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Lot 24
Natural History interest. A group of eight natural history related books, comprising Buffons Natural History Abridged a New Edition, by Rev. W. Hutton, 2 volumes, 1821; A History of the Birds of Europe, by C. R. Bree, vol. IV only, 1863; The Handbook of British Birds, by H. F. Witherby, volumes 1-5, 1938-41
Lot 258
Collection of jewellery to include: amber type (copal resin) graduated beaded necklace (66g approx.) together with R TENN Swedish pendant and chain, Franklin Mint the Year of the Dragon necklace by Kai-Yin Lo together with a vintage gold tone faux pearl two row beaded necklace. (B.P. 21% + VAT)
Lot 182
Late Victorian silver repoussé tea caddy on four paw feet. Chester 1896. Maker's mark initial R H. 8.6 troy oz approx. (B.P. 21% + VAT) The finial is secure but bent. Overall ok with some tarnishing in places and minor dinks/dents. Stands well. Lid fits well and hinge is good. No stamp to the base.
Lot 99
A novelty Panasonic FM-AM, RF-93 radio; a National Panasonic, model R-12 radio; 2x Sony cylindrical novelty radios, one yellow, other white; a Sony TR-1824 radio in red, of similar style to latter two, and a novelty Japanese transistor radio in the form of a tyre, on steel stand, all untested. (6)
Lot 144
A collection of assorted cigarette cards to include; Will's, Do You Know, 1922, 50; Will's, Do you Know, 2nd series, 1924, 50; Will's, Do You Know, 3rd series, 1926, 50; Will's, Do You Know, 4th series, 1933, 50; Will's, Household Hints, 1936, 50; Will's, Household Hints, 1930, 50; Will's, Household Hints, 1927, 50; Faulkner's, Optical Illusions, 1935, 25; Godfrey Phillips, Optical Illusions, 1927, 25; Major Drapkin's, Optical Illusions, 1926, 25; Gallaher's, Tricks & Puzzles, 1913, 53/100; Gallaher's, Tricks & Puzzles, green back, 20/100; Gallaher's, Tricks & Puzzles, 1933, 100; R & J Hill, Magical Puzzles, 1938, 50; Fry's, Tricks & Puzzles, black backs, 1924, 50; Carrera's, Picture Puzzle, 1923, 25; Morris's, Wax Art, 1931, 25; Churchman's, Interesting Experiments, 1929, 25 and Will's, Famous Inventions, 1915, 50.
Lot 35
A large assortment of badges comprising of enamel and gilt metal badges comprising of six various Daily Mail Teddy Tail League badges, made by Fattorini; two by J. R. Gaunt, two by Roden Brothers, one with 1937 tricolour bar and one by Toye, Spencer and Kenning, 25mm long; Famous Artists Kellogg's Pep badge, depicting Mamie wearing red jacket, 18mm diameter; two Persian Nov. Com tin plate badges depicting Dale Arden and Little Annie Rooney, 20mm diameter; Western Theatre Premium Terry Toons, No. 9, 23mm diameter; Bastian Brothers celluoid badge, with portrait of a yellow dog, 15mm diameter; unnamed gilt brass 'Junior G Man' cartouche shaped badge, with outswept wings within star border, 40mm wide; two Russian celluloid Disney badges, depicting Mickey/Minnie Mouse, marked Ll25K verso, 45mm diameter; Kay Kamen Mickey Mouse Globe Trotters badge, depicting Mickey Mouse holding a radio, 30mm diamter; Phildelphia Badge Co. Mickey Mouse Club, depicting standing Mickey Mouse bearing black and red text, 30mm diameter; unnamed Walt Disney Enterprises 'Follow My Adventures, Buy Cote's Master Loaf', Mickey Mouse wearing red outfit and shoes, with black text, 30mm diameter; Kay Kamen Official Mickey Mouse Store badge, red and yellow celluloid badge, 30mm diameter; unnamed Mickey Mouse celluloid badge, Mickey wearing red outfit, with red lettering, 20mm diameter; M. Pudlin Penny's for 'Back to School' Needs, celluloid badge depicting Mickey Mouse wearing black outfit with orange shoes and black and orange lettering, 20mm diameter; celluloid 'Donald Duck' badge, celluloid badge with orange lettering, 20mm diameter; pair of Commercial Beverage Co. five Donald Duck 'Cola' tin plate bottle lids, 30mm diameter; two Mickey orange soda tin plate bottle