World Wars Commemorative / Anniversary Publications Collection includes 75th Anniversary of D Day, Captain George Bowman M.C. Reconnaissance Regiment, Autobiography Captain J R Gower DSC RN, HMS Swift 'S' Class Destroyer, 1943/1944, Centenary The Armistice, Ypres 1914 18, Battlefields of Northern France, Centenary The Battle of Amiens (English & French Versions), Westminster Abbey Service of Thanksgiving to Celebrate The centenary of The Commonwealth War Graves Commission, Westminster Abbey Service of Thanksgiving to Celebrate The Armistice, Dienst am Menschen, Dienst am Frieden, good condition. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
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Politics Collection 10 pages of signatures and pictures including names of J. R. Jayewardene, Jagivan Ram and Y. B. Chavan (India), Amir Asadollah (Iran), Olafur Johannesson, Benedikt Grondal, Geir Hallgrimsson and Einar Agustsson (Iceland), Chaim Herzog (Israel) and Flaminio Piccoli (Italy). Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Ltnt A Briggs and R Tilburn signed Sinking of the Bismarck cover. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
World Wars Commemorative / Anniversary Publications Collection includes Autobiography Captain J R Gower DSC RN, War Memorials Trust Bulletin 2022, The Royal Munster Fusiliers Association Journal 2013, The Bengal Tiger 2016 2022, The Irish Sword No 66 Summer 1987, Centenary The Gallipoli Campaign, Centenary The Armistice, Centenary The Battle of Amiens, West Kingsdown Remembers The First World War, Soldiers Died in The Great War 1914 19 part 68 & 72, The Tragedy of the bayonet Trench, Great Speeches of the 20th Century, HMS Swift 'S' Class Destroyer, 1943/1944, Westminster Abbey Service of Thanksgiving, Commemorative Nautical Chart Landing on Normandy, 75th Anniversary of D Day, The Cruel Clouds of War, The Gospel According to st John (Active Service 1914 18, good condition. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Royal Academy of Arts Collection of Items relating to the Royal Academy of Arts includes Dinner Menu, Gala Concert Typed Timetable of The Event 1986, The Armand Hammer Dinner 1972, The Whitebait Dinner 1980, Brochure for the Academy and its work, 2 x ALS by Sidney C Hutchinson 1978, 1986, TLS to R E Franklin signed by Lt Col T P Hardy, Annual Dinner Menu 1985, good condition. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Royal Doulton and Royal Worcester - four figurines comprising (R Doulton) 'Flowers of Love, Forget Me Not' # HN3700 and 'Elyse' with certificate # HN4131 and (R Worcester) 'Fandango' # CW720 and 'The Golden Jubilee Ball' with certificate in presentation folder # CW284, all appear to be in excellent condition throughout (this does not constitute a guarantee) [4-b].
A George V silver 2-handled pedestal trophy cup, no maker, London 1919, Challenge cup presented to Barclay Perkins Rifle Club by Lieutenant Colonel R W Barclay March 1921, with engraved list of recipients from 1921 to 1961, 19cm, 17.6ozFoot very slightly bent and cup does not sit completely flat, otherwise no damage or repair, hallmarks rubbed
Maske "mbuya", Pende, D. R. Kongo, helles Holz geschnitzt und Gesicht dunkel gefärbt, weibliche Maske mit gesenkten Lidern, gewölbter Stirn und Ziernarben, Haube und Kinnumrandung aus Raffiabast, Gesamtlänge ca. 38 cm, Mund und ein Augenlid mit kleinem Ausbruch, Gewebe verschmutzt, aus einer alten Privatsammlung, Sammlungszeitraum zwischen 1950 und 1970. 3554-091
Freimaurerabzeichen (Masonic), Silber mit Resten von Vergoldung, London 1892, rückseitig Herstellermarke RS, schreitender Löwe, Löwenkopf, Jahresbuchstabe R, Zirkel hängend an Ähre, viereckiger Anhänger mit geometrischen Zeichen als Ampel, partiell floral graviert, 7 x 7 cm, Gewicht 27,3 g. 3999-029
Rosenthal Restservice, "Crysanthéme" mit Rosendekor, 37 teilig, Werk Kronach/Selb, um 1898 - 1906, Porzellan leicht cremefarbener Scherben, auf Glasur lithographierter Druck von farbigen Rosen und Goldstaffierung, darin enthalten: große Kaffeekanne (H 24 cm, B 23,5 cm), Teekanne (H 13 cm, B 23 cm, Innenrand und Ausguss bestoßen u. starker Goldabrieb), Milchkännchen (H 12 cm, B 13 cm, partieller Goldabrieb), Zuckerdose (H 11 cm, 16 cm), 11 Tee/Kaffeetassen (H 5,5 cm, D 9 cm, vereinzelt am Griff mit leichtem Goldabrieb), 11 Untertassen (D 15,2 cm, einer am Rand bestoßen, teilweise Goldabrieb), 11 Kuchenteller (D 19,5 cm), im Boden grüne Kronenmarke gekreuzt "R. C. Kronach Bavaria Crysanthéme", in Gold "Cäcilie" u. Dekornummern, 3556 - 0001
