A THREE PIECE SILVER CONDIMENT SET, comprising of a mustard with green glass insert and broken cover, a salt with a clear glass insert, a pepper pot, each hallmarked 'R F Mosley & Co' Sheffield, together with a sauce spoon, approximate gross weight excluding glass 185.0 grams, 5.94ozt, also including a pair of 'Poul Warmind' Denmark Sterling non-pierced abstract earrings (condition report: the mustard requires some attention as the cover is free from hinge, all with light tarnishing, earrings are tarnished and would benefit from a gentle clean and polish)
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FOUR BOXES OF CERAMICS AND GLASSWARE, to include a boxed Royal Briery Crystal sugar sifter, compote and preserve pot, a Cornish mid-century Carn Pottery rectangle vase, a purple iridescent glass paperweight marked Lanmara 1999, a pair of Staffordshire style desktop Greyhound pen holders, a Noritake Progression 'Berries'N Such' pattern coffee pot and two lidded casserole pots, a Devon Ware Fieldings 'Baby's Plate', a Hostess Tableware 'Blue Mink' tea set, a 'Thomas' white and silver gilt dinner set, a cruet set, a decorated ostrich egg, a silverplated claret jug, an unframed oil on canvas signed R. Hansen, a boxed children's pink tea set, etc. (s.d) (4 boxes + loose)
A BOX CONTAINING A TIN OF GLASS MARBLES, A BOXED TASCO GOLDEN ANTLER 3-9 X 40MM RIFLESCOPE AND THREE GUN RELATED BOOKS, comprising 'The Revolver 181-1865' by A.W.F. Taylerson, R.A.N. Andrews and J. Frith, 'Weapons of the British Soldier' by Colonel H.C.B. Rogers O.B.E., 'English Gunmakers The Birmingham and Provincial Gun Trade in the 18th and 19th Century' by De Witt Bailey and Douglas A. Nie and 'The Gattling Gun' by Paul Wahl and Ronald R. Toppel (1 box)
ONE BOX OF BOOKS - BANNERMAN; David Armitage, The Birds Of The British Isles, illustrated by LODGE; George E, a twelve volume 1st Edition, published by Oliver and Boyd, vols. 1-10 without dust jackets and CHALMERS; Patrick R, Birds Ashore And A-Foreshore, illustrated by Winifred Austen, pub. 1935, 1st Edition without dust jacket (1 box)
Karl Kluth. (1898 Halle/ Saale - 1972 Hamburg). o.T. (Komposition mit Mann). 1964. Pastellkreide auf glattem Fabriano Raffaela Velin (mit WZ). 63,4 x 47 cm. Monogrammiert (in Ligatur) und datiert. Unter Glas gerahmt. - Ecken etwas angestoßen. Mit wenig merklichen Griffspuren und Randeinrissen, diese verso hinterlegt. Dort mit Spuren der ehemaligen Montierung und leichten Farbspuren. Insgesamt gut. Ausdrucksstarke, farbkräftige Zeichnung aus dem Spätwerk des Künstlers. Karl Kluths Werk unterteilt sich zwei große Werkphasen, unterteilt von der Zäsur des Zweiten Weltkrieges, welchen den Maler vom Expressionismus abkehren ließ. Im Frühwerk war er von Munch beeinflusst und sehr aktiv in der Hamburger Sezession. Im Spätwerk war als Professor an der Hochschule für Bildende Künste, Hamburg tätig, wo er u. A. die späteren Mitglieder der "Zebra"-gruppe unterrichtete. Sein Stil veränderte sich, er war immer noch figurativ, jedoch wilder, ungestümer und deutlich farbfreudiger. Seine Motive nahmen nun häufig die gesamte Bildfläche ein, wie bei der vorliegenden Arbeit. Pastel on smooth Fabriano Raffaela wove paper. Monogrammed (in ligature) and dated. Framed under glass. - Corners somewhat bumped. With little noticeable traces of handling and marginal tears, these backed on verso. There with traces of the former mounting and slight traces of paint. At all good. Expressive, colourful drawing from the artist's late work. - Kluth's style changed in his late work due to the caesura of the Second World War. He was still figurative, but wilder, more impetuous and clearly more colourful. His motifs now often took up the entire picture surface, as in the present work.