lids, 30mm diameter; unnamed 'Felix' Orange Dry gilt metal bottle lid, 30mm diameter; unnamed tin plate Minnie Lime soda bottle lid, 30mm diameter; another depicting Clarabelle; Roden chrome plated Mickey Mouse Club badge, with red enamel background, 25mm diameter; Roden Mickey Mouse Weekly, Jungle Club, with blue enamel banner and tiger decoration, 25mm diameter; Reddy Kilowatt red enamel and gilt metal badge, marked M.R. verso, 21mm long; together with an unnamed example; unnamed enamel pendant in the form of a lady wearing a red dress with black shoes, 35mm long; Art Deco Mae West Come Up Sometime chrome plated badge, lady wearing a red dress, 40mm long; Thomas Fattorini clown head badge, with black and white enamel, 25mm long; unnamed standing duck, wearing women's clothing particularly red jacket and orange scarf and umbrella, 30mm long; unnamed chrome plated girl shaped badge wearing a blue dress and blue Scotty dog, 35mm long; Fattorini 'Original Desmond', spotted black and white seated dog, with yellow bow, 20mm high; unnamed chrome plated badge, girl wearing yellow spotted dress, 35mm long; unnamed gilt metal and enamel badge, depicting man riding a donkey, wearing a black jumper and red trousers, 20mm long; unnamed chrome plated black Scotty dog badge, 20mm long; unnamed chrome plated and black enamel 'bird' entertainer holding a walking cane, 32mm long; Western Theatre 'Oswald the Lucky Rabbit' tin plate badge, 25mm diameter; gilt metal thimble with applied enamel Mickey Mouse, 20mm high; silver and yellow enamel 'Goofy' stick pin, 45mm long; unmarked yellow metal and enamel Donald Duck oval shaped pendant, 22mm long; unnamed gilt metal and enamel Mickey Mouse pin badge, 30mm diameter; unnamed Minnie Mouse enamel and gilt metal badge, wearing red dress and yellow shoes, 25mm diameter; unnamed Snow White gilt metal and enamel badge, wearing a yellow dress, 32mm long; with one of the dwarfs wearing a red outfit, 15mm long; unnamed gilt metal and coloured enamel Olive Oil badge wearing black and red dress, 30mm long; unnamed Popeye badge, wearing black top and blue trousers, unnamed Wimpy badge wearing black jacket and orange trousers, 30mm long
Lot 133
A collection of assorted cigarette cards to include; B.A.T, Film stars, plain backs, from 1928, 50; Will's, Radio Celebrities, from 1934, 50; Park Drive, Stars, from 1935 with green backs, 48; Carreras, Famous Film Stars, from 1935, 96; Ogden's, Actors (Natural and Character studies), from 1938, 50; Cavanders, Cinema Stars, from 1934, 30; R&J Hill, Music Hall Celebrities, from 1930,30; Ardath, Who Is This? (Film Stars), from 1936, 50; Godfrey Phillips, circular Film Stars, from 1924, 25; Carreras, Popular Personalities, oval shape, from 1935, 72; Carreras, Film stars, 2nd series, from 1938, 54; Will's, Musical Celebrities, 1st series, from 1912, 50, and Will's, Musical Celebrities, 2nd series, from 1914, 50. (1 Album) Generally good condition, some wear commensurate with age.
Lot 488
LITERATURE. A COLLECTION OF ANTIQUARIAN BOOKS RELATING TO FURNITURE including: Cescinsky (H), English Furniture of the Eighteenth Century, volumes I, II and III, McQuoid (P) and Edwards (R), The Dictionary of English Furniture, volumes I, II and III, Lenygon (F), Furniture in England from 1660-1760 and other related books (A lot)ProvenanceThe contents of The Grange, Wendover.
Lot 48
A GEORGE III MAHOGANY DECANTER CASELATE 18TH CENTURYthe hinged lid with a brass handle and inset with four circular plaques engraved with initials 'B R H S', the interior with four divisions fitted with Bristol blue glass decanters and stoppers with gilt highlights and named 'Brandy, Rum, Hollands, Shrub', with a dipped centre to hold a stopper when the decanter is in use, one with a Mallett Antiques price label for £2,95021.7cm high, 18cm wide, 18cm deepProvenanceThe contents of The Grange, Wendover.
