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Lot 252
Astronauts Steven R. Nagel, Commander, Terence T. Henricks, Pilot, Jerry L. Ross, Mission Specialist, Charles J. Precourt, Mission Specialist, Bernard A. Harris, Jr., Mission Specialist, Ulrich Walter, Payload Specialist and Hans Schlegel, Payload Specialist STS-55 crew signed commemorative envelope. Signed by 7. Good condition . All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 246
Astronauts Steven R. Nagel, Commander, Terence T. Henricks, Pilot, Jerry L. Ross, Mission Specialist, Charles J. Precourt, Mission Specialist, Bernard A. Harris, Jr., Mission Specialist, Ulrich Walter, Payload Specialist and Hans Schlegel, Payload Specialist STS-55 crew signed commemorative envelope Good condition . All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 72
Astronaut Charles R. Chapell signed "Enterprise" returns to Edwards A.F.B commemorative envelope PM LOMPOC .CA VANDENBERG AFB USPO May 24 1985. Good condition . All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 220
Astronauts Jack R. Lousma and C. Gordon Fullerton STS-3 crew signed commemorative envelope. Good condition . All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 244
Astronauts Commander Francis R. “Dick” Scobee, Pilot Michael J. Smith, and Mission Specialists Ellison S. Onizuka, Judith A. Resnik, and Ronald E. McNair.STS-51l crew signed commemorative envelope Good condition . All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 232
Astronauts Robert L. “Crip” Crippen, Francis R. “Dick” Scobee, Terry J. “TJ” Hart, James D. “Ox” Van Hoften and George D. “Pinky Nelson STS-41c crew multi signed commemorative envelope. Good condition . All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 45
A silver cased, open faced pocket watch by R H Sager, of Blackburn, the enamel dial with Roman numerals, minute track, subsidiary seconds dial, gold hands, movement named to back cover, case John William Hammon, London 1838, complete with keys, winds, sets, runs and appears to keep time for period observed.
Lot 208
Two sterling silver rings - one with a large blue glass stone, within a rope twist and bead border set with two round cut smoky quartz, the broad panelled shank with similar pairs of smoky quartz and pale blue stones, size Q/R; the other with a large blue-green stone, in an asymmetric basket setting encrusted with crystals, size S.
Lot 349
Four prints - including a Medici Society print of an Owl after Albrecht Durer, 18.8 x 13.2cm, gilt frame; a hand coloured engraving of a Fahaka Pufferfish, after R. P. Nodder, 8.1 x 13.7cm, wooden frame; a pair of hand coloured engravings of slugs and snails after R. P. Nodder, pub.1790, each 11.3 x 20cm, in a single wooden frame; and a (faded) still life in a wooden moulded frame, overall 37.75 x 31.5cm.
Lot 309
Heraldry: two Victorian albums of crests, monograms and other decorative armorial devices - ,one in mid-brown morocco with gilt 'Monogram Crest & Autograph Album' lettering, 12mo, the title in watercolour and gilt, 'Répertoire Héraldique', the card pages decorated throughout in gilt with compartments and all completed with attractively arranged crests and monograms; the other in morocco with gilt 'Crests & Monograms' lettering, 16mo, most pages annotated to the left in ink, including Royalty, nobility and peers (to the include The Queen and the Prince Consort) and a page dedicated to Alnwick Castle. (2)
Lot 1146
Richard NITSCH (1866-1945) Schlesierin in Sonntagsstaat,Öl/Platte, oben links signiert R. Nitsch, österreichischer Portrait- und Genremaler geb. 1866 Theresienfeld / österreichisch Schlesien - 1945, Portrait einer Schlesierin in Sonntagstracht sogn. Sonntagsstaat in Löwenberger Gegend, H 18 cm x B 14 cm, Holzrahmen verglast 35 x 31 cm
Lot 1022
Francisco Infante (Vasilievka 1943). 90 Degrees Turn. 1964Tempera auf Malkarton, auf Leinwand aufgezogen. 50 × 69,3 cm (19 ⅝ × 27 ¼ in.). Unten rechts mit Bleistift signiert und datiert: Infante 1964 r.[3527]Provenienz: Privatsammlung, Bayern (direkt vom Künstler erworben)Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Farben frisch und intensiv. Unregelmäßiger Farbauftrag im Blau. Stellenweise, besonders im rechten Bildbereich, minimale Bereibungsspuren mit Glanzunterschieden. Mittig mit roten Bereibungsspuren (vermutlich Atelierspuren). Unter UV-Licht werden mittig im Blau wenige winzige Retuschen sichtbar. Die Ecken und Kanten stellenweise leicht bestoßen, unten links im Gelb mit einem kleinen Farb- und Materialverlust (ca. 2 cm).Wir berechnen für Privatpersonen innerhalb der EU auf den Hammerpreis 32% Aufgeld, welches die Mehrwertsteuer beinhaltet. Käufer, die außerhalb der EU angesiedelt sind und das Werk aus der EU exportieren zahlen 27% Aufgeld. Für EU-Unternehmer, die zum Vorsteuerabzug berechtigt sind, kann die Regelbesteuerung angewendet werden. Ggf. fällt zusätzlich eine Folgerechtsabgabe an. Für zusätzliche Informationen lesen Sie bitte §4 unserer Versteigerungsbedingungen.
