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Click here to subscribeA Hornby Railways gauge OO R.978 Jinty Freight train set, three locomotives and tenders, an R.51S tank locomotive GWR, a mail coach, Tri-ang diesel locomotives, coaches, a buffet car, track, trackside buildings and two footbridges, some boxed (some playwear and faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 9ct gold and oval black onyx signet ring, Birmingham 1971, weight 6.4g, ring size approx R, and a gold and green gem set ring with ridged shoulders, unmarked, weight 7.1g, ring size approx T1/2.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Two Hornby gauge OO DCC Ready train packs, comprising R.3257 British Railways 2-BIL '2019' and R.3161 Southern Railway 2-BIL '2114', both boxed with instructions (boxes lightly creased, torn and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Hornby gauge OO R.3609 GWR Class 800/0 driving trailer train pack and an R.4870 GWR Class 800/0 coach pack, both boxed with instructions, each piece with cellophane wrap (boxes lightly scuffed to flaps).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Hornby gauge OO DCC Ready R.2946 BR 4 VEP Class 423 train pack, boxed with instructions and tissue wrap (box creased, torn, scuffed and stained).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A collection of Hornby and Hornby Railways gauge OO items, including R.2355B DCC Ready Class Q1 locomotive 33013 and tender, Schools Class locomotive 'Dover' and tender, four Pullman cars, comprising R.4430, R.4428, R.4425 and R.4165, R.4534 BR Pull-Push coaches set, R.4320c brake composite, R.4095 LMS dining car, R.6473 and R.2669 goods wagon sets, turntable, tanker, open wagon, brake van, Digital control system, Hornby virtual DVDs and lineside accessories, together with two Bachmann Branch-Line goods wagons, the majority boxed.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A small collection of gauge OO railway items, including a Tri-ang Hornby R.869s Battle of Britain Class locomotive and tender, a Hornby Railways R.739 breakdown crane, a Tri-ang utility van, a Mainline Railways No. 37-075 Patriot Class locomotive and tender, BR green, a Hornby Dublo Pullman car 74, two kit-built Pullman cars and a Lima coach box.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Hornby Railways gauge OO Intercity 225 train set (lacking track mat, box creased, torn and scuffed), together with an R.545 Twin Train set, boxed (lacking tanker, box creased, torn and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Two Hornby gauge OO DCC Ready train packs, comprising R.3260 Southern Railway 2-HAL and R.3290 British Railways 2-HAL, both boxed with instructions and tissue wrap.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Hornby gauge OO DCC Ready R.2947 NSE 4 VEP Class 423/1 train pack, boxed with instructions and tissue wrap (box creased and torn to end flaps).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Hornby gauge OO R.2299 Great Western Trains high speed train pack, boxed with tissue wrap (box lid lightly scuffed), and six matching coaches, all boxed.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Hornby gauge OO DCC Ready R.3184 Brighton Belle 1960 train pack, an R.2988 Brighton Belle 1969 trailer car pack and an R.4169 Bournemouth Belle Pullman car pack, all boxed with instructions (boxes creased, torn, scuffed and stained).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A small collection of Hornby gauge OO railway items, comprising DCC Ready R.2355 Class Q1 locomotive and tender, DCC Ready R.2583 locomotive 'King Arthur' and tender, DCC Ready R.2506 Class M7 tank locomotive, R.2406 Terrier locomotive 32635, four Pullman coaches, five other coaches, brake van, 20 ton brake van and turntable, all boxed (boxes creased, torn and faded), together with a group of unboxed Hornby locomotives and goods wagons (faults and parts missing).