* Rushton (William, 1937-1996). Original illustration for Literary Review, 1989, ink and watercolour on paper, initialled 'R' and dated lower right, a design for the front cover of the November issue (number 136) of the Literary Review, featuring Paul Foot and Samuel Coleridge, copy of the printed front-cover to frame verso, mount aperture 20 x 20 cm (8 x 8 ins), framed and glazed (38 x 35.5 cm)QTY: (1)NOTE:It has been suggested that the two other figures depicted with Paul Foot are Christopher Hitchens and Martin Amis.
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Nash (John, illustrator). The Natural History of Selbourne by Gilbert White, with drawings by John Nash R. A.. and an introduction by The Earl of Cranbrook, Ipswich: W. S. Cowell for the members of The Limited Editions Club, 1972, signed by the artist to limitation page, colour and black & white illustrations, original quarter sheep over patterned boards, light scuff marks to spine, matching slipcase, small folio, Limited edition, one of 1500 copies, together with:Wilkinson (C. A., illustrator). A Book of Wood-cuts..., London: Methuen & Co, 1922, signed by the artist to limitation page, 10 wood block plates, original quarter cloth, printed title label on upper cover, 4to, Limited edition 19/100Stone (Reynolds, illustrator). Moments of Vision, Kenneth Clark, with wood engravings by Reynolds Stone, London: John Murray, 1973, woodcut engraving to title page and to end of text, bookplate of David Potter (designed by Reynolds Stone) to front pastedown, original quarter cloth over marbled boards, 8vo, Limited edition, one of 500 copiesReckitt (Rachel, illustrator). Seven Psalms, Wellingborough, Skelton's Press, 1981, 7 woodblock illustrations, original green wrappers with matching dust jacket, printed illustration to upper cover of dust jacket, 4toSmith (Richard Shirley, illustrator). The paintings & collages 1957-2000, London: John Murray, 2002, signed by the artist to limitation page, 2 original signed wood engravings (loose in pocket at end), original quarter cloth over printed boards, matching slipcase, folio, Limited edition 122/140Hassall (Joan, illustrator).The Poems of Robert Burns selected and with an Introduction by DeLancy Fergerson, decorated with wood engravings by Joan Hassall, Glasgow: Printed for the Members of The Limited Editions Club at the University Press, 1965, signed by the engraver to limitation page, colour frontispiece, numerous woodblock engravings to text, quarter green leather, portrait of burns in relief to upper board, tall 4to, Limited edition 523/1500Simon (Oliver, editor). The Curwen Press Miscellany, edited by Oliver Simon and published for the Curwen Press, Plaistow: Socino Press, 1931, Curwen Press miscellany prospectus pamphlet loosely inserted, original colour printed buckram boards, slipcase a little worn, Limited edition 238/275 QTY: (7)
Thomas (Edward, "Edward Eastaway" and others). An Annual of New Poetry 1917, 1st edition, London: Constable and Company, [1917], occasional minor toning, order form loosely inserted, Blackwell, Oxford bookseller ticket at front, original boards (small bump at foot of spine and one corner), dust jacket, spine toned, small tears at ends, closed tear to rear flap, small tape repairs to head of rear panel verso, 8voQTY: (1)NOTE:Eckert pp. 259-60. Contains 18 poems by Edward Thomas (writing as Edward Eastaway), plus poems by Robert Frost, Gordon Bottomley, W. H. Davies, John Drinkwater, Wilfred Wilson Gibson, T. Sturge Moore and R. C. Trevelyan. Scarce in the dust-jacket.
Tolkien (J. R. R.) The Lord of the Rings: The Fellowship of the Ring; The Two Towers, The Return of the King, 1st editions, London: George Allen & Unwin, 1954-55, folding map at end of each (Fellowship map just attached to endpaper at top left corner), a few small marginal stains to Foreword and following few leaves in Fellowship, light stain to fore-edges of Two Towers, some toning to Fellowship endpapers, bookplate to Return of the King, contemporary previous owner inscription to front endpapers, top edge red (Fellowship fading), original cloth, Fellowship and Two Towers spines faded and lettering dulled, Fellowship lower joint splitting, rubbed at ends, slight lean, light vertical crease along Return of the King spine, slight lean, 1st issue dust jacket for Return of the King only (no reviews to rear flap), some fading to spine and light dust-soiling to panels, small nicks and tears to spine ends and folds, 8vo QTY: (3)NOTE:Hammond & Anderson A5a (i-iii). First issues of The Fellowship of the Ring and The Two Towers. The Return of the King has signature '4' and sagging text to p. 49, which Wayne Hammond in his bibliography indicated was the first state of the first impression. However since publication of the bibliography 3 states have been identified, 1. No signature 4 & sagging text, 2. Sagging text and no signature 4, 3. Signature 4 and sagging text, no priority given for each state.
