and dissemination of his work, and the support of new music. Issuing from the height of his Surrealist period, Couple aux têtes pleines de nuages foregrounds some of the most iconographic elements of Salvador Dalí's best-known works. Painted at a time of huge personal and political change, the innovative format of the present work and the fascinating provenance place it as one of the most important works by this extraordinary artist ever to appear at auction.The Catalan artist's involvement with the Surrealist movement and his passionate relationship with his future wife Gala both began in the same year, and from then on, his romantic life and his practice would forever ... This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 1
GUSTAV KLIMT (1862-1918)Kopf - und Handstudien signed with the artist's initials 'G·K' and inscribed 'R' (lower right)pencil on buff paper50 x 34.5cm (19 11/16 x 13 9/16in).Executed in 1902Footnotes:ProvenanceErich Lederer Collection, Vienna.The Piccadilly Gallery, London (circa 1973).Private collection, UK (acquired from the above).Private collection, UK (by descent from the above).Private collection, London (acquired from the above).ExhibitedLondon, The Piccadilly Gallery, Gustav Klimt, 30 October - 24 November 1973, no. 22 (later travelled to New York; titled 'Sketches for the 'Beethoven Frieze'').LiteratureA. Strobl, Gustav Klimt, Die Zeichnungen, Vol. I, 1878 - 1903, Salzburg, 1980, no. 838 (illustrated p. 245).The present work is a study for three key figures from Gustav Klimt's famous Beethoven Frieze now in the Secession Building, Vienna, Austria. The heads to the left are studies for the two angels seen in the upper left of the mural entitled Die Kunst, while the head to the lower right relates to the female figure personifying lust in the central part of the composition.For further information on this lot please visit Bonhams.com
Lot 44
RUDOLF BAUER (1889-1953)Untitled signed 'Rudolf Bauer' (lower left)gouache, watercolour, brush, pen and ink on paper51.3 x 66.1cm (20 3/16 x 26in).Executed circa 1922Footnotes:The authenticity of this work has kindly been confirmed by Mr. Rowland Weinstein.ProvenanceSolomon R. Guggenheim Museum Collection, New York, no. D.M153.Takis Efstathieu Collection (formerly Ericson Gallery), New York. Private collection, Hessen. Anon. sale, Van Ham Kunstauktionen, Cologne, 27 May 2014, lot 7.David Lévy, Brussels.Private collection, Brussels (acquired from the above in 2015).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 310
JOHN BETJEMAN: 2 titles: SELECTED POEMS, London, John Murray, 1948, 1st edition, original cloth, printed paper label; front panel and inner flap of d/w loosely inserted; A NIP IN THE AIR, 1974, 1st edition, original cloth, d/w + WILLIAM KEAN SEYMOUR (ED): A MISCELLANY OF POETRY 1920-1922, London, John G Wilson, 1922, (1500), 1st edition, original cloth backed boards, printed paper label + R S THOMAS: THE BREAD OF TRUTH, London, Rupert Hart Davis, 1963, 1st edition, original boards, d/w + CHRISTOPHER LEVENSON: STILLS, London, Chatto & Windus, 1972, 1st edition, original cloth gilt, d/w + JIM BURNS: THE GOLDFISH SPEAKS FROM BEYOND THE GRAVE, London, Salamander Imprint, 1976, 1st edition, original pictorial wraps + 8 others poetry (13)
Lot 326
ANTONIO DE SOLIS: HISTOIRE DE LA CONQUESTE DU MEXIQUE OU DE LA NOUVELLE ESPAGNE..., Paris, Guillaume Cavalier, 1704, vol 1 (of 2), engraved folding map, 10 plates including 8 folding, contemporary calf worn + LAURENCE STERNE: THE SELECT WORKS, Vienna for R Sammer, 1798, vols 7-9 (of 9), vols 7-8 "LETTERS" in 2 vols complete, vol 7 portfrontis, vol 9 THE KORAN, complete, 12mo, contemporary half calf worn + VOLTAIRE: ROMANS ET CONTES, Lyon, 1790, vol 3 (of 6), title page small part excised not affecting text, engraved frontis, 12mo, contemporary calf worn, armorial book plate of Richard Cavendish, 2nd Baron Waterpark (1765-1830) + THOMAS TOMPKINS "E TOMPKINS": POEMS ON VARIOUS SUBJECTS..., Oxford, 1800, 12mo, contemporary calf worn, top board and ffep detached + WILLIAM SHAKESPEARE: THE SONNETS, London and New York, John Lane, 1902, "The Lovers Library", 12mo, original decorative vellum gilt, all edges gilt (7)
