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° ° Scarborough, Dorothy - On The Trail of Negro Folk-Songs. 2nd printing. Publisher buckram with gilt letters direct on upper and spine. Gilt top. 8vo. Harvard University Press, Cambridge, 1925., Kelly, R. Talbot - Egypt Painted and Described. Complete with 75 coloured, publishers cloth with gilt letters and decoration on upper and spine. 8vo.Adam & Charles Black, London, 1912., and Irving, Washington - Life and Voyages of Columbus. With coloured frontispiece and illustrated title page. Publishers cloth with gilt letters direct on spine and emblem on upper. Gilt edges. 8vo. Henry Frowde Hodder & Stoighton, London, nd.
° ° Various 19th century works, including; James, G. P. R - The Jacquerie [and] The Huguenot - 2 works. Both in quarter vellum and cloth with morocco labels and gilt decorations on spine. Marbles edges. 8vo. Simms and M’intyre, London, 1852-1853., Burton, John Hill - The Book-Hunter - New ed. - William Blackwood and sons, Edinburgh and London, 1889.,Scott, Walter - The Lay of the Last Minstrel - 9th ed. - John Sharpe, London, 1809., Bryce, James - The Holy Roman Empire - 7th ed. - MacMillan and Co., London, 1880., Otter, Rev. William - The Life and Remains of Edward Daniel Clarke… Vol.1 - George Cowie, London, 1825
Bartholomew Dandridge (London 1691-1755)Portrait of Jane Austen, nee Grey, three-quarter-length, in a white dress, seated in a landscape with her dog; and Portrait of Ralph William Grey, three-quarter-length, in a grey velvet coat and green and gold embroidered waistcoat the former signed 'BDandridge/ pinxit' (lower left) and the latter signed 'BDandridge/ Pinxit' (lower right) a pair, oil on canvas126.9 x 101.5cm (49 15/16 x 39 15/16in). (2)Footnotes:ProvenanceBy descent through the sitter's family toThe Collection of R. W. Vivian-Neal of Poundisford Park, Somerset, from whom acquired byWith Lane Fine Art, UK, where purchased by the present owners in 1996Literature'Poundisford Park, Somerset' in Country Life, 22 December 1934, ill.A.W. and C.M. Vivian-Neal, Poundisford Park, Somerset: A catalogue of pictures and furniture, Taunton 1939, cat. nos. 11 and 13Jane Grey was the daughter of William and Ann Grey of Backworth: born on the 30 August 1713, she married Captain Robert Austen in 1748. Jane was brought up at the home of her uncle, Richard Gifford in Poland Street in Soho, until his death in 1739, when she moved to nearby Dean Street, where she continued to live after her marriage until her death in 1753. The Country Life article compares the composition of Jane's portrait to Gainsborough's celebrated portrait of Mrs Robinson in the Wallace Collection, 'even to the train of convolvulus in the background.'Ralph William Grey's father, the first Ralph William was thirty-four when he married Miss Molly Rawstorne, who bore him a daughter, who died in infancy and a son, the present sitter. Within a year of his birth Mrs Grey died and, according to the Country Life article 'From that time forward all Mr Grey's faculties were concentrated on the well-being of his son. The possession of an heir gave zest to his efforts to build up the family fortune: he was successful in most of his ventures. Years later his interest in life was centred in the home of his daughter-in-law and grandchildren' (op. cit.). Grey's right hand is depicted in the present portrait resting on Locke's Essays and the Country Life article also records that there are constant references to John Locke in Grey's notebooks; he is thought to have visited the widow of the philosopher in France when he made his grand tour in 1733. It is thought that the suit shown in the portrait is the one he wore for the Court Ball in May 1736 on the occasion of the marriage of Frederick Louis, Prince of Wales, at which time Grey was living in Leicester Fields.