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Four American glow plug aero engines: an Ohlsson & Rice R/V 29, 5cc, with documentation for No. 021560, c 1951 LN-IB; a K&B `Torpedo` 29, 5cc un-numbered, c 1950, VG; an unusual Gilbert 07, unmarked, (lacks tank), otherwise VG-EXC, c 1962; together with a Gilbert 11 `Thunderhead`, un-numbered, c 1962, LN (4)
ARTHUR EDWARD DAVIES, RBA, RCA (1893-1988, BRITISH) Signed Pen, Ink and Watercolour “Norwich Cathedral by Floodlight” 16” x 11 ½” Provenance: L R Nightingale, Paston House, Elm Hill, Norwich The Arthur Davies 95th Birthday Exhibition – Norwich Castle Museum – March 25th 1988 Perspective on East Anglia, 9th-27th July 1990 – Great Yarmouth Museums, Exhibition No 18 (see extensive labelling verso)
Ricciardo Meacci (Dolciano 1856-1938 Florence) The theological virtues signed 'R. MEACCI' (lower left), and inscribed 'SPES. FIDES. CHARITAS' and 'QUI SPERAT IN DOMINO SUBLIE VABITUR. QUI TEMETIS DOMINUM CREDITE ILLI. IN AMORE MINISTRATE FRATERNITATIS CHARITATEM' (along the upper and lower edge of the frame) pencil and watercolour on paper, heightened with white and gold, in a gilded tabernacle frame 11¼ x 17 7/8 in. (28.6 x 45.4 cm.) View on Christie's.com
Petrarca (Francesco) Il Petrarcha,1538 con l`espositione d`Alessandro Vellutello, woodcut portrait of the author on title, double-page woodcut map, title with fine contemporary ink inscription of R.Duddley and others, title a little soiled and with small tear to inner margin, also to following two leaves, some light marginal staining and worming, later calf, spine gilt in compartments, a little rubbed, [Adams P804], 4to, Venice, Bartolomeo Zanetti for Alessandro Vellutello & Giovanni Giolitto da Trino, 1538. ***R. Duddley, possibly Sir Robert Dudley (1574-1649), mariner and landowner, illegitimate son of Robert Dudley, Earl of Leicester, and Lady Sheffield, who spent much of his life in exile in Florence..
Hobbes (Thomas) Leviathan second edition with "bear" ornament on printed title, dedication leaf loose, X2 lower corner torn with loss, contemporary signature and `price` to the recto of front free end-paper, bookplate of Sir James R. Fergusson to front paste-down, contemporary speckled calf, rebacked preserving old spine, new endpapers, rubbed at extremities, [Wing H2247], folio, for Andrew Crooke, 1651 [i.e. Amsterdam, c.1651].
Cicero.Opera,20vol.,Glasgow,Foulis,1749 20 vol., occasional light browning, bookplates of Sir Thomas Fowell Buxton, Sir Edward N.Buxton and Henry N.Buxton on front endpapers, a good set in contemporary vellum with red morocco labels on spines, slightly rubbed and soiled, 12mo, Glasgow, R. & A.Foulis, 1749. ***Sir Thomas Fowell Buxton (1786-1845), philanthropist, prison reformer and advocator of the abolition of slavery..
Homer. Iliados 1756; Odysseias 1758, [graece] edited by J. Moor and G. Muirhead, 4 vol., titles in Latin and Greek, half-titles to vol.3 and 4 only, new endpapers, later polished calf, spines gilt in compartments with red morocco labels, rubbed, generally a crisp and clean copy with good margins, [Gaskell 319], folio, Glasgow, R. & A. Foulis, 1756-1758.(4) ***"The folio Homer towers in importance over all the other Foulis books." (Gaskell)..
