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Lot 3150
Erhardt, Hans Martin: (1935 Emmendingen 2015). Stillleben mit Karaffen. Farbholzschnitt. 1963. 51 x 71 cm. Landschaft 1968. Schwarz-Rot. Linolschnitt (31/60). Edition Tangente HD 10/1968. 59 x 42 cm. Sign. ╔Dabei: Ders.╗ "Staecks ...". Linolschnitt (12/70). O.J. Edition tangente 1970. 59 x 42 cm. Sign. Verso Stempel edition tangente. - ╔Ders.╗ Baum-Blühender. Linol-Irisdruck (8/100). 1984. 65 x 50 cm. Sign. - - ╔Ders.╗ Herbstabend. Linolschnitt (8/100). 65 x 50 cm. Sign. - ╔Ders.╗ Unleserl. Titel. Linolschnitt (8/100). 46 x 56,5 cm. Sign. - - ╔Hans-Jürgen Breuste,╗ Katwijk, Farboffset (6/95). 1969. 47 x 63 cm. Sign. R
Lot 1873
Barthelemy,J.J.: Voyage du jeune Anacharsis en Grece. 4 Textbde. u. Atlas in zus. 5 Bdn. Paris, de Bure 1788. 4°. Mit 31 tls. dplblgr., tls. grenzkolor. gest. Taf. u. Karten. Ldrbde. d. Zt. mit goldgepräg. Fileten u. Rsch. (Etw. berieb. u. best., tls. Gelenke leicht beschäd.). - Brunet I, 674. Cohen/R. 1048. Erste Ausgabe. - Tls. etw. fleckig. - Exlibris.
Lot 229
Antique Parrot hook decorated with engraving, size: J.Labberton, Schoonhoven, jl.: K:1803, and fitted with a contoured skirt hook with engraving and monogram. LS size: unclear, jl.: r:1876. Equipped with a beautiful beaded bag with an image of figures and animals. 15x33cm. Skirt hook with restoration and the bracket has minor damage at the back.
Lot 118
Ɵ Summa Sententiarum, ascribed to 'Master Odo', in Latin, decorated manuscript on parchment [France, twelfth century (probably first half)]To view a video of this lot, click here. 87 leaves, complete, collation: i-x8, xi7 (last leaf a blank cancel), traces of eighteenth-century foliation ending on last leaf as '88' (thus perhaps once including an endleaf at front as well), single column of 26 lines in a small and angular early gothic bookhand, written above topline and with some lateral compression causing occasional biting curves, capitals touched in red, red rubrics, one-line initials in red or blue, larger initials in same colours in long and tall designs, some with baubles mounted in their bodies or floral flourishes to their feet (as with ornamental capitals in codices such as Dijon, Bibl. mun. 132, from Citeaux: W. Cahn, Romanesque Manuscripts, 1996, no. 63; Paris, Bibl. de l'École des Beaux-Arts, 12-16, from Liessies on the Belgian border: ibid. no. 107; and Strasbourg, Grand Séminaire 37: ibid. no. 146), two leaves with a large original flaw in parchment, volume once water damaged at front with first 13 leaves with modern parchment repairs to vertical edges (only first 5 leaves with substantial affect to text), a few small holes and stains on last leaves, a small amount of marginalia, some discolouration in places, edges trimmed, overall in good condition, 190 by 140mm.; in German binding dated 1501 (inscription on pastedown; see below) of bevelled wooden boards with tooled leather spine, parchment cutting from another binding reused as back pastedown, perhaps a remboîtage or this binding refreshed and added to later (see below), a few wormholes in boards, overall sturdy in binding Provenance:1. Written and decorated in France, perhaps the eastern part of that country. If this binding has always been with this book, then it was once in the library of Tegernsee Abbey where an inscription on the front pastedown states it was bound in 1501 (naming "S. Q[ui]rini in Tergernsee"). The house was founded in the mid-eighth century by monks from St. Gallen, and became an imperial abbey under Otto II in the late tenth century, growing to be a cultural hub for the region and a place of resettlement for other Bavarian monasteries. It was secularised in 1803 and its goods and library widely scattered (see S. Krämer, Handschriftenerbe des deutschen Mittelaters, 1989, II: 753-55). The Tegernsee catalogue of 1483 does not list any volume in the library under the name Odo, but does include a "Sentencie" under Hugh of St. Victor, and that additional authorial