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Joseph Highmore (London 1692-1780 Canterbury)Portrait of Sir Thomas Heath, full-length, seated at a table signed, inscribed and dated 'J.Highmore pinxt:/Ao XII 1728' (lower centre)oil on canvas170.2 x 109.3cm (67 x 43 1/16in).Footnotes:Provenance William Beaumarice Rutsh, Farthingoe Park, Banbury Sale, Sotheby's, London, 10 November 1982, lot 23 Sale, Sotheby's, London, 11 July 1984, lot 204Literature Sir R. Strong (ed.) et al., The British Portrait 1660-1960, Woodbridge, 1991, p. 160, ill., pl. 144Brian Allen suggests that the present work dates to 1720s and is painted in 'the Kneller mould' (see Literature, p. 153)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Philippe Mercier (Berlin 1689-1760 London)Portrait of Lady Mary Watson Wentworth, half-length, in a blue dress, within a painted oval signed and dated 'Ph. Mercier fecit/ an* 174*' (lower left)oil on canvas76.2 x 63.2cm (30 x 24 7/8in).Footnotes:LiteratureJ. Ingamells and R. Raines, 'A Catalogue of the Paintings, Drawings and Etchings of Philip Mercier', in The Walpole Society, 1976-78, vol. 46, p. 38, no. 123 (as dated 1742)The present portrait of Lady Mary-Watson Wentworth, the sister of the future Prime Minister, the 2nd Marquess of Rockingham, featured on the BBC's television programme, Fake or Fortune (series 5, programme 3), in which it was authenticated by Brian Allen, who in a letter to the vendor, dated 6 May 2016 confirmed the painting's authenticity and that it was the portrait listed as no. 123 in Ingamell's manuscript for the catalogue that the former edited when he was the Hon. Editor of the Walpole Society.For further information on this lot please visit Bonhams.com
Isle of Man Coins, James Stanley, Maguire/Poole issue, Halfpenny, 1723, from the same dies as the previous lot, edge plain, 4.57g/9h (Prid. 27; KM. Pn5; Cain 2697, this coin; cf. Baldwin 77, 2931). Striking flaw, otherwise fine, brown patina, very rare £1,000-£1,200 --- Provenance: R. Cain Collection, Spink Auction 145, 12-14 July 2000, lot 2697; DNW Auction 132, 15-18 September 2015, lot 353
Isle of Man Tokens, Castletown, George Hotel, brass, legend, vaults, rev. concentric circle, edge grained, 25mm, 4.18g (Quarmby 102; Mackay 151d; cf. Guard 513). About very fine, extremely rare £200-£260 --- Provenance: R. Cain Collection, Spink Auction 145, 12-14 July 2000, lot 2805 (part); DNW Auction 132, 15-18 September 2015, lot 394
Isle of Man Tokens, Douglas, Evans’ Boarding House, copper Twopence, c. 1880, legend, rev. value, edge grained, 27mm, 5.32g/12h (Quarmby 101; Mackay 151e; cf. R.J. Ford I, 242; cf. Guard 514). Excavated appearance, very fine, rare £200-£260 --- Provenance: R. Cain Collection, Spink Auction 145, 12-14 July 2000, lot 2790; DNW Auction 132, 15-18 September 2015, lot 397
Isle of Man Medals, Edward VII, Coronation, 1902, Douglas, medals by Brookes & Adams (2), in copper and white metal, both 37mm (W & E 4137C.1, 4137.2; Quarmby 177-8); Edward VII, Coronation, 1902, Ballacosnahan, Kirkpatrick, a white metal meal by H.B. Sale, 38mm (W & E 4535P.1; Quarmby 176); Edward VII, Coronation, 1902, Ramsey, a white metal medal by H.B. Sale, 38mm (W & E 4545Y.1; Quarmby 175); Centenary of the Peel Wesleyan Sunday School, 1913, an aluminium medal by Vaughton, 37mm (Quarmby 144); George V, Visit to Peel, 1920, a white metal medal, unsigned [by Fattorini], 32mm (W & E 5533A.1) [6]. About very fine or better, all except first pierced £100-£150 --- Provenance: First R. Cain Collection, Spink Auction 145, 12-14 July 2000, lot 2807 (part); first, second, fourth, fifth and sixth DNW Auction 148, 18-20 September 2018, lot 1102 (part); third H.F. Guard Collection, Spink Auction 182, 29 June 2006, lot 558 (part) & DNW Auction 156, 20-21 February 2019, lot 1390 (part)