Lot 19
Emma Gibson Seance, 2025 Acrylic, mirror paint, and HB pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Emma Gibson (b.1980, UK) is a British artist exploring the uncertain state of reality, often adding to it. Having studied at Open School East and University of the Arts London, she currently lives and works in the Highlands of Scotland and runs Deluxe Miscellanea somewhere between the gallery and the gift shop Education 2017 Associate Artist, Open School East Masters program, Margate 2007 BA Honours Art and Illustration, 1st Degree, University of the Arts, London 2004 Foundation in Art and Design, Distinction, University of the Arts, London 2000 GNVQ Advanced Art and Design, Pembrokeshire College, Wales Solo Exhibitions 2022 Scarborough Geology Museums and Art Gallery Trust - solo exhibition- Quicksand, triptych of sculptures and accompanying installation, film, learning experience and workshops 2020 The Art Block commissioned by Selfridges and curated by Helen Pheby, Yorkshire Sculpture Park - Quicksand, triptych of sculptures 2019 Margate NOW x Turner Prize 2019 - Point Break (at disused water tower) installation 2018 DreamLand x Studio TAC billboard art commission, Margate Museum - Save Yourselves, billboard 2016 Whitstable Biennale satellite x Hantverk & Found Gallery - The Code, installation 2016 Resort Gallery and Project Space - Shadows joint show with Conrad Armstrong, installation and composition 2015 Crate Gallery - Shelling Out, installation Group Exhibitions 2021 The Turner Contemporary Open - group exhibition - Quicksand micro-grain tryptic of prints 2019 A Cut from Sharp Grass - Well Projects - Point Break (dual sited in gallery) installation 2018 Chiara Williams Contemporary Art @ Nayland Rock Hotel - At The Violet Hour, group show 2017 Pettman's Depository/Open School East - The Well, group show 2017 Turner Contemporary- Spelunking/ The Handling Collection, live performance Awards Creative Scotland grant for individuals 2023 A-N Artists Bursary Award 2022 Arts Council National Lottery Project Grant 2019 KCC arts investment award 2019 Arts Council National Lottery Project Grant - R&D 2018 A-N Artists Bursary Award 2019 Public Collections Scarborough Museum and Galleries collection, UK Statement about AOAP Submitted Artwork In Scottish folklore, a will-o'-the-wisp is an atmospheric ghost light often shaped as a ball, seen by travellers at night, especially over bogs, swamps or marshes and to this day is unexplained. Once in unbelievable abundance-the Old German word 'herring' means 'multitude'-herring attracted thousands of boats from all over Europe to the Scottish waters, Silver-coloured, as slick and bright as mercury, the fish has poetically been nicknamed 'silver darlings'. The decrease of the natural food source magnified its legendary dimension through folklore, songs and tales. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 154
R&F Mo An apparition, 2024 Watercolour and gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Narrative is central to R&F Mo's cross-disciplinary practice (drawing, painting, stitch, and performance), connecting the seen, the sensed, and the dreamed, in colour, mark, thread and motion. Mo employs an improvisational approach, finding the way in the moment of making, keeping the work alive, and sometimes vocally sound scatting in response to the work, the action, and the material of place. Education 2020-2021 Turps Offsite 2019-2020 Turps Correspondence Course 2006-11 PhD (by practice) Camberwell (U.A.L.) 2002-04 MFA Fine Art Central St. Martin's (U.A.L.) 1981-84 MA Illustration, Royal College of Art London 1978-81 Dip A.D Graphic Arts. City and Guilds of London Art School Gallery Representation Oliver Projects London Statement about AOAP Submitted Artwork Sprinkle, Youth talking with the sun, An appparition, and the listener, were all made through an improvisatory method- beginning with blobs of paint blotted from another surface, these prompted me to recognise figurative shapes in the marks and develop small figurative incidents - an event happening - usually between two figures -i'm interested in relationships and how we behave. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 54
Elizabeth Power Blue Study 1 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Bursting with colour and energy, Elizabeth Power's paintings exude a warmth and vibrancy. Based in St Leonards on Sea, UK, Power's work has a vivid colour palette with a unique style that incorporates themes such as memory, escapism and identity. Her work reflects on personal and collective experiences, inviting viewers to engage with the narratives embedded within her pieces and to escape to the calm and dynamic worlds she creates. Drawing inspiration from colourists such as Matisse, Hockney, Hilma af Klint, Milton Avery and Tal R, Power's loose and free abstraction takes this to the next level. Power has been featured by the likes of British Vogue, The Royal Academy of Arts, Soho House, House & Garden Magazine, RyeZine, Home House, Heals, The London Design Festival, Livingstone St Ives, John Lewis, Munthe, Artsy, Delphian Gallery, Art For Charity Collective, Art On A Postcard, The Auction Collective, A Space For Art, Offshoot Arts, Cura Art, Print Club London, Big Yin Gallery, 99 Projects London, The Old Bank Vault, Well Hung Gallery and Hancock gallery. In addition to her artistic endeavours, Power has been involved in teaching and mentoring emerging artists, furthering her impact on the art community. Her