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Six Hornby Railways gauge OO locomotives, comprising R.054 'Piccadilly', R.863 Brush Type 4, R.404 Class 47 BR, R.2013A 1995 Freightliner, R.587 Class 47 and R.898 Class 47 Railfreight, all boxed (boxes creased, torn and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Two Hornby gauge OO DCC Ready train packs, comprising R.3699 British Railways 2-HIL and R. 3700 Southern Railway 2-BIL, both boxed with instructions (boxes creased, torn and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A collection of Hornby and Hornby Railways gauge OO items, including an R.374 locomotive 'Spitfire' and tender, an APT InterCity part-set, Pullman coaches, other coaches and goods rolling stock, some boxed (some playwear, faults and repainting, boxes creased, torn and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Hornby gauge OO DCC Ready R.2821 Hitachi Class 395 EMU, an R.4452 coach and an R.4453 coach, all boxed.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Britains No. 9740 18" heavy Howitzer, three Matchbox Models of Yesteryear, a Matchbox K-15 The Londoner souvenir Jubilee bus, five Graham Farish gauge 00 goods wagons, a Trix Twin Railway wagon, a Tri-ang Hornby R.854 clockwork locomotive and an MM Japan Nice Soldier with drum, mostly boxed (some playwear and damage, boxes creased, torn and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Hornby gauge OO R.2061C Co-Co diesel locomotive 'County of Kent' Virgin and seven coaches, all boxed, together with three further coaches and a train pack within a polystyrene tray.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A small collection of Hornby gauge OO railway items, comprising R.3316 DCC Ready Fowler locomotive 44 and tender, R.2937 DDC Ready locomotive 1006 'County of Cornwall' and tender, R.3586 DDC Ready locomotive 30935 'Sevenoaks' and tender, R.3104 tank locomotive 'Norman', three Pullman coaches and R.1019 'Flying Scotsman' part-set, all boxed.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Three Hornby gauge OO DCC Ready train packs, comprising R.3341 British Railways 2-HAL, R.3341A British Railways 2-HAL and R.3258 British Railways 2-BIL '2086', all boxed with instructions and tissue wrap (boxes lightly creased, torn and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Two Hornby gauge OO DCC Ready Rebuilt Battle of Britain Class locomotives and tenders, comprising R.2709 'Sir Frederick Pile' and R.2587 '17 Squadron', both boxed with instructions (boxes lightly creased and scuffed)Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Hornby Railways gauge OO R.869 The Flying Scotsman train set, boxed, and twelve LNER 'teak' coaches.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Two Hornby gauge OO DCC Ready train packs, comprising R.3340 British Railways 2-HAL and R.3290A British Railways 2-HAL, both boxed (boxes lightly creased, torn and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Three Hornby gauge OO Battle of Britain Class locomotives and tenders, comprising DCC Ready R.2542 'City of Wells' and two R.2221 'Tangmere', all boxed with instructions (boxes lightly creased and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Hornby gauge OO R.2369 The Golden Arrow train pack and an R.4196 The Golden Arrow coach pack, all boxed with instructions and tissue (boxes lightly scuffed to flaps).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Hornby gauge OO DCC Ready Duchess Class Locomotive 'City of Bristol', a DCC Ready R.2503 Class M7 tank locomotive 357 Southern and an R.2343 Class Q1 locomotive C8, all boxed with instructions and wrapping (boxes lightly creased and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Two Hornby gauge OO DCC Ready train packs, comprising R.3162A British Railways 2-BIL '2142' and R.3161A Southern Railway 2-BIL '2041', both boxed with instructions (boxes creased, torn, scuffed and stained).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Hornby gauge OO DCC Ready R.2486 Class 50 locomotive 'Agincourt' and an R.2350 Class 50 locomotive 'Achilles', weathered edition, both boxed with instructions.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A small collection of Hornby gauge OO DCC Ready rolling stock, comprising R.2843 Schools Class locomotive 907 'Dulwich' and tender, R.2836 N15 Class locomotive 767 'Sir Valance' and tender, R.2531 Coronation Class locomotive 6226 'Duchess of Norfolk' and tender, R.2483 Terrier Class locomotive 41 'Piccadilly' and four Southern coaches, comprising R.4298G, R.4342B, R.4390 and R.4336C, all boxed.