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Lot 183
Walter Dexel1890 München - 1973 Braunschweig - "Orientalisch" - Holzschnitt/Papier. 1/30. 27 x 19,7 cm, 42,2 x 32 cm. Sign. und dat. l. u.: W Dexel (19)19. Betit. und num. r. u.: Orientalisch 30/1. Bez. l. u.: s. l. Otto Melzer 25.2.62. Das Blatt liegt lose im Passepartout. Vereinzelte Stockfleckchen. Minim. gebräunt. Leicht beschn. - Lit.: Vitt 9.
Lot 877
Eisbär auf SockelPorzellanfabrik Fraureuth AG, Fraureuth Kunstabteilung 1928-1935. Porzellan, weiß, glasiert. Unter der Glasur polychrom bemalt. Auf dem unglasierten Stand grüne Marke. 1. Wahl. Auf dem Sockel bez.: M. Fritzsche. H. 12 cm, L. 20 cm. - Lit.: Susanne Fraas. Wachgeküsst Verborgene Schätze der Fraureuther Porzellanfabrik. Schriften und Kataloge des DPM, Bd. 82. S. 221 Abb. 809. Modell von M. Fritzsche aus dem Jahr 1921. - Zustand: r. Vorderbein mit Sprüngen - Glasur vereinzelt ber.
Lot 142
Bacon (Sir Francis) The Historie of the Reigne of King Henry the Seventh, engraved frontispiece portrait by William Marshall (trimmed and mounted on later blank leaf facing title), title within elaborate woodcut architectural border, woodcut initials, head- & tail-pieces, lacking initial blank leaf, with contemporary ink signature of W.Bohun at head of title and annotations and underlinings to text, lightly browned, title mounted on stub, later ink ownership inscription and extensive note to front free endpaper, engraved Gilman bookplate, contemporary calf, rebacked, rubbed, upper corners worn, lower repaired, [Pforzheimer 33; Wing B298], folio, by R[obert] Y[oung] and R[ichard] H[odgkinson] and are sold by R. Meighen..., 1641.
Lot 15
London.- Phillips (Hugh) Mid-Georgian London: A Topographical and Social Survey of Central and Western London about 1750, 1964 § Pearce (David) London's Mansions: The Palatial Houses of the Nobility, 1986 § Ellmers (C.) & Alex Werner. London's Lost Riverscape: A Photographic Panorama, 1988 § Carrier (R.) & Oliver Lawson Dick. The Vanished City: A Study of London, 1957 § Fletcher (Hanslip) London Passed and Passing: A Pictorial Record of Destroyed and Threatened Buildings, 1909 § Richardson (A.E.) & C.Lovett Gill. London Houses from 1660 to 1820, [c.1911] § Harrison (Wilmot) Memorable London Houses, one of 250 copies signed by the author, 1889, plates and illustrations, original cloth or boards, the first four with dust-jackets, the first two with publisher's original packaging, the last four a little rubbed; and 12 others on the architecture of London, 4to & 8vo (19)
Lot 155
Tyrius (Maximus) Dissertationes ..., text in Greek and Latin, Gilbert Wakefield's copy with his signature to blank, occasional marginal pencil notes, occasional very faint marginal damp-staining, cracked hinges, ex-library with bookplate and ink- and blind-stamps to title, modern cloth, Cambridge, Joann. Hayes, 1703 § Cooper (John Gilbert) The Life of Socrates ..., engraved head-pieces, lacking A1 (?blank), small tear to foot A3, ex-library with ink-stamps as usual, abrasion mark to front free endpaper where label removed, for R. Dodsley, 1749; and another, eighteenth century Greek title, 8vo (3).⁂ The first inscribed and dated by Rev. Gilbert Wakefield (1756-1801), and English scholar and controversialist, who was also a rector in Nottinghamshire and later Kingston-upon-Thames.