Wolf Vostell. (1932 Leverkusen - 1998 Berlin). 5 Arbeiten in: Stierkampf. 1987. Je Mischtechnik mit Aquarell und Bleistift auf Velinkarton. Blattmaße je 25,5 x 36,3 cm. Je signiert und datiert. Je punktuell unter Passepartout montiert und unter Glas gerahmt (geöffnet). - Jeweils im Passepartoutausschnitt kaum merklich lichtrandig. Insgesamt sehr gut. Die Farben frisch. Provenienz: Geschenk des Künstlers an den derzeitigen Besitzer. - Die künstlerische Auseinandersetzung mit dem Stierkampf (span. "Tauromaquia") zieht sich durch etliche Jahrhunderte der Kunstgeschichte wie bspw. bei Diego Velázquez, Francisco de Goya oder Pablo Picasso. In Wolf Vostells Werk gewinnt das Bildthema ab 1976 Bedeutung. Ab jenem Jahr pendelte der Fluxus-Künstler zwischen Berlin und Malpartida de Cáceres, Spanien. In dem Heimatland des Stierkampfes schuf Vostell zahlreiche Arbeiten, häufig Zyklen, die Stiere während des Kampfes in leidenschaftlicher Bewegung zeigen und symbolisch für Kampf, Widerstand und Aufbäumen stehen - Themen, die Vostell mit seiner Kunst stets aktiv einforderte, betrachtete er sie dochals ewigen Widerstand gegen den Tod. (Nach "Meine Kunst ist der ewige Widerstand gegen den Tod", Ausst.-Kat, Rheinisches Landesmuseum Bonn, 2007). 5 works. Mixed media with watercolour and pencil on wove cardboard. Each signed and dated. Each spot-mounted to mat and framed under glass (opened). - Each with barely noticeable light-stains in mat section. All in all very good. Colours fresh. - Provenence: Gift by the artist to the present owner.
Franz Gertsch. (1930 Möringen/Schweiz - 2022 Riggisberg/ Schweiz). Pestwurz III (Pétasite III). 2002. Farbholzschnitt auf Japan. 59 x 76 cm (59 x 76,3 cm). - Vereinzelt leichte Knickspuren am Rand. Ingesamt in gutem Zustand. Ausgezeichneter, farbfrischer Druck. Aus einer unbegrenzten Auflagenhöhe. - Exklusiv für die Chalcographie du Louvre realisiert (mit dem Blindstempel). - Hg. von Ateliers d'Art de la Rmn-GP, Saint-Denis. - Seit 1989 beauftragen das Musée du Louvre und die Réunion des Musées Nationaux zeitgenössische Künstler mit der Herstellung von Gravurplatten für die Werkstatt der Chalcographie, die für den exklusiven Druck verantwortlich ist. Coloured woodcut on Japan. - Isolated slight creases. All in all in good condition. Superb, impression, fresh in colours. - From an unlimited edition. - Realised exclusively for the Chalcographie du Louvre (with the blind stamp). - Ed. by Ateliers d'Art de la Rmn-GP, Saint-Denis.
Konstruktivismus - - Paolo Scheggi. (1940 Florenz - 1971 Rom). Intersuperficie. Portfolio mit 6 Arbeiten. 1968. Je Farbserigraphie auf leichtem Velinkarton. 30 x 30 cm. Je signiert, eine Arbeit zudem nummeriert. - Je in den Kanten ganz leicht berieben, tls. materialbedingt wenige blasse Flecken, verso je zart gebräunt. Insgesamt in sehr gutem Zustand. Durchweg prachtvolle Drucke in leuchtender Farbigkeit der teils formatfüllenden Darstellungen. Eines von 100 Exemplaren. - Hrsg. v. Carl Laszlo, Editions Panderma. - Das Oeuvre Paolo Scheggis ist der italienischen Neo-Avantgarde der 1960er Jahre zuzuordnen. Seine künstlerische Ausbildung erhielt er zunächst an der Akademie der Schönen Künste in Florenz, er orientierte sich jedoch bereits früh in Richtung der geometrisch monochromen Bildgestaltung, was für seine Kunst kennzeichnend ist. Scheggi kann zu den Pionieren der "Pittura Oggeto", der Objektmalerei gezählt werden, und erweckt hiermit bereits früh das Interesse von Lucio Fontana, welchem er freundschaftlich verbunden ist. Der Künstler nimmt an vielen wichtigen Ausstellungen weltweit teil und steht in Kontakt zur Künstlergruppe Zero. 1971 verstirbt er mit nur 30 Jahren und hinterlässt ein Werk, welches in seiner Formensprache an Aktualität nichts eingebüßt hat. Portfolio with 6 works. Each colour serigraph on light wove cardboard. Each signed, one print numbered. - Edges very slightly scuffed, partly due to technique a few faint stains, hardly browned on the verso. Altogether very well preserved. Throughout splendid impressions in vivid colours of the mostly format-filling depictions. - One of 100 copies. - Published by Carl Laszlo, Editions Panderma. - Paolo Scheggi's oeuvre can be assigned to the Italian neo-avant-garde of the 1960s. He initially received his artistic training at the Academy of Fine Arts in Florence but early on he oriented himself towards geometric monochrome pictorial design which is characteristic of his art. Scheggi can be counted among the pioneers of "Pittura Oggeto", or object painting, and thus early on aroused the interest of Lucio Fontana, to whom he was on friendly terms. The artist took part in many important exhibitions worldwide and was in contact with the artist group Zero. He died in 1971 at the age of 30, leaving behind an oeuvre that has lost none of its topicality in its formal language.