contributions extend to art education, where she encourages creativity and exploration in her students. She delivers workshops and lectures to a wide range of students at The De La Warr Pavilion, The University of Brighton, Hereford College Of Arts, Earlscliffe College and The Hastings Contemporary. In 2024, Power has exhibited with Soho House, They Made This Gallery, Arts For Charity Collective, Rogue Gallery, Delphian Gallery, Bus Stop Gallery and Offshoot Arts. In 2023, Power has a solo exhibition entitled 'Coastal Calm' at 99 Projects. She exhibited in 'Papier' by Delphian Gallery. Additionally, she is in the group exhibition 'It's My House!' in collaboration with Cura Art, Offshoot Arts, A Space For Art. She curated and performed live painting at a Babes In Arms exhibition at the Hastings Contemporary, and also was in group exhibition 'Woman of Mass Destruction' at Stella More Gallery. She also will be exhibiting with Art For Charity Collective in Thyme. In 2022 Power released her first art publication entitled 'lockdown' published by Unit33 Hastings. She had work selected to join the Soho House permanent collection. She collaborated with fashion brand Munthe on a collection featured by the likes of Vogue. She exhibited with Art on a Postcard, Art for Charity Collective, The Affordable Art Fair, Big Yin Gallery, 99 Projects and Well Hung Gallery. She also curated an exhibition with her collective Babes In Arms at the De La Warr in September, and ran workshops there during the summer. In 2021 she exhibited in a duo show with Cathy Tabbakh 'Fatal Shadow and Narcissus' at Delphian Gallery, 'Making a Splash' curated by Janet Rady, 'Domesticity and the Feminine' Open Call Winners Exhibition, was the winner of the Unit33 open call, along with exhibiting with the Art For Charity Collective, Heals, Print Club London, McCully & Crane and The Old Bank Vault. In 2020 she exhibited with Heals as part of the London Design Festival, was a winner of the Contemporary Art Collectors open call, and exhibited in a group exhibition at Hancock Gallery entitled 'Between Distance and Desire', among artists such as Billy Childish and Mark Demsteader. She also exhibited in the online exhibitions Curated for Covid and Anti-Freeze. Elizabeth exhibited in the Royal Academy of Arts Summer Exhibition 2018, with her work being selected by the RA for use on sell out posters and gift cards which were re printed by the RA shop in 2021. She exhibited at various London art fairs and group exhibitions throughout 2019 and was selected by Delphian Gallery to be featured in their highly acclaimed 2019 open call exhibition and was also the winner of the Flat Space Art Gallery open call 2019. Power has works currently available via They Made This, Art For Charity Collective, Delphian Gallery, Royal Academy of Arts, 99 Projects, A Space For Art/ Offshoot Arts, Print Club London, The Old Bank Vault, Hancock Gallery. Power co-founded the Babes In Arms Collective with fellow artist Annie Mackin, which champions artist mother's in the Hastings and St Leonard's area. Power co-hosted The Artfully Podcast (rated in GQ's top 50 podcasts for 2021), which covers news stories, gossip, and revisiting art history you thought you knew, or always wished you did. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 55
Elizabeth Power Blue Study 2, 2025 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Bursting with colour and energy, Elizabeth Power's paintings exude a warmth and vibrancy. Based in St Leonards on Sea, UK, Power's work has a vivid colour palette with a unique style that incorporates themes such as memory, escapism and identity. Her work reflects on personal and collective experiences, inviting viewers to engage with the narratives embedded within her pieces and to escape to the calm and dynamic worlds she creates. Drawing inspiration from colourists such as Matisse, Hockney, Hilma af Klint, Milton Avery and Tal R, Power's loose and free abstraction takes this to the next level. Power has been featured by the likes of British Vogue, The Royal Academy of Arts, Soho House, House & Garden Magazine, RyeZine, Home House, Heals, The London Design Festival, Livingstone St Ives, John Lewis, Munthe, Artsy, Delphian Gallery, Art For Charity Collective, Art On A Postcard, The Auction Collective, A Space For Art, Offshoot Arts, Cura Art, Print Club London, Big Yin Gallery, 99 Projects London, The Old Bank Vault, Well Hung Gallery and Hancock gallery. In addition to her artistic endeavours, Power has been involved in teaching and mentoring emerging artists, furthering her impact on the art community. Her contributions extend to art education, where she encourages creativity and exploration in her students. She delivers workshops and lectures to a wide range of students at The De La Warr Pavilion, The University of Brighton, Hereford College Of Arts, Earlscliffe College and The Hastings Contemporary. In 2024, Power has exhibited with Soho House, They Made This Gallery, Arts For Charity Collective, Rogue Gallery, Delphian Gallery, Bus Stop Gallery and Offshoot Arts. In 2023, Power has a solo exhibition entitled 'Coastal Calm' at 99 Projects. She exhibited in 'Papier' by Delphian Gallery. Additionally, she is in the group exhibition 'It's My House!' in collaboration with Cura Art, Offshoot Arts, A Space For Art. She curated and performed live painting at a Babes In Arms exhibition at the Hastings Contemporary, and also was in group exhibition 'Woman of Mass Destruction' at Stella