Lot 889
A George III longcase clock by R Wilson of Lincoln, the painted arch dial with hunting scene to the arch, painted floral spandrels and Roman numerals with date aperture and subsidiary seconds hand and signed R Wilson Lincoln, with eight-day movement and mahogany and oak case with inlaid boxwood decoration and crossbanding, with a broken arch pediment and ball ornament to the hood, 210cm high.
Lot 31
KAWARA, ON1932 Kariya/Japan - 2014 New YorkTitel: I Got up. Untertitel: Konvolut von 20 Postkarten. Datierung: 1968. Jeweils: Gestempelte und frankierte Postkarte aus Argentinien. Ca. 9,5 x 14cm. Gestempeltmit dem Namen und Adresse des Künstlers in Buenos Aires, Argentinien (Gloria Hotel/Hotel San Antonio), dem Titel, Datum und Uhrzeit der Ausführung sowie dem Empfänger Kasper König, New York. Die Karten wurden ausgeführt im Zeitraum vom 25. Oktober - 13. November 1968. Provenienz:- Sammlung Kasper König, Berlin (direkt vom Künstler)Ausstellungen: - Staatliche Kunsthalle Baden-Baden, 2014- Solomon R. Guggenheim Museum, New York 2015- Museum Frieder Burda, Baden-Baden 2017/2018- Kunstsaele Berlin, 2018- Zentrum für Kunst und Medien, Karlsruhe 2018/19- Ichihara Lakeside Museum, 2021"Ab 1958 lebte On Kawara als kosmopolitischer Nomade wechselnd in New York, Paris, Tokio und an anderen Orten. 1968 begann er, jeden Tag zwei Postkarten mit demselben Motiv von seinem jeweiligen Aufenthaltsort an Freund*innen, Familie und Bekannte zu schicken. Die ersten Karten vom April 1968 gingen an Kasper König, der sich erinnert: "Zu Beginn gab ich On Kawara 200 Dollar, das war damals viel Geld, damit er mir Postkarten von seiner Reise nach Mexiko schickt".Kawara kaufte für das Projekt mit dem Titel "I Got Up" Ansichtskarten mit Fotografien von Sehenswürdigkeiten und Baudenkmälern im Quer-format. Außer der gestempelten Adresse des jeweiligen Empfängers und der Anschrift seines jeweiligen Aufenthaltsortes druckte Kawara noch die minutengenaue Zeit, zu der er an dem jeweiligen Tag aufgestanden war, auf die Karten. Diese grundlegende Information blieb ab dem 10. Mai 1969 die einzige, die er festhielt. Die früheren hier abgebildeten Postkarten enthalten zusätzliche Informationen; am 10. und 12. April 1968 etwa notierte Kawara handschriftlich, was er an dem Tag gegessen hatte: ein Ei zu Mittag und drei Tacos zum Abendessen. König bemerkte hierzu: "On hat damals Speisekarten gesammelt, diese dann aber doch nicht zum Werk erklärt. Es war für ihn auch eine Art von soziologischer Untersuchung, was man sich leisten kann, zu essen."Auf die Postkarten vom 22., 24., 27. Und 30. April 1968 schrieb Kawara die Namen der Personen, die er an dem jeweiligen Tag getroffen hatte, laut König ,eine Vorstufe zu seiner Serie / Met, die er kurz darauf begann". Für diese Serie tippte der Künstler die Namen aller Personen, die er am jeweiligen Tag getroffen hatte, mit Schreibmaschine auf ein Blatt und stempelte dieses mit dem jeweiligen Datum. Parallel dazu hielt er seine täglichen Wege mit rotem Kugelschreiber auf kopierten Landkarten fest. Diese Dokumente bilden seine Serie "I Went". Ab 1970 verschickte Kawara Telegramme mit dem Text "I AM STILL ALIVE". 