Deutsche Nachkriegsmoderne Dieter Roth (1930 Hannover - 1998 Basel)Ohne Titel. (Migros-Sack). 1988. Farboffset auf Papiertüte. 40 x 32 cm (unaufgefaltet). Am Papierhenkel signiert, datiert und mit Widmung "Für Ute" und "Souvenier aus Basel". Unterseitig mit dreisprachigem, typografischem Text zum Künstler auf Deutsch, Französisch, Italienisch. - Mit werkimmanenenten Falzspuren. Insgesamt in sehr gutem Zustand. Ausgezeichneter, farbintensiver Druck. Nicht bei Dobke. - Eines von 150 Exemplaren. - Hg. Edition M. Zürich, 1988. - Im Auftrag der Schweizer Supermarktkette Migros entstanden. Colour offset on paper bag. Signed, dated and with dedication on paper handle. On underside with trilingual typographical text rgearding the artist in German, French, Italian.- With traces of folds inherent to the work. At all in a very good condition. Superb impression, rich in colours. - One of 150 copies. - Pub. by Edition M, Zurich. - Commissioned by the Swiss supermarket group Migros.
Geometrische Abstraktion Portfolio von 6 Relief-Serigraphien. Je auf Velinkarton. Blattmaße je 46,8 x 33,4 cm. Je signiert bzw. monogrammiert und nummeriert. Je unter Passepartout punktuell montiert. Je lose inliegend in original Chemise. - Lediglich die Chemise angeschmutzt. Prachtvolle, zarte und filigrane Drucke mit breitem Rand. Je eines von 75 Exemplaren. - Enthält je 1 Arbeit von: - Klaus Staudt - Martin Conrad - Ulrich Fabian - Darko Keserovic - Hans Schmidt - Helmut Teutsch. - Hg. v. Hochschule für Gestaltung, Offenbach am Main, 1975. - Die Mappe entstand in Zusammenarbeit von Dozenten und Studenten des Fachbereichs Gestaltung an der Hochschule für Gestaltung Offenbach am Main, wo Klaus Staudt von 1974 - 1994 langjähriger Professor war. Portfolio with 6 relief silkscreens. Each on wove cardboard. Each signed or monogrammed and numbered. Each mounted in spots under passepartout. Each loose in original chemise. - Only the chemise soiled. Splendid, delicate and filigree prints with wide margins. - Each one of 75 copies. - With works of artists as listed above. - Pub. by Hochschule für Gestaltung, Offenbach am Main.
Zeitgenössische Kunst Urs Lüthi (1947 Kriens)o.T. (Akt mit Büste + Kopf mit Büste). 1990. 2 Darstellungen auf einem Blatt. Je Photogravüre und Farbaquatinta auf schwerem Kupferdruckvelin. Je 30,5 x 25 cm (55 x 82,5 cm). Signiert, datiert und nummeriert. - In sehr gutem Zustand. Prachtvoller, ausgesprochen kontrastreicher Druck mit kräftig zeichnender Plattenkante und breitem Rand. Eines von 45 Exemplaren. - Erschienen als Jahresgabe der Gesellschaft für aktuelle Kunst, Bremen 1990. - Druck bei Peter Kneubühler, Zürich (mit dem Blindstempel). 2 depictions on one sheet. Each photogravure and colour aquatint on heavy copperplate. wove paper Signed, dated and numbered. - In a very good condition. Splendid, extremely contrast-rich impression with strong impressed platemark and wide margin. - One of 45 copies. - Ed. by Gesellschaft für aktuelle Kunst, Bremen 1990. - Printed by Peter Kneubühler, Zurich (with blindstamp).
Antiquarian. A Companion for the Festivals and Fasts of the Church of England: With Collects and Prayers for each Solemnity. The Fifteenth Edition. London: Printed for J. Walthoe, R. Wilkin, J. And J. Bonwicke, S. Birt, and T. Ward and E. Wicksteed. 1732. 636pp plus Index. With the two title pages and frontispieces. Bound in a recent half-calf, over marbled boards. (1)
Curio. Bush, James - The Choice: or Lines on the Beatitudes. London: R. Saywell, 1841. Presentation copy, with author's inscription to end paper. Original leather. Frontispiece of Buttermere Chapel. The author was Rector of South Luffenham, Rutlandshire, and curate of Plumbland, Cumberland. (1)
"Donald Sultan is a contemporary American artist known for his distinct style and use of industrial materials. He was born on April 27, 1951, in Asheville, North Carolina, United States. Sultan gained recognition in the 1980s for his large-scale still-life paintings featuring everyday objects like flowers, fruits, and other mundane items. Sultan's works often incorporate bold and simplified forms with rich textures, achieved through the use of materials like tar, enamel, and vinyl tiles. He employs a limited color palette, predominantly black, red, and white, creating a graphic and impactful visual language. Throughout his career, Donald Sultan has exhibited his works internationally and has been featured in numerous solo and group exhibitions. His art can be found in various prestigious collections, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York, among others. Measures 7.75 x 7.74 Printed circa 1980sVerso is blank.Mounted to archival quality paper.