CAVE (William) Historia Literaria, New Edition, 2 vols in one, Basel 1741-45, folio; HELVIUS (C) The Historical and Chronological Theatre, 1687, folio, worn calf; BAKER (Sir R) A Chronicle of the Kings of England, 1730, folio, binding detached; CAMDEN (W) The History of the Princess Elizabeth, 4th edition, 1688, binding worn; VOSSIUS (G-J) Ars Historia de Historicis Graecis Libri Quatuor de Historicis Latinis Libri Tres, 2 vols Amsterdam: P & J Blaeu 1699-1700, folio, worn panel calf; HALES (William) Chronology, 3 vols in four, London: for the author 1809-12, 4to, binding cracked and worn; etc (14)
COWLEY (Abraham) The Works, 7th edition, London 1681, folio, portrait frontispiece, repaired worn calf; TAYLOR (J) Elements of the Civil Law, 3rd edition 1769, 4to, calf; HERBERT (Edward, Lord) Life, 4th edition 1792, folding plate, boards; NORTH (R) Life of Francis North, 1742, 4to, portrait frontispiece, repaired calf; GAULT (J) Life of Cardinal Wolsey, 1812, 4to, repaired calf (5)
* Typography. Lee Priory Press. Greene`s Groat-Worth of Wit, 1813, 4to, one of 61 copies, light spotting, half morocco (rubbed); Hague (R) The Death of Hector, Skelton Press 1973, signed, limited edition (200); Franklin (C) Emery Walker.., CUP 1973; Rogers (B) Report on the Typography of the Cambridge University Press, 1950; Sparling (H H) The Kelmscott Press and William Morris Master-Craftsman, first edition 1924, extra illustrated by Foster, cloth backed boards; etc (9)
GREGYNOG PRESS The Life of Saint David, No.37 of 175 copies, 1927, with 25 hand-coloured wood engravings by R A Maynard and H W Bray, printed in pale blue, red and black, full vellum with gilt lettered spine, neat ink owner`s name to foot of first blank dated 1945, top edge gilt, a fine copy in damaged slip case
* TENNYSON. The May Queen, in illuminated borders by L Summerbell, 20 chromolitho leaves, subscribers at end, fine full morocco gilt; MILLER (T) Common Wayside Flowers, colour illustrated by Birket Foster, 1860, a.e.g.; THORNTON (R J) Family Herbal, 2nd edition, 1814, thick 8vo, spotting and staining, worn repaired morocco (3)
Various. Carey (Edith) The Channel islands, illustrated by H B Wimbush, Royal Canadian Edition, No.20 of 1000 copies, black leather binding with silk doublures; Smyth (R B) The Goldfields and Mineral Districts of Victoria, reprint edition 1979, 4to; three Victorian children`s readers (damaged); Ostervald`s Bible, 1793, folio, first volume only, damaged and incomplete, some engraved plates, etc
Ethelbert White R.W.S., N.E.A.C., L.G. (1891-1972), Surrey Woodland, signed, with Royal Academy Exhibition label inscribed and dated 1970 on verso, also including a hand written letter from the artist relating to the original purchase of the painting, watercolour, 38 x 54cm.; 15 x 21.25in.* He was at St. John`s Wood Art School 1911 - 12, early on becoming friends with painters such as Mark Gertler and C. R. W. Nevinson. White exhibited with the London Group and New English Art Club from 1916. As well as illustrating many books, White was also a regular exhibitor at the Royal Academy and Royal Watercolour Society. Travelled widely in Ireland, France and Spain. Exhibited internationally. Memorial exhibition at the Fine Art Society 1979.
A PARCEL-ENAMELLED GILT-METAL BRACELET SET WITH A MINIATURE BY WILLIAM EGLEY (BRITISH, 1798-1870) Lieutenant-Colonel Charles Francis Seymour (1819-1854), in profile to the right, in black coat, white shirt, black tied cravat; cloudy sky background on ivory oval, 1 9/16 in. (40 mm.) high, set in a gilt-metal bracelet with hinged cover to reveal miniature, the cover parcel-enamelled with monogram, the interior cover engraved 'Born Sepr. 14th 1819. Killed at Inkermann. [sic] Nor. 5th. 1854' View on Christie's.com
A CARVED OAK ESTATE NOTICE CIRCA 1810 Inscribed 'TAKE NOTICE/Vagrants and Sturdy Beggars found begging in this, place will be prosecuted as the law directs'; together with a document box lid with ink inscription and dated 1840 relating to the accounts of Earl Spencer, drilled with four holes; and a William IV lead plaque dated 1835, inscribed 'TO THE MEMORY OF THE BIRTH OF JOHN POYNTZ SPENCER BORN THE 27TH OCTR. 1835/BARRELL NO.109, BREWED FROM WORSTERS MALT IN OCTR. 1835 AND FILLED UP FROM KENNINGS MALT IN OCTR. 1836 FOR HIS BIRTH DAY AT THE AGE OF 21 YEARS BY ORDER OF HONBLE. CAPTN. F. SPENCER./WM. WYKES' The estate notice: 15 x 24 in. (39.5 x 61.5 cm.) (3) View on Christie's.com