1966 begann er seine heute berühmten "Date Paintings" zu malen: Auf monochromen Hintergrund setzte er in weißer serifenloser Schrift das Datum des aktuellen Tages in der Schreibweise des jeweiligen Landes, in dem er sich gerade aufhielt."Die Reihe "I Got Up" nahm ihr Ende in Stockholm. On Kawara wollte in einer Bank Travellerschecks einwechseln. Währenddessen hat jemand seinen Aktenkoffer ausgetauscht. Derjenige hat wohl gedacht, einen wertvollen japanischen Diplomatenkoffer zu bekommen, und war dann sicher enttäuscht, denn darin war eine österreichische Kinderpost mit Zahlen- und Buchstabenstempeln, die On für die "I Got Up"-Postkarten verwendet hatte."On Kawaras Werke handeln von ihm selbst (im Raum-Zeit Kontinuum) und sind doch wenig persönlich. Er schrieb auf seine Karten nichts über seine Befindlichkeit oder sein individuelles (Zeit-)Erleben. Die Karten sind Selbstvergewisserung und Lebenszeichen. Kawaras distanzierte Weltsicht basiert darauf, das eigene Leben so bewusst wie möglich zu gestalten."(Ausst.-Kat. 1000... miles to the edge. Schenkung/Donation Kasper König. Museum Ludwig Köln, 11. November 2023 - 17. März 2024). Voraussichtliche Versandkosten für dieses Los: Absprache nach der Auktion.Erläuterungen zum Katalog On Kawara Asien Konzeptkunst Nachkriegskunst Unikate 1960er Stadtansicht Papierarbeit Mischtechnik Architektur
Lot 33
KEYSER, RAOUL DE1930 Deinze, Belgien - 2012Titel: Ohne Titel (Greiner). Datierung: 1990. Technik: Öl auf Leinwand. Maße: 69 x 50cm. Bezeichnung: Signiert, bezeichnet und datiert verso: Raoul de Keyser R 1990. Rahmen/Sockel: Rahmen. Provenienz:- Sammlung Barbara Weiss, Berlin- Sammlung Kasper König, BerlinAusstellungen:- Museu Serralves, Porto, Raoul de Keyser, 22. Januar - 27. März 2005 (Etikett verso)Hinwendung zur AbstraktionRaoul De Keyser, vor allem für seine abstrakten Werke bekannt, gilt als einer der einflussreichsten belgischen Maler. Seine künstlerische Laufbahn beginnt er als Autodidakt in den 1960er Jahren. Die Arbeiten zeichnen sich durch eine reduzierte Farbpalette und einfache, oft minimalistische Formen aus, welche eine subtile, aber kraftvolle Bildsprache entwickeln. Keysers Werke bewegen sich zwischen Abstraktion und Figuration und sind vielfach von alltäglichen Gegenständen und Landschaften inspiriert. Das Medium MalereiIn jeder Schaffensphase sind sie vor allem eine Reflexion über das Medium selbst. Dabei wird der Sinn und Zweck der Malerei nie infrage gestellt; es gibt keine fotografischen Vorlagen oder umfangreiche Recherchen als Grundlage. Der Fokus liegt vielmehr auf der starken Präsenz der malerischen Linie und der Schichtung von Farben, wodurch das Motiv immer wieder in den Hintergrund tritt. Dies trifft auch auf die hier angebotene Arbeit von 1990 zu. Das Gemälde zeichnet sich durch einen kräftigen und gleichzeitig gleichmäßigen Farbauftrag aus. Geometrische Formen - ein umgekehrtes L in starkem Rot und ein Rechteck in Dunkelrosa - bilden die motivische Grundlage des Kunstwerkes. 2022 wird es in der Ausstellung "March 7, 1990" die eine Serie aus dem Jahr 1990 zusammenfasst, in der Galerie Barbara Weiss gezeigt. Neben farbigen Ölgemälden, werden zwölf als Vorstudien zu verstehende Arbeiten auf Papier in Schwarz, Weiß und Grautönen ausgestellt. Viele Werke dieser Zeit zeigen geometrische Körper und Kompositionen. Die Flächenformen dringen entweder ohne klare Perspektive in den Bildraum ein oder werden auf der Bildoberfläche ineinander wie übereinander verschoben. Dieser räumliche Aspekt des Bildes vermittelt zugleich ein Gefühl von Zeit, da die Überlagerung durch Übermalung das vorherige Bild entscheidend verändert oder auslöscht. Experimentieren mit MalereiPhilipp van Cautern beschreibt das künstlerische Wirken von De Keyser wie folgt: "De Keyser war kein heroischer, virtuoser Maler, sondern ein Künstler, der auf pragmatische und doch spielerische Weise die unvorhergesehene intime Begegnung mit der Leinwand suchte. Der Künstler lehnte jede Methode ab, sondern nahm eine zufällige Situation zum Anlass, mit dem Malen zu beginnen. Von einer groben Idee der Malerei ausgehend, erforschte de Keyser durch Experimentieren und Beobachten die Ergebnisse, die noch unbekannt sind. Malerei als eine unvorhersehbare Erfahrung, die Gedanken und Blicke in Farbe verwandelt". Voraussichtliche Versandkosten für dieses Los: Absprache nach der Auktion.Erläuterungen zum Katalog Raoul de Keyser Unikate 1990er Rahmen Abstrakt Gemälde Öl Farbe
