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Lot 61
‡ René Lalique (French 1860-1945) ST FRANÇOIS VASE, NO. 1055 designed 1930 clear, frosted and blue stained stencilled R. LALIQUE FRANCE(18cm (7in) high)Footnote: IMPORTANT INFO FOR ‡ LOTS Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2. Collections of Purchased ‡ Lots: For items marked with the ‡ (denoting additional VAT payable at a reduced rate of 5% on the hammer price) additional time should be allowed for Customs clearance by HMRC if the item is to remain in the UK. For items being exported out of the UK these items can be shipped via Crown Fine Art or via another approved shipper with a temporary admissions account.
Lot 62
‡ René Lalique (French 1860-1945) BICHES VASE, NO. 1082 designed 1932 clear, frosted and blue stained stencilled R. LALIQUE(16.5cm (6 1/2in) high)Footnote: IMPORTANT INFO FOR ‡ LOTS Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2. Collections of Purchased ‡ Lots: For items marked with the ‡ (denoting additional VAT payable at a reduced rate of 5% on the hammer price) additional time should be allowed for Customs clearance by HMRC if the item is to remain in the UK. For items being exported out of the UK these items can be shipped via Crown Fine Art or via another approved shipper with a temporary admissions account.
Lot 65
‡ René Lalique (French 1860-1945) SIRÈNES BOWL, NO. 376 designed 1920 opalescent and blue stained moulded R. LALIQUE(36cm (14 1/8in) diameter)Footnote: IMPORTANT INFO FOR ‡ LOTS Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2. Collections of Purchased ‡ Lots: For items marked with the ‡ (denoting additional VAT payable at a reduced rate of 5% on the hammer price) additional time should be allowed for Customs clearance by HMRC if the item is to remain in the UK. For items being exported out of the UK these items can be shipped via Crown Fine Art or via another approved shipper with a temporary admissions account.
Lot 66
‡ René Lalique (French 1860-1945) ANVERS BOWL, NO. 408 designed 1930 opalescent and blue stained stencilled R. LALIQUE FRANCE(39.4cm (15 1/2in) diameter)Footnote: IMPORTANT INFO FOR ‡ LOTS Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2. Collections of Purchased ‡ Lots: For items marked with the ‡ (denoting additional VAT payable at a reduced rate of 5% on the hammer price) additional time should be allowed for Customs clearance by HMRC if the item is to remain in the UK. For items being exported out of the UK these items can be shipped via Crown Fine Art or via another approved shipper with a temporary admissions account.
Lot 69
‡ René Lalique (French 1860-1945) CIGALES BOX, NO. 44 designed 1921 opalescent, card and silk base moulded R. LALIQUE(26cm (10 1/4in) diameter)Footnote: IMPORTANT INFO FOR ‡ LOTS Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2. Collections of Purchased ‡ Lots: For items marked with the ‡ (denoting additional VAT payable at a reduced rate of 5% on the hammer price) additional time should be allowed for Customs clearance by HMRC if the item is to remain in the UK. For items being exported out of the UK these items can be shipped via Crown Fine Art or via another approved shipper with a temporary admissions account.
Lot 77
‡ René Lalique (French 1860-1945) LE BAISER DU FAUNE SCENT BOTTLE, MOLINARD – 3 designed 1928 clear and frosted intaglio R. LALIQUE, moulded MOLINARD, engraved Molinard Paris France(14.7cm (5 3/4in) high)Footnote: IMPORTANT INFO FOR ‡ LOTS Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2. Collections of Purchased ‡ Lots: For items marked with the ‡ (denoting additional VAT payable at a reduced rate of 5% on the hammer price) additional time should be allowed for Customs clearance by HMRC if the item is to remain in the UK. For items being exported out of the UK these items can be shipped via Crown Fine Art or via another approved shipper with a temporary admissions account.
Lot 79
‡ René Lalique (French 1860-1945) CROIX ÉPIS PENDANT, NO. 1228 designed 1942 clear, frosted and blue stained, associated box wheel-engraved R. LALIQUE(5.5cm (2 1/8in) high)Footnote: IMPORTANT INFO FOR ‡ LOTS Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2. Collections of Purchased ‡ Lots: For items marked with the ‡ (denoting additional VAT payable at a reduced rate of 5% on the hammer price) additional time should be allowed for Customs clearance by HMRC if the item is to remain in the UK. For items being exported out of the UK these items can be shipped via Crown Fine Art or via another approved shipper with a temporary admissions account.