Jersey Medals, Visit of Victoria and Albert, 1846, a silver medal by J. Le Gallais, Victoria and Albert ascending harbour steps, rows of maids of honour to left and right, rev. legend within wreath, edge inscribed (R. Le G., 2me Visite de la Reine, 13 Aôut 1859), 51mm (McCammon M1Jiii; W & E 498; BHM 2224; E 1410). Fields lightly hairlined, otherwise extremely fine and toned, very rare; in contemporary fitted case £2,000-£2,600 --- Provenance: Baldwin’s of St James’s Auction 52, 18 November 2020, lot 45
Jersey Medals, Royal Jersey Golf Club, The ‘Robin’ Prize, a copper award medal by J.S. & A.B. Wyon, un-named, 38mm; C.P. District Championships, 1926, a silver award medal for rugby by Fattorini, named (R. Bailey), hallmarked Birmingham 1926, 38mm; Jersey School of Physical Culture, a silver award medal by W.J. Dingley for C.T. Maine, Jersey, un-named, hallmarked Birmingham 1931, 38mm; Jersey-Laval, 1934, a uniface plated bronze award plaque for boxing by H. Demey, 85 x 63mm; Royal Island of Jersey Militia, a silver award medal for football by F. Phillips, engraved (Jersey v. Guernsey, 1936), 32mm [5]. Varied state, first scratched; two cased £100-£150 --- Provenance: Second DNW Auction 140, 15-16 March 2017, lot 1067 (part); third, fourth and fifth DNW Auction 140, 15-16 March 2017, lot 1068 (part)
A collection of silver wine labels, comprising: a Victorian regimental wine collar, by Messrs. Lias, London 1846, gadroon border, incised 'SHERRY', the inner side inscribed 'R. Marine Mess', diameter 9cm, plus two Scottish wine labels 'SHERRY', and 'WHISKY', and two plated labels, approx. weighable 5oz. (5) Provenance From the Collection of the late Tony Dove.
An Indian silver covered jug, unmarked, tapering hexagonal form, scroll handle, chased foliate scroll decoration on a matted background, fluted finial, height 9.5cm, plus a 19th century Dutch beaker, possibly by R. Scheltens, or R. Spaanstra, in the 17th century manner, with figural scenes and dated 'Anno 1682', height 4.8cm, approx. weight 10.5oz. (2)
A collection of antique silver Old English pattern flatware, various dates and makers, the terminals with two different crests, comprising six Exeter tablespoons, (four by R Ferris, two by William Pearce of Plymouth), a set of twelve further tablespoons, by William Eley, London 1794, a straining spoon, six dessert spoons and a pair of sauce ladles, approx. weight 53oz. (qty)
Two pairs of George III and William IV Regimental silver Fiddle, Thread and Shell Table forks, The Royal Irish Rifles, two by R. Peppin, London 1819, two by William Eaton, London 1830, the terminals engraved with the badge of the 86th (Royal County Down) Regiment of Foot and the 83rd Regiment of Foot, approx. weight 11oz. (4) The 86th Regiment was deployed to Madras in 1818. The Regiment returned in 1819. The 83rd Regiment took part in the Peninsular Campaign and Waterloo. in 1834 they were deployed to Canada. The two regiments amalgamated in 1881 to form the 2nd Battalion, The Royal Irish Rifles.
A Victorian silver Kings pattern table fork, by Robert Garrard, London 1862, the reverse of the terminal with a Royal Garter crest, plus a German silver Fiddle and Thread pattern tablespoon, by R. Menard, the terminal engraved with crowned initials, the reverse inscribed 'Kammler 27.1.02', approx. weight 5.7oz. (2)
A George III silver tea pot, maker's mark partially worn, W.P over R.P, possibly for W and R Peaston, London 1761, inverted pear form, chased foliate decoration, wooden scroll handle, the scroll spout with shell mounts, flush-hinged cover with acorn finial, on a raised circular foot, length handle to handle 21.8cm, approx. weight 16oz.