Lot 11
CHAMBERLAIN, JOHN1927 Rochester, IN/USA - 2011 New YorkTitel: Fleabane (Marsh). Datierung: 1973. Technik: Aluminiumfolie mit Acryllack und Kunstharz. Maße: 43 x 48 x 58,5cm. Provenienz:- Ivan Karp, USA (direkt vom Künstler) - Sammlung Ben Birillo, USA- Sammlung Mourtala Diop, Dakar - Galerie Guy Pieters, Knokke-Heist- Privatsammlung- Sammlung Kasper König, BerlinLiteratur: - Sylvester, Julie: John Chamberlain, A Catalogue Raisonné of the Sculpture 19954-1985, New York 1986, WVZ.-Nr. 423, Abb.Kaum ein Künstler des 20. Jahrhunderts prägte die Bildhauerei so wie der Amerikaner John Chamberlain. Sein Ouvre, das neben Plastik auch Malerei und Fotografie umfasst, zeigt welchen Einfluss sein Wirken auf die nachfolgende Kunst hat. Chamberlain gilt nicht nur als ein herausragender Vertreter des Abstrakten Expressionismus, sondern wird auch als einer der Wegbereiter der Pop Art gewürdigt. "Amerikanischer Marmor"Im Gegensatz zur traditionellen Plastik werden Chamberlains Arbeiten weder gegossen, noch modelliert. Seine Plastiken bestehen zumeist aus ausgedienten Karosserieteilen, die der Künstler als "amerikanischen Marmor" bezeichnet. Durch Strecken, Stauchen, Komprimieren, Zerschneiden und Knittern transformiert Chamberlain die Karosserieteile und bringt sie in Form. Im Anschluss fügt er die Einzelteile auf harmonische Weise zusammen. Hierbei entstehen ausgewogene Formkompositionen, wie auch oszillierende Farbwelten: Ein Novum in der Bildhauerei, die in der klassischen Tradition fast ausschließlich monochrom auftritt. Doch nicht nur in der Farbgestaltung reizt Chamberlain die Grenzen der Gattung Bildhauerei aus. Statt des Schnitzens und Modellierens ist das Zusammenfügen von Elementen die zugrundeliegende Motivation des Künstlers. Es ist kaum verwunderlich und nur konsequent, dass Chamberlain selbst seine plastischen Arbeiten als Nachfolge und Weiterentwicklung der Collage betrachtet. Das Material für seine Arbeiten sammelt er auf Schrottplätzen zusammen. Entscheidende Auswahlkriterien stellen hierbei die Grundform und die Farbe des Objekts dar. Chamberlain kombiniert unterschiedliche Elemente zu einer ausgewogenen Komposition - sowohl im Farb- als auch im Formenspektrum. Fleabane (Marsh)Die schillernde Farbigkeit, die für Chamberlains Werk so charakteristisch ist, tritt in der hier angebotenen Arbeit von 1973 besonders deutlich hervor. Grüne, goldgelbe und rote Farbtöne gehen fließend ineinander über und verleihen der komprimierten und gepressten Form der Kugel eine Leichtigkeit und Qualität, die den Betrachter fast vergessen lässt, dass ausrangierte Stahlteile vom Schrottplatz die Grundlage dieser Skulptur bilden. Ihre schlichte Eleganz bleibt dem Betrachter so unweigerlich im Gedächtnis. Die vorliegende Arbeit zeigt deutlich, mit welcher Mühelosigkeit und gleichzeitigen Virtuosität Chamberlain in seinen Plastiken ein natürliches Gleichgewicht zwischen Farbund Formkomposition schafft. Als logische Folge dieser einzigartigen Begabung ist sein Werk heute in den bedeutendsten internationalen Kunstsammlungen, wie unter anderem dem Museum of Modern Art und dem Solomon R. Guggenheim Museum in New York, dem Stedelijk Museum in Amsterdam und der Tate Gallery in London zu finden. Voraussichtliche Versandkosten für dieses Los: Deutschland: 52,00 Euro inkl. 8,30 Euro MwSt EU: 70,00 Euro inkl. 11,18 Euro MwSt Weltweit: 140,00 Euro inkl. 22,35 Euro MwSt zzgl. VersandversicherungErläuterungen zum Katalog John Chamberlain USA Abstrakter Expressionismus Nouveau Réalisme Nachkriegskunst Objekte 1970er Farbe Objekt Kunstharz FormenDas Lot wird regelbesteuert verkauft (Versteigerungsbedingungen §V5.1)