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A collection of gauge OO railway items, including a Tri-ang Railways R1 passenger train set, a Hornby Railways R.041 pannier tank locomotive, other goods rolling stock and accessories, some boxed (playwear, boxes creased, torn and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A gold and diamond ring, designed as a horse's head within a diamond set horseshoe shaped surround, with cast decoration to the shoulders, detailed '14K', weight 5.6g, ring size approx R, with a case.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Four Hornby gauge OO 0-4-0 tank locomotives, comprising R.2597, R.2304, R.2439 and R.3091, together with two diesel shunters, comprising R.2188 and R.2375, all boxed with instructions (some boxes creased, torn and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A gold, opal and diamond cluster ring, claw set with the oval opal within a surround of cushion cut diamonds between split shoulders, unmarked, weight 2.6g, ring size approx R, with a case.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Three Hornby gauge OO DCC Ready diesel electric locomotives, comprising R.2488 EW&S, R.2518 'Spitfire' Fragonset Railways and R.2655 SW Trains, and an R.2481 diesel electric locomotive 47854 West Coast Railways, all boxed (boxes lightly creased, torn and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Hornby gauge OO DCC Ready Digital R.1073 The Boxed Set Venice Simplon Orient Express train set, comprising Merchant Navy Class locomotive 'Clan Line', tender and three Pullman coaches, 'Ibis', 'Cygnus' and 'Minerva', within a chest, boxed, with track mat (lacking transformer, box creased, torn and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Hornby gauge OO R.2370 The Royal Train pack and an R.4197 The Royal Train coach pack, all boxed with instructions and tissue (boxes lightly creased to end flaps).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Two Hornby gauge OO DCC Ready train packs, comprising R.3161B Southern Railway 2-BIL '2147' and R.3162 British Railways 2-BIL '2134', both boxed with instructions (boxes lightly creased, torn and scuffed).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A George V silver butter shell on ball feet and an old English shell pattern butter knife, Sheffield 1917 and 1918 by James Deakin & Sons, length of butter shell 10.5cm, cased, a pair of silver shell shaped salts, each on ball feet, Chester 1916 and 1917 by J. & R. Griffin, length 5.3cm, cased, and a matched set of early 19th century silver Fiddle pattern cutlery, comprising six teaspoons, pair of sugar tongs and pair of salt spoons, London 1817, 1825, 1826 and 1831, various makers, total weight 255.5g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Eight Hornby gauge OO Pullman coaches, including R.4163 car number 64, R.4162 'Minerva' and R.4164 'Argus', all boxed, together with twelve other Hornby Pullman cars.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Hornby gauge OO DCC Ready R.2946 BR 4 VEP Class 423 train pack, boxed with instructions and tissue wrap (box creased, torn, scuffed and stained).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Various volumes 'Dodds Parliamentary Companion', together with J H Burton 'The History of Scotland', 7 volumes, H L Fisher 'History of Europe' 2 volumes, Napier 'History of the Peninsular War' volumes 4 and 5 and a box of other assorted books, British flora, autobiographies, R L Stephenson VEN etc. (3) (B.P. 21% + VAT)
A rose pink evening dress, size 10/12 by Ian Stuart, the bodice is fitted with a Princess line, it is embellished in crystals and beads, the left hand side has a corsage of organza, the bodice comes down to an r, and the skirt is gathered and made of organza, the skirt is split into two halves, and has an insert of ruffled organza in rose pink, gold and it is attached to a Duchess satin underskirt, it has a ruffled stole, which is wired in rose pink and red and gold, also has a corsage attached, concealed zip and covered buttons, size 12/14 (new)