A small collection of six antique silver wine labels, comprising: a George IV one by Reily and Storer, London 1828, oval form, vine border, pierced 'CURACAO', plus a Scottish label by George Paton, Edinburgh, pierced 'HOCK', a cut-out letter 'R', plus one pierced 'SHERRY', one 'PORT', and one 'MADEIRA', approx. total weight 2.7oz. (6)
A rare pair of 19th century Channel Islands silver wine labels, by Thomas de Gruchy and John Le Gallais, Jersey circa 1831-1846, rectangular form, reeded borders, incised 'SOTERNE' and 'BORDEAUX', length 4cm, approx. weight 0.7oz. (2) For maker's mark and write-up see Mayne, R., Channel Islands Silver, Phillimore, 1985, page 48. It mentions here that one of the items seen by this maker was a 'Plain wine label with chain, 'Soterne' (sic). See also Salter, J. Wine Labels, 1730-2003. The Antique Collector's Club 2004, page 281, where a reference is made to these two wine labels.
Two modern presentation silver armada dishes, by Carrington and Co., London 1962, circular form, the centre engraved with Nelson's column and 'R', inscribed 'Rothmans of Pall Mall Region II Salesman of the Year' with the name of the winner and '1962' and '1963', diameter 14.5cm, approx. weight 11.7oz. (2)
A pair of modern silver two-light candelabra, by R. Comyns, London 1973, in the George I manner, octagonal baluster stems, spool-shaped capital, on raised octagonal bases, with two scroll branches each supporting a spool-shaped capital, and with a central baluster finial, height 27cm, approx. weight 53oz. (2)
A George III Channel Islands silver two-handled christening cup, by Jean Pierre Du Port, Guernsey circa 1784, stamped ID four times, over-striking possible London marks, conventional form, beaded and scroll handles, on a circular foot, the underside of the base inscribed 'N.T' '1784', height 6cm, approx. weight 1.9oz. For similar examples and a write up on this maker and marks see; Mayne, R. Channel islands Silver, Phillimore 1985, pages 109-110.
A Christmas 1914 brass tin containing; A WWI British War Medal and Mercantile Marine Medal named to WT. Eng. J. Dryburgh. R.N.R.. A British War Medal named to PS-7637 PTE H. W. DENNETT. R. Fus. A British War Medal named to 30928 PTE. C. R. Scott K.O.SCO.BORD. A Territorial Force Efficiency Medal named to 250048 C. SJT. R. DARLING 5/R SCOTS.
A Royal Copenhagen porcelain figure, of a harnessed French Percheron heavy horse, standing on a plinth base by C.J. Buenesen Paris, signed, numbered 471, painted and printed marks, 31.5cm wide28cm highCondition report: No obvious chips or cracks. Dusty; would benefit from a good clean. Some stains and marks - see images.
Peco OO HO Gauge unused and used Points, unused, SL-86 and E86 Large Rad curved R/H (6), SL-87 Large Rad curved L/H (5), SL-88 large Rad R/H (4), SL-98 Large Rad L/H (2), SL-91 Small Rad R/H (2), SL-92 Small Rad L/H (2), SL-95 Med Rad R/H (2), SL-96 Med Rad L/H (2), all in original boxes/plastic sleeves and unboxed slightly used Small Rad L/H (6) and R/H (2), VG-E, packaging G-E (31)
French and Other HO Gauge Locomotives and Coaching Stock, boxed examples Jouef 827455 steam locomotive with tender 141-R-416 Reims and 8292 steam tank locomotive 040-TA-28 Batignolles both in SNCF green livery, 5104 French non smoking coach in green (2) one unboxed and Italian coach 5313 in blue FS livery together with unboxed examples CIWL parcel coach in white and brown livery by Lima and three CIWL Pullmans in blue and cream livery by Fobbi, F-E, boxes F-E, (9)
A Rivarossi Prototype Bakelite-bodied streamlined AN1/R Diesel Railcar and Trailer, the bodies in self-coloured mid-brown Bakelite with hand-painted red skirts and grey windows, with moulded details 'Rivarossi - Made in Italy' to one side and 'Rivarossi A.N.1 - 00' to the other, the powered bogie in the Trix 'EMU' style with external brush caps, reduction gear drive and pick-up shoes, (presently arranged for 2-rail operation but readily converted for 3-rail), the wheels in Bakelite with red-painted 'spokes', again in the Trix style, wheels to the trailing bogie of the motor coach having less moulded spokes than the others. The motor coach with transfer number 352 to underside and embossed no. 211 to central weight, the trailer coach (with identical body including slot for brush-gear) with paper label 909 to underside, this has couplers whilst the motor coach does not, both have yellow-painted 'headlights' to each end, both VG-E (2)