information may have once been on the missing front endleaf here (Mittelalterliche Bibliothekskataloge Deutschlands und der Schweiz, IV:2, 1979, p. 787).2. The pastedown also recording the book in the ownership of a collector in Thüngen, Bavaria, in 1886. Text:This text provided the building blocks and inspiration for Peter Lombard's Libri Quatuor Sententiarum, and was almost certainly written by Peter's friend and patron, Odo (or Otto), bishop of Lucca. It was published by J.P. Migne in Patrologia Latina 126 (1854), cols. 41-174, among the works of the leading theologian Hugh de Saint-Victor (c. 1096-1141), however, several manuscripts ascribe the work to one "Magister Odo" (as here at head of fol.1r), or "Odo episcopus de Luca". It is clear from the work itself that this Odo had spent some time in the new cathedral schools of northern France, where his greatest written influences were Anselm of Laon and Hugh of St. Victor (see R.W. Southern, Scholastic Humanism and the Unification of Europe, 1997, II: 138-39). This work is his sole known composition - a systematising of theology along scholastic lines, designed for teaching the subject in the new schools. Strangely, it appears not to have been finished, and perhaps it was set aside by its author on his return to Italy to take up the episcopacy of Lucca from 1138 until his death in 1145/6. The work then passed to Peter Lombard, who, after re-editing and augmenting Anselm of Laon's commentaries on the Psalms and Pauline Epistles, used it in the years 1146-58 to form the basis for his celebrated 'Sentences'. That work formed the central textbook of scholastic theology for the next two centuries.Odo's Summa Sententiarum survives in about twenty-five recorded manuscripts (Southern, p. 138; H. Weisweiler, 'La Summa Sententiarum, source de Pierre Lombard', in Recherches de théologie ancienne et médiévale, 6, 1934, pp.181-82, n. 72; and R. Baron, 'Note sur l'enigmatique Summa Sententiarum', ibid., 25, 1958, pp. 42-58), all in institutional libraries. To these should be added the Barrois-Ashburnham copy (ascribed wrongly to Hugh of St. Victor), a thirteenth-century manuscript last seen in J. & J. Leighton's catalogue of c. 1901: 'Catalogue of early-printed, and other interesting books, manuscripts and fine bindings', part VIII ('Si-T'), no. 5686; as well as a twelfth-century English copy from St. Osyth's, Essex (again ascribed to Hugh of St. Victor; last appearing in the posthumous sale of the stock of H.P. Kraus, in Sotheby's, New York, 5 December 2003, lot 66).Of individual note here, is the fact that the seventh and final tract in this copy (foot of fols. 79v onwards) is in an apparently truncated or variant form to that published by Migne.
Lot 76
‡ Six initials on cuttings, with five humans, including a hunter with a bow and a hare slung over his shoulder, a cat and a finely drawn hunting hound, from two illustrated manuscripts on parchment [France, twelfth century] Six figure initials, each trimmed to edges: (a) fine penwork hound, his fur picked out in lappeting penstrokes, with his torso and front paws through an initial 'O' touched in purple-brown wash, as he turns his head to look at the text behind him, reverse with remains of single column of 8 lines of a good Romanesque hand written with a thin nib, and with a strong ct-ligature, text too slight and obscured to allow identification, mid-twentieth-century "#66" and "ABE" in pencil, initial 42 mm. diameter, whole cutting 70 by 65mm., France, first half of twelfth century; (b) five cuttings from the same manuscript: (i) a hunter cut from an unknown initial, in red robes, leading two dogs by chains and with his bow slung over his shoulder from which hangs a dead hare suspended by its feet, 110 by 75mm., (ii) a 'R' formed by a priest in a red tunic and green and blue robes preaching or blessing two kneeling supplicants (one wearing a pale green robe), the figures linked by a single blue and red acanthus leaf frond, 75 by 77mm., (iii) a 