Tolkien (J. R. R.). The Hobbit or There and Back Again, first edition, 2nd impression, London: George Allen & Unwin Limited, 1937 [but 1938], colour frontispiece and two (of three) colour plates, lacks the colour plate “O Smaug, the Chiefest and Greatest of Calamities!” opposite page 228, black and white plates and illustrations, map endpapers, lacks pp 13-14, numerous crude sellotape repairs to the margins, some spotting throughout, occasional marginal splits and chips, title page detached and several other leaves coming loose, Sunday Library pencil inscription to half-title, original cloth, rubbed and soiled, edge wear with boards showing, spine frayed and partly detached with some loss at head and foot, 8voQTY: (1)NOTE:Hammond A3a. The second impression was the first to be illustrated in colour. A total of 2,300 copies were printed but some 400 copies held at the binder’s London warehouse were destroyed during the Blitz in November 1940.Sold with all faults, not subject to return.
Craddock (Henry). The Savoy Cocktail Book, 1st US edition, New York: Richard R. Smith, 1930, colour illustrations throughout by Gilbert Rumbold, a few pages stained, hinges tender, a few spots to fore-edge of text block, original silver pictorial boards, cloth backstrip, cocked, some chipping and wear, 8voQTY: (1)
James (Henry). The Real Thing and Other Tales, 1st English edition, 1st issue, London and New York: Macmillan and Co., 1893, 1st issue with 'copyright 1892' to title verso, 47 pp. publisher's catalogue at rear dated January 1893, original blue cloth gilt, spine faded to green, a little rubbed at ends, 8voQTY: (1)NOTE:Edel & Laurence A37. Rare first issue with the copyright date of 1892. The second issue had a cancel title and copyright date of 1893. 'With a single exception all copies examined contain a cancel-title leaf. An apparently unique copy, discovered by I. R. Brussel and recently added to the Collamore Collection at Colby contains a first-state title leaf...' (Edel & Laurence).
Wodehouse (P. G.) The Gold Bat, 1st edition, 1st issue, London: Adam & Charles Black, 1904, 1st issue with 2 pp. advertisements at rear, 8 monochrome plates by T. M. R. Whitwell, occasional light spotting and stains, presentation inscription to front endpaper dated 1919, front hinge a little tender, original pictorial cloth, some fading to spine, ends a little rubbed, 8voQTY: (1)NOTE:McIlvaine A4a.
Tolkien (J. R. R.) The Lord of the Rings: The Fellowship of the Ring, 10th impression, 1961; The Two Towers, 7th impression, 1960; The Return of the King, 7th impression, 1961, folding map at end of each, some light spotting, mainly to endpapers and fore-edges, top edge red (Fellowship faded), original cloth gilt (a couple of small faded patches to extremities of Fellowship and Return of the King) dust jackets, spines a little toned with small chips and tears at ends, spine lettering faded to Two Towers and Return of the King, a few small stains to panels, 8vo QTY: (3)
Newbery (Francis, publisher). Filial Duty, Recommended and Enforc'd, By a Variety of Instructive and Entertaining Stories, of Children who have been remarkable for Affection to their Parents; also An Account of some striking Instances of Children, who have Behaved in Undutiful, and Unnatural Manner to their Parents. The whole founded on Historical Facts. London: F. Newbery [after 1777], engraved frontispiece, 2 (of 6) engraved plates, lacks free endpapers and last 2 leaves of advertisements, together with:Howard & Evans (publisher). The Royal Primer; or, An Easy and Pleasent Guide to the Art of Reading, Adorn'd with Cuts, London: Howard and Evans, 1804, woodcut engravings to text, first and last leaves pasted to pastedowns, Marshall (John, publisher). The Universal Shuttlecock. Containing the Play of the Gaping-Wide-Mouthed-Wadling Frog, The Art of Talking with the Fingers, as it is practised in all the Schools and Universities in Great Britain and Ireland; And the History of Tommy Goodwill and Jackey Idle..., London: J. Marshall and Co, circa 1785, woodcut engravings to text, light spotting, lacking all preliminaries and last 2 pages of advertisements, Baldwin (R., publisher). A Christmas Box; or, Little Polite Tales, Fables, Riddles, Stories, Letters, Euitaphs &c. In Easy Prose and Verse with other Lessons of orality Equally Instructive & Entertaining for Little Masters and Misses..., London: R. Baldwin, [1754], engraved frontispiece and title printed in red, woodcut engravings throughout, old ownership inscription to front free endpaper, plus 3 other defective volumes; [Early Piety, or, Memoirs of Children eminently Religious, London: circa 1800], [A Description of Great Britain; with some account of its Constitution and Government, London, circa 1800], [Jemima Placid; or, The Advantage of Good-nature, London, circa 1800], each volume bound in original Dutch floral boards, some wear, lacking or partially lacking spines with sewing showing, 16mo QTY: (7)NOTE:Roscoe J1349(2). for the first work.