5 Bücher zu Glas u. Jugendstil, 2. H. 20. Jh., J. u. H. Schmoll "Nancy 1900 Jugendstil in Lothringen - Zwischen Historismus und Art Déco", Verlag Philipp von Zadern Mainz 1980, Victor Arwas "Glas - Vom Jugendstil zur Art Deco", Klett - Cotta Verlag Stuttgart 1987, B. Klesse u. H. Mayr "Glas vom Jugendstil bis heute - Sammlung Gertrud und Dr. Karl Funke - Kaiser", Verlag d. Buchhandlung Walther König Köln 1981, H. J. Hansen "Das pompöse Zeitalter - Zwischen Biedermeier und Jugendstil", Gerhard Stalling Verlag Oldenburg u. Hamburg 1970, R. u. L. Grover "Carved & Decorated European Art Glass", Charles E. Tuttle Company Japan 1970, versch. Einb., teils mit Schutzumschlag, Alters - u. Gebrauchsspuren, 3983 - 0005
Ullmann, Robert (Mönchengladbach 1903 - 1966 Wien), ”Sinnende” (1940), Meissener Porzellan, 3. Wahl, H 32 cm, B 36,5 cm, R. Ullmann studierte ab seinem 16. Lebensjahr an der Wiener Akademie für Bildende Künste, ab 1940 zog er nach Berlin, bekam von Generalbauinspektor Albert Speer ein Atelier, war Nachfolger von Arno Breker, dort schuf er für Speers Projekt der Umgestaltung Berlins zur Welthauptstadt Germania u. a. die dreifigurige Brunnengruppe „Die Morgenröte” (ausgestellt auf der Großen Deutschen Kunstausstellung in München 1943). 3635-041
"Portrait of the Cornejo Sancho Family"Oil on canvas. Dated 1754.245 x 317 cm.This lot has a valid export permit from the Spanish Ministry of Culture.An extensive and well-documented study by Dr. Clara Zamora Meca is attached. In it, she mentions the possible attribution to the painter Cristóbal de Aguilar. "It is possible to attribute it to Cristóbal de Aguilar, a portraitist who worked in Lima in the second half of the 18th century, a contemporary of Cristóbal de Lozano. His best-known painting is the portrait of Viceroy Amat, painted in 1771 for the Nazarene Monastery. The chronology of his known artworks ranges from 1745 to 1769, some are signed and others attributed."Furthermore, it is relevant that Cristóbal Aguilar was a painter who specialised in portraying members of the Lima nobility and the political elite of the Viceroyalty of Peru. It is logical to assume that the commission of such an important painting by a well-known personality in the period would have been entrusted to one of the best artists of the time. Despite not being signed (as was the case in most instances), its authorship cannot be anonymous.This is an exceptional Lima painting of enormous interest from both a historical, artistic, and iconographic point of view, and because of the extremely interesting information that the painting itself provides, reflecting the different social strata, the Marian invocation that presides over it, the detailed depiction of each character with their personal information, and the union of both continents depicted in the family's transposition to the New World (through two of its members). The information is obtained through the commission of this portrait, as well as the information provided by the study of the painting by Dr. Clara Zamora, which includes data extracted from, the Archivo de Indias or the Archivo Municipal de Arganda, among others.Interesting documents such as Manuel Cornejo's passenger licence to the Indies (1711) and four papal bulls with the signature of José Cornejo are attached to her study, two from Innocent XIII to King Philip V, communicating the provision of the archbishopric of La Plata (Charcas) and the archbishopric of Lima (both from 1723), and the other two from Clement XI to King Philip V, communicating the provision of Nueva Segovia (Ilocos) and Nueva Cáceres (Camarines), both located in the Philippines.In this case, as in other frequent cases, it was customary to make posthumous portraits, as we read in Dr. Zamora's study: "The true boom in portraits occurred in the 18th century. The end of the War of Succession marked a turning point between the predominantly historical and commemorative character of portraiture and that of ostentation, as is the case here, which was introduced, fundamentally, by the French artistic trend. As the elite acquired noble titles, their portraits became richer in decoration, although their expression remained very severe. The portrait was not intended to reproduce the psychology of the sitter, but to manifest their belonging to a social group, a religious community, or a corporation. As in this case, it was common for some portraits to be made posthumously. Some of the subjects