Lot 140
KAWARA, ON1932 Kariya/Japan - 2014 New YorkTitel: I Got up. Untertitel: Konvolut von 8 Postkarten. Datierung: 1968. Jeweils: Gestempelte und frankierte Postkarte aus Argentinien. Ca. 9,5 x 14cm. Gestempelt mit dem Namen und Adresse des Künstlers in Buenos Aires, Argentinien (Gloria Hotel), dem Titel, Datum und Uhrzeit der Ausführung sowie dem Empfänger Kasper König, New York. Die Karten wurden ausgeführt im Zeitraum vom 14. - 22. November 1968. Provenienz:- Sammlung Kasper König, Berlin (direkt vom Künstler)Ausstellungen: - Staatliche Kunsthalle Baden-Baden, 2014 - Solomon R. Guggenheim Museum, New York 2015 - Museum Frieder Burda, Baden-Baden 2017/2018 - Kunstsaele Berlin, 2018 - Zentrum für Kunst und Medien, Karlsruhe 2018/19 - Ichihara Lakeside Museum, 2021- Für die Postkarten Serie an Kasper König sendete Kawara jeden Tag zwei Postkarten- Auf jeder Postkarte ist neben dem Datum, dem Absender und dem Empfänger auch die Uhrzeit festgehalten, zu der Kawara an dem Tag aufgestanden ist- Die Routine der Handlung steht im Kontrast zu den sich immer wechselnden ZeitstempelnVoraussichtliche Versandkosten für dieses Los:Deutschland: 63,00 Euro inkl. 10,06 Euro MwStEU: 95,00 Euro inkl. 15,17 Euro MwStWeltweit: 165,00 Euro inkl. 26,34 Euro MwStzzgl. VersandversicherungErläuterungen zum Katalog On Kawara Asien Konzeptkunst Nachkriegskunst Unikate 1960er Stadtansicht Papierarbeit Mischtechnik Architektur
Lot 1560
The Uniform Coinage of India, British Imperial Period, George V, cupro-nickel scalloped octagonal 4 Annas, 1920, Calcutta, crowned and robed bust left, elephant on decoration, george v king emperor, india and date below, rev. 4 annas within double-lined rectangle, chaar aane nÄlugu anÄlu Äá¹ha anna cÄra ÄnÄ around, edge plain, 6.79g/12h (Prid. 875 [Sale, lot 181]; SW 8.186; KM. 519; cf. Fore III, 2280). Brilliant mint state £200-£260 --- Provenance: Bt R. Weir (Unionville, ONT) February 1988. Owner’s envelope
Lot 1293
The Uniform Coinage of India, British Imperial Period, George V, silver Half-Rupee, 1924, Calcutta, crowned and robed bust left, very feint b.m. [Bertram Mackennal] on truncation, elephant on decoration, george v king emperor, rev. half rupee india and date, hasht ana [Eight Annas] surrounded by ornate scroll containing rose, thistle and shamrock, lotus flowers above and below, edge grained, 5.85g/12h (Prid. 327 [not in Sale]; SW 8.101; KM. 522; cf. Fore III, 2352). Light obverse bagmarks, otherwise virtually as struck, considerable mint bloom £90-£120 --- Provenance: Bt R. Weir (Unionville, ONT), envelope. Owner’s envelope
![The Uniform Coinage of India, East India Company, Victoria, silver Quarter-Rupee, 1840, type I [B/III], Madras, bust left, no](https://cdn.globalauctionplatform.com/0362c9b1-0785-48b7-b5ec-b18f00b7edb2/a337461e-540c-4043-8c65-b18f00bb8a35/468x382.jpg)
Lot 986