Ardizzone (Edward, illustrator). The Local, Lithographs by Edward Ardizzone, Text by Maurice Gorham, 1st edition, London: Cassell & Co. Ltd., 1939, 15 full-page colour lithographs, printed by Curwen Press, including one double-page, in clean condition, early ownership inscription to front endpaper 'To W. Twiston Davies, 1941, from L.T.D.', pale spotting to endpapers, original pictorial boards, lettered in red and black, spine lightly discoloured, partly cracked on upper joint with a little associated wear, 8vo, together withRavilious (Eric, illustrator). The Atrocities of the Pirates; being a faithful narrative of the unparalleled sufferings endured by the author during his captivity among the pirates of the island of Cuba..., by Aaron Smith, decorated throughout with engravings by Eric Ravilious, Golden Cockerel Press, 1929, wood-engraved illustrations by Ravilious, bookplate of R. F. Thurman to front endpaper, some light spotting and browning to endpapers, top edge gilt, remainder untrimmed, original quarter black cloth over red boards, spine lettered in gilt, rubbed and some marks, 8vo, plus other 20th century illustrated works: Glasgow, the city of the west, by Jessie M. King, 1911, original wrappers in good condition, Louis MacNeice, The Sixpence that rolled away, illustrated by Edward Bawden, 1st edition, Faber & Faber, 1956, original pictorial cloth in dustwrapper, W. H. Davies, The Hour of Magic, decorated by William Nicholson, 1st edition, 1922, Laurence Sterne, A Sentimental Journey through France and Italy, decorations by Norah McGuinness, 1st edition, Macmillan & Co., 1926, Prudence Hemelryk, Music Time, a book of easy tunes with lithographs by Sheila Jackson (Puffin picture book), 1947, and The Queen's Beasts, illustrated by Edward Bawden and Cecil Keeling, 1953, original red cloth in dustwrapper, 8vo/4to QTY: (7)
* Goodall (John Strickland, 1908-1996). Alice in Wonderland, watercolour with pen and ink on artist's board, depicting Alice on a mantlepiece, a large mirror behind her, and surrounded by inanimate objects bought to life, 20 x 21 cm, printed label to verso 'R. P. Gossop Limited Artists' Agents' with typed artist's name, mounted (37 x 37 cm)QTY: (1)
Arts and Crafts binding. The Game of Chess. Done into English from the Latin of M. Vida & Printed by Richard Stanton Lambert: & Introduced by Richard C. Lambert, limited edition, London: Stanton Press, 1921, woodcut illustrations by Neil Lambert, typescript letter giving biographical information on the author tipped-in to front endpaper verso, manuscript presentation letter from Mary G. Gibson of Wolverhampton, dated December 1944, gifting the book to Mr Walker (a student of R. J. Emerson) in 'memory of R. J. Emerson' to front endpaper recto, vellum endpapers, all edges gilt, contemporary Arts and Crafts embossed polychrome binding, upper cover with two mounted knights flanking the central figures of Mary and Jesus within gilt panelling, 'A Shadowy War We Wage A Realist Strife' embossed at foot, the lower cover with chessboard design with King and Queen and two rooks, titled 'The Game of Chess', small marks too lower cover, 4to, binding size 27 x 21 cmQTY: (1)NOTE:Limited signed edition, 241/250 copies.Provenance: Robert Jackson Emerson (1878-1944), artist and teacher at the Wolverhampton School of Art. He attended the Leicester School of Arts and Crafts in the 1890s and was awarded medals for modelling and life drawing and in the National Competition exhibttions at South Kensington from 1901-06. He went on to work for metalworking firm Collins and Company, producing decorative metalwork designs before being appointed second master at the Municipal School of Art, Wolverhampton in 1910 until his retirement in 1942. Emerson painted a portrait of Mary Gibson, a fellow teacher of Emerson, who taught bookbinding, needlework and leatherwork at the School, and went on to exhibit oil paintings at the Royal Academy in the 1940s and 1950s. Her portrait was donated to the Wolverhampton Art Gallery in 1976.
* Valentine. A Regency illustrated love letter addressed to Mr G. Bennett, 1807, large bifolium, first page with hand-coloured oval engraving of a young lady seated on a bench beneath a tree playing a lute, a young gentleman looking on from behind the tree, within an oval border of manuscript letters (forming a puzzle) between flourishes, closely-written in pen & ink with romantic sentiments to blank margins, second page with manuscript 'Now Sir if you are inclined in the Sirkle[sic] Round My Name you Will find', p. 3 blank, p. 4 with name and address in ink 'Mr G. Bennett, Poulterer No 21 East Street Baker Street', an oval red ink stamp '12 o'clock 14 FE[B] 1807', with 'Refused R. Fowler' written across it in ink, and remains of red wax seal, folds to form an 'envelope', small piece missing to blank fore-edge of second leaf where seal broken, 25.5 x 20 cmQTY: (1)NOTE:A rare early Valentine which, curiously, appears never to have reached Mr Bennett, for whom it was intended, having been refused at the point of delivery by an R. Fowler; one can only imagine the possible reasons for this, as well as the repercussions which might have ensued.