Zhang Huan is a Chinese contemporary artist known for his performance art, sculpture, and photography. He was born on January 3, 1965, in Anyang, Henan Province, China. Zhang Huan gained international recognition in the 1990s for his provocative and often physically demanding performances. In his early career, Zhang Huan was associated with a group of artists in Beijing known as the Beijing East Village artists. This group emerged in the late 1980s and early 1990s, and their work was characterized by its critical engagement with China's social and political realities. Zhang Huan's performances often involved extreme bodily actions, such as covering himself in honey and fish oil and sitting in a public toilet or having his body pierced with arrows. These performances were intended to challenge cultural and societal norms and explore themes of identity, spirituality, and the human condition. In addition to his performance art, Zhang Huan has also worked with sculpture and photography. His sculptures often employ unconventional materials and techniques, and they reflect his interest in Buddhist philosophy and Chinese history. His photography explores themes of memory, history, and the body. Zhang Huan's work has been exhibited internationally, and he has received numerous awards and accolades for his contributions to contemporary art. He has had solo exhibitions at prestigious institutions such as the Solomon R. Guggenheim Museum in New York, the Shanghai Art Museum, and the Hayward Gallery in London. His thought-provoking and visually striking artworks have made him one of the most influential and celebrated Chinese artists working today. Measures 9.50 x 10.99 Printed circa 1980sVerso is blank.Mounted to archival quality paper.
1924 Rolls-Royce 40/50hp Silver Ghost Coachwork by Steuarts of Calcutta Registration no. R 2509 Chassis no. 82EU Engine no. U176•Body believed built for the Maharajah of Mysore•Late Ghost with four-wheel brakes and AutoVac fuel system•Restored by the late Tony James. Ex RREC Chairman. •Recent service by Ristes of Nottingham•Ready to enjoy A car with a fascinating history, '82EU' was originally sold to Barkers who bodied it for the first owner, one Benjamin Sassoon of London. The car was signed off by Eric Platford on 29th November 1924 and delivered on 20th January 1925. Being a late Ghost, it benefits from four-wheel brakes and an Autovac fuel feed. The car's current body is an original open-drive example built by Steuarts of Calcutta circa 1913, it is believed for the Maharajah of Mysore. This in turn was a copy of a body built by Barkers in 1913, which was displayed at Olympia on chassis number '2366'. The Steuarts body was imported from India in 1967. This car is the life's work of noted Rolls-Royce luminary and enthusiast, the late Mr Tony James, who sourced the body (from James Black). Taken beside Lake Dhakhuria in 1965, a photograph of the body on the previous chassis comes with the car. A passionate restoration was carried out by Engineer, businessman, horologist, renown Rolls-Royce enthusiast, tools specialist, Tony James, whose hero was fellow engineer Sir Henry Royce. Tony studied and knew intimately the working of Rolls-Royce motor cars. During his term as chairman of the RREC he applied his considerable business skill and love of Rolls-Royce (and Bentley) cars to ensuring the strong financial status of the club with, amongst other things, the inception of the year book; preservation of cars and the marque, imparted knowledge at seminars and in articles written with clarity and humour as well as solutions via phone and email communication direct with fellow enthusiasts and those needing help within the industry. Tony offered step by step advice to fix and improve the workings of many a car project and had a hand in restoring 147 Rolls-Royce motor cars, with a particular interested in pre-war examples. '82EU' is finished in Royal Blue with black wings and roof and a black interior, with the bonnet left in polished aluminium. Photographs of the unpainted body come with the car showing it as found and installed. The driver's compartment is upholstered in black leather with original seat backs and re-trimmed seat squabs. An aluminium dashboard with the requisite instruments completes the ensemble. The attention to detail is extraordinary from the hand-crafted multi-layer coach-line, the hand-woven silk window tapes to the leather gaiters on the springs. The vendor confirms that the Ghost needs and wants for nothing. '82EU' is of sufficient importance to have graced the R-REC stand at the NEC.The Ghost has most recently been at marque specialists Ristes of Nottingham having an extensive service and a tune-up.This is a supremely elegant car with rare and highly desirable Indian coachwork. It is also a super Ghost to drive. The open drive Limousine allows the driver to feel the exhilaration of guiding her, whilst passengers are closed in the back in comfort upon button backed restored leather seating with vanity items and footwarmer to complete the plush interior. Affording the prospect of Silver Ghost motoring at its finest, it is ready for long distance rallies and quite capable of driving the entire length of Europe.For further information on this lot please visit Bonhams.com