R and F Mo Safe House, 2022 Watercolour and Ink on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About R&F Mo (born Cumberland 1956) explores narratives that connect the seen the sensed and the dreamed, woandering through ideas and places, focusing on ambiguity and place where relations between human and creature kind are performed. Mo (is a member of performance drawing collective: Foá, Grisewood, Hosea, McCall), co-authored Performance Drawing (Bloomsbury 2020). Mo lives and works in South London and teaches drawing at UAL (CSM and LCC). @r.andf.mo Education Graduated City and Guilds 1980, RCA 1984.CSM 2004, completed practice based PhD UAL Camb 2011, Turps Correspondence Course 2020, Turps OffSite Course (20-21). Select Exhibitions/Awards November Song (Performance online residency and exhibition) at C4RD London (2008). Drawing the Resolution (Performance & temporary site-specific installation) Margate Rocks, Margate 2007. Works exhibited in A History of Drawing Camberwell Space (2018), TBW Drawing prize 2020, RA Summer show 2021. Gallery Representation Oliver Projects. @oliverprojectslondon Statement about AOAP Submitted Artwork The four postcards are small studies that return to subjects often visited in R&F Mo's works- old folk and fairy tales - such as Robinson Crusoe, cowboys (some lonely other's not), bears that dance with people (not for people), and the comfort of a small safe house - perhaps even a rescue hut out in the wilds that can provide food and shelter for lost woanderers ( spelt with both an 'a' and and'o' to indicate that the wondering of the mind is tied to the wandering of the body). You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Mel Reese Tiny Bay Sunset, 2022 Acrylic on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Mel Reese is a Brooklyn-based abstract painter. She is an observational artist inspired by formalism. Lines, shapes, colors, and textures are as central to her work as is the process of creating them. A complex layering of these abstract elements allows her work to echo the representational through symbolic formalism. Education 2017 MFA Fine Arts, School of Visual Arts, New York City, NY 2014 Post-Baccalaureate Certificate, San Francisco Art Institute, San Francisco, CA 2013 B.S. Studio Art, Skidmore College, Saratoga Springs, NY Select Exhibitions/Awards Solo Exhibitions 2021 Echo, MILCON Gallery, Digital Exhibition 2019 Color & Light, 173 Green Street Gallery, Greenpoint, Brooklyn, NY 2018 Alaska Landscapes, Suzette LaValle, Brooklyn, NY 2018 SSS #26, R&D Studios Ridgewood, NY 2018 BLUEPRINT Piano Series: 1913, Greenwich Music House, New York, NY 2018 New Year, New Nature, R&D Studios Ridgewood, NY 2017 4 Trumps, Suzette LaValle, Brooklyn, NY Group Exhibitions 2022 TRUE STORIES, Untitled Space, New York, NY 2022 Les Étrangers, Maison 10, New York, NY 2022 EMBRACING 2022, THE GALLERY by Odo, New York, NY 2022 Depth Perception, The Yard - City Hall Park, New York, NY 2021 Leaving the Body, The Yard - City Hall Park, New York, NY Other Professional Activities & Awards 2022 Artist Talk - THE GALLERY by Odo 2021 IG Live Interview - A Women's Thing 2017 Residency - Vermont Studio Center, VT [November] 2017 Award of Excellence - 58th Long Island Artist Exhibition, Art League of Long Island 2013 Residency - Elsewhere Studios, CO [October] Gallery Representation Counterpoint Gallery Statement about AOAP Submitted Artwork Reese's most recent series of paintings is inspired by nature. Observations are distilled down, removing the extraneous, to capture the essence of human interaction with natural forms. Each layer considers the negative space, which she paints with liquid tape. Once sealed, a shape is revealed in the positive space of the canvas, into which she pours acrylic paint and drag across the canvas with a squeegee. Every gesture creates new lines and textures. The liquid tape removed, a monochromatic shape with a precise edge is revealed. Repeating this process, Reese methodically builds up sheer layers of monochromatic forms. Each new layer is informed by all previous layers. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Mel Reese Tiny Salt Marsh, 2022 Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Mel Reese is a Brooklyn-based abstract painter. She is an observational artist inspired by formalism. Lines, shapes, colors, and textures are as central to her work as is the process of creating them. A complex layering of these abstract elements allows her work to echo the representational through symbolic formalism. Education 2017 MFA Fine Arts, School of Visual Arts, New York City, NY 2014 Post-Baccalaureate Certificate, San Francisco Art Institute, San Francisco, CA 2013 B.S. Studio Art, Skidmore College, Saratoga Springs, NY Select Exhibitions/Awards Solo Exhibitions 2021 Echo, MILCON Gallery, Digital Exhibition 2019 Color & Light, 173 Green Street Gallery, Greenpoint, Brooklyn, NY 2018 Alaska Landscapes, Suzette LaValle, Brooklyn, NY 2018 SSS #26, R&D Studios Ridgewood, NY 2018 BLUEPRINT Piano Series: 1913, Greenwich Music House, New York, NY 2018 New Year, New Nature, R&D Studios Ridgewood, NY 2017 4 Trumps, Suzette LaValle, Brooklyn, NY Group Exhibitions 2022 TRUE STORIES, Untitled Space, New York, NY 2022 Les Étrangers, Maison 10, New York, NY 2022 EMBRACING 2022, THE GALLERY by Odo, New York, NY 2022 Depth Perception, The Yard - City Hall Park, New York, NY 2021 Leaving the Body, The Yard - City Hall Park, New York, NY Other Professional Activities & Awards 2022 Artist Talk - THE GALLERY by Odo 2021 IG Live Interview - A Women's Thing 2017 Residency - Vermont Studio Center, VT [November] 2017 Award of Excellence - 58th Long Island Artist Exhibition, Art League of Long Island 2013 Residency - Elsewhere Studios, CO [October] Gallery Representation Counterpoint Gallery Statement about AOAP Submitted Artwork Reese's most recent series of paintings is inspired by nature. Observations are distilled down, removing the extraneous, to capture the essence of human interaction with natural forms. Each layer considers the negative space, which she paints with liquid tape. Once sealed, a shape is revealed in the positive space of the canvas, into which she pours acrylic paint and drag across the canvas with a squeegee. Every gesture creates new lines and textures. The liquid tape removed, a monochromatic shape with a precise edge is revealed. Repeating this process, Reese methodically builds up sheer layers of monochromatic forms. Each new layer is informed by all previous layers. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Mel Reese Tiny Winter Wind, 2022 Acrylic on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Mel Reese is a Brooklyn-based abstract painter. She is an observational artist inspired by formalism. Lines, shapes, colors, and textures are as central to her work as is the process of creating them. A complex layering of these abstract elements allows her work to echo the representational through symbolic formalism. Education 2017 MFA Fine Arts, School of Visual Arts, New York City, NY 2014 Post-Baccalaureate Certificate, San Francisco Art Institute, San Francisco, CA 2013 B.S. Studio Art, Skidmore College, Saratoga Springs, NY Select Exhibitions/Awards Solo Exhibitions 2021 Echo, MILCON Gallery, Digital Exhibition 2019 Color & Light, 173 Green Street Gallery, Greenpoint, Brooklyn, NY 2018 Alaska Landscapes, Suzette LaValle, Brooklyn, NY 2018 SSS #26, R&D Studios Ridgewood, NY 2018 BLUEPRINT Piano Series: 1913, Greenwich Music House, New York, NY 2018 New Year, New Nature, R&D Studios Ridgewood, NY 2017 4 Trumps, Suzette LaValle, Brooklyn, NY Group Exhibitions 2022 TRUE STORIES, Untitled Space, New York, NY 2022 Les Étrangers, Maison 10, New York, NY 2022 EMBRACING 2022, THE GALLERY by Odo, New York, NY 2022 Depth Perception, The Yard - City Hall Park, New York, NY 2021 Leaving the Body, The Yard - City Hall Park, New York, NY Other Professional Activities & Awards 2022 Artist Talk - THE GALLERY by Odo 2021 IG Live Interview - A Women's Thing 2017 Residency - Vermont Studio Center, VT [November] 2017 Award of Excellence - 58th Long Island Artist Exhibition, Art League of Long Island 2013 Residency - Elsewhere Studios, CO [October] Gallery Representation Counterpoint Gallery Statement about AOAP Submitted Artwork Reese's most recent series of paintings is inspired by nature. Observations are distilled down, removing the extraneous, to capture the essence of human interaction with natural forms. Each layer considers the negative space, which she paints with liquid tape. Once sealed, a shape is revealed in the positive space of the canvas, into which she pours acrylic paint and drag across the canvas with a squeegee. Every gesture creates new lines and textures. The liquid tape removed, a monochromatic shape with a precise edge is revealed. Repeating this process, Reese methodically builds up sheer layers of monochromatic forms. Each new layer is informed by all previous layers. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