Greenwood (James). The London Vocabulary, English and Latin: Put into a New Method, proper to acquaint the Learner with Things as well as pure Latin Words, Adorned with Twenty-six Pictures, For the Use of Schools. The Twenty-Second Edition, London: R. Baldwin, [1802], woodcut vignette to title, woodcut illustrations to text, contemporary manuscript drawings, some margins trimming with minor loss, light spotting, text block cracked between L1 and L2, contemporary sheep, rubbed and worn, 12mo, together with:Puzzlewell (Peter, pseudonym). A Choice Collection of Riddles, Charades, Rebusses, &c., London: Emlia Rider, Little-Britain, 1800, engraved frontispiece, some offsetting, near-contemporary ownership inscription to verso of front free endpaper, publisher's original blue boards with printed title label, bumped and damp-stained, 12mo[Bewick, John, illustrator]. A Curious Hieroglyphick Bible; or Select Passages in the Old and New Testaments, represented with Emblematical Figures, for the Amusement of the Youth..., 7th edition, London: T. Hodgson, 1789, engraved frontispiece, woodcut illustrations throughout, original paper-covered boards, rebacked, woodcut illustrations to upper and lower covers, 12mo, plus another copy, 10th edition, 1791Wakefield (Priscilla). Domestic Recreation; or Dialogues illustrative of Natural and Scientific Subjects..., London: Darton and Harvey, 1805, engraved frontispiece, 5 engraved plates, contemporary ownership inscription to front free endpaper, contemporary tree calf, rebacked, 12mo, and other similar juvenile antiquarian volumes including; The Blind Child, or Anecdotes of the Wyndham Family, written for the use of young people by a Lady, 2nd edition, London: E. Newbery, 1792, Dr Watts's Divine and Moral Songs for Children, 4th edition, London: J. Johnson, 1803, Divine Songs, attempted in Easy Language for the use of Children by I. Watts, Birmingham: Knott and Lloyd, 1804, etc. QTY: (approx. 55)
Austen (Jane). Jane Austen's Works, 5 volumes, London: Robert Riviere & Son, circa 1900, half-titles, colour frontispiece to each by C. E. Brock, a few minor spots, previous owner inscriptions of R. A. Mills, 1900, all edges gilt, contemporary crimson half calf gilt by Sotheran, joints cracked, 3 upper covers detached, spines and edges rubbed, 8voQTY: (5)
Jefferies (Richard). Green Ferne Farm, 1st edition, London: Smith, Elder & Co., 1880, 8 pp. publisher's catalogue at rear, a few small stains, signed by Henry Williamson to front endpaper and half-title, bookplate of Charles R. C. Hibbert, original cloth, spine toned, cover title rubbed with some light damp stains to covers, 8vo, together with Nature Near London, 1st edition, London: Chatto and Windus, 1883, 32 pp. catalogue at end dated December 1882, inscribed at front 'Henry Williamson, Devon, 1934', Charles Hibbert bookplate, original pictorial cloth, spine a little toned, 8vo, plus The Story of My Heart. My Autobiography, 1st edition, London: Longmans, Green and Co., 1883, 12 pp. catalogue at rear, occasional underlining and annotations, Charles Hibbert bookplate, original cloth, spine a little rubbed and faded, rubbed patch to upper cover, 8vo, inscribed to half-title 'Henry Williamson (from his father-in-law Charles Hibbert of Chalfont Park, Buckinghamshire 1925)', with 4 other 1st editions by Richard Jefferies: The Dewey Morn, 2 volumes, 1884, The Life of the Fields, 1884, the Open Air, 1885, Amaryllis at the Fair, 1887, all signed or inscribed by Henry Williamson QTY: (8)NOTE:Provenance: From the library of Henry Williamson.
James (Henry). Transatlantic Sketches, 1st US edition, Boston: James R. Osgood and Company, 1875, a few minor spots, original russet cloth gilt, spine a little darkened and rubbed at ends, 8vo, together with Tales of Three Cities, 1st English edition, London: Macmillan and Co., 1884, advertisement leaf at rear, slight marginal toning, spotting to endpapers, bookplate of Arthur William Bennett, original cloth gilt, a few light stains to lower cover, 8vo, plus Portraits of Places, 1st English edition, London: Macmillan and Co., 1883, light spotting and offsetting front and rear, bookplate of W. F. Addey, original cloth gilt, a few light marks, 8vo, with 10 others by the author 1st UK editions Stories Revived. Second Series, 1885, A London Life. The Patagonia. The Liar. Mrs. Temperly, 1st one-volume edition, May 1889, The Lesson of the Master. The Marriages. The Pupil. Brooksmith. The Solution. Sir Edmund Orme, 1892, The Private Life. The Wheel of Time. Lord Beaupre. The Visits. Collaboration. Owen Wingrave, 1893, Terminations, 2nd edition, 1895, Embarrassments, 1896 (2nd issue binding with Tulips in blind to upper cover), The Spoils of Poynton, 1897 (1st issue binding with Irisis to upper cover), The Other House, 1897 (1st one-volume edition), The Two Magics. The Turn of the Scew. Covering End (new impression, November 1898), The Awkward Age, 1899 QTY: (13)
Jefferies (Richard). Hodge and his Masters, 2 volumes, 1st edition, London: Smith, Elder & Co., 1880, some pencil annotations and underlining, a little minor spotting, armorial bookplate of Charles R. C. Hibbert, original cloth gilt, a little rubbed with a few damp stains, mainly to volume I lower cover, slight lean, 8voQTY: (2)NOTE:Provenance: From the library of Henry Williamson, his inscription, 1927 and owl doodle to front free endpapers, and pencil annotations at front and to text. Henry Williamson's copy, with his notes which he used for his revised edition of Hodge and His Masters, Methuen, 1937.