Lot 82
‡ René Lalique (French 1860-1945) FIGURINES ET VOILE BOX, NO. 97 designed 1929 clear, frosted and blue stained moulded R. LALIQUE MADE IN FRANCE(7cm (2 3/4in) high, 11cm (11 1/4in) diameter)Footnote: IMPORTANT INFO FOR ‡ LOTS Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2. Collections of Purchased ‡ Lots: For items marked with the ‡ (denoting additional VAT payable at a reduced rate of 5% on the hammer price) additional time should be allowed for Customs clearance by HMRC if the item is to remain in the UK. For items being exported out of the UK these items can be shipped via Crown Fine Art or via another approved shipper with a temporary admissions account.
Lot 83
‡ Lalique ÉPINES, FOUR TOILET SET ITEMS 20th Century comprising scent bottle, tray, pot and cover and dish, clear, frosted and blue stained comb tray moulded R. LALIQUE, engraved Lalique pot cover moulded LALIQUE scent bottle and soap dish engraved Lalique(bottle 9.5cm (3/43in) high, tray 23.5cm (9 1/4in) long)Footnote: IMPORTANT INFO FOR ‡ LOTS Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2. Collections of Purchased ‡ Lots: For items marked with the ‡ (denoting additional VAT payable at a reduced rate of 5% on the hammer price) additional time should be allowed for Customs clearance by HMRC if the item is to remain in the UK. For items being exported out of the UK these items can be shipped via Crown Fine Art or via another approved shipper with a temporary admissions account.
Lot 96
‡ René Lalique (French 1860-1945) HERBLAY VASE, NO. 10-881 designed 1932 cased opalescent and blue stained stencilled R. LALIQUE FRANCE(17.5cm (6 7/8in) high)Footnote: IMPORTANT INFO FOR ‡ LOTS Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2. Collections of Purchased ‡ Lots: For items marked with the ‡ (denoting additional VAT payable at a reduced rate of 5% on the hammer price) additional time should be allowed for Customs clearance by HMRC if the item is to remain in the UK. For items being exported out of the UK these items can be shipped via Crown Fine Art or via another approved shipper with a temporary admissions account.
Lot 97
‡ René Lalique (French 1860-1945) FORMOSE VASE, NO. 934 designed 1924 cased opalescent and blue stained engraved France, later engraved R. Lalique(17cm (6 3/4in) high)Footnote: IMPORTANT INFO FOR ‡ LOTS Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2. Collections of Purchased ‡ Lots: For items marked with the ‡ (denoting additional VAT payable at a reduced rate of 5% on the hammer price) additional time should be allowed for Customs clearance by HMRC if the item is to remain in the UK. For items being exported out of the UK these items can be shipped via Crown Fine Art or via another approved shipper with a temporary admissions account.
Lot 98
‡ René Lalique (French 1860-1945) ESPALION VASE, NO. 996 designed 1927 cased opalescent and blue stained engraved R. Lalique France(18cm (7 1/8in) high)Footnote: IMPORTANT INFO FOR ‡ LOTS Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2. Collections of Purchased ‡ Lots: For items marked with the ‡ (denoting additional VAT payable at a reduced rate of 5% on the hammer price) additional time should be allowed for Customs clearance by HMRC if the item is to remain in the UK. For items being exported out of the UK these items can be shipped via Crown Fine Art or via another approved shipper with a temporary admissions account.
Lot 17
Adams 34 bore percussion double-action revolver, 7 inch octagonal barrel stamped with LAC mark, (London Arms Company) and engraved with retailers mark for Thomas Norfolk, Bury St Edmunds, and fitted with slide loading rammer, the frame with sliding safety catch, numbered B20406 and engraved Adams Patent, also bearing the serial number 36155 R repeated on the cylinder, finely chequered walnut grips capped with steel boss.Section 58 (2) Antique / obsolete calibre, can be owned without a licence. Buyer must be over the age of 18, age verification will be required if the lot is to be posted out. 37cm long Condition report: The revolver has been completely re-blued. The work has been professionally done and whilst it does not have the lustre of an original the revolver looks very good and presentable. The refinishing has reduced the thickness of the engraved border lines in places and the engraved name and marks are not as deep as they should be. The marks however are very clear and have not been rubbed away. The grips look to be original finish and in good order. The action works well and indexes as it should do. There is a small amount of play in the cylinder when the gun is on full cock. The bore has a few patches of pitting but a good strong rifling pattern remains.