The Uniform Coinage of India, East India Company, Victoria, silver Quarter-Rupee, 1840, type I [B/III], Madras, bust left, no curl on cheek, s [John Smith] on neck, victoria queen continuous, rev. 1/4 rupee, chahar ana surrounded by laurel wreath with 20 berries, east india company around, date below with stop to right, privy mark v on bow, edge grained, 2.92g/12h (Prid. 101 [Sale, lot 37]; SW 2.47; KM. 453.3; cf. Fore III, 2248). A superb early currency strike, brilliant mint state, reverse proof-like, most attractive olive tone £200-£260 --- Provenance: Bt R. Weir (Unionville, ONT) February 1988. Owner’s envelope, “This looks more like a proof to me”
Lot 1350
The Uniform Coinage of India, British Imperial Period, Victoria, silver Quarter-Rupee, 1875, Bombay, crowned and robed bust left, victoria queen, rev. 1/4 rupee above india and date, all within scroll-like wreath of Indian flora, edge grained, 19.7mm, 2.92g/12h (Prid. 406 [Sale, lot 148]; SW 5.33; KM. 470; cf. Fore III, 2254). Extremely fine, attractive olive-grey tone £100-£150 --- Provenance: Bt R. Weir (Unionville, ONT), envelope
![The Uniform Coinage of India, East India Company, Victoria, original silver Proof Rupee, 1840, type I [D/II], Madras, bust le](https://cdn.globalauctionplatform.com/0362c9b1-0785-48b7-b5ec-b18f00b7edb2/f289b9db-8b17-473a-a05d-b18f00bd0af8/468x382.jpg)
Lot 931
The Uniform Coinage of India, East India Company, Victoria, original silver Proof Rupee, 1840, type I [D/II], Madras, bust left, s [John Smith] on truncation, victoria queen continuous, rev. one rupee, yek rupiya surrounded by laurel wreath with 19 berries, east india company around, date below in large numerals with stop to right, no privy mark, edge grained, 11.68g/12h (Prid. 46 [not in Sale]; SW 2.27; KM. –; cf. Fore I, 598 [= SJA 52, 3270]). Brilliant, rainbow toning with fully reflective surfaces, a magnificent coin and extremely rare £4,000-£5,000 --- Provenance: Bt R. Weir (Unionville, ONT), September 1997. Owner’s envelope. The Fore coin, though described by Randy Weir as an original Proof, an opinion shared by the present cataloguer, has since been classified as an ‘early restrike’ by NGC which, if true, considerably enhances the desirability of the present piece
![The Uniform Coinage of India, British Imperial Period: Princely States, SAILANA, Edward VII [Jaswant Singh II (1895-1919)], b](https://cdn.globalauctionplatform.com/0362c9b1-0785-48b7-b5ec-b18f00b7edb2/0bdb52ae-2e22-45e0-affd-b18f00befa18/468x382.jpg)
Lot 1638
The Uniform Coinage of India, British Imperial Period: Princely States, SAILANA, Edward VII [Jaswant Singh II (1895-1919)], bronze Quarter-Anna, 1908, Calcutta, uncrowned bust right, edward vii king & emperor, rev. one quarter anna above india and date, sailana state Sailana raj divided by lozenge-shaped ornaments, edge plain, 5.03g/12h (Prid. 1037 [Sale, lot 191]; Stevens website SL 25; KM. 15). Extremely fine with a little original colour £100-£150 --- Provenance: Bt R. Weir (Unionville, ONT). Owner’s ticket and envelope, “Exceptional condition for this issue. Only one other comparable seen”. Sailana state was founded by Raja Jai Singh in 1715, with the city of that name being built in 1736. Following his death in 1757, the state was governed by a number of weak rulers, with much of the territory annexed by the Scinds of Gwalior. In 1819 the tribute payments to Gwalior were reduced to a third of the state’s revenue; later the tribute was paid directly to the British administration to support troops in the region. Jaswant Singh II (1864-1919), who succeeded his adopted father, Dule Singh (c. 1838-95) in October 1895, proved to be a reforming ruler, working with the British to overcome poverty, corruption and famine
Lot 1017