Tolkien (J. R. R.) The Hobbit, 2nd edition, 6th impression, London: George Allen & Unwin, 1954, colour frontispiece, and illustrations by the author, map endpapers, slight marginal toning to title, original cloth, spine and extremities partially faded, dust jacket, spine a little toned with small chips at head, 8vo QTY: (1)
Williams (Charles). Descent Into Hell, 1st edition, London: Faber and Faber, 1937, a few minor spots to endpapers, bookseller ticket to front pastedown, original cloth (spine slightly darkened), dust jacket, spine a littlle toned with small chips at head, some light dust-soiling, 8vo, inscribed by Colin Hardie, Magdalen College (Oxford), together with 7 other 1st editions by the author: The Silver Chair, [1912], Divorce, 1920, A Myth of Shakespeare, 1928, Three Plays, 1931, Taliessin Through Logres, 1938, the Descent of the Dove, 1939, and All Hallows' Eve, 1945, all in dust jackets except The Silver Stair QTY: (8)NOTE:Descent into Hell inscribed by Colin Hardie (1906-1996), British academic, Fellow of Magdalen College, Oxford, and a member of the Inklings, the Oxford University literary discussion group, which included J. R. R. Tolkien, C. S. Lewis and Charles Williams among others. The members principally met at the Eagle and Child pub in Oxford on Tuesday mornings in the 1930s & 40s, and where unfinished works such as Tolkien's Lord of the Rings, and Williams' All Hallows' Eve were discussed.
Macdonald (George). The Princess and the Goblin, 1st edition, London: Strahan & Co., 1872, 30 wood-engraved illustrations by Arthur Hughes, a few small stains, small water stain to endpapers, previous owner inscription, 1872 to half-title, hinges tender, all edges gilt, original brown pictorial cloth gilt, spine ends and edges a little rubbed, a few small marks, 8vo QTY: (1)NOTE:Sadleir 1481. Rare. Also found in blue pictorial cloth. George Macdonald's fairy tale influenced J. R. R. Tolkien and C. S. Lewis. In a letter to his wife in 1871, Macdonald writes 'I know it is as good a work of the kind as I can do, and I think it will be the most complete thing I have done...'. G. K. Chesterton in his Introduction to George Macdonald and his Wife, 1924, wrote 'I for one can really testify to a book that has made a difference to my whole existence, which helped me to see things in a certain way from the start, a vision of things which even so real a revolution as a change of religious allegiance has substantially only crowned and confirmed'.
Tolkien (J. R. R.) The Lord of the Rings: The Fellowship of the Ring, 1st edition, 5th impression, London: George Allen & Unwin Ltd, December 1956, folding map at rear, original cloth, top edge red, price-clipped dust jacket with 'Sixth Impression' printed to front flap, slight toning to spine and small tears and nicks at ends and folds, small price sticker to upper cover, a few light marks, 8vo QTY: (1)
Jefferies (Richard). World's End. A Story in Three Books, 3 volumes, 1st edition, London: Tinsley Brothers, 1877, advertisement leaf at end of volume I, stitching weak in volume I, contents detaching, occasional light spotting, armorial bookplates of Charles R. C. Hibbert, manuscript shelf number, original decorative cloth gilt, spines a little toned and rubbed at ends and edges, ink stain at head of volume I upper cover, John Day, Grosvenor Square bookseller circular labels pasted to upper covers, slight lean, 8vo QTY: (3)NOTE:Provenance: From the library of the author Henry Williamson.
Housman (Laurence). Green Arras, 1st edition, London: John Lane at the Bodley Head, 1896, wood-engraved title and 6 full-page plates by Laurence Housman, errata slip, 16-page publisher's catalogue at rear, bookplate of Janet Ashbee (wife of C. R. Ashbee), designed by C. R. Ashbee to front pastedown, upper inner hinge a little loosened, original elaborately gilt-decorated green cloth, to a design by Laurence Housman, lightly rubbed (generally in good condition), 8vo, together withYeats (W. B.). The Tower, 1st edition, London: MacMillan and Co., 1928, single publisher's advertisement leaf at end, original gilt-decorated green cloth (designed by Thomas Sturge Moore), generally in bright condition, with original matching dustwrapper (lacking spine portion), and very slightly frayed to extremities, 8vo, plus five other similar illustrated poetry works: William Watson, The Eloping Angels, A Caprice, 1st edition, London: Elkin Mathews & John Lane, 1893, decorative title by Warrington Hogg, top edge gilt, original blue-black cloth gilt, rubbed, James Stephens, Green Branches, new edition, Dublin: Maunsel & Company, 1917, Gerald Gould, The Happy Tree and other poems, 1st edition, Oxford, B. H. Blackwell, 1919, bookplate of Ronald Brymer Beckett to front pastedown (designed by Jack B. Yeats and printed by Cuala Press, original dark blue cloth, rubbed, Robert the Devyll, A Romance (Early English Prose, Romances) with the text of Wm. J Thoms, ornamented by Harold Nelson, Edinburgh: Otto Schulze, 1904, decorative title page, full-page illustrations and illustrations to text by Harold Nelson, original quarter green cloth, rubbed, 4to, and Haldane Macfall, Songs of the Immortals, [1927], all 8vo (except Robert the Devyll)QTY: (7)
* Sax (Rudolph Michael Sachs, 1897-1969). Original dust jacket artwork for Ring For Jeeves, by P. G. Wodehouse, 1st edition, Herbert Jenkins, 1953, watercolour on paper, annotations and measurements in pencil head and foot, 35 x 25 cm, with a dust jacket for the book, mounted together, framed, frame size 68 x 78 cm QTY: (1)NOTE:R. M. Sachs, 'Sax' (1897-1969), designed many dust jackets from the 1940s, including a few P. G. Wodehouse titles.