A Rivarossi early production Milan North Railway 1 2OO2/R Suburban Motor Coach and Trailer, with Bakelite-moulded bodies in brown with painted lighter brown window bands and silver roof strip, with moulded I and III class markings, glazed windows throughout, bodies secured to underframe from below, red disc wheels with metal rims, the motor bogie with fully-enclosed motor and drive through pivot pin to both axles, change-over switch under body, bodies both with moulded-in 'RIVAROSSI Italy' builder's plates above centre doors at ends, numbers A2002 to buffer beams with 394 transfers to both ends, V2002-00 to both ends of trailer, transfers 'A2002' and 'F.N.M.' transfers to sides of motor coach body, transfer numbers '360' under motor coach and '361' to trailer, both VG-E, hairline crack to trailer body by a III class marking (2)
A Rivarossi early production Italian State Railways (FS) 1 AN 1/R Streamlined Diesel Railcar and Trailer, with Bakelite-moulded bodies in brown with painted red skirts, glazed windows throughout, bodies secured to underframe from below, red disc wheels with metal rims to motor coach, black wheels to trailer, the motor bogie with fully-enclosed motor and drive through pivot pin to both axles, bodies both with fine coiled wire jumper cables to each end, transfers 'F.S. ALa 772-3286' to sides of both bodies, transfer numbers '353' under motor coach and '354' to trailer, both VG-E, one bogie pivot pin missing from trailer (2)
From the Rivarossi Showroom or Boardroom, commissioned by Alessandro Rossi: an original oil-on-canvas painting showing Union Pacific 'Big Boy' 4022 in the Rockies, measuring approx. 53" x 29½" (1350 x 750mm), painted by J Robison, showing No. 4022 heading a boxcar freight snaking through the mountains with another loco assisting behind, mounted in a gold-effect frame by H&R Dahne of Bristol, Rivarossi Archive references 3020/1129, VG-E
An original oil-on-canvas painting showing Union Pacific 'Big Boy' 4022 in the Rockies, complementing the above, measuring approx. 53" x 29½" (1350 x 750mm), painted by J Robison, showing No. 4022 heading a boxcar freight snaking through the mountains with another loco assisting behind, viewed from a lower angle, mounted in a gold-effect frame by H&R Dahne of Bristol, Rivarossi Archive references 3021/1130, VG-E
James II, King of England - autograph letter signed at head and foot James R or JR, St-Germain-en-Laye May 14 1693, bifolium, two sides, "I doe hereby declare and promise that I doe pardon and forgive to Thomas Earle of Danby...", "...I doe further promise that I will ratyfye under the Great Seal of England all that I have herein promised so soon as I shall be restord to the possession of my crown in England...", 23 x 33cm, wax seal intact Thomas Osborne 1st Earl of Danby, subsequently Duke of Leeds KG (1632-1712). Osborne was one of the group of seven nobleman that invited William Prince of Orange to depose James II in the Glorious Revolution, 1688 Condition ReportSoiled and creased where folded, a little holed and separating in places
R & W Kerry (Fl. c1835-1850) - Portrait of Joseph Sunderland, signed and dated verso Messrs Kerry 1848 and inscribed Mr Joseph Sunderland's likeness, pen, ink and watercolour on card, 28 x 18cm, rosewood frame, sold with mourning card of Joseph Arthur Sunderland who died May 1st 1893 aged 37 years and was interred in the family grave at Yardley cemetery Birmingham Condition ReportGood condition in what is undoubtedly the original frame, the drawing slightly exposure stained/browned, not torn or restored
John William Cook (Fl. 1819-1852) and Henry R Cook (Fl. early 19th c) after Alexander Sauerweid - The Battle of Waterloo, a pair, engravings mounted to image, 1819, 49.5 x 75.5cm, in contemporary early 19th c ebonised and gilt frames, each with sliding key (2) Condition ReportSlightly stained but overall good impressions, pleasing country house condition, the key for each both with tears and loss, frames slightly chipped

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297887 item(s)/page