Lot 156
Dugdale (Sir William) Monasticon Anglicanum: or, the History of the Ancient Abbies, Monasteries, Hospitals, Cathedral and Collegiate Churches, With their Dependencies, in England and Wales, 3 parts in 1, engraved additional pictorial title, title in red and black, 102 engraved plates, some double-page, by Danile King after Hollar and others, 2 double-page plates and one page of text torn without loss, another plate with small hole, some foxing and browning, 1 plate heavily browned, new endpapers, contemporary panelled calf, rubbed, corners worn, rebacked in modern calf, folio, R. Harbin for D. Browne and J. Smith and others, 1718.⁂ Provenance: Pencil inscription on front free endpaper: "Bought from A.R. Heath Sept 2008. This copy came from Downside Abbey."
Lot 16
London.- Picture of London (The), for 1819, folding engraved frontispiece and 2 maps, engraved plates of multiple views, contemporary green roan, broken, 1819 § Wilkinson (R., publisher) The London Directory, or a New and Improved Plan of London, Westminster & Southwark..., folding engraved map with faint partial hand-colouring and table at foot, c.410 x 520mm., dissected and mounted on linen, light soiling, folding into old linen slip-case with manuscript label "Plan de Londres", R.Wilkinson, 1784 § Companion to all the Principal Places of Curiosity and Entertainment in and about London and Westminster, ninth edition, without map, advertisement leaf at end, contemporary sheep-backed paste-paper boards, spine gilt, faded, J.Drew, 1799 § Boyle's View of London, and its Environs, spotted, contemporary sheep, name in ink to upper cover, worn, covers detached, [c.1799], all rubbed; and 3 other guides to London including a Picture of London for 1802 without map, 8vo et infra (7)
Lot 187
NO RESERVE Annotated plays.- Maturin (Rev. R. C.) Bertram; or, the Castle of St. Aldobrand, ninth edition, ink ownership inscription dated 1824 to head of Dramatis Personae, contemporary ink notes, excisions and annotations throughout, some trimming to margins, light foxing, John Murray, 1817. bound with Payne (John Howard) Brutus; or, the Fall of Tarquin, sixth edition, light soiling to title, contemporary ink notes, excisions and annotations throughout including a small plan of stage positions to H1 verso, T. Rodwell, 1819 and another play, together 3 works in 1 vol., 19th century marbled boards with modern antique-style spine; and 3 more volumes of plays, 8vo (4)⁂ Two plays that were seemingly working copies for 19th century performances including some detailed stage directions.
Lot 2
London.- Arnold (Richard) The Customs of London, otherwise called Arnold's Chronicle: containing...The Nut-Brown Maid, third edition, ex-Lincoln Cathedral Library with bookplate, contemporary half calf, 1811 § [Tyrrell (Edward, editor)] A Chronicle of London, from 1089 to 1483, one of 250 copies signed by the editor at end of Preface, presentation copy from the editor with accompanying A.L.s. mounted on front free endpaper, facsimile frontispiece, some spotting, ex-library copy with stamp and labels, original boards, uncut, rebacked in sheep, 1827 § [Thomson (R.)] Chronicles of London Bridge: by an Antiquary, wood-engraved frontispieces and illustrations on india paper and mounted, modern half calf, 1827 § Norman (Philip) London Signs and Inscriptions, frontispiece and illustrations, light staining to a few leaves, modern panelled calf, t.e.g., others uncut, for the Camden Library, 1893, a little rubbed, 4to & 8vo (4)⁂ The first is a collection of early documents relating to England and London; the first edition of 1503 included the first printing in English of Magna Carta (pp.213-223 in this edition).