Lot 345
HENRY R PLOMER: A DICTIONARY OF THE BOOKSELLERS AND PRINTERS WHO WERE AT WORK IN ENGLAND, SCOTLAND AND IRELAND FROM 1641 TO 1667 - 1668-1725 - 1726-1775, London, The Bibliographical Society, 1907, 1922, 1932, 1st edition, 3 vols, original cloth backed boards, vol 1 split at spine, vols 1 and 2 book plates of Marion Harry Alexander Spielmann, FSA (1858-1948) (3)
Lot 349
E R & J PENNELL: THE LIFE OF JAMES MCNEILL WHISTLER, London, William Heinemann, 1908, 1st edition, 2 vols, 4to, original cloth backed boards gilt + T R WAY & G R DENNIS: THE ART OF JAMES MCNEILL WHISTLER, London, George Bell & Sons, 1903, 1st edition, original cloth gilt worn + STANLEY WEINTRAUB: WHISTLER, A BIOGRAPHY, New York, Weybright & Talley, 1974, original cloth, d/w (3)
Lot 393
ARCHIBALD HURD: A MERCHANT FLEET AT WAR, London, Cassell, 1920, 1st edition, original decorative gilt + MARTIN MIDDLEBROOK & PATRICK MAHONEY: BATTLESHIP, THE LOSS OF THE PRINCE OF WALES AND THE REPULSE, London, Alan Lane, 1977, 1st edition, signed by both authors, original cloth, d/w + SIR BASIL SMALLPEICE: OF COMETS AND QUEENS, Shrewsbury, Airlife, 1981, 1st edition, original cloth, d/w + G COLMAN GREEN: THE NORFOLK WHERRY, ITS CONSTRUCTION, EVOLUTION AND HISTORY..., George R Reeve, 1953, revised edition, original boards, d/w (part losses) + 2 others (6)
Lot 440
F G AFLALO: BRITISH SALT-WATER FISHES WITH A CHAPTER ON THE ARTIFICIAL CULTURE OF SEA FISH BY R B MARSTON, London, Hutchinson, 1904, 1st edition, 12 coloured plates as list, rebound half calf, spine gilt lettered + F A MITCHELL HEDGES: BATTLES WITH GIANT FISH, London, Duckworth, 1924, 2nd impression, rebound, half calf morocco gilt, spine labels, + HUGH SHERINGHAM & JOHN C MOORE (EDS): THE BOOK OF THE FLY-ROD, London, Eyre & Spottiswoode, 1936, 1st "cheap" edition, 12 plates including 4 coloured, 4to, original cloth, some soiling + CLIVE GAMMON: SALT WATER FISHING IN IRELAND, London, Herbert Jenkins, 1966, 1st edition, original cloth (4)
Lot 485
T O CHURCHILL: THE LIFE OF LORD VISCOUNT NELSON, DUKE OF BRONTE ETC ILLUSTRATED BY ENGRAVINGS OF ITS MOST STRIKING AND MEMORABLE INSTANCE, London, printed by Harrison & Rutter, sold by R Bowyer et al, 1810, 2nd edition, engraved portfrontis and 13 plates including 2 folding and a facsimile letter as called for, 4to, modern half calf marbled boards gilt, morocco gilt spine labels
Lot 488
ANON: THE BRITISH NAVY TRIUMPHANT! BEING COPIES OF THE LONDON GAZETTES EXTRAORDINARY CONTAINING THE ACCOUNTS OF THE GLORIOUS VICTORIES OBTAINED THROUGH THE BLESSING OF ALMIGHT GOD OVER THE FRENCH FLEET BY ADMIRAL LORD HOWE ON THE FIRST OF JUNE 1794, THE SPANISH FLEET BY ADMIRAL SIR J JERVIS NEAR CAPE ST VINCENT, FEB 14 1797, THE DUTCH FLEET BY ADMIRAL A DUNCAN NEAR CAMPERDOWN ON THE COAST OF HOLLAND, OCT 11 1797, THE FRENCH FLEET BY R ADM SIR H NELSON NEAR THE MOUTH OF THE NILE, AUG 1 AND 2 1798 AND AGAIN OVER THE COMBINED FLEETS OF FRANCE AND SPAIN BY LORD VISCOUNT NELSON NEAR CAPE TRAFALGAR OCT 21 1805, [Oxford], sold by J Cooke, J Parker, R Bliss and R Bliss Jun and Messrs Rivington & J Hatchard, London, 1805, preliminary half title page with Royal Coat of Arms as head piece and small ornament (a ship) reading "Britain's Glory or the Seamen's Triumph" verso of half title at foot "S Collingwood printer Oxford" and unpriced, 48pp, housed in modern cloth backed marbled board folder, spine gilt lettered and dated