Lot 4
Percussion Officers pistol by R. Noyes Jnr. converted from flintlock, 9 inch octagonal sighted barrel of .650 carbine bore with gold breech plug, scroll engraved action with sliding safety catch, finely chequered stock with pineapple finial trigger guard. Section 58 (2) Antique / obsolete calibre, can be owned without a licence. Buyer must be over the age of 18, age verification will be required if the lot is to be posted out.36cm long
Lot 866
SET OF FOUR R. ACKERMANN'S INDIAN SPORTING SCRAPS ENGRAVINGS,framed, each image size 16cm x 21cm (4)Plate 2 with noticeable staining right side, spotting and small surface abrasion left side, Plates 1 and 3 with spotting, Plate 4 browned, frames with scuffs and wear, additional images available
Lot 1
ALBRECHT ALTDORFER ( c.1480-1538) The Virgin and child in a landscape circa 1515, engraving, 16.5cm x 12cm (B17); LUCAS CRANACH THE ELDER (c. 1472-1553) 'The Penance of St. Chrysostom' circa 1509, engraving, 26cm x 20.5cm (BI); and two etchings by Wenceslaus Hollar (1607-1677) after Holbein, an unidentified man and Lady Butts (4) (all unframed). Provenance: (for the engraving by Altdorfer) King Frederick August II of Saxony (1797-1854), Dresden. (Lugt 971 & 972)According to Lugt, King Frederick August II assembled a collection of around 110,000 prints, many of which were acquired from leading collection sales in the 19th century including the Schwarzenberg sale in 1826, Einsiedel in 1833, Sternberg-Manderscheid in 1836 & 1845, von Rumohr in 1846, Verstolk in 1847-1851 and Otto-Clauss in Leipzig in 1851-52. The king also bought from R. Weigel and other dealers. The collection was housed in a building on the Bruhlsche Terrace in Dresden, next to the Academy of Fine Arts. See J. G. A. Frenzel, Die Kupferstich-Sammlung Friedrich August II, Leipzig 1854, and König Friedrich August als Kunstfreund und Kunstsammler. Another impression is in the State Art Collection, Dresden (SKD) inventory number A 1911-232 - without Royal Saxon collector’s mark. The portrait of Lady Butts, after Holbein, is now in the Isabella Stewart Gardner Museum, Boston (no. P21e2). That portrait (& her husband Sir William Butts) were sold by the Pole-Carew family of Antony House, Cornwall in 1899. Provenance: Kerrison Preston Esq. and by descent
Lot 132
A GEORGE I GILTWOOD AND GILT-GESSO GIRANDOLE MIRROR Early 18th century, in the manner of James Moore, perhaps supplied by Gerrit Jensen. The lower rectangular bevelled plate surmounted by a shaped bevelled plate in a scrolled gadrooned frame, surmounted by Prince-of-Wales feathers between confronted masks emerging from foliage, the apron centred by a shell between brass candle-sockets, 160 x 90 cm. The mirror is closely related to mirrors supplied by Gerrit Jensen (though in all likelihood made in another workshop) for Palace furnishings during the reign of George I. At the accession of George I, Elector of Hanover, in 1714, his son George Augustus, became Prince of Wales. With his father and his two female companions, George, Prince of Wales and his wife, Caroline of Ansbach, Princess of Wales, occupied the royal residences of St James's Palace and Hampton Court Palace and therefore required new, distinctive furnishings - no doubt emblazoned with the badge of the Prince of Wales: three ostrich feathers. There was a requirement for new furnishings as the principal royal residence of Whitehall Palace was largely destroyed by fire in 1698, and therefore the entire court required to live in cramped and inadequate conditions at St James's, the junior - or nursery - metropolitan palace. Furthermore the previous Prince of Wales, James Stuart the 'Old Pretender', son of James II, was a mere 6 months of age when his father left Britain. And there had not been a Princess of Wales since Catherine of Aragon, when she was briefly married to Prince Arthur 1501-2. If the Prince of Wales feathers are original, this mirror could have been made for George, Prince of Wales, or for Caroline, Princess of Wales, for one of the private or state apartments at St James's Palace,. Alternatively, it could have been a commission after the Prince was expelled from his father's court in 1720, after which the Prince and Princess of Wales lived in Leicester House (today the site of Leicester Square). Large quantities of new furniture was commissioned by the Great Wardrobe to furnish St James's (and elsewhere - but especially at St James's) and yet no individual piece of furniture from that scheme remains in the Royal Collection today. This may seem at odds with today's antiquarian sensibilities, but can be explained through the requirement to regularly replace and update furnishings according to fashion and also changes in room or apartment use. Additionally, at the death of a monarch, the furnishings of specific rooms in the royal apartments were claimed as 'perquisities' by certain courtiers, according to rank (see R. Bird. 'The Furniture and Furnishing of St James's 1714-1715', Furniture History, 2014, pp. 180-186).A similar mirror, attributed to John Belchier, which is close in design to a pier glass (2-4m high) at Erddig, Wrexham (NT 1146960), was sold at Christie's London, 23rd July 2020, lot 157.