were no longer alive when this work was painted in 1754."Regarding the representation of this peculiar portrait, Zamora continues: "It is an atypical composition, a scene with twelve people, who appear between two palatial rooms, in a kind of hallway. The scene is crowned by Our Lady of the Sanctuary of Toledo. There are several artistic relationships between the Cathedral of Toledo and Spanish America during the Modern Age. Our Lady of the Sanctuary was worshipped to an enormous extent in New Spain. The 1672 painting by Francisco Rizi to be sent to Puebla de los Ángeles (Mexico) at the request of Manuel Miranda Palomeque is another example. Our Lady of the Sanctuary was considered "mother and protector," as also stated in the inscription surrounding her in this painting. "Bajo tu protección" (Under your protection) is the oldest hymn currently preserved of the Virgin Mary as Mother of God. The transcription of the text surrounding the virgin in the painting is the same: MONSTRATE ESSE MATREM SUB TUUM PRESIDIUM CONFUGIMUS."The composition is adapted to the style of elite portraits of the time: the subjects stand, with four essential elements: drapery, a heraldic shield (with a marquess crown in this case), cartouches with descriptions of the characters, and elements that allude to the positions of those represented (for example, the mitre belonging to one of them). Colonial painting was almost always executed on canvas, with large-sized canvases. The size of this painting is striking, as is the large family group it depicts, making it an artwork of tremendous interest.Cano Picó and Puig Galindo write about the unmistakable Hispano-American aspect of the work, "The painting has all the characteristics of the portrait painting style that developed in Hispanic America during the Viceroyalty or Colonial period. The background architecture with irregular perspective have all the characteristics of colonial architecture from the Viceroyalty period. Another aspect of the painting related to Hispanic America is in the clothing, such as the use of richly made aprons that complement the attire of important people. In Spain, the attire of aristocratic ladies did not include aprons as accessories, while in Hispanic America, the use of aprons as a complement to the clothing of important ladies was frequent."The painting features a central cartouche with the family crest at the bottom that reads: "DON MANUEL CORNEJO. / I D. JULIANA SANCHO. / I SUS HIJOS." This shield corresponds to the Cornejo Family in Arganda del Rey.At the bottom, there are ten cartouches with the name and titles identifying each of the characters. In this regard, the excellent study carried out by Ramón Cano Picó and Cristina Puig Galindo, which thoroughly delves into each of the characters, is very interesting.Regarding those portrayed, as Zamora notes, "The Sancho Granado family was a very prominent family in Arganda del Rey (Spain). The Sanchos, upon uniting with the Granados, achieved the definitive merger between this place and the Society of Jesus. In 1613, Juan Sancho, mayor of the Holy Brotherhood, led a group of 27 people from Arganda who opposed the sale of the Villa to the powerful Duke of Lerma. This same Sancho led the Villa of Arganda against the power of the Society of Jesus." One of the daughters, Juliana Sancho Granado, married the physician don Manuel Cornejo, forming the Cornejo Sancho family, portrayed in this painting.Two of the sons travelled to New Spain, as Zamora continues, "Lawyer Manuel Cornejo, who appears in the information file and passenger licence to the Indies in the year 1711, with Manuel de la Cruz, a native of Toledo, as a superior commissioner (Archivo General de Indias, Signature: CONTRATACION, 5466, N. 1, R. 19. Date, 1711-07-28). This is the character that serves as a link for us to understand the transposition of this family to the New Spain. Also, the second of them, Juan Hernando, appears as "Dean and Canon of the Holy Metropolitan Church of Santiago" (Santiago de Chile, as it was called, not Santiago de Compostela)."In the conclusion of her study, Dr. Zamora leaves us with a phrase that we would like to highlight: "A very peculiar, ambitious, and rich piece that will spark much discussion in the future if we continue to investigate the path that opens up to all those who are interested in the history of humanity."Attached: - Study by Dr. in Art History, Clara Zamora Meca.Technical report by Ramón Cano Picó and Cristina Puig Galindo.