Lot 268
NO RESERVE British Art.- Pierce (Helen) Unseemly Pictures: Graphic Satire and Politics in Early Modern England, New Haven & London, 2008 § Raines (R.) Marcellus Laroon, London & New York, 1966 § Lambourne (L.) & Jean Hamilton. British Watercolours in the Victoria and Albert Museum, 1980 § Croft-Murray (E.) & Paul Hulton. [British Museum] Catalogue of British Drawings Vol.I: XVI & XVII Centuries, 2 vol., 1960 § Farington (Joseph) The Diary..., edited by Kenneth Garlick and Angus Macintyre, vol.1-6: 1793-1804, New Haven & London, 1978-79, illustrations, original cloth or boards, the first two and last with dust-jackets, some a little rubbed, some spines faded; and c.40 others, British art and miscellaneous, 4to & 8vo (c.50)
Lot 271
NO RESERVE Clocks.- Allix (Charles) & Peter Bonnert. Carriage Clocks: Their History & Development, first edition, Woodbridge, 1974 § Plomp (Dr. R.) Spring-driven Dutch Pendulum Clocks 1657-1710, Schiedam, 1979 § Leopold (J.H.) The Almanus Manuscript..., 1971 § Bennion (E.) Antique Medical Instruments, reprint, 1980 § Karp (M.G.) In Flagrante Collecto (caught in the art of collecting), New York, 2006, illustrations, some colour, original cloth or boards with dust-jackets, the first two a little rubbed and frayed; and 7 others on clocks, 4to & 8vo (12)
Lot 276
NO RESERVE Glass.- Lanmon (Dwight P.) & others. John Frederick Amelung: Early American Glassmaker, errata leaf loosely inserted, Cranbury, NJ & London, 1990 § Dexel (Thomas) Gebrauchsglas: Gläser des Alltags vom Spätmittelalter bis zum Beginnen 20.Jahrhundert, Braunschweig, 1977 § Leonard Evetts: Master Designer, privately printed, 2001 § Schmitt (P.) Hans Gottfried von Stockhausen: The Autonomous Panel, Munich, 2002 § Marteau (R.) Les Vitraux de Chagall 1957-1970, Paris, 1972 § Pascal (Blaise) The Gospel of the Gospels; Abrégé de la vie de Jésus-Christ, Turin & London, 1999, illustrations, many colour, original cloth, the first five with dust-jackets, the last slip-case; and 15 others on glass and stained glass, v.s. (c.20)
Lot 278
NO RESERVE Italian Art.- Valentiner (Wilhelm R.) Studies of Italian Renaissance Sculpture, 1950 § Heydenreich ( Ludwig H.) Leonardo da Vinci, 2 vol., New York & Basel, 1954 § Santoro (F.S., editor) From Sodoma to Marco Pino: Painters in Siena in the first half of the Sixteenth Century, original cloth-backed boards, Siena, 1988 § Passavant (G.) Verrocchio, 1969 § Beneden (B. van) & Nicola Jennings. David Bowie's Tintoretto: Angel Foretelling the Martyrdom of Saint Catherine of Alexandria, 2017 § Rubin (P.L.) & others. Renaissance Florence: The Art of the 1470s, 1999 § Pope-Hennessy (John) The Complete Work of Paolo Uccello, 1950, illustrations, some colour, most original cloth or boards, the second with slip-case (stained), the last four with dust-jackets, the last frayed, some rubbed; and c.115 others on Italian art and architecture, v.s. (c.120)
Lot 282
NO RESERVE Modern & Contemporary Art.- Burgard (Timothy Anglin) & others. Richard Diebenkorn: The Berkeley Years 1953-1966, San Francisco & New Haven, 2013 § Gooding (Mel) & David Elliott. Sylvia Edwards, with 4 colour lithographs, one signed and numbered 197/500, 2002 §Glimcher (A.) Mark Rothko: The Exhibitions at Pace, 2019 § Anderson-Spivy (A.) Robert Kushner: Gardens of Earthly Delight, New York, 1997 § Laura Owens, Zurich, 2006 § April Gornik: Drawings, New York, 2014 § Taaffe (Philip) Anima Mundi, Dublin, 2011 § Crone (R.) & David Moos. Jonathan Lasker: Telling the Tales of Painting..., Stuttgart, 1993 § Moeglin-Delcroix (A.) & others. Herman de Vries, Lyons, 2009 § Cullinan (Nicholas) Michael Jackson on the Wall, 2018, illustrations, many colour, original cloth or boards, the first four with dust-jackets; and a quantity of others on modern and contemporary art, many catalogues, v.s. (c.100)
Lot 45
Crawhall (Joseph) A Jubilee Thought, one of 50 large paper copies with woodcut illustrations hand-coloured, presentation copy from the author inscribed "Georgina Henderson with the Author's love..." at head of title, browned, leaves brittle and a few slightly chipped at edges, original half vellum over printed boards with woodcuts, rubbed, rebacked, Newcastle upon Tyne, Mawson, Swan, & Morgan, 1887; Old Aunt Elspa's ABC, hand-coloured illustrations, 3pp. advertisements at end, upper edge of title frayed, original hand-coloured pictorial wrappers, lower cover with 1858 1d red postage stamp pasted onto easel, slightly creased at edges, Leadenhall Press, [1884], first editions; and 2 others by or relating to Crawhall, 4to (4)⁂ "Aunt Elspa" was a family term of endearment for Crawhall's daughter Elspeth. Crawhall himself is pictured at letter R for Rumpus, Rage, Racket & Riot, being chased by a termagant queen.