1970 Aston Martin DB6 Mark 2 FI Sports Saloon Registration no. not UK registered Chassis no. DB6MK2EFI/4253/R Engine no. 400/4595/FI•One of only 245 DB6 Mk2s made•Manual transmission•Present ownership since 2008•Stored since acquisition•Requires re-commissioningIn 1958 Aston Martin introduced the DB4, the first of a line that would culminate in the DB6 built between 1965 and 1969. Introduced at the 1965 London Motor Show, the DB6 was recognisably related to the Touring-styled DB4 but abandoned the Superleggera body structure of its predecessors in favour of a conventional steel fabrication. At 8' 5¾' the wheelbase was now 3¾' longer than before, resulting in an extensive restyle with more-raked windscreen, raised roofline and reshaped rear quarter windows. The result was significantly increased interior space, making the DB6 a genuine four-seater and greatly extending its appeal. Opening front quarter lights reappeared but the major change was at the rear where a Kamm-style tail with spoiler improved the aerodynamics, greatly enhancing stability at high speeds. This device had first been tried on the DP214 and DP215 DB4GT-based Le Mans prototypes, yet another example of racing improving the breed. The Tadek Marek-designed six-cylinder engine had been enlarged to 3,995cc for the preceding DB5, and remained unchanged. Power output on triple SU carburettors was 282bhp, rising to 325bhp in Vantage specification. Borg-Warner automatic transmission was offered alongside the standard ZF five-speed gearbox, and for the first time there was optional power-assisted steering. In the summer of 1969 Aston Martin announced the DB6 Mark 2 in saloon and convertible versions, this being the final development of the noble line that had begun with the DB4 back in 1958. Distinguishable by its flared wheelarches and DBS wheels, the DB6 Mark 2 came with power-assisted steering as standard and could be ordered with AE Brico electronic fuel injection. When DB6 Mark 2 production ceased in November 1970, a total of 245 had been made, of which only 46 left the factory fitted with the optional fuel injection like this example. Last-of-the-line models are always sought after by discerning collectors, and few are more highly prized that the final flowering of the glorious 'David Brown' six-cylinder series, considered by many to be the last of the 'real' Aston Martins.Little is known about the history of this Mk2 DB6 apart from the names of previous owners on copies of old V5 and V5C documents on file. The current vendor purchased the DB6 from marque specialist Desmond J Smail in February 2008 (copy invoice on file), since when it has been kept on static display. Recommissioning will be required before the car returns to the road. Please note that this vehicle is from outside the UK. Our customs agents, CARS UK, will manage all post sale customs administration. A fee of £350+VAT will be charged on the buyer's invoice to administer both import or export customs movements. If the buyer also chooses to ship with CARS UK, this will be quoted separately. If this vehicle is to remain in the UK, it will be subject to Import VAT at the reduced rate of 5% on the hammer price. This vehicle will not be available for immediate collection after the sale and will only be released on completion of customs clearance formalities. If you have any questions regarding customs clearance, please contact the Bonhams Motorcar Department.Lot to be sold without reserve.This lot is subject to the following lot symbols: * N* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.N MOTORCYCLESIf purchased by a UK resident, this machine is subject to a NOVA declaration, whilst the responsibility of submitting the NOVA rests with the Buyer to do so, Bonhams will facilitate the process by engaging an agent (SHIPPIO) to undertake the NOVA and C88 (customs) application if applicable on the Buyer's behalf. A fee of £125 + VAT to do so will be added to the Buyer's invoice.CARSIf purchased by a UK resident, this machine is subject to a NOVA declaration, whilst the responsibility of submitting the NOVA rests with the Buyer to do so, Bonhams will facilitate the process by engaging an agent (CARS) to undertake the NOVA on the Buyer's behalf. A fee of £250 + VAT to do so will be added to the Buyer's invoice.For further information on this lot please visit Bonhams.com
1965 Vanden Plas Princess 4-Litre 'R' Saloon Registration no. EJW 359C Chassis no. V/RS31523 Engine no. OFBAH1674•Automatic transmission•Previous long-term enthusiast family ownership•An older restoration•Well maintainedOne of Britain's most illustrious coachbuilders, chiefly remembered for its sublime Vintage-era Bentleys, the firm of Vanden Plas was acquired by Austin in 1946 and re-invented as a marque in its own right some years later. From the late 1940s onwards Vanden Plas engaged in bodying top-of-the-line Austins, most notably the A135 Princess Limousine, before marque status arrived for 1960. However, something less grandiose was required in order for Austin to exploit the potential of the esteemed coachbuilder's brand in the much larger owner-driver market, so from 1960 onwards there was a Vanden Plas-badged version of the Austin A99 Westminster: the Princess 3-Litre. Mechanically identical to the Austin A99 and Wolseley 6/99, incomplete cars destined for the Vanden Plas treatment would be despatched from the Cowley factory to the coachbuilder's works in Kingsbury, North London where they were finished to the highest standards, gaining walnut veneer embellishments, special instruments, sumptuous leather trim and extra sound