More Gallery. She also will be exhibiting with Art For Charity Collective in Thyme. In 2022 Power released her first art publication entitled 'lockdown' published by Unit33 Hastings. She had work selected to join the Soho House permanent collection. She collaborated with fashion brand Munthe on a collection featured by the likes of Vogue. She exhibited with Art on a Postcard, Art for Charity Collective, The Affordable Art Fair, Big Yin Gallery, 99 Projects and Well Hung Gallery. She also curated an exhibition with her collective Babes In Arms at the De La Warr in September, and ran workshops there during the summer. In 2021 she exhibited in a duo show with Cathy Tabbakh 'Fatal Shadow and Narcissus' at Delphian Gallery, 'Making a Splash' curated by Janet Rady, 'Domesticity and the Feminine' Open Call Winners Exhibition, was the winner of the Unit33 open call, along with exhibiting with the Art For Charity Collective, Heals, Print Club London, McCully & Crane and The Old Bank Vault. In 2020 she exhibited with Heals as part of the London Design Festival, was a winner of the Contemporary Art Collectors open call, and exhibited in a group exhibition at Hancock Gallery entitled 'Between Distance and Desire', among artists such as Billy Childish and Mark Demsteader. She also exhibited in the online exhibitions Curated for Covid and Anti-Freeze. Elizabeth exhibited in the Royal Academy of Arts Summer Exhibition 2018, with her work being selected by the RA for use on sell out posters and gift cards which were re printed by the RA shop in 2021. She exhibited at various London art fairs and group exhibitions throughout 2019 and was selected by Delphian Gallery to be featured in their highly acclaimed 2019 open call exhibition and was also the winner of the Flat Space Art Gallery open call 2019. Power has works currently available via They Made This, Art For Charity Collective, Delphian Gallery, Royal Academy of Arts, 99 Projects, A Space For Art/ Offshoot Arts, Print Club London, The Old Bank Vault, Hancock Gallery. Power co-founded the Babes In Arms Collective with fellow artist Annie Mackin, which champions artist mother's in the Hastings and St Leonard's area. Power co-hosted The Artfully Podcast (rated in GQ's top 50 podcasts for 2021), which covers news stories, gossip, and revisiting art history you thought you knew, or always wished you did. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 351
Eleanor Daly Straight to my head, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Eleanor Daly is a figurative oil painter who uses her energetic painting process and confident command of colour to tell stories. Her practice is rooted in a love for the act of painting, and an understanding of the role of the painter as a vessel. Daly's work is an autobiographical exploration of lesbian dynamics, fan studies and how painting can be used as a means of self-understanding. Using representational images and appropriation of painting's history, her work is honest, not shying away from humour nor pain. Education 2019-2021 BA in Fine Art, Goldsmiths, University of London, London, UK 2017-2018 Art and Design Foundation Diploma, Oxford Brookes University, Oxford, UK Solo Exhibitions 2022 Two Polythene Bags, Parlour Gallery, London, UK Group Exhibitions 2024 Pool Boy At The Vampire Mansion, Sundhöll Seyðisfjörður, Seyðisfjörður, Iceland Try-Pty-Kon, Skaftfell & Herdubíó, Seyðisfjörður, Iceland Fan Art? Yeah I'm A Fan Of Art!, 52 Cyprus Street, London, UK Loosing, Looping, Forgetting, List í Ljósi Light Festival, Seyðisfjörður, Iceland 2023 Ingram Prize 2023, Cromwell Place, London, UK Own Personal Jesus, 52 Cyprus Street, London, UK Universal Love, New House Art Space & Gallery, Guildford, UK Toughness and Tenderness, Bermondsey Project Space, London, UK Mollies, Parlour Gallery, London, UK 2022 Start x MMG Emerging Artist Prize, Saatchi Gallery, London, UK South East London Archive at The Livesey Exchange, London, UK The Signature Art Prize, The Bankside Hotel, London, UK Youth Platform X GALA, GALA Festival Peckham Rye Park, London, UK In Our Bodies, Transfund4london at Curtain Road, London, UK Two Doors, Tart Gallery x The House of Saint Barnabas, London, UK Awards 2023 The Ingram Prize, Finalist 2022 Start x MMG Emerging Artist Prize, Shortlist Signature Art Prize, Shortlist 2021 Freelands Painting Prize, Winner Public Collections South East London Archive, London, UK Statement about AOAP Submitted Artwork Straight To My Head and Under Her Tongue (both oil on paper) are born out of their small scale, depicting intimate images of consumption and excess. I wanted the viewer to be aware that they are an onlooker, catching a candid moment of pleasure, literally leaning in to the space of the painting. I used rich colours and thick, energetic application of paint that fills the paper to create this tempting feeling of excess. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 18