Lot 61
GIOVANNI BATTISTA BOAZIO (BAPTISTA BOAZIO) (fl. 1588-1606) 'Irelande' a highly decorative map of Ireland, circa 1599, with dedication to "my Gratious Soveraigne Elizabeth by the grace of God, of Englande, Fraunce and Irelande Queene Defendresse of the true Christian Faith", 52cm x 82cm. Undoubtedly an example of accomplished craftsmanship, its lavish ornamental flourish, the purely fictional character of some of the map's topographical details and the extravagant use of colour, are all features that suggest that precise geographical information was not the map's principal objective. Both Boazio, the cartographer, and Elstrack, his engraver, are doubly present on the map: while two cartouches bearing their names signal directly their claim to authorship, a more imaginative but deeply colonial gesture transforms them into the toponyms Baptiste's Rock (off the Antrim Coast) and Elstrake's Isle (south-west of Tyrconnell). This inventive way of writing cartographer and engraver into Ireland's geography has led one commentator to suggest that the map "is not a good one, even by contemporary standards: obsolete before it was published . . . its geographical content is badly garbled and in places totally fictitious." Such a view, though factually correct, implicitly assumes that the gradual increase of cartographic accuracy should be seen as the guiding principle of map history. But what makes Boazio's map such an important example of the way 16th century Englishmen made spatial sense of the intractable and "barbarous" Irish territory is precisely its value as a decorative image of Ireland's geography fluctuating between fact and fiction. Its purpose was not accuracy but opulent display. Boazio's and Elstrack's names function as a kind of geographical signature, an eccentric gesture perhaps, but one that capitalises on Ireland's status as the property of those that give it visual and verbal presence in maps and texts. See Boazio, Baptista, and R. Dunlop, “Sixteenth-Century Maps of Ireland.”, The English Historical Review, no. 78 (1905): 309–37.
Lot 131
2002 Pouilly Fuisse La Croix, Vieilles VignesDomaine R Denogent8x75cl2002 Pouilly Fuisse, Cuvee Claude DenogentDomaine R Denogent4x75clTotal 12x75clThese wines have all been stored since first release in a deep cellar in an Important House in Southern England. Any label damage has been caused by dampness having been stored on the floor. The climatic conditions for ageing the wine inside the bottle has been perfect.Having tried a number of wines, with a focus on older whites' from weaker vintages going back 30 years, the condition is outstanding.
Lot 1012
Late 18th century Infantry Officer's spadroon sword of the 23rd Regiment, the straight fullered blade with faint traces of etching retaining a little original bluing to one third of the blade, gilt hilt with cross guard, slightly swollen lined ivory grip inset with gilt panel engraved with the Prince of Wales Feathers, original leather scabbard with brass mounts and rings, the locket engraved R Clarke & Son 62 Cheapside
Lot 1292
A Massim drum Trobriand Islands with carved decoration having remains of red/orange and white pigment, with an integral handle, and a reptile skin, the main body carved FARPCC and with a later inscriptionin yellow chalk Pres by R. Blackmore, BRIGHTON V.C., Kweto Isld, East of Milne Bay, N.G,. 31.7cm high. Provenance Dr Leonhard Adam (1891 - 1960) Anthropologist and lawyer.
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297893 item(s)/page