deadening insulation. When the Austin A99 was upgraded to A110 specification in 1961, gaining a longer wheelbase and more power, the Princess followed suit, becoming the 'MkII'. The next phase of development saw the Princess offered with the six-cylinder Rolls-Royce FB60 engine: a 3,909cc short-stroke variant of that used in the Silver Cloud. Extensive revisions were made to accommodate the Rolls-Royce engine and the new model – known as the Princess 4-Litre R – was most enthusiastically received. Sadly, after the initial enthusiasm wore off, sales slowed to a trickle and only 6,555 cars had been built when the model was withdrawn in 1968. This restored Princess R previously belonged for a long time to a family of classic car enthusiasts, passing through the hands of various family members while being used sparingly as part of their sizeable collection. The car has been maintained by Penguin Motors of Cambridge and comes with numerous bills relating to its restoration and maintenance together with photographs of the former. MoTs on file date back to 1995 and the car also comes with a V5C document. The current vendor purchased the car at Bonhams' MPH auction in December 2021 (Lot 46). At that time we described it thus: 'An honest car, very well looked after, this handsome Princess R drives very well (the automatic transmission works smoothly) and is the very exemplar of quality motoring.' According to our vendor, the car remains in good condition throughout. Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
1971 Aston Martin DBS Sports Saloon Registration no. not UK registered Chassis no. DBS/5754/R•Automatic transmission•Present ownership since circa 2012•Kept in dry storage since acquisition•Requires recommissioningAlthough always intended to house the new Tadek Marek-designed V8 engine, the Aston Martin DBS was launched in October 1967 with the 4.0-litre 'six' of the concurrently produced DB6. Styled in-house by William Towns, the beautiful DBS caused quite a stir, Autocar magazine observing: 'Without the aid of an Italian stylist the Newport Pagnell team came up with something as modern, handsome and Italianate as anything from the Turin coachbuilders at that time.'Beneath its shapely exterior the DBS employed a platform-type chassis with independent suspension all round: wishbone and coil-spring at the front, De Dion with Watts linkage at the rear. Larger and more luxuriously appointed than the DB6, the DBS was, inevitably, heavier but the Vantage version's top speed of 140mph and a standing quarter-mile time of 16.3 seconds were highly respectable figures nonetheless. Assessing the virtues of Aston's new flagship, Autocar judged it superior to the DB6 in many areas, the bigger DBS offering four full-sized seats in addition to transformed handling and roadholding courtesy of the new rear suspension and standardised power steering. 'Turning to matters other than performance, we really were most tremendously impressed by the DBS,' enthused Car magazine. 'The interior, especially merits praise not only for its uniquely satisfying aesthetics and superb finish (way, way ahead of any Italian rival in this respect) but also for the thought that has gone into the ergonomics of its layout.'Although less well known as such than the earlier 'DB' series, the DBS is yet another 'James Bond' Aston Martin, having featured in On Her Majesty's Secret Service (1969) and, albeit briefly, Diamonds Are Forever (1971). Copies of factory paperwork on file show that right-hand drive chassis '5754/R' was delivered new to a Mr D Pickerill of Glasgow, with a subsequent owner, Mr Sid Segal noted in December 1971. It was finished in Dubonnet Rosso with Natural interior trim and equipped with automatic transmission. It was delivered new with an MPH speedometer but appears to have a KMH one fitted now, it is unknown when this change was made. The only other paperwork is a photocopy of the Aston's last (part) V5C document listing Classic Cars Peter Jarvis as owner from 14th April 2008, and a photocopy Middle Eastern registration card issued in July 2012, which is believed to be when our vendor acquired the DBS. Kept in dry storage as part of the vendor's extensive private collection in the Middle East, the car will require recommissioning before returning to the road. Please note that this vehicle is only offered with a photocopy of its old registration document, bidders should satisfy themselves as to registration requirements in their own jurisdiction. Please contact the department for further information.Please note that this vehicle is from outside the UK. Our customs agents, CARS UK, will manage all post sale customs administration. A fee of £350+VAT will be charged on the buyer's invoice to administer both import or export customs movements. If the buyer also chooses to ship with CARS UK, this will be quoted separately. If this vehicle is to remain in the UK, it will be subject to Import VAT at the reduced rate of 5% on the hammer price. This vehicle will not be available for immediate collection after the sale and will only be released on completion of customs clearance formalities. If you have any questions regarding customs clearance, please contact the Bonhams Motorcar Department.Lot to be sold without reserve.This lot is subject to the following lot symbols: * N* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.N MOTORCYCLESIf purchased by a UK resident, this machine is subject to a NOVA declaration, whilst the responsibility of submitting the NOVA rests with the Buyer to do so, Bonhams will facilitate the process by engaging an agent (SHIPPIO) to undertake the NOVA and C88 (customs) application if applicable on the Buyer's behalf. A fee of £125 + VAT to do so will be added to the Buyer's invoice.CARSIf purchased by a UK resident, this machine is subject to a NOVA declaration, whilst the responsibility of submitting the NOVA rests with the Buyer to do so, Bonhams will facilitate the process by engaging an agent (CARS) to undertake the NOVA on the Buyer's behalf. A fee of £250 + VAT to do so will be added to the Buyer's invoice.For further information on this lot please visit Bonhams.com