Tolkien (J. R. R.). The Lord of the Rings, 3 volumes, Reader's Union edition, London: George Allen & Unwin, 1960, folding map at rear of each volume, original brown cloth gilt, dust jackets, spines toned and damp-stained at foot, some spotting to panels, a few extremities frayed with small loss, closed tear to lower joint of first volume, 8voQTY: (3)
Jefferies (Richard). Bevis. The Story of a Boy, 3 volumes, 1st edition, London: Sampson Low, Marston, Searle & Rivington, 1882, stitching broken, contents detached, some light finger marks and dust-soiling, a few marginal damp stains in volume II, original cloth gilt, a little rubbed with small stains, 8voQTY: (3)NOTE:Provenance: From the library of Henry Williamson. His note at front of volume I 'note by HW. 14 Octr. 1965. This book - three volumes - belonged to my grandfather Hy. William Williamson, to my father William Leopold Williamson, he gave it to me in 1910', each title inscribed 'Ex libris Henry William Williamson, grandfather of Henry Williamson' and further to volume III 'Ex libris Henry William Williamson of Hederheim, Sutton, grandfather of Henry William Williamson, the author & personal friend of R. Jefferies'.Henry Williamson's grandfather was Henry William Williamson (1834-1894).
Military and Antiquarian, including Boscobel: Or, the compleat History of the most Miraculous Preservation of King Charles II..., London: Printed by R. Freeman, 1743, sixth edition, contemporary leather binding; Drinkwater (John), A History of the Siege of Gibraltar, 1779-1783, London: John Murray, 1844, half leather; Dickens (Charles), The Life and Adventures of Nicholas Nickleby, London: Chapman and Hall, 1839, early edition, upper board detached; The Navy of Britain; The Spectator; Life of General Napier; and others. (4 boxes)
Seven Triang and Hornby 00 gauge locos, to include a Triang Polly 0-4-0 starter tank, renamed, in red livery, a Triang 0-6-0 Jinty in LMS maroon, no.7606, a Dock Authority 0-4-0 black diesel loco, a Ford promotional 0-4-0 white loco, in need of a clean, a Jinty in lined black, no.2021, an R.755 0-4-0 steam loco, in black, no.6042, and a half cab pannier tank in red, no.5. All are in good condition, five are housed in original boxes, and are in good condition, boxes mostly fair.
A small collection of Hornby-Dublo unboxed 3-rail track including large radius curves, straights etc. Will benefit by cleaning. With boxed items 4 x diamond crossings; 2 electric uncoupling rails with switches; 3 x R/h & 7 x L/h electrically operated points. All boxed items very clean (E) (BE). With D1 girder bridge (P).
Four Hornby goods wagons & snowplough: 1923-4 Tipping wagon, black open axleguard base with white ‘Tipping Wagon’ on one top side, grey tipper with stencilled red lining, small amount of corrosion to base ((G) with buff box & pink label (BVG); 1928-9 NE snowplough, green open axleguard base, green doors with white ‘Snowplough’ R/h throw, one axle/wheels replaced, roof repainted (F-G); 1927-30 Crane truck, blue open axleguard base, brown jib, LMS on base, ‘To lift’ on crane (VG) (BF) taped; two No.2 LMS timber wagons, olive green – one 1925-7, the other 1927-30 red stanchions, both (VG-E)
Hornby-Dublo 3-rail points, diamond crossings & electric uncoupling rails: five of each except only 3 x R/h manual points. Diamond crossings L/h & R/h; Electric points R/h & L/h; two platform extensions with wall (M); manual points L/h; 5 electric uncoupling with switches. Not all contents of boxes have been inspected but the condition appears to be (E-M). Total 33 items.