'C' in blue and red enclosing a male saint's bust, he wearing blue robes edged with green with rectangular designs picked out on it, and a pale green halo, this with what is probably a mid-twentieth-century "ABE" on reverse in pencil, 50 by 50mm., (iv) an 'I' formed from a standing saint in green and blue robes, 90 by 125mm., (v) an initial 'I', formed from a stylised lion, rearing up and with foliage emerging from its roaring mouth, on blue, green and grey wash grounds, this with mid-twentieth-century "#66" and "ABE" in pencil on reverse, 95 by 22mm., all apart from hunter with remnants of text on reverse, in good pre-gothic bookhand with capitals stroked with red penwork, that on item (ii) enough to permit identification as from Augustine's Sermo 142 ("... [da]ndo redim[ere. Bonum est ieiunare] fratres; sed me[lius est eleemosy]nam dare. Si quis [sic for 'aliquis'] [utrumque] potest ['facere' inserted here'] [duo sunt bona:] si vero non [potest, melius e]st eleemosynam [dare. Si p]ossibili[tas n]on [fuerit ieiunandi, eleemosyna sufficit sibi sine ieiunio; ieiunium sine elee]mosy[na] ..."), France, mid-twelfth century; all in item (a) here somewhat scuffed, with small stains in places and paper adhering to reverse from previous mounting, overall fair and presentable condition; once framed together and with card mount from that framing with darkened sections showing that they were together in this form for some decades From the collection of Vladimir Gregorievitch Simkovitch (1874-1959), Russian émigré to Germany then America, professor of Economic History at Columbia University, New York. The dog jumping through the initial 'O' here as if it were a hoop is finely executed and suggests Parisian work in its understanding of shading and its use of penwork to create the texture of fur. However, while the other cuttings are more rustic in quality, they also include a rare scene from everyday life: a hunter leading dogs and carrying his bow and a dead hare. The palette, notably the use of vibrant reds alongside dark muted greens finds parallels throughout central and south-western France (see for example W. Cahn, Romanesque Manuscripts, 1996, no. 31 and 26, from south-western France and Tours, respectively). The simplistic facial modelling and the large pupilled eyes are in line with other manuscripts from the same regions, such as the mid-twelfth-century Cartulary of Vierzon (BnF. Lat. 9865: ibid., no. 6). Any examples of drawings of humans of this great antiquity are of significant rarity on the market, while those performing secular tasks such as hunting are almost absent from it.‡: A double dagger (‡) indicates that the lot is being sold whilst subject to temporary importation and that VAT is due at the reduced rate (5%) if the lot remains in the UK.
Lot 17
North Italian School, late 18th CenturyStudy of a young woman in a green turbanoil on panel 58.6 x 45.8cm (23 1/16 x 18 1/16in).Footnotes:ProvenanceWith Malcolm R. Waddingham, December 1973Private Collection, UKAn attribution to Gaetano Gandolfi (1734-1802) has been suggested.For further information on this lot please visit Bonhams.com
Lot 73
Louis-François Cassas (Azay-le-Ferron 1756-1827 Versailles)The remains of the Temple of Jupiter and the Great Court at Baalbek, Lebanon pen, ink and watercolour on laid paper61.6 x 93.3cm (24 1/4 x 36 3/4in).Footnotes:ProvenanceIn the collection of the present owners since the 1980sIn 1784 Louis-François Cassas accompanied the Comte de Choiseul-Gauffier, French Ambassador to the Ottoman Empire, on his travels to Constantinople. He travelled through the Middle East to Aleppo, Antioch, Syria, Lebanon, Palestine, Cyprus and Egypt and a pictorial account of his journey, Voyage pittoresque de la Syrie, de la Phoenicie, de la Palestine, et de la Basse Egypte, was published in Paris in 1799. Cassas reached Lebanon, and specifically the Baalbek complex of Roman temples and ruins, in June or July 1785, a site most likely known to Western travellers though