R and F Mo Dancing With Bear, 2022 Watercolour and Ink on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About R&F Mo (born Cumberland 1956) explores narratives that connect the seen the sensed and the dreamed, woandering through ideas and places, focusing on ambiguity and place where relations between human and creature kind are performed. Mo (is a member of performance drawing collective: Foá, Grisewood, Hosea, McCall), co-authored Performance Drawing (Bloomsbury 2020). Mo lives and works in South London and teaches drawing at UAL (CSM and LCC). @r.andf.mo Education Graduated City and Guilds 1980, RCA 1984.CSM 2004, completed practice based PhD UAL Camb 2011, Turps Correspondence Course 2020, Turps OffSite Course (20-21). Select Exhibitions/Awards November Song (Performance online residency and exhibition) at C4RD London (2008). Drawing the Resolution (Performance & temporary site-specific installation) Margate Rocks, Margate 2007. Works exhibited in A History of Drawing Camberwell Space (2018), TBW Drawing prize 2020, RA Summer show 2021. Gallery Representation Oliver Projects. @oliverprojectslondon Statement about AOAP Submitted Artwork The four postcards are small studies that return to subjects often visited in R&F Mo's works- old folk and fairy tales - such as Robinson Crusoe, cowboys (some lonely other's not), bears that dance with people (not for people), and the comfort of a small safe house - perhaps even a rescue hut out in the wilds that can provide food and shelter for lost woanderers ( spelt with both an 'a' and and'o' to indicate that the wondering of the mind is tied to the wandering of the body). You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Mel Reese Tiny Night Walk, 2022 Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Mel Reese is a Brooklyn-based abstract painter. She is an observational artist inspired by formalism. Lines, shapes, colors, and textures are as central to her work as is the process of creating them. A complex layering of these abstract elements allows her work to echo the representational through symbolic formalism. Education 2017 MFA Fine Arts, School of Visual Arts, New York City, NY 2014 Post-Baccalaureate Certificate, San Francisco Art Institute, San Francisco, CA 2013 B.S. Studio Art, Skidmore College, Saratoga Springs, NY Select Exhibitions/Awards Solo Exhibitions 2021 Echo, MILCON Gallery, Digital Exhibition 2019 Color & Light, 173 Green Street Gallery, Greenpoint, Brooklyn, NY 2018 Alaska Landscapes, Suzette LaValle, Brooklyn, NY 2018 SSS #26, R&D Studios Ridgewood, NY 2018 BLUEPRINT Piano Series: 1913, Greenwich Music House, New York, NY 2018 New Year, New Nature, R&D Studios Ridgewood, NY 2017 4 Trumps, Suzette LaValle, Brooklyn, NY Group Exhibitions 2022 TRUE STORIES, Untitled Space, New York, NY 2022 Les Étrangers, Maison 10, New York, NY 2022 EMBRACING 2022, THE GALLERY by Odo, New York, NY 2022 Depth Perception, The Yard - City Hall Park, New York, NY 2021 Leaving the Body, The Yard - City Hall Park, New York, NY Other Professional Activities & Awards 2022 Artist Talk - THE GALLERY by Odo 2021 IG Live Interview - A Women's Thing 2017 Residency - Vermont Studio Center, VT [November] 2017 Award of Excellence - 58th Long Island Artist Exhibition, Art League of Long Island 2013 Residency - Elsewhere Studios, CO [October] Gallery Representation Counterpoint Gallery Statement about AOAP Submitted Artwork Reese's most recent series of paintings is inspired by nature. Observations are distilled down, removing the extraneous, to capture the essence of human interaction with natural forms. Each layer considers the negative space, which she paints with liquid tape. Once sealed, a shape is revealed in the positive space of the canvas, into which she pours acrylic paint and drag across the canvas with a squeegee. Every gesture creates new lines and textures. The liquid tape removed, a monochromatic shape with a precise edge is revealed. Repeating this process, Reese methodically builds up sheer layers of monochromatic forms. Each new layer is informed by all previous layers. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