Lot 491
JOHN MONTMORENCY-TUCKER: A LIFE AND NAVAL MEMOIRS OF LORD NELSON COMPILED FROM ORIGINAL DOCUMENTS AND OTHER AUTHENTIC SOURCES, London, Willoughby & Co, 29 Warwick Lane and 26 Smithfield, W Tegg & Co, R Griffin & Co, Glasgow ND, prize inscription on front free end paper dated 1852, engraved portfrontis, 8pp adverts at end, original blind stamped cloth gilt, inner joints weak
Lot 499
ANON: THE BRITISH NAVY TRIUMPHANT BEING COPIES OF THE LONDON GAZETTES EXTRAORDINARY CONTAINING THE ACCOUNTS OF THE GLORIOUS VICTORIES OBTAINED THROUGH THE BLESSING OF ALMIGHTY GOD OVER THE FRENCH FLEET BY ADMIRAL LORD HOWE ON THE FIRST OF JUNE 1794, THE SPANISH FLEET BY ADMIRAL SIR J JERVIS NEAR CAPE ST VINCENT, FEB 14 1797, THE DUTCH FLEET BY ADMIRAL A DUNCAN NEAR CAMPERDOWN ON THE COAST OF HOLLAND, OCT 11 1797 AND AGAIN OVER THE FRENCH FLEET BY R ADM SIR H NELSON NEAR THE MOUTH OF THE NILE AUG 1 AND 2 1798, Oxford, 1798, half title with Royal Coat of Arms and small ornament (a ship) reading "Britain's Glory or the tars of Old England triumphant", price at foot "one penny", modern wraps
Lot 596
ANTHONY BURGESS: COACHING DAYS OF ENGLAND, London, Paul Elek, 1966, 1st edition, oblong, large folio, original cloth, dust wrapper + ROWLAND WATSON: A SCRAPBOOK OF INNS, London, T Werner Laurie, 1949, 1st edition, original cloth, dust wrapper + C W SCOTT-GILES: THE ROAD GOES ON..., London, The Epworth Press, 1946, 1st edition, original cloth + CHARLES R CLEAR: JOHN PALMER (OF BERKELEY) MAIL COACH PIONEER, London, Blandford Press, 1955, 1st edition, original cloth, dust wrapper + T BRADLEY: THE OLD COACHING DAYS IN YORKSHIRE, 1968, facsimile reprint, original cloth, dust wrapper + HUGH MCCAUSLAND: THE ENGLISH CARRIAGE, London, The Batchworth Press, 1948, 1st edition, original cloth, (6)
Lot 601
PETER HENRY EMERSON: BIRDS, BEASTS AND FISHES OF THE NORFOLK BROADLAND, London, David Nutt, 1895, 1st edition, 1st issue, half title, adverts verso, 3pp adverts at end, author's book plate on front paste down, signature of R B Emerson on title page, Hastings Public Library stamp verso and on final leaf of letterpress, Norfolk County Library withdrawn stamp on front paste down, original pictorial cloth, Dewy number on spine
Lot 185
CHARLES DICKENS: THE POSTHUMOUS PAPERS OF THE PICKWICK CLUB, ill R Seymour & H K Browne, London, Chapman & Hall, 193 Picadilly, circa 1858, reissue of 1837 1st edition, added engraved vignette title and 42 plates as called for, 4 line errata "Weller" signboard, page 25 "sig E", page 43 "ruined wall", page 261 "sig X2", pages 282 and 299 "chapter xxviii", page 342 "veller", some foxing to plates, original publishers blind stamped green cloth, rebacked preserving original spine
Lot 199
Small box collection of 28 Victorian/Edwardian gift books, including THOMAS HOOD: THE SONG OF THE SHIRT, ill J W Grey, London, Paris and New York, Raphael Tuck & Sons, ND, shaped book in the form of a spool of thread, original pictorial wraps + EDWIN ELLIS GRIFFIN: WOODLAND WANDERERS, ill Frank Ellis, London, Paris, New York, Raphael Tuck & Sons, ND, shaped book in the form of a beehive, original pictorial wraps + JESSIE CHASE: THE VILLAGE CHURCH, ill Marian Chase, Munich and New York, The Art Lithographic Publishing Co, ND, shaped book in the form of a church, original wraps + JAMES MONTGOMERY: HOME SWEET HOME, ill A Bowers, London, Paris and New York, Raphael Tuck & Sons, ND, shaped book in the form of a country cottage, original pictorial wraps + THE RIVULET, ill T R Kennedy & others, London, Paris and New York, Raphael Tuck & Sons, ND, original pictorial wraps + ELIZABETH LECKY: THE FERRY BOAT, ill E Capper, London, Belfast and New York, Marcus Ward, ND, original pictorial wraps + SARAH DOUDNEY: ON THE THRESHOLD OF THE YEAR, London, Belfast and New York, Marcus Ward, ND, original pictorial wraps + CHARLOTTE MURRAY: LOVE DIVINE, ill Bertha Maguire and others, London, Paris and New York, Raphael Tuck & Sons, ND, original pictorial wraps + LUCY A BENNETT: LITTLE PHOEBE, ill Maude Goodman, London, Castell Bros, [1888], original pictorial wraps, ribbon ties + BERTHA MAGUIRE (ILL): BORNE ON THE BREEZE, London, Hildesheimer & Faulkner, ND, original pictorial wraps, d/w etc etc (28)