the drawings and engravings of Robert Wood from his trip to Syria and Greece in the 1750s (see R. Wood, The ruins of Balbec, otherwise Heliopolis in Coelosyria, London, 1757). Cassas wrote to the ambassador 'I have drawn and measured the main monuments which yield in no way to the beautiful antiquities of Rome by the grandeur, nobility and purity of architecture (see: 'Letter to Ambassador' in A. Gilet, Im Banne der Sphinx, exh. cat., 1994-5, p.159) and his painstaking attention to detail provides a remarkably accurate archaeological survey of the area.Like many 18th century view painters, Cassas used sketches he had made during his travels to work up into finished pictures once he had returned home. Itinerant Grand Tourists were his main clientele, and they would order from him the views that for them best represented the exotic - and in those days inaccessible - locations to which he had travelled. Consequently a number of his most successful subjects were repeated several times, a certain indicator of their contemporary popularity; a similar version of the present watercolour was sold at Christie's, Paris, 26 March 2014, lot 120.On 15 September 1787, the German poet Goethe wrote in a letter: 'Cassas' work is extremely beautiful. It made me think of a lot of things I'd like to tell you.' Two days later, writing in his journal, he described the drawings he had seen in great detail. Gérard-Georges Lemaire, who devotes a whole chapter on Cassas and Goethe in his treatise The Orient in Western Art, notes that 'Cassas' drawings are remarkable for their freshness and their lightness of touch; they have the spontaneity of his original sketches. His paintings are also very distinctive. He handles the picturesque deftly. His skill lay in his ability to render the architecture and costumes with a meticulous attention to detail that vividly evokes, for western eyes, the exotic character of the people and events depicted' (see: G.G. Lemaire, The Orient in Western Art, Könemann, 2005, p. 82).In the two large scale watercolours by Cassas offered in this sale (lots 73 and 74), the artist conveys, through realistic detail and a highly finished quality, a visual sense of history, people and places, helping the viewer to fathom these far off lands.For further information on this lot please visit Bonhams.com
Lot 19
1996 Bentley Turbo R Registration number N637 PYP Green with piped magnolia hide and sheepskin mats 67,700 recorded miles MOT expires May 2023 Turbocharged 6.75 litre V8 engine Turbo R's were more than £100,000 when new!! Gold standard service at 66,100 miles by Bentley specialist Royce Engineering Two books of service stamps and a folder with all invoices and MOT's Three sets of keys £8,000 spent on detailing in 2020 Stripping of sills, inner arches and repaint to swage line by a retired Rolls Royce painter Kept in a heated garage with its Bentley supplied indoor fitted cover which is included
Lot 32
1969 Ford Mustang Mach 1 Super Cobra JetRegistration number LWU 155HChassis number 9F02R177183Candy apple red with gold striping Dark red interiorFitted with the most powerful engine, the R code 428 Super Cobra Jet rated at 335 bhpMarti report and window striker listing two codes that place this car higher on the ladder than almost all other mustangsEngine with NASCAR-grade internalsC-6 automatic transmissionA very rare in America, let alone on these shoresAn oportunity to buy a well sorted and correct Super Cobra Jet with the owner having recently moved to the West Country and now having a change of pace Click here for A video of the Car
Lot 35
00 gauge trains and coaches, continental SNCF CC7140 electric locomotive and two SNCF Diesel engines 67001, boxed Tri-ang Hornby R.150S 4-6-0 BR locomotive and tender 61572, R.152 0-6-0 Diesel Shunter, unboxed R.357 and R.751 BR Diesel engines, six Jouef Campagnie International coaches, five Tri-ang Southern coaches and four BR coaches and a Royal Mail van, and more, condition: generally very good, (lot).