R and F Mo Finding Robinson, 2022 Watercolour and Ink on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About R&F Mo (born Cumberland 1956) explores narratives that connect the seen the sensed and the dreamed, woandering through ideas and places, focusing on ambiguity and place where relations between human and creature kind are performed. Mo (is a member of performance drawing collective: Foá, Grisewood, Hosea, McCall), co-authored Performance Drawing (Bloomsbury 2020). Mo lives and works in South London and teaches drawing at UAL (CSM and LCC). @r.andf.mo Education Graduated City and Guilds 1980, RCA 1984.CSM 2004, completed practice based PhD UAL Camb 2011, Turps Correspondence Course 2020, Turps OffSite Course (20-21). Select Exhibitions/Awards November Song (Performance online residency and exhibition) at C4RD London (2008). Drawing the Resolution (Performance & temporary site-specific installation) Margate Rocks, Margate 2007. Works exhibited in A History of Drawing Camberwell Space (2018), TBW Drawing prize 2020, RA Summer show 2021. Gallery Representation Oliver Projects. @oliverprojectslondon Statement about AOAP Submitted Artwork The four postcards are small studies that return to subjects often visited in R&F Mo's works- old folk and fairy tales - such as Robinson Crusoe, cowboys (some lonely other's not), bears that dance with people (not for people), and the comfort of a small safe house - perhaps even a rescue hut out in the wilds that can provide food and shelter for lost woanderers ( spelt with both an 'a' and and'o' to indicate that the wondering of the mind is tied to the wandering of the body). You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
A late 15th century carved marble female standing figure of the Virgin Wearing a crown and a long draped dress, with flowers in her hair, possibly once holding lilies, weathered (a.f), 102cm high. Provenance: By repute from Magdalen College, Oxford purchased by the current vendor about 30 years ago. It is thought that this statue could date from the period soon after the founding of Magdalen College, Oxford, by William Waynflete, Bishop of Winchester, in 1458. The college buildings were set out in 1474 and incorporated some of those from St John’s Hospital which previously occupied the site, the 13th century chapel of the Hospital is still incorporated in the range fronting the street. In 1475 William Orchard, a mason, was contracted to work on the West window of the Chapel, other parts of the Chapel, the Cloister windows and the towers and by 1480 the college was occupied. It is possible that the late sculptor Patrick Conoley created a new statue for Magdalen College to replace the work on offer here, although it is not known where in the college our statue might have originally stood. Over a period of 11 years from 1971 Conoley designed and carved over 150 sculptures for Magdalen, many of these to replace damaged or weathered early pieces. He started carving in stone at the age of 14 and on leaving school took up an apprenticeship with the renowned firm of R L Boulton & Sons in Cheltenham. Over the course of his career Conoley produced hundreds of wooden and stone sculptures for buildings, churches and cathedrals throughout the world, he also worked on the restoration of Blenheim Palace, Woodstock. In 1913 four statues were produced for the niches in the south façade of St Mary Magdalen, Oxford, a Grade I listed building dating from 1194 when St. Hugh, Bishop of Lincoln, replaced a single-aisle chapel erected after a fire in 1074 which had destroyed the original Saxon wooden church. St Mary Magdalen was later restored in 1841-42 - a young, and as yet, unknown architect George Gilbert Scott and his partner W B Moffatt worked on the north aisle of the church, where they created the first Gothic Revival interior in Oxford. The identity of the sculptor responsible for the four early 20th century works is not known, but ‘Maria’ could have been designed whilst our statue was still in situ and on view at Magdalen College. There are subtle resemblances between the two pieces, and both carry stems of flowers in their right hand, likely to be lilies. Arts & Crafts was at its height in 1913, and the dress and overall appearance of Maria and her companions at St Mary Magdalen, as with the movement itself, are clearly influenced by the aesthetics of the Middle Ages.