Dutch Incunabula - Werner Rolevinck, The Ark of Noah - 1480 / Description: Incunabula sheet with hand painted rubrifications and initials in red. Sheet from the Dutch translation of Werner Rolevinck, "Fasciculus tempororum" , printed in 1480 and published by Johann Veldener in Utrecht. The sheet is with no doubt from this edition as no other Dutch reprints are known. The First edition in Latin printed by Arnold Therhoernen (1474) Larger oldcoloured woodcut of the Ark floating on the water. Indication of the use of the compartments in Dutch: The section for the tamed animals, the section for the birds and humans, the section for the wild animals. / Dimensions: 5,00 x 11,60 cm -- 28,00 x 20,00 cm sheet / Condition: A laid paper sheet in good condition. Moderate thumbing to the left corner. / Literature: Essling 277; Sander 6526; Goff R-261 ----- As a rule, incunables are not known for their exuberant look and content. However, the chronicle Fasciculus temporum is a positive exception to this general rule. It is a masterpiece, both in terms of typography and illustrative art. As a rule, incunables are not known for their exuberant look and content. However, the chronicle Fasciculus temporum is a positive exception to this general rule. It is a masterpiece, both in terms of typography and illustrative art. It goes without saying that religious views and opinions played a major part in Rolevinks’s history of the world and it is therefore not surprising that it starts with God’s creation of the world. The text is illuminated with many beautiful woodcuts. For instance we find illustrations of Noah’s Ark, the city of Nineve, the Ark of the Covenant, the tabernacle and many Biblical genealogies. But also ‘profane’ matters and cities are immortalized such as overviews of the royal families of France and England and cities including Rome, Constantinople, and London.... The incunable is a Dutch translation, printed in 1480 and published by Johann Veldener, publisher in Utrecht. There were no other Dutch reprints which suggests that the work was less popular in the Low Countries. Possibly Veldener was already involved in the first print of 1474, which rolled off the press in Cologne at Arnold Therhoernen. ..... the Fasciculus temporum is a synthesis between the religious and worldly history, a form quite common in the era of Humanism. However, emphasis is on the non-profane history, not surprising considering Rolevinck’s background. As sources for his text he used the Chronicon Pontificum et Imperatorum by Martin von Troppau, the Speculum historiale by Vincent van Beauvais and the anonymous Rudimentum noviciorum. ... (source of the description: Special collections - Utrecht University) / Medium: Woodcut on incunabula printed page /Circa: 1480
Hans Sebald Beham - Coat of arms of Hector Pömer- 1525 / Description: Interesting woodcut, formerly attributed to Albrecht Dürer, showing the Coat of arms of Hector Pömer, underneath an arch of tree branches, a shield surmounted by a helmet and a bust of a man, in the top left corner a shield of the Pömer family, on the top right that of the Rummel family, bottom left the Schmidmayer family, and bottom right the Bergmeister family; on the left side of the central shield a full-size figure of St Laurence holding an grid-iron, at the bottom four lines inscription in Hebrew, Greek and Latin. 1525. Signed bottom right R A1525 / Dimensions: 29,50 x 19,60 cm / Condition: A strong impression on watermarked laid paper with good margins around the subject. Flattened middle fold invisible in front. / Literature: Hollstein / German engravings, etchings and woodcuts c.1400-1700 (1352) --- Bartsch / Le Peintre graveur (VII.169.163) --- Dodgson 1903, 1911 / Catalogue of Early German and Flemish Woodcuts in the BM, 2 vols (I.365.41) --- Schoch 2001-04 / Albrecht Dürer, das druckgraphische Werk. 3 vols I Intaglio, II Woodcuts, III Book illustrations (II.A27) --- O'Dell 2003 / Deutsche und österreichische Exlibris 1500-1599 im Britischen Museum (304) / Medium: Woodcut /Circa: 1525
Patek Philippe. A fine lady's 18K white gold diamond set manual wind wristwatch with mother of pearl dialModel: CalatravaReference: 4959G-001Date: Purchased 2nd December 2008Movement: 18-jewel Cal.215 PS AIG.2 manual wind, stamped with the Seal of Geneva, No.3559847Dial: Mother of pearl with guilloché engraved centre, applied diamond set hour markers with polished Arabic numeral quarters, subsidiary seconds at 6, polished leaf handsCase: Polished round, snap on exhibition back, diamond set bezel, No.4365216Strap/Bracelet: Dark blue Patek Philippe alligator leatherBuckle/Clasp: Signed 18K white gold buckleSigned: Case, dial & movementSize: 31mm Accompaniments: Patek Philippe box, outer card, Certificate of Origin, brochuresFootnotes:Patek Philippe's Calatrava model has been a staple within the brand's lineup for around 100 years. The name has been given retrospectively to the earliest of these elegant yet understated watches but was only officially adopted by the brand in the 1980s. The Calatrava was first released in 1932, coinciding with Patek's purchase by the Stern family. The current example dates to 2008 and features a mother of pearl dial to the smaller 31mm case, set with diamonds to the bezel. Powered by the in house calibre 215 manual wind movement, it comes complete with box and papers.This lot is subject to the following lot symbols: Y RY Subject to CITES regulations when exporting items outside of the UK, see clause 13.R This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