BERNARD LENS (BRITISH, 1682-1740), AFTER ANTONIO ALLEGRI, CALLED CORREGGIO A young lady, in red-lined blue dress, pearl necklace, plaited upswept hair, holding a dog in her arms signed, dated and inscribed on the backing card, 'Bernard Lens Fecti. Lond[i] after the Originall of in ye Cabonet of the Rt Honble the Earl of Pembr[oke] after Coregio April:2:' and 'IL DONO D'IL GRAN: DUCA DA FLOR: A, FILIP: COM: DI PEMR: Corregio Pinxit B. Lens Fecit after ye Originall April ye:2:1717' on ivory rectangular, 3¼ x 2½ in. (82 x 64 mm.), Bernard Lens pear-wood frame View on Christie's.com
A GROUP OF GEORGE II SILVER SPOONS Hanoverian pattern, engraved on one side with the Spencer crest, some further engraved with initial 'S' and on the other side with initials 'S R' Comprising: A soup-Ladle, 1757 Two basting-spoons, 1755 Eighteen table-spoons, 1755 etc. A dessert-spoon, 1755 57 oz. (1,779 gr.) (22) View on Christie's.com
After John Keyse Sherwin Installation Dinner, at the Institution of the Most Illustrious Order of St Patrick, in St Patrick's Hall within the Castle of Dublin, March 17th, 1783 Together with an engraving of Hull summoned by the King, 3rd April 1642, an engraving by John Scott of Benevolent Cottages, after A.W. Callcott, two reproductions in bird's-eye maple frames, and three engravings after Hogarth Engraving, published by R. Wilkenson, London, 1803 25 x 33½ in. (65.5 x 85 cm.) (8) View on Christie's.com
A GEORGE III SILVER OBLONG INKSTAND MARK OF THOMAS AND JOSEPH GUEST AND JOSEPH CRADOCK, LONDON, 1811 On winged paw and scroll feet, with shell and gadroon border, with supports for three silver-mounted cut-glass bottles, engraved under the central bottle with an inscription, the pen rests each later engraved with a cypher within the garter motto and below an earl's coronet 10¼ in. (26 cm.) wide weighable silver 33 oz. (1,027 gr.) The inscription reads 'Legacy of Jonathan Acklom Esqr deceased 1812 to his Grandaughter Esther Acklom'. The later cypher is that of Frederick, 4th Earl Spencer. View on Christie's.com
* A late Victorian silver cup and cover by Sebastian Henry Garrard, London 1899, retailed by `R & S Garrard & Co., Haymarket, London`, with a leafy ball finial, a leaf chased domed cover, twin scroll handles, a foliate girdle and lower band, 21.5cm (8.5in) high, 1089g (35 oz); with a silver mounted ebonised socle by Sebastian Henry Garrard, London 1878 (3)
* Circle of Theodoor Rombouts, Flemish 1597-1637- Study of a labourer/musician carrying an item on his back ; graphite over grey wash, on laid paper, bears the initial R, 22.5x13cm: Cornelis Kruseman, Dutch 1797-1857- Head study in profile of an old man; pen and black/brown ink on blue/grey paper, signature attached, 20x17cm, (trimmed): European School, 18/19th century- Study of a tree stump; watercolour, on laid paper, monogrammed, A J, in pencil: Follower of Dirck Stoop, 18/29th century- Study of a cow; pen and black ink, pencil and stump work, on laid paper, (4) (unframed)
E Hedley Fitton 1859-1929- "Chichester Cross"; published Dec, 1st by R Dunthorne Wilson, London; dry-point etching printed with tone, signed in pencil, 43x35cm: together with similar dry-point etchings by Albany E Wowarth 1872-1936, and others, (4) Note: Hedley Fitton was an engraver and printmaker noted mainly for his architectural etchings. His etchings included street scenes and important cathedrals in London, Florence, Edinburgh and Paris, In 1907 the Societe des Artistes Francais awarded Fitton a Gold Medal for his work. Fitton was a pupil at the Warrington School of Art in Cheshire. He travelled and worked extensively in England, Scotland, France and Italy. He lived in Didsbury in the 1890s, working as editor and illustrator for The Daily Chronicle in Manchester.

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297893 item(s)/page