Lot 68
NO RESERVE Middle East.- Dickson (H. R. P.) The Arab of the Desert, first edition, portrait frontispiece, plates and illustrations, 11 folding maps and plans at end, chipping to edges, ex-library with ink-stamp to title verso, modern cloth, 1949 § Martineau (Harriet) Eastern Life, Present and Past., 3 vol., presentation inscription from author to vol. 1., half-titles, ex-library with occasional ink-stamps, abrasion mark to front free endpaper where labels removed, later morocco-backed boards, blind-stamp to upper covers, rubbed, bumping to corners and extremities, 1848, 8vo (4)
Lot 206
Late 19th century German porcelain figural two branch candelabra, modelled with a shepherd boy with a dove and sheep upon a naturalistic base encrusted with flowers in shades of yellow and blue, R factory mark, 11.25" high; together with a pair of German porcelain nodding head grandpa and grandma figures, 6.5" high (3)
Lot 395
Melvyn R. J. Brinkley (20th/21st century) - 'Shingle Street', pencil, pen, ink and watercolour; together with various other watercolours including work by Gordon Smith entitled 'Achnahaird Bay and The Peaks of The Inverpolly Forest', a small early 19th century watercolour depicting a man seated beside a lake with boats and mountains beyond, possibly after or in the style of Thomas Girtin, 4.75" x 7.5", an oil painting of flowers signed E. Court, a print after Corot also other modern works after Michael Cooper, a pencil drawing of a huntsman on horseback jumping a stream, initialled R.L.H, oil paintings after Sir Joshua Reynolds, contained within decorative gilt plaster and wooden frames one with a circular veneered inset, an oil painting of roses initialled KP and dated 1906, other furnishing prints and decorative pictures, various sizes (a collection) (five boxes)
Lot 426
H* Remmington (20th century) - landscape with trees in a lane, signed, oil on board 7.25" x 10.25"; together with a further example by the same artist depicting a further landscape, also a lithographic print depicting a mouse dressed in costume with other insects nearby, a lithographic print, an oil painting by G* Noone, landscape scene, a hand coloured engraving by R Creihton depicting a map of Norfolk, a coloured lithographic print after Johannes Franciscus Spohler depicting a Dutch river scene, an oilegraph, also two reproductions depicting brass rubbing scenes after Irene Cowan, one depicting Sir Robert de Burgh originally from a tomb dated 1302, signed artist coloured etching depicting Bromley Parish church interior by Janet Simpson, and a coloured print after Anna Lea Merritt, entitled 'Love Locked Doubt' and a monochrome print depicting the officer's motto for the RAF, the title being 'Per Ardua Ad Astra', various sizes (a collection)
Lot 36
Seiko 5 Automatic Gent's Wristwatch, (4227 00L0) the signed grey dial and claw set highlights, centre seconds and day/date aperture (numbered to dial "4227-01T2 R"), case back numbered "352564", to integral bracelet; Together with A Large Collection of Assorted Ladies and Gent's Wristwatches, including Oris, Ingersoll, etc :- One Tray
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297893 item(s)/page