1929 Rolls-Royce 20hp Landaulette Coachwork by Connaught Registration no. UU 6737 Chassis no. GEN14 Engine no. E5J (see text)•Fitted with a 20/25hp engine circa 1998•Present ownership since 2010•Engine rebuilt in 2011•Extensive restoration since acquisitionChassis number 'GEN14' was first registered on 3rd August 1929. According to John Fasal's book The Rolls Royce Twenty, the cars first owner was an R. Moreland. The car was subsequently owned by a Colonel Page (up to 1957). Including the current vendor, seven further owners are listed, the third of whom, Michael Horner, purchased car in 1968 from Gerald Millward and sold it in 1985. During Horner's ownership the Rolls-Royce was stored unused. After frost damage the fourth owner on the list, Philip Cordery, replaced the original engine with 'E5J' from 20/25hp chassis 'GSY63', a former hearse belonging to Mascot Motors, which he purchased in 1998 from The Real Car Co in North Wales. The original engine number for this car was 'K8T' (this engine comes with the car and will need to be collected from the vendor post sale). Our vendor purchased the Rolls-Royce in 2010.Following a big-end bearing failure in July 2011, the engine was rebuilt by former Rolls-Royce apprentice Peter Males. Robinson Engineering in Ferndown re-bored the cylinder block and relined it back to standard, while further refurbishment was carried out by Silver Lady Services, who dismantled the car prior to respraying and reassembly. Smarts Body Shop of Ferndown repainted the car using RM Ming Blue, while the interior retrim was entrusted to K Baggs Trimming of Parkstone, who used materials appropriate for the car's age including Connolly leather to the front. Other items refurbished included the starter motor, dynamo, magneto, distributor, carburettor, Autovac, klaxon, and water pump (rebuilt prior to the engine rebuild). New clutch plates were fitted and the gearbox oil replenished, and the radiator cleaned out and re-soldered where needed. An oil filter and water thermostat were fitted, which were not part of the original specification but useful upgrades nonetheless. The car was rewired at the same time as the engine rebuild and the dashboard instruments all overhauled. The brake servo was overhauled shortly thereafter. The Rolls-Royce returned to the road in March 2012 (at 72,814 miles on the odometer) and our vendor advises us that the engine has been totally reliable since the rebuild. Two original keys for the bonnet locks are included (the locks on both sides are the same so either key fits both). The original doorhandle locks do not work, the doors being secured by padlocks, while the driver's sliding window has a piece of timber to insert in its internal track to prevent it being opened from the outside. Accompanying documentation includes copies of factory paperwork; old-style logbooks; numerous receipts for the engine rebuild and rewiring; aV5C document; and a quantity of expired MoTs dating back to 1996. The following items come with the car: wheel spanner; spanner for radiator cap; wheel cover removal tool; starting handle; jack; rubber mallet; and the aforementioned bonnet keys and door padlocks. For further information on this lot please visit Bonhams.com
1969 Aston Martin DB6 4.2-Litre Sports Saloon Registration no. not UK registered Chassis no. DB6/4078/R Engine no. 400/4274•Delivered new in the UK•Matching engine and chassis numbers•Automatic transmission•Power assisted steering•Present ownership since 2011•Requires recommissioningConsidered by many to be the last 'real' Aston Martin, the DB6 was launched in 1965, updating the DB5. Although recognisably related to its Touring-styled DB4 ancestor, the DB6 abandoned the underlying Superleggera body structure of its predecessors in favour of a conventional steel fabrication while retaining the aluminium outer panels. Somewhat confusingly, 'Superleggera' badges continued to be applied for a time, presumably until stocks ran out. The wheelbase was now 4' (100mm) longer than before, resulting in an extensive re-style with more-raked windscreen, raised roofline and reshaped rear quarter windows. Opening front quarter lights made a reappearance but the major change was at the rear where a Kamm-style tail with spoiler improved the aerodynamics, greatly enhancing stability at high speeds. The Tadek Marek-designed six-cylinder engine had been enlarged to 3,995cc for the preceding DB5 and remained unchanged. Power output on triple SU carburettors was 282bhp, rising to 325bhp in Vantage specification. Borg-Warner automatic transmission was offered alongside the standard ZF five-speed gearbox, and for the first time there was optional power-assisted steering. Today the accomplished