Breguet. A fine lady's 18K white gold diamond set wristwatch with mother of pearl dialModel: Reine De NaplesReference: 8928Date: Purchased 24th December 2007Movement: 29-jewel Cal.586 automaticDial: Mother of pearl, black Roman numeral hour markers, black inner minute divisions, blued steel Breguet hands, No.4147Case: Polished oval, back with exhibition aperture secured by 6 screws, diamond set bezel, diamond set crown at 4, reeded band, t-bar lugs, No.4147 YStrap/Bracelet: Black Breguet leatherBuckle/Clasp: Signed 18K white gold diamond set folding claspSigned: Case, dial & movementSize: 25mm x 33mm Accompaniments: Breguet box, Certificate of Origin and Warranty, spare black Breguet alligator leather strapFootnotes:The Reine de Naples collection, first launched in 2002, pays homage to one of the horological achievements Abraham-Louis Breguet puts his name to - that of the first ever wristwatch. First commissioned in 1810, Breguet completed and delivered his wristwatch to his esteemed client the Queen of Naples, Caroline Murat, on the 5th October 1812. Caroline Murat, often known as Caroline Bonaparte, was the sister to Napoleon and was a great lover of the arts.This lot is subject to the following lot symbols: Y RY Subject to CITES regulations when exporting items outside of the UK, see clause 13.R This lot is subject to import restrictions when shipped to the United States.For further information on this lot please visit Bonhams.com
Two silver photograph frames, a table clock and a dish. The first marked TIFFANY & CO, STERLING, and one with the number 23815, largest 10.8cm x 15.1cm; a silver fronted table clock marked to the face R Carr, with hallmarks for Carr's of Sheffield Ltd, Sheffield 1997, H9cm; the round dish with hallmarks for Thomas Ducrow & Sons, Birmingham 1966, diameter circa 6.8cm, this weighing 66.5g.
ENGLAND. Edward I, 1272-1307. Silver Penny, ND. Newcastle-upon-Tyne Mint. Sterling type. Obv: + ЄDW R’ ANGL’ DNS HYB, crowned bust facing. Rev: VIL NOV CASTRI , long cross pattée, trefoil of pellets in angles.Very Fine.Reference: Sp-1408; North-1037/1.Diameter: 18 mm.Weight: 1.41 g.Composition: Silver.PLEASE NOTE: A 20.00% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold Sovereign, 1989. Royal Mint. Proof. Commemorating the 500 years anniversary of the sovereign 1489-1989, this is the first special design issued under Queen Elizabeth II, often held to be the most beautiful coin design during her reign.Facing full length portrait of Elizabeth II seated in King Edward's Chair as at her coronation, all within beaded border; legend around in Medieval typeface, ELIZABETH · II · DEI · GRA · REG · FID · DEF ·. Design by Bernard Sindall. / Crowned Royal Shield of Arms set in a double Tudor rose, within beaded circle; inscription around in medieval typeface, 'ANNIVERSARY · OF · THE · GOLD · SOVEREIGN · 1489 · 1989'. Design by Bernard R. Sindall. Edge milled.In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 6770255-005.NGC Census in this grade: 284, equal-finest graded.Total NGC Census: 921Reference: S-SC3 (was 4272); KM-956Mintage: 23,471.Diameter: 22.05 mm.Thickness: 1.52 mm.Weight: 7.9881 g. (AGW=0.2355 oz.)Composition: 917/1000 Gold.PLEASE NOTE: This lot is exempt from VAT. A 20.00% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
ENGLAND. Edward I, 1272-1307. Silver Penny, 1279-1307. Bristol. New Coinage, Obv: EDW R ANGL DNS HYB, crowned bust facing. Rev: VILLA BRISTOLIE, long cross pattée, trefoil of pellets in angles.Good Fine.Reference: Fox-IIDiameter: 19 mm.Weight: 1.36 g.Composition: Silver.PLEASE NOTE: A 20.00% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
ENGLAND. James I, 1603-25. Gold Double-crown, ND (1617-1618). mm Crescent 72b. Fifth crowned bust right with legend around; "IACOBVS DG MAG BRIT FRAN ET HIB REX." / Crowned flat topped quartered coat of arms, flanked by "I-R", legend around; "HENRICVS ROSAS REGNA IACOBVS".Small edge clip. Very fine.Reference: S-2623; KM-39Diameter: 25 mm.Weight: 4.9 g. (AGW=0.1445 oz.)Composition: 917/1000 Gold.PLEASE NOTE: A 20.00% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
UNITED KINGDOM. Victoria, 1837-1901. Gold Sovereign, 1838. London. First young head of Victoria facing left, hair tied in fillet; date below truncation; VICTORIA DEI GRATIA. / Crowned shield within wreath; thistle, rose and shamrock below; BRITANNIARUM REGINA FID: DEF:.In secure plastic holder, graded NGC AU 53, certification number 6768033-004.NGC Census in this grade: 14.NGC Census in higher grade: 86Total NGC Census: 152Reference: Fr-387; KM-736.1; Marsh-22 [R]; S-3852Mintage: 2,718,694.Diameter: 22.05 mm.Weight: 7.9881 g. (AGW=0.2355 oz.)Composition: 917/1000 Gold.PLEASE NOTE: This lot is exempt from VAT. A 20.00% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

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