Lot 134
A diamond and 18ct white gold dress ring, squared central setting set with nine princess cut diamonds within a border of pave set brilliant cut diamonds, setting diameter approx 15mm, total diamond weight approx. 1 carat as stated to shank interior, size R, total gross weight approx. 13gms Condition report: Good all stones present and intact, fine scratches to metal CONDITION:I1-2I/J colours
Lot 192
A George V 9ct gold, ruby and diamond snake ring, size R, Birmingham 1919, approx 6.7gms (one pink stone replaced with paste); a continental 14k gold and coral ring, size S1/2, approx 3.3gms, possibly Austrian; a 14k white gold and tanzanite three-stone ring, size Q, gross weight approx 2.9gms; an Edwardian sapphire and diamond chip ring, stamped 9ct, size N1/2, approx 1.5gms (4)Condition report: snake ring in good condition, replacement pink stone, clear hallmarks; coral ring in good condition, general wear, clear marks; tanzanite ring in good condition, stones and settings intact, abrasion to stones
Lot 288
Rocks & Co - a 9k white gold, pink sapphire and zircon ring, size R, approx 2.6gms gross; a 9k white gold and garnet ring, size N1/2, approx 3gms gross; a 9k white gold and parabia opal ring, size N1/2, approx 2.4gms gross; a 9k white gold, sapphire and diamond ring, size N1/2, 3.4gms; a 9k white gold and aquamarine ring, size N1/2, approx 2gms gross (5) (all boxed with certificates)
Lot 803
A 9 carat gold ruby and diamond crescent brooch, the crescent set with graduated oval cut rubies and eight cut diamonds, approximately 0.10 carats total, hallmarked London 1977, 2.8cm long; an 18 carat gold Victorian single stone diamond ring, estimated to weigh 0.12 carats, hallmarked Birmingham 1863, finger size R; a pair of 1960s shell style earrings, stamped 9ct, 1.1cm long; a 9 carat gold ruby heart pendant, 2cm long; a 1970s mabé pearl dress ring, the mabé pearl within a reeded setting, finger size N; 24.2g gross Condition Report: All items have wear commensurate with age and use, heart pendant missing a stone, some glue visible around the base of the mabe pearl Condition Report Disclaimer
Lot 808
A diamond R pendant, the R shaped panel set with brilliant cut diamonds, approximately 0.12 carats total, 1.2cm long, suspended from a belcher link chain, 41cm long, 3g gross Condition Report: The diamonds bright and lively, colour estimated G, clarity vs, minimal wear Condition Report Disclaimer
Lot 1296
EARLY CHILDREN'S BOOK"The Rambles of a Butterfly." by Mary Belson. First Edition, four engraved plates complete, pages 125 to 128 torn or have lost text, cont quarter roan, W Darton Junior, 1819.Condition report: The front board is loose (see photo), but back board is intact. Tear on leaves 25 and 27, bottom corner. Browning on the fringes of plates. Signed 'John R Procter' and 'Ernest Procter' 1820 on front endsheet.
Lot 1374
JOHN BURKE and JOHN BERNARD BURKE. 'A General Armoury of England, Scotland, Ireland.' Additional chromo title, first edition half roan, Edward Churton 1842; BURKE's 'Peerage and Baronettage'. original cloth gilt, Morocco spine, 1930, g; REGINALD R. SHARPE. 'Calendar of Wills'. Two vols, cloth gilt, 1889-1890. BOX
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297893 item(s)/page