Hinman (Charlton) The Printing and Proof-Reading of the First Folio of Shakespeare, 2 vol., Oxford, 1963 § Moxon (Joseph) Mechanick Exercises on the whole Art of Printing (1683-4), edited by Herbert Davis & Harry Carter, 1958 § Moran (James) Wynkyn de Worde Father of Fleet Street, 2003 § Plomer (Henry R.) Wynkyn de Worde & his contemporaries from the death of Caxton to 1535, some spotting, 1925 § Wilkinson (C.H.) The Daniel Press: Memorials of C.H.O.Daniel with a Bibliography...1845-1919, signed and inscribed to W.P.Ker by F.de Ortega, original cloth-backed boards, uncut, Oxford, 1921, plates and illustrations, all but the last original cloth, the first two with dust-jackets, most a little rubbed; and 22 others on English printing including some type specimens (Caslon, Stephenson Blake), 8vo & 4to (28)
NO RESERVE Erasmus in Perth.- Erasmus (Desiderius) Colloquia familiaria selecta. Juxta editiones probatissimas. In usum scholarum, occasional spotting, lightly browned, ink signature of Archibald Fyfe to front free endpaper, contemporary calf, gilt, covers with central arms of the City of Edinburgh, spine with black leather label, joints split, but holding, spine ends and corners little worn, rubbed, scarce, large 12mo, Perth, R. Morison & Son, and W. Coke, Leith, 1791.
Dickens (Charles) The Posthumous Papers of the Pickwick Club, first edition in book form later issue with letterpress title dated 1838, half-title, frontispiece, pictorial title and 41 etched plates by R. Seymour, R.W. Buss and Halbot K. Browne, spotting and browning (mainly marginal) to plates, some light off-setting, endpaper and frontispiece working loose, upper hinge cracked, variant binding, purple cloth, blind-stamped, spine sunned, splitting to joints, extremities a little bumped, [Eckel p.17-18; Hatton and Cleaver pp.1-88; Smith pp.19-27 (this issue see n.1)], 8vo, Chapman and Hall, 1838
Folio Society.- Sprenger (Jacobus) & Heinrich Kramer. Malleus Maleficarum: The Hammer of Witchcraft, illustrations, original decorative cloth, slipcase, a little rubbed, 1968 § Kneale (Nigel) Ghost Stories of M. R. James, illustrated by Charles Keeping, original decorative cloth, slipcase, a little rubbed, 1973 § Stevenson (Robert Louis) Travels with a Donkey in the Cevennes, illustrations by Edward Ardizzone, original pictorial cloth, slipcase, a little rubbed, 1967 § Grahame (Kenneth) The Wind in the Willows, previous owner's ink inscription, original cloth, slipcase, 1995 § An Account of the Discovery of Tahiti, illustrations, original cloth-backed boards, slipcase, 1955; and others Folio Society, 8vo (c.60)
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