Lot 39
A Quantity of Hornby 00 Gauge Model Railways, including: boxed R.868 M7 Tank Locomotive Southern, unboxed locomotives: R253 BR 0-4-0 Dock Authority diesel shunter, Tank locomotive 0-6-0, Class N2 BR black 69550 Locomotive 2-6-0, Denbigh Castle 0-6-4 loco & tender, Duchess of Montrose 2-6-4 locomotive, Princess Elizabeth 4-6-2 locomotive & tender, Flying Scotsman 2-6-4 locomotive & tender, six other tank locomotives, 3 x coaches (2 repainted) boxed R010 Pugh & Co coal wagon and two buffers, all in fair to good original condition. (20 items)
Lot 134
A 19th century Nicole Freres musical box with string inlay, the cylinder playing on six airs with original tune sheet attached to the lid, no. 2825, stamped Nicole Freres Geneve to the mechanism, 13 cm high x 45 cm wide (closed), together with a book on Nicole Freres musical boxes ' The Nicole Factor in Mechanical Music' by P. Bellamy, A. Cunliffe, and R. Ison
Lot 106
Specialised collection of several hundred mostly mint stamps from classics to 1970s, displayed on pages in a binder, including 1852 reprints, 1885 '5c. R' surcharges with 5cts on 40cts eagle unused, first postage dues incl. 15cts with attractive blue postmark, diagonal 'REUNION' overprints incl. unaccented imperf 1fr pair and 75cts mint (latter thin, SG.15A, cat. £400) and perf 40cts and 1fr mint (SG.26A, 28A, cat. £700), as well as a perf 15cts used with unlisted 'NREUNION', then 1891 2cts surcharges used incl. 'REUNIO N', 'REUNOIN' and 'RUENION' in pair with normal, Commerce and Navigation set mint (the 1fr unused and other small faults), 1901 surcharges incl. 15cts on 75cts bar omitted error in mint pair with normal, signed Berrichon (SG.58b, cat. £275) and 15cts on 1fr smaller '1' variety in millésime mint pair with normal, followed by 1912 '05' on 15cts grey inverted mint (SG.77Aa, cat. £275) and inverted '0.01' on 4cts mint (SG.91a, cat. £110), through to 1937 Roland Garros flight ovpt mint signed (SG.147a, cat. £375) and comprehensive mint C.F.A. local currency surcharges with the key 1951 500fr on 1000fr Paris bridges (SG.332, cat. £275). A pleasing collection to view. Owner's cat. over £8,000.
Lot 232
Two postcards of R. M. S. Titanic. Firstly, a Real Photographic example by the Rotary Photographic Series of the White Star Liner and Tug. Sent to York from Hull in June 1929 and in good condition and secondly a printed Nearer My God To Thee! Bamforth postcard, Series 23. Handwritten message on the reverse: "This is one of the latest cards in Sydney. It shows the Titanic just before she took the final plunge into the mighty depths." Undated with mild creasing to lower right corner.
Lot 256
(Black Album) An advanced collection of approx. 380 postcards of Leeds Suburbs. The cards include Cross Flatts Park (37) Cross Gates (227 not counting a few repros) with many by local Cross Gates publisher William Bramley, Lilywhite and W. R. & S. / Reliable Series, Manston (13), Dewsbury Road area (25), East End Park (35), and Farnley (42). Lots of good photographic cards of Streets, Social History, Cinema and Railway Stations.
Lot 136
Superb WW2 RAF Collection of 43 Signature Pieces from Battle of Britain Pilots and RAF Staff. Signatures within this lot include Sqn Ldr Ted Johnson, Henry 'The Pole' Szczesny, Flt Lt Jackie Rae, Grp Cptn John Oliver, WG Morris, Flt Lt Garry Nowell, Sqn Arthur Sager, Sqn Ldr Angus Horne x2, Sqn Ldr Jimmy Sheddon, Grp Cptn Harry Walmsley x2, Air Marshal Sir Patrick Dunn, Sqn Ldr Allan W Scott, Grp Cptn WSO Randle, Mike Henry, Flt Sgt Clive Williams, Air commodore Sir Peter Vanneck, ACM Sir Peter Le Cheminant, Grp Cptn D Emmerson, AVM R Bullen, AVM John Gray, Air Marshal Sir Geoffrey Tuttle, AVM Ian Lawson, Wg Cdr Brian Coote, Flt Lt T Franks, Honour Judge HC Rigby, F/O AG Mitchell, Sqn Ldr Robert Milton, P/O Willie Lindsay x2, AVM Frank Dodd, Sir Anthony Wilkinson Howard, Marshal of RAF Sir William Dickson, Cdr Sandy Johnstone, Sqn Ldr Charles Gibbons, Flt Lt Anthony Russell, RE Johnson? Sqn Ldr Edward Smith, Sqn Ldr Doug Nicholls, SJ Johnson, Flt Sgt John Nowell, Wg Cdr Terence Kane, BN Brown? Wg Cdr Taffy Higginson and Bob Stanford-Tuck. Fantastic Collection of Signatures, May Yield Good Value. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £9.99
Lot 22