Emma Gibson Forever, 2025 HB Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Emma Gibson (b.1980, UK) is a British artist exploring the uncertain state of reality, often adding to it. Having studied at Open School East and University of the Arts London, she currently lives and works in the Highlands of Scotland and runs Deluxe Miscellanea somewhere between the gallery and the gift shop Education 2017 Associate Artist, Open School East Masters program, Margate 2007 BA Honours Art and Illustration, 1st Degree, University of the Arts, London 2004 Foundation in Art and Design, Distinction, University of the Arts, London 2000 GNVQ Advanced Art and Design, Pembrokeshire College, Wales Solo Exhibitions 2022 Scarborough Geology Museums and Art Gallery Trust - solo exhibition- Quicksand, triptych of sculptures and accompanying installation, film, learning experience and workshops 2020 The Art Block commissioned by Selfridges and curated by Helen Pheby, Yorkshire Sculpture Park - Quicksand, triptych of sculptures 2019 Margate NOW x Turner Prize 2019 - Point Break (at disused water tower) installation 2018 DreamLand x Studio TAC billboard art commission, Margate Museum - Save Yourselves, billboard 2016 Whitstable Biennale satellite x Hantverk & Found Gallery - The Code, installation 2016 Resort Gallery and Project Space - Shadows joint show with Conrad Armstrong, installation and composition 2015 Crate Gallery - Shelling Out, installation Group Exhibitions 2021 The Turner Contemporary Open - group exhibition - Quicksand micro-grain tryptic of prints 2019 A Cut from Sharp Grass - Well Projects - Point Break (dual sited in gallery) installation 2018 Chiara Williams Contemporary Art @ Nayland Rock Hotel - At The Violet Hour, group show 2017 Pettman's Depository/Open School East - The Well, group show 2017 Turner Contemporary- Spelunking/ The Handling Collection, live performance Awards Creative Scotland grant for individuals 2023 A-N Artists Bursary Award 2022 Arts Council National Lottery Project Grant 2019 KCC arts investment award 2019 Arts Council National Lottery Project Grant - R&D 2018 A-N Artists Bursary Award 2019 Public Collections Scarborough Museum and Galleries collection, UK Statement about AOAP Submitted Artwork In Scottish folklore, a will-o'-the-wisp is an atmospheric ghost light often shaped as a ball, seen by travellers at night, especially over bogs, swamps or marshes and to this day is unexplained. Once in unbelievable abundance-the Old German word 'herring' means 'multitude'-herring attracted thousands of boats from all over Europe to the Scottish waters, Silver-coloured, as slick and bright as mercury, the fish has poetically been nicknamed 'silver darlings'. The decrease of the natural food source magnified its legendary dimension through folklore, songs and tales. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 56
Elizabeth Power Pink Study, 2025 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Bursting with colour and energy, Elizabeth Power's paintings exude a warmth and vibrancy. Based in St Leonards on Sea, UK, Power's work has a vivid colour palette with a unique style that incorporates themes such as memory, escapism and identity. Her work reflects on personal and collective experiences, inviting viewers to engage with the narratives embedded within her pieces and to escape to the calm and dynamic worlds she creates. Drawing inspiration from colourists such as Matisse, Hockney, Hilma af Klint, Milton Avery and Tal R, Power's loose and free abstraction takes this to the next level. Power has been featured by the likes of British Vogue, The Royal Academy of Arts, Soho House, House & Garden Magazine, RyeZine, Home House, Heals, The London Design Festival, Livingstone St Ives, John Lewis, Munthe, Artsy, Delphian Gallery, Art For Charity Collective, Art On A Postcard, The Auction Collective, A Space For Art, Offshoot Arts, Cura Art, Print Club London, Big Yin Gallery, 99 Projects London, The Old Bank Vault, Well Hung Gallery and Hancock gallery. In addition to her artistic endeavours, Power has been involved in teaching and mentoring emerging artists, furthering her impact on the art community. Her contributions extend to art education, where she encourages creativity and exploration in her students. She delivers workshops and lectures to a wide range of students at The De La Warr Pavilion, The University of Brighton, Hereford College Of Arts, Earlscliffe College and The Hastings Contemporary. In 2024, Power has exhibited with Soho House, They Made This Gallery, Arts For Charity Collective, Rogue Gallery, Delphian Gallery, Bus Stop Gallery and Offshoot Arts. In 2023, Power has a solo exhibition entitled 'Coastal Calm' at 99 Projects. She exhibited in 'Papier' by Delphian Gallery. Additionally, she is in the group exhibition 'It's My House!' in collaboration with Cura Art, Offshoot Arts, A Space For Art. She curated and performed live painting at a Babes In Arms exhibition at the Hastings Contemporary, and also was in group exhibition 'Woman of Mass Destruction' at Stella More Gallery. She also will be exhibiting with Art For Charity Collective in Thyme. In 2022 Power released her first art publication entitled 'lockdown' published by Unit33 Hastings. She had work selected to join the Soho House permanent collection. She collaborated with fashion brand Munthe on a collection featured by the likes of Vogue. She exhibited with Art on a Postcard, Art for Charity Collective, The Affordable Art Fair, Big Yin Gallery, 99 Projects and Well Hung Gallery. She also curated an exhibition with her collective Babes In Arms at the De La Warr in September, and ran workshops there during the summer. In 2021 she exhibited in a duo show with Cathy Tabbakh 'Fatal Shadow and Narcissus' at Delphian Gallery, 'Making a Splash' curated by Janet Rady, 'Domesticity and the Feminine' Open Call Winners Exhibition, was the winner of the Unit33 open call, along with exhibiting with the Art For Charity Collective, Heals, Print Club London, McCully & Crane and The Old Bank Vault. In 2020 she exhibited with Heals