A 12-bore boxlock ejector gun by C. R. Purser, no. 35246Treble-grip action-body with concealed third-bite, foliate-scroll engraving, the figured stock with ebonite extension, the barrels (minor denting near muzzles) with game-rib engraved 'C. R. Purser, 181 Commercial Road, Portsmouth' Weight 6lb. 14oz., 15in. pull (14¼in. stock), 30in. barrels, approx. ¼ & Full chokes, 2½in. chambers, London nitro reproof (1988)In a canvas caseThis lot is subject to the following lot symbols: S2S2 Section 2 lots require a valid British Shotgun certificate, RFD (Registered Firearms Dealer) Licence or import licence.For further information on this lot please visit Bonhams.com
R&F Mo Boy and Friend Watercolour and gouache on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Exploring narratives that connect the seen the sensed and the dreamed is central to R&F Mo's works focusing on ambiguity and places where relations between human and creature kind are performed. Mo works with processes of drawing and painting to conjure a scene resonating myth, folklore and fairy-tale. Rather than holding to a fixed preconceived concept Mo finds the way in the moment of making, keeping the process alive, while also allowing the unconscious, memory, and imagination to come into play. Education MA RCA/MFA CSM/PhD UAL Select Exhibitions/Awards RA Summer show (21/22/23) Gallery Representation Oliver Projects London Statement about AOAP Submitted Artwork Great cause, very happy to contribute. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Precious Opara Universe in a Drop Water and oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Millie Foster About Precious is a multidisciplinary artist born in London. Her practice involves painting, collage, and site-specific installation focused around the human body and natural landscapes in a surrealistic style. This is often an attempt to make her emotional experiences tangible for the viewer, resulting in blurring the line between the body and landscapes. Precious works with the desire for her artworks to possess an essence that is almost soul-like, encouraging this idea to translate into her other mediums. In her painting 'Much to Do Inside', her plant appears as though it has the ability to suffocate, whilst in the collage, 'Earth Cosplay', she constructs the land and seas from her smiling face and body. Natural surroundings are an important motif in her work as whilst it provides a freeing space where she can depict her body with validity, it also allows room for her style of manipulation to coexist. Education BA Creative Direction for Fashion, London College of Fashion Select Exhibitions/Awards 2023 FEMME F(R)ICTION, C1760 2022 Face to Face, Gillian Jason Gallery Shout Plenty, African Artists' Foundation Reclaiming the Nymph: A Force of Nature, Gillian Jason Gallery Gallery Representation Gillian Jason Gallery You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
R&F Mo I Saw You in the Park, 2023 Watercolour and gouache on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Exploring narratives that connect the seen the sensed and the dreamed is central to R&F Mo's works focusing on ambiguity and places where relations between human and creature kind are performed. Mo works with processes of drawing and painting to conjure a scene resonating myth, folklore and fairy-tale. Rather than holding to a fixed preconceived concept Mo finds the way in the moment of making, keeping the process alive, while also allowing the unconscious, memory, and imagination to come into play. Education MA RCA/MFA CSM/PhD UAL Select Exhibitions/Awards RA Summer show (21/22/23) Gallery Representation Oliver Projects London Statement about AOAP Submitted Artwork Great cause, very happy to contribute. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Jonathan R Bennett Queen, 2023 Oil paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Jonathan Bennett was born in Stoke-on-Trent in 1962. He studied Fine Art at Leeds Polytechnic before moving to Sheffield, where he lived and worked as a practising artist. This period culminated with a one person show" at the Mappin Art Gallery in 1990. He then went on to do an MA in Site Specific Sculpture at Wimbledon School of Art. Since living in London, he has completed a number of public art commissions, worked in art education, exhibited his art work, played a bit of music, and started a landscape gardening business. He currently lives in Hackney with his partner, drawing and painting whenever he gets the opportunity. Education 1990-92 Wimbledon School of Art, Site Specific Sculpture M.A. 1983-86 Leeds Polytechnic. Fine Art B.A. (hons). 1981-82 North Staffordshire Polytechnic, Foundation Art and Design. Select Exhibitions/Awards 2023 Summer Exhibition, Royal Academy of Arts, London 2020 Summer Exhibition, Royal Academy of Arts, London 2019 TBW Drawing Prize, Touring Exhibition 2018 Summer Exhibition, Royal Academy of Arts, London 2017 Summer Exhibition, Royal Academy of Arts, London 1997 Just An Illusion, Darkroom Gallery, Cambridge 1996 Whitechapel Open, Commercial Gallery, London 1994 Extension, Bonington Gallery, Nottingham 1990 One Person Show, Mappin Art Gallery, Sheffield 1988 Two Person Show, Castlefield Gallery, Manchester 1985 Young Contemporaries, Whitworth Art Gallery, Manchester Statement about AOAP Submitted Artwork My artwork is an ongoing exploration of style and technique and a search for the optimum balance between humour and pathos, profundity and absurdity, intrigue and ambiguity. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Sophie Vallance Cantor Tiger Collage, 2023 Oil and collage on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Ell Pennick About Throughout her practice, Sophie Vallance Cantor creates worlds that express the inner workings of her mind by blurring the line between reality and imagination. Her paintings offer a unique perspective as they invite viewers to see the world through her eyes: where bright neon signs light up dark alleyways and domestic cats transform into wild beasts in 24 hour bars and cafés. Each painting reads like a still from a film; characters look at the viewer with a sense of cool detachment as they ride motorcycles down an infinite highway or smoke cigarettes and blow smoke while nursing a cocktail. Amidst the narrative of her paintings there often lies a sense of stillness, with each small moment immortalised and savoured through thick, luscious strokes of oil paint that exude a palpable sense of joy and pleasure in the creation process. Sophie's figures are depicted with strong, bold shapes and her use of vivid colours invites the viewer to relish in the pleasures of her practice. There is a certain sense of playfulness and mischievous delight that permeates all of Sophie's work. In a broader context, Sophie's art serves as a counterbalance to her experiences as a neurodivergent individual, with her self-portraits constantly evolving and conversing with each other on the canvas. Although viewers are welcomed into her world, they are still kept at arm's length, like outsiders looking in on a private moment. Education Painting, Camberwell College of Arts Select Exhibitions/Awards Solo Exhibitions 2025 Upcoming Guts Gallery, London 2023 Burnout NBB Gallery, Berlin 2023 Ride or Die, Galerie Fran Reus, Palma 2022 Tiger Stripes and Smoke, Guts Gallery, London 2021 Bad at Life (Good at Painting), Guts Gallery, London 2020 Peeka-Fuckin-Boo Guts Gallery, London 2020 Even Tigers Need a Rest, Aleph Contemporary, London Art Fairs 2023 Everyday Mooonday, KIAF Seoul 2023 Yusto Giner, KIAF Seoul 2023 Galeria Fran Reus, KIAF Seoul 2023 Yusto Giner, ZONAMACO Art Fair, Mexico City Group Exhibitions 2023 NEW NOW, Guts Gallery, London, UK 2023 UNI[2]ON, Union Gallery, London, UK 2023 Meeting Point, Galerie Slika, Lyon, France 2022 Even a Cat Can Look at the Queen, Mrs, New York, US 2022 Grassroots, JVDW, Düsseldorf 2022 Jerry Gagosian's Suggested Followers: How the Algorithm is Always Right, Sotheby's New York 2022 Bag, Pedestal, Rabbit, Potato, Staffordshire Street, London 2021 Strike Me a Pose, Galerie Fran Reus, Mallorca, Spain 2021 Achy Breaky Heart, NBB Gallery, Berlin 2021 Unsellable, Just a Studio, London 2021 Reality Check, Guts Gallery, London 2021 All Together Now, Big Yin Gallery, St Leonards on Sea 2021 