WW2 RAF Battle of Britain Collection of 19 Pilot Signed Flown Covers. All Contain Stamps and Postmarks. Signatures include Major IL Cornall, F/O AH Bridger, Flt Lt R Miller, Flt Lt DJ Burnett, Sqn Ldr AJ Dey and Many more. RAFA Codes. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £9.99
Lot 438
WW2 Superb Collection of Signatures, Pilot Duties Reports, Signed Letters, and Magazines. Signature of Bill Bullard USAF on Photo. 3 Typed Letters, Signed by Wg Cdr Pat Hancock OBE DFC. A September 18th 1949 Westminster Abbey Service of Thanksgiving programme, 2 Charles Widdows Signatures on Signature Cards, Sqn Ldr Byron Duckenfield Pilots Notes, Sqn Ldr Jocelyn Milliard Signed Westminster Abbey Service Booklet, Peter Dawbarn Signature on Written Letters and Signature Cards, Tony Webb Signed Typed Letter, Sqn Ldr Graeme Stagg Signed RAF Dress Code Card, Photos, Handwritten Letter by Edna Murray, Signature of Don Myhill, Signature of Mark Hanna on Photo, Wg Cdr JRC Young AFC Signed Typed Letter, Flt Lt Gordon Sinclair signed Signature Cards, R McGowan signed Handwritten Letter, MAC Hamilton signed Handwritten Letter and 2 Magazines Signed. Fantastic collection. Good Used Condition. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £9.99
Lot 481
RAF WW2 R E Havercroft signed 'Battle Of Britain Memorial flight' FDC. Postmark 30th Anniversary of the B.B.M.F Lincoln 11th July 1987. Certified Copy No 122/150. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £9.99
Lot 74
Commemorating the Centenary of the Birth of R J Mitchell 1895-1995 First Day Coin Cover. RJ Mitchell Stamp with 4 British 1st Class Stamps. No 09849. Royal Mint Production. 20th May 1995 Postmark. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £9.99
Lot 226
A collection of mainly British coins to include Britain's first decimal coins, Charles and Diana commemorative wedding coins and various other pennies, shillings, farthings etc 48 USA coins to include dollars, half dollars etc together with a World War I British Victory medal inscribed "G-27106 Pte. R. Holloway. Midd'x.r" etc
Lot 356
AFTER LIONEL EDWARDS "Hunting scene", signed print, AFTER R MCPHAIL "Pheasants", coloured print, AFTER VICTOR BALFOUR BROWNE "They were still restless", colour print, limited edition No'd. 153/300, another by the same hand "The big bodied beasts on the flats", colour print, limited edition No'd. 154/300 and another "The blighter's asleep", colour print, limited edition No'd. 153/300, a pair of chromolithographs AFTER J SANDERSON WELLS "Hunting scenes", AFTER ALEXANDER CHARLES JONES "British Fox Superiority Society Hound Show", colour print, limited edition No'd. 51/850, AFTER ROBERT HAINAND "Mallard and Moorhen", limited edition print No'd. 32/51, signed in pencil, AFTER F C TURNER "Ascot Heath Races", colour print, AFTER JONATHON SAINSBURY "Spaniel putting pheasants up", colour print, limited edition No'd. 49/600, signed in pencil lower right, AFTER PHILIP RICKMAN "Woodcock Lunan Bay", colour print, limited edition No'd. 6/500, signed in pencil lower right, AFTER JAMES POLLARD "Epsom - Preparing to start", colour print and four further colour prints AFTER PHILIP RICKMAN including "Ducks", "Snipe", "Grouse" and "Ptarmigan" (17)
Lot 79
Two bank note albums containing 262 various World and GB bank notes including a Bank of England £5 dated September 5 1949 signed by Chief Cashier Percival Spencer Beale, a £20 E series note issued 5th June 1991 and a £5 issued 7th June 1990 together with certificate of ownership, a Reichsbanknote fünfzig millionen mark note, Bank of China 5 yuan note 1937, Chinese Bank of Communications 10 yuan note 1935, Chinese Bank of Communications - Shanghai 10 yuan note October 1st 1914, Chinese Bank of Communications 5 yuan note 1935 and various others including Bank of Mozambique, Central Bank of Chile, various other Reichsbanknotes, US dollars, Republic of Argentina pesos, Turkish lira, various South American bank notes, West Indian bank notes, a 19th Century Bank of New York National Banking Association cheque dated July 1 1868 paid to R. Hillin & Son from Lanman & Kemp Wholesale Drugists and a First National Bank of Cooperstown cheque dated ... 7th 1882 paid to Charles K.M. Hary by Theo C. Turner of Chase National Bank etc
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