as part of the London Design Festival, was a winner of the Contemporary Art Collectors open call, and exhibited in a group exhibition at Hancock Gallery entitled 'Between Distance and Desire', among artists such as Billy Childish and Mark Demsteader. She also exhibited in the online exhibitions Curated for Covid and Anti-Freeze. Elizabeth exhibited in the Royal Academy of Arts Summer Exhibition 2018, with her work being selected by the RA for use on sell out posters and gift cards which were re printed by the RA shop in 2021. She exhibited at various London art fairs and group exhibitions throughout 2019 and was selected by Delphian Gallery to be featured in their highly acclaimed 2019 open call exhibition and was also the winner of the Flat Space Art Gallery open call 2019. Power has works currently available via They Made This, Art For Charity Collective, Delphian Gallery, Royal Academy of Arts, 99 Projects, A Space For Art/ Offshoot Arts, Print Club London, The Old Bank Vault, Hancock Gallery. Power co-founded the Babes In Arms Collective with fellow artist Annie Mackin, which champions artist mother's in the Hastings and St Leonard's area. Power co-hosted The Artfully Podcast (rated in GQ's top 50 podcasts for 2021), which covers news stories, gossip, and revisiting art history you thought you knew, or always wished you did. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 484
Yan Wang Preston With Love From an Invader 43-183, 09 June 2020, 2020 Photographic print on paper Signed on Verso with COA 10 x 15cm (3¾ x 5¾ in.) About Yan Wang Preston is a Chinese-British visual artist interested in landscape representation, identity, migration, and the environment. With photography as her primary medium, her solo, collaborative, and participatory projects employ still and moving image, sound, performance, installation, and the artist book to explore complex ideas from multiple angles. Education 2010-2018: PhD in Photography, University of Plymouth, Plymouth, UK 2006-2009: MA in Visual Arts, Leeds Beckett University, Leeds, UK 1994-1999: Clinical Medicine, Fudan University, Shanghai, China. Solo Exhibitions 2024: Yan Wang Preston: Three Easier Pieces, Messums London, UK 2023: Field Studies-Land Body Botany, Bath House Galleries, University of Huddersfield, UK 2022 Yan Wang Preston: With Love, Messums London, UK Yan Wang Preston: With Love. From an Invader, Royal Botanic Garden Edinburgh, UK 2019 Forest, LOOK Biennial, Liverpool, UK Forest, Side Gallery, Newcastle, UK Forest, Cortona on the Move Photography Festival, Italy He, LOOK Photo Biennial, Liverpool, UK 2018 Forest, Gibson's Mill, Hebden Bridge, UK Forest, Xposure Photography Festival, Sharjah City, UAE She Dreams, LiverpoolONE, Liverpool, UK Forest, The Atlantic Project, Plymouth, UK 2017 Forest, GETXOPHOTO, Getxo, Spain Now and Before, LiverpoolONE, Liverpool, UK Mother River, Photo Museum Ireland, Dublin, Ireland Mother River, Impressions Gallery, Bradford, UK 2015 Mother River, China Three Gorges Museum, Chongqing, China Mother River, Wuhan Art Museum, China Mother River, Swatch Art Peace Hotel, Shanghai, China Mother River, Swatch Pavilion, the 56th Venice Biennale, Italy Mother River, Lianzhou Fotofestival, Lianzhou, China 2014 He-River Together, Touchstones Rochdale, UK Group Exhibitions 2024 Nature on Notice: Contemporary Art and Ecology, LACMA, USA Human/Nature, Fotografiska, New York, USA In Bloom, Fotografiska, Tallinn, Estonia Mutantx: × BIENNALE DE L'IMAGE POSSIBLE, Liege, Belgium UK Women: British Photography Between Social Criticism and Identity, Ludwiggalerie Schloss Oberhausen, Germany Taylor Wessing Photo Portrait Prize 2024, National Portrait Gallery, London, UK Photo-Art-Photo: From Julia Margaret Cameron to Thomas Ruff, Clemens Sels Museum Neuss, Germany Presence: The Figure in British Postwar and Contemporary Sculpture, Messums West, UK 2023 Energy: Sparks from the Collection, Victoria & Albert Museum, London, UK Civilization, Saatchi Gallery, London, UK In Bloom, Fotografiska, Stockholm, Sweden Paper Geographies, FORMAT, Derby, UK Here and Now, Lee Kai Hung Chinese Culture Gallery, Manchester Museum, UK 2022 The Time is Right, Jeddah Photo 2022, Jeddah, UAE Contested Landscapes, Biennale für aktuelle Fotografie, Mannheim, Germany Archive at Play, Castlefield Gallery, Manchester, UK Rhododendrons: Riddle Obsession Threat, Royal Botanic Garden Edinburgh, UK Ground, Long Gallery, Messums Wiltshire, UK Zoopolis, Kunstraum, Innsbruck, Austria 2021 Soft City 2.0, MoCA Chongqing, Sichuan Fine Arts Institute, China Facing Britain - British Documentary Photography since the 1960s, Kunsthalle Darmstadt, Germany Cohabitation, Silent Green, Berlin, Germany Public Life, FotoFest, Houston, USA The Art of Trees, Gund Gallery, Kenyon College, OH, USA 2020 Ten by Ten, FotoFest Biennial 2020, Houston, Texas, USA Climate Emergency in 50 Rounds, Fotobokfestival Oslo, Norway Paper Geographies, Manchester Central Library, Manchester, UK 2019 Pier to Pier, LOOK Biennial, Liverpool, UK and Shanghai, China Our Happy Life: Architecture and Well-Being in the Age of Emotional Capitalism, Canadian Centre for Architecture, Canada Sony World Photography Awards, Somerset House, London, UK and other venues 209 Women, Open Eye Gallery, Liverpool, UK 2018 Ten Directions: the 10th Anniversary Exhibition of Three Shadows Photography Awards, Beijing & Xiamen, China 40 Years of Chinese Contemporary Photography, OCAT, Shenzhen, China 2017 Parallel 2017, C-Art Centre, Chongqing, China Syngenta Photography Award, Somerset House, London, UK Mother River, Kaunas Photo 2017, Lithuania Gallery Representation Messums.Org (UK) Public Collections Victoria and Albert Museum (London, UK) Los Angeles County Museum of Art (Los Angeles, USA) National Trust (UK) Wuhan Art Museum (Wuhan, China) Manchester Museum (Manchester, UK) Open Eye Gallery (Liverpool, UK) Statement about AOAP Submitted Artwork Wang Preston's practice is characterised by rigorous research processes led by her committed embodiment within the land to gain first-hand, skin-to-skin-like understanding. Her submitted artwork With Love. From an Invader. 