DB6, despite being the most evolved and practical of the original DB family, is also, somewhat paradoxically, the most affordable. Its accompanying copy guarantee form shows that this DB6 (the fourth from last 'Mark 1' produced) was sold new in the UK via Rose and Young and registered as 'YMT 7H'. An automatic-transmission model, the DB6 left the factory fitted with various items of non-standard equipment including chrome road wheels; heated rear screen; two front seats belts; 3-ear hubcaps; power operated aerial; and power assisted steering. The original colour scheme was Silver Birch with black Connolly leather trim. The current vendor purchased the DB6 from Aston Workshop in July 2011. Aston Workshop's information sheet (copy on file) lists various works carried out by them including replacing the gearbox (1998); fitting central locking (2004); engine rebuild to 4.2 litres 'unleaded' specification (2006); fitting a Monte Carlo handling kit (2006); new road wheels and electronic ignition (2006); front suspension overhaul (2006); bodywork fully refurbished (2007); power headlight conversion (2010); and routine servicing. Since acquisition the Aston has been dry stored as part of our vendor's extensive private collection in the Middle East and will require recommissioning before further use. Additional documentation consists of copies of the manufacturer's Certificate of Origin and an old-style V5C Registration Certificate.Please note that this vehicle is from outside the UK. Our customs agents, CARS UK, will manage all post sale customs administration. A fee of £350+VAT will be charged on the buyer's invoice to administer both import or export customs movements. If the buyer also chooses to ship with CARS UK, this will be quoted separately. If this vehicle is to remain in the UK, it will be subject to Import VAT at the reduced rate of 5% on the hammer price. This vehicle will not be available for immediate collection after the sale and will only be released on completion of customs clearance formalities. If you have any questions regarding customs clearance, please contact the Bonhams Motorcar Department.Lot to be sold without reserve.This lot is subject to the following lot symbols: * N* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.N MOTORCYCLESIf purchased by a UK resident, this machine is subject to a NOVA declaration, whilst the responsibility of submitting the NOVA rests with the Buyer to do so, Bonhams will facilitate the process by engaging an agent (SHIPPIO) to undertake the NOVA and C88 (customs) application if applicable on the Buyer's behalf. A fee of £125 + VAT to do so will be added to the Buyer's invoice.CARSIf purchased by a UK resident, this machine is subject to a NOVA declaration, whilst the responsibility of submitting the NOVA rests with the Buyer to do so, Bonhams will facilitate the process by engaging an agent (CARS) to undertake the NOVA on the Buyer's behalf. A fee of £250 + VAT to do so will be added to the Buyer's invoice.For further information on this lot please visit Bonhams.com
A large R S Tuck's Postcards enamel advertising sign,single-sided, in blue and white, weathered with some rusting and loss to enamel, some overpainted restoration, 123 x 183cm, in wooden frame. This lot is subject to the following lot symbols: ◊◊◊◊◊◊ Requires specialist shipping and storage at the buyer's expenseFor further information on this lot please visit Bonhams.com
BUFFET, BERNARD (1928-1999) "Toreador" 1967 Lithographie, Charles SORLIER Engraver, handsigniert, Ex. 110/300, Werkverzeichnis R 311, HxB: 75/59 cm. Guter Allgemeinzustand. Rahmen, HxB: 105/80 cm.| BUFFET, BERNARD (1928-1999) "Toreador" 1967Lithograph, Charles SORLIER Engraver, signed by hand, Ex. 110/300, catalogue raisonné R 311, HxW: 75/59 cm. Good general condition. Frame, HxW: 105/80 cm.
Alberto Giacometti (Swiss 1901 - 1966) Etching titled ‘ The Search ‘ with a backboard with The Collectors Guild authentication, 20cm x 25cm, together with R Herdman-Smith, Signed Aquatint Engraving titled Blea Tarn, 28cm x 23cm, R Herdman- Smith Print ‘ The Old Old Story ‘, Tatton Winter Signed Coloured Engraving of a Street Scene, 23cm x 41cm, and Irene George Signed Limited Edition Print ‘ Basket full of Zebra ‘ no.200/1000
WW2 Dambusters, Tirpitz 617 sqn veterans multiple signed bookplate. Signed by ten inc. G Johnny Johnson, Ray Grayston, John Bell, Colin Cole, Ken Lucas, Benny Goodman, R Smith, Frank Tilley, Arthur Poore. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Sink the Bismarck cover signed by Ted Briggs and R Tilburn, two of the only three survivors of the loss of HMS Hood. JS50/45/5 50th ann WW2 1991 cover. Flown by Hercules with Biographies on and inside the cover. BFPS2265 special postmark. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Victoria Cross winner Admiral Godfrey Place VC signed 75th ann Lauch of 1st submarine official Navy cover also signed by Lt Cdr R Jones CO HMS Onyx. Godfrey Place won the Victoria Cross in 1943 when, as a 22-year-old lieutenant, he captained the midget submarine X7 during a daring attack on the battleship Tirpitz, the most important unit of the German fleet. X7 and X6 successfully exploded four charges underneath Tirpitz as she lay at anchor in Kaafjord, in Norway, causing severe damage and rendering her unfit for sea until April 1944. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10

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