Tiger in a Tropical Storm, Louise Alexander Gallery, Italy 2021 (Re) Birth of Venus, Pulpo Gallery, Munich 2021 A New Art World, Guts Gallery, London 2021 Introducing, Guts Gallery at Sadie Coles 2021 Now, Now, Breach, Miami, USA 2021 Holding Hands, Union Gallery, London 2021 Safe as Milk, Arusha Gallery, Edinburgh 2021 Back to Back, Bowes Parris, London 2020 NBB Paperworks Vol 1, Berlin, Germany 2020 Original Paper, Wilder Gallery, London 2020 Curated for Christmas, Bowes Parris Gallery x All Mouth Gallery, London 2020 Pending, San Mei Gallery, London 2020 Discerning Eye, Mall Galleries London 2020 LIMBO, Everyday Gallery, Antwerp 2020 The Just, Aleph Contemporary, London 2020 Begin Again, Guts Gallery, London 2020 Antifreeze, Bowes Parris Gallery, London 2020 When Shit Hits The Fan, GUTS Gallery, London 2019 Opening Exhibition, GUTS Gallery, London 2019 Let Me Try to Explain, L21 Gallery, Palma de Mallorca, Spain 2019 Manifest The Future, Castiglioni, São Paulo, Brazil 2019 Salad Days, YNGSPC Online Exhibition 2018 Predatory Behaviour, T293, Rome, Italy 2018 Her Presence is Fuel, Mo Gallery, Berlin, Germany 2018 Slightly Seared on The Reality Grill, Unit 5 Gallery, London 2017 Young Contemporary Talent Exhibition, Ingram Collection, London 2017 PC4PC, 198 Contemporary Arts and Learning, London 2015 One Potato, Two, Arch Collective, London 2015 24 Hour Project, GX Gallery, London 2015 UNIT, CGP/ Cafe Gallery, London 2012 CCW Foundation Show, CCW Progression Centre, London 2012 RBA and NADFAS Annual Show, Mall Galleries, London Duo Exhibitions 2021 Achy Breaky Heart, NBB Gallery, Berlin 2021 Sophie Vallance x Banal, Galerie Tracanelli, Grenoble 2019 Sophie Vallance X David Esquivel, Galerie Tracanelli, Grenoble, France 2018 They Said I Was Special, Union Gallery, London 2018 H E R U S, Berlin, Germany 2017 Mine, Others and Yours, We are BUD, Athens, Greece Residencies and Awards 2019 L21 Gallery Residency, Spain 2017 Young Contemporary Talent Prize, Ingram Collection (Finalist) Gallery Representation Guts Gallery Statement about AOAP Submitted Artwork As someone who typically works on square paper and canvas, I wanted to approach the postcard with that in mind. By using collage from an original painting, I made on paper and cutting and placing it to fit the postcard shape it ends up feeling true to my own practice but also true to the spirit of Art on a Postcard. The tiger motif is also a recognisable element from my wider practice, and was enjoyable yet challenging to create small whilst maintaining the feeling of a larger painting. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
R&F Mo Love Bunny, 2023 Watercolour and gouache on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Exploring narratives that connect the seen the sensed and the dreamed is central to R&F Mo's works focusing on ambiguity and places where relations between human and creature kind are performed. Mo works with processes of drawing and painting to conjure a scene resonating myth, folklore and fairy-tale. Rather than holding to a fixed preconceived concept Mo finds the way in the moment of making, keeping the process alive, while also allowing the unconscious, memory, and imagination to come into play. Education MA RCA/MFA CSM/PhD UAL Select Exhibitions/Awards RA Summer show (21/22/23) Gallery Representation Oliver Projects London Statement about AOAP Submitted Artwork Great cause, very happy to contribute. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Jonathan R Bennett Empty Rhetoric, 2023 Oil and marker pen Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Jonathan Bennett was born in Stoke-on-Trent in 1962. He studied Fine Art at Leeds Polytechnic before moving to Sheffield, where he lived and worked as a practising artist. This period culminated with a one person show" at the Mappin Art Gallery in 1990. He then went on to do an MA in Site Specific Sculpture at Wimbledon School of Art. Since living in London, he has completed a number of public art commissions, worked in art education, exhibited his art work, played a bit of music, and started a landscape gardening business. He currently lives in Hackney with his partner, drawing and painting whenever he gets the opportunity. Education 1990-92 Wimbledon School of Art, Site Specific Sculpture M.A. 1983-86 Leeds Polytechnic. Fine Art B.A. (hons). 