43-183, 09 June 2020 is from such a project. In order to investigate the political and ecological complexities behind the term 'non-native invasive species', Wang Preston walked to and photographed one love-heart-shaped Rhododendron ponticum bush every other day for an entire year, 17 March 2020 to 16 March 2021. The photograph for Art on a Postcard was produced from the 43rd visit to the bush. As the title suggests, a postcard is the perfect form for the photograph which was intended to be a love letter. Throughout the year-long embodied research, she also discovered a thriving ecology as the home to more than 20 animal species and more than 45 bird species while the rhododendrons functioned as the keystone species. Such discovery challenges the prevalent view such as Rhododendron ponticum are 'naturally' invasive because they are non-native to the UK. Meanwhile, it supports the idea of a recombinant ecology in which species from different origins form a functional habitat with no naturalised hierarchies between the native and the non-native. Such recombinant ecology is much akin to the British society which is multicultural yet permeated with hierarchies and segregations. Supported by the Arts and Humanities Research Council and the University of Huddersfield, With Love. From an Invader. is to be released by The Eriskay Connection as a major publication in 2025. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 151
R&F Mo The Listener, 2024 Watercolour, ink, and gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Narrative is central to R&F Mo's cross-disciplinary practice (drawing, painting, stitch, and performance), connecting the seen, the sensed, and the dreamed, in colour, mark, thread and motion. Mo employs an improvisational approach, finding the way in the moment of making, keeping the work alive, and sometimes vocally sound scatting in response to the work, the action, and the material of place. Education 2020-2021 Turps Offsite 2019-2020 Turps Correspondence Course 2006-11 PhD (by practice) Camberwell (U.A.L.) 2002-04 MFA Fine Art Central St. Martin's (U.A.L.) 1981-84 MA Illustration, Royal College of Art London 1978-81 Dip A.D Graphic Arts. City and Guilds of London Art School Gallery Representation Oliver Projects London Statement about AOAP Submitted Artwork Sprinkle, Youth talking with the sun, An appparition, and the listener, were all made through an improvisatory method- beginning with blobs of paint blotted from another surface, these prompted me to recognise figurative shapes in the marks and develop small figurative incidents - an event happening - usually between two figures -i'm interested in relationships and how we behave. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lot 9
Languages.- Hindoglu (Artin) Theoretisch-pracktische Türkische Sprachlehre für Deutsche, scattered spotting, lacking free endpapers, contemporary half-calf, cracked joints, lacking backstrip, rubbed and worn, Vienna, 1829 § Raverty (Lieutenant H.) A Grammar of the Pukhto, Pushto, or Language of the Afghans, part 2 only (of ?2), scattered staining, original paper wrappers, lacking backstrip and lower wrapper, upper cover and first few ff. detached, rubbed and worn, chipping to extremities, Calcutta, 1856 § Comul Sen (Ram) A Dictionary in English and Bengalee, vol. 2 only (of 2), previous owner's ink signature to title, spotting and staining, small marginal worming to final few ff., disbound, The Serampore Press, 1834; and others dictionaries and lexicons, v.s. (c.50)
Lot 200
Levant.- Texier (Charles) & R. Popplewell Pullan. The Principal Ruins of Asia Minor, first edition, engraved double-page map frontispiece, 50 engraved plates numbered 1-51, short marginal tear to title and map, ex-library with usual bookplate, perforated stamp to title and occasional ink-stamps, scattered spotting, occasional marginal water-staining, contemporary half morocco, upper cover detached, rubbed and worn, [Blackmer 1648], folio, 1865.
Lot 273
World.- Markham (Clements R.) Travels in Peru and India, first edition, ALs to Lady de Winton on her husbands death, written in a secretarial hand and signed by Markham loosely inserted, half-title, frontispiece, 7 plates, illustrations, 2 folding maps, 1 folding table, previous owner's pencil notes at end, contemporary half-calf, a little rubbed, slight bumping to corners and extremities, 8vo, 1862. *** This work concerns cinchona which was the source of quinine used as a cure for malaria, and was greatly needed by the British in India. The ALs in on 'Royal Geographical Society' headed notepaper, and dated 18th December 1901. It was written to Lady de Winton on the death of her husband, Major-General Sir Francis de Winton, stating "His public services have secured for him an enduring reputation, and his death is a loss to his country and to the Royal Family, by whom he was held in the highest esteem."