1981-82 North Staffordshire Polytechnic, Foundation Art and Design. Select Exhibitions/Awards 2023 Summer Exhibition, Royal Academy of Arts, London 2020 Summer Exhibition, Royal Academy of Arts, London 2019 TBW Drawing Prize, Touring Exhibition 2018 Summer Exhibition, Royal Academy of Arts, London 2017 Summer Exhibition, Royal Academy of Arts, London 1997 Just An Illusion, Darkroom Gallery, Cambridge 1996 Whitechapel Open, Commercial Gallery, London 1994 Extension, Bonington Gallery, Nottingham 1990 One Person Show, Mappin Art Gallery, Sheffield 1988 Two Person Show, Castlefield Gallery, Manchester 1985 Young Contemporaries, Whitworth Art Gallery, Manchester Statement about AOAP Submitted Artwork My artwork is an ongoing exploration of style and technique and a search for the optimum balance between humour and pathos, profundity and absurdity, intrigue and ambiguity. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
HERMES Paris, circa 1960. Sac 'Kelly Sellier' 35 cmEn Crocodile noir (Crocodilus Porosus Annexe II-B) chiffré 'R L O' sous couronne en or 750°/°°, attaches et fermoir en métal doré, poignée. Cadenas recouvert et clé. (clochette accidentée, manque tirette à l'intérieur, une couture à revoir, légères usures)Condition d'état: B -Ce lot est soumis aux restrictions d'exportation/importation de la CITES et ne peut être expédié qu'à des adresses situées dans l'UE ou retiré à notre bureau de Paris. Veuillez contacter le département pour plus de détails.35 x 26 x 11,5 cmFootnotes:HERMES Paris, circa 1960. 'Kelly Sellier' bag 35 cmIn black Crocodile leather, numbered 'R L O' in crowned gold, fasteners and clasp in gold metal, handle. Covered padlock and key. (damaged bell, missing zipper inside)Condition grade: B -35 x 26 x 11,5 cmThis lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Bilguer, P(aul) R(udolph) v. Handbuch des Schachspiels. 4. verbesserte und vermehrte Auflage. Leipzig, Veit, 1864. 4°. Mit 1 lithographierten Porträt Bilguers auf Tafel und einigen Diagrammen. VIII, 1 Bl., 589 Seiten. Roter Lederband mit reicher Goldverzierung, Steh- und Innenkantenvergoldung. Dreikantgoldschbnitt. (45) * Linde - N. 716; v. d. Linde II, 16. Mit eigenhändiger Notiz des englischen Schachbuchsammlers des 19. Jahrhunderts J. W. Rimington Wilson auf Vorsatz: “Whitmans copy. From his Chess Library." Bilguers "Handbuch des Schachspiels" war über eine lange Zeit so berühmt, dass es einfach "der Bilguer" genannt wurde. Bis 1922 erschienen 8 Auflagen und 1 Neudruck. "Es ist ... das wichtigste theoretische Werk der ganzen Schachlitteratur geworden." (v. d. Linde II, 15) Zustand: Innen etwas gebräunt, bis Seite VIII etwas fleckig. Stempel auf letztem Vorsatz und Buchschnitt unten. Einband etwas angestaubt und bestoßen, an Ecken und Kanten beschabt. Rücken mit weißer, handschriftlicher Nummer auf schwarzem Tintenuntergrund. Dekorativ gebundene Ausgabe.
Duchamp. Strouhal, Ernst. Duchamps Spiel. Wien, Sonderzahl, 1994. 8°. Mit Textabbildungen und Diagrammen. 163 Seiten, 2 Bll. Orig. geheftet. (45) * Mit eigenhändiger Widmung des Verfassers Ernst Strouhal auf Titel. Zustand: Druck auf leicht getöntem Papier Beiliegt: Chess Life. America’s Chess Periodical. Vol. XVI, Nr. 6 (June) 1961. Dubuque, US Chess Federation 1961. 4°. Mit Textabb. Und Diagrammen. S. 154 – 179. Orig. geheftet. Auf Seite 168 mit Beitrag von Frank R. Brady: Duchamp, Art and Chess. Zustand: Innen etwas gebräunt.
Grund, R. Collection Caissa. Faszination der Schachfigur. Ausstellungskatalog ... (Ladenburg), Grund, 1992. 4°. Mit vielen, teils farbigen Textabbildungen. 83 Seiten. Original geheftet. (45) * Beiliegt: Himmelheber, G. und U. Schneider. Schönes Schach. Die Spiele des Bayerischen Nationalmuseums in München und des Germanischen Nationalmuseums in Nürnberg ... Ausstellungskatalog. Nürnberg, 1988. 4°. Mit Abbildungen. 113 Seiten, 1 Bl., 4 Bll. Anzeigen. Orig. geheftet. Zustand: Umschlag etwas verblichen.
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