Lot 183
Levant.- Pouqueville (F. C. H. L.) Voyage de la Grèce, 6 vol., second edition, half-titles, 33 lithographs only (of 38, as often), some folding, scattered spotting, occasional light water staining, contemporary calf-backed boards, a little rubbed, slight bumping to corners and extremities, [Atabey 991], Paris, 1826; Histoire de la Régénération de la Grèce, 4 vol., first edition, half-titles, 5 engraved plates, 5 engraved folding maps, occasional marginal pencil notes, scattered spotting, one or two short marginal tears, final free endpaper of vol. 2 torn with loss, contemporary calf-backed boards, rubbed and worn, bumping to corners and extremities, [Atabey 992], Paris, 1824; and others on Greece, 8vo (17).
Lot 79
China.- Townley (Lady Susan) My Chinese Note Book, half-title frontispiece, plates, bookplates, scattered faint spotting, cracked hinges, original cloth, rubbed, bumping to corners and extremities, 1904 § Thompson (R. Wardlaw) Griffith John: The Story of Fifty Years in China, frontispiece, plates, scattered spotting, original cloth, slight bumping to corners and extremities, 1906 § Kent (Percy Horace) The Passing of Manchus, frontispiece, plates, 3 maps (2 folding), scattered spotting, ex-library with usual labels, original cloth, a little rubbed, slight bumping to corners and extremities, 1912; and others on China, 8vo (6)
Lot 180
Levant.- Pitts (Joseph) A Faithful Account of the Religion and Manners of the Mahometans, fourth edition, 2 folding engraved plates, woodcut initials, head- and tail-pieces, 3pp. advertisements at end, scattered faint spotting, modern antique-style calf-backed boards, small 8vo, for T. Longman ... and R. Hett, 1738.
Lot 274
World.- Picard (Bernard) Cérémonies et Coutumes Religieuses des tous les Peuples du Monde, 4 vol., half-titles, 263 engraved plates only (of 265), vol. 4 lacking plates 1 & 24, plate 34 vol. 4 torn through image and detached, one plate with tiny marginal hole, one plate strengthened at fore-edge, scattered spotting and staining, occasional small marginal loss, previous owner's ink signature to titles, strengthened hinges, later morocco backed boards, rebacked, rubbed, bumping to corners and extremities, folio, Amsterdam, 1789.
Lot 89
Europe.- France.- Boucher (Lucien) Air France - Réseau aérien mondial, chromolithographic poster of a map of the world on a Mercator projection, heightened with gold on thick wove paper, sheet 625 x 990 mm (24 1/2 x 39 in), signs verso of having been carefully removed from a previous support, scattered surface dirt and browning, minor nicks and marginal handling creases, unframed, rolled, Imprimerie Perceval, Paris, 1935
Lot 154
Levant.- Irwin (Eyles) A Series of Adventures in the course of a Voyage up the Red-Sea, on the Coasts of Arabia and Egypt, second edition, 2 linen-backed folding plates, 4 engraved maps and plans, of which 3 linen-backed and folding, bound without half-title, B1 & 2 with short marginal tear and old repairs, D4 with short marginal tear, R4 with tear into text and old repair, ex-Birmingham Library with occasional ink-stamps, scattered spotting and staining, bookplate, modern cloth, [Blackmer 865], 4to, 1780. *** Provenance: Bookplate of R. M. Burrell.
Lot 29
Africa.- Grogan (Ewart S.) & Arthur H. Sharp. From the Cape to Cairo, first edition, half-title, portrait frontispiece, illustrations (many full-page), 2 folding maps, one with short tear at gutter, one with large tear not affecting image, 2pp. advertisements at end, bookplate, previous owner's ink signature, scattered faint spotting, original pictorial cloth, rubbed, bumping to corners and extremities, 1900 § Kearton (Cherry) & James Barnes. Through Central Africa from East to West, first edition, half-title, colour frontispiece, plates, one folding map, scattered spotting, bookplate, original decorative cloth, slight bumping to corners and extremities, 1915 § Macdonald (Major J. R. L.) Soldiering and Surveying in British East Africa 1891-1894, first edition, half-title, frontispiece, plates, one folding plan, 8 folding maps, advertisements at end, spotting, cracked hinges, ex-library with usual labels and ink-stamps, original cloth, rubbed, bumping to corners and extremities, 1897, [Hosken p.88; p.113]; and others on Africa, 8vo (10)
Lot 71
Australia.- Stoney (Capt. Henry Butler) A Residence in Tasmania, first English and first illustrated edition, , tinted lithographed frontispiece and 7 plates, engraved title vignette, double-page lithographed map, engraved vignettes, original cloth, rebacked retaining original backstrip, a little rubbed, bumping to corners and extremities, [Ferguson 16295], 1856 § Therry (R. ) Reminiscences of Thirty Years' Residence in New South Wales and Victoria, first edition, later half morocco, a little rubbed, slight bumping to corners and extremities, 1863; 8vo (2) *** The first mentioned is an important account of the island, including early settlement, penal stations, and a list of Tasmanian birds. Stoney served with the 99th Regiment and arrived in Tasmania in 1853. The work was first published without illustrations in 1854 in Hobart Town.
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