The Uniform Coinage of India, East India Company, Victoria, copper Quarter-Annas (3), 1857, type A/I, by R. Heaton & Sons (Birmingham), arms and supporters, ausp : reg : & sen : ang : on riband, date above in line with ribbon, rev. one quarter anna, yek pai within wreath with single leaf tips at top, east india company around, edge plain, 6.61g/6h (Prid. 151 [Sale, lot 48]; SW 3.74; KM. 463.1; cf. Fore III, 2167); 1858 [1859-62] (2), both type A/II, by R. Heaton & Sons (Birmingham), similar, but wreath with double leaf tips, edges plain, 6.52g/6h, 6.47g/6h (Prid. 154 [Sale, lot 48]; SW 3.80; KM. 463.2) [3]. First good very fine, others extremely fine and better, second with diffused original colour £70-£90 --- Provenance: Sir John Wheeler Collection, Baldwin Auction 22 (London), 2 May 2000, lot 232 (part), first recte Prid. 151, second recté Prid. 154. Owner’s envelopes
Lot 1068
An extremely rare 1861 silver Pattern set, Royal Mint The Uniform Coinage of India, British Imperial Period, Victoria, original silver Pattern set, 1861, Royal Mint, London, by L.C. Wyon, comprising Rupee, type A/I, normal younger crowned and robed bust left, victoria queen, l.c. wyon below truncation, single line curves in Queen’s crown, rev. one rupee above india and date, all within scroll-like wreath of Indian flora, top flower emerging from three prongs, edge plain, 11.30g/6h (Prid. 49 [Sale, lot 104]; SW 4.31; KM. Pn42; cf. Fore II, 804; cf. Sincona 75, 400); Half-Rupee, 1861, type A/I, similar, no signature, no pearls adjacent to centre jewel, rev. half rupee above india and date, last numeral of date close to 6, edge plain, 5.68g/12h (Prid. 250 [Sale, lot 138]; SW 4.114; KM. Pn40; cf. Fore II, 782; cf. Sincona 75, 401); Quarter-Rupee, 1861, similar, no signature, rev. 1/4 rupee above india and date, edge plain, 2.79g/12h (Prid. 371 [not in Sale]; SW 4.127; KM. Pn37; cf. Fore II, 779; cf. Sincona 75, 402); 2 Annas, 1861, similar, no signature, rev. two annas above india and date, edge plain, 1.36g/12h (Prid. 481 [Sale, lot 155]; SW 4.139; KM. Pn35; cf. Fore II, 774; cf. Sincona 75, 403) [4]. Light hairlines in obverse fields, otherwise virtually as struck and attractively toned, extremely rare £15,000-£20,000 --- Provenance: Bt R. Weir (Unionville, ONT), envelopes. Owner’s envelopes
Lot 1636
The Uniform Coinage of India, British Imperial Period: Princely States, DEWAS, Junior Branch, Victoria [Narayan Rao (1864-92)], original copper Proof Twelfth-Anna, 1888, Calcutta, crowned and robed bust left, victoria empress, 4 panels in jabot, inverted v on bodice, rev. 1/12 anna dewas state j.b. india and date, all within scroll-like wreath of Indian flora, edge plain, 2.09g/12h (Prid. 1024 [Sale, lot 189]; Stevens website DJ 16; KM. 1; cf. Baldwin 71, 1561). Brilliant FDC, extremely rare as an original Proof £1,000-£1,500 --- Provenance: Bt R. Weir (Unionville, ONT) September 1997. Owner’s ticket and envelope
Lot 1356
The Uniform Coinage of India, British Imperial Period, Victoria, silver Quarter-Rupee, 1882, type A/II, Bombay, crowned and robed bust left, victoria empress, flower at right of lowest jabot, inverted v on bodice at centre, rev. 1/4 rupee above india and date, all within scroll-like wreath of Indian flora, pellet below date, tip of wreath to right of top flower spiky, edge grained, 2.94g/12h (Prid. 412 [Sale, lot 150, this coin]; SW 6.266; KM. 490). Scratch through second i of victoria, otherwise practically mint state, attractively toned, very rare £240-£300 --- Provenance: F. Pridmore Collection, Part III, Glendining Auction (London), 17 October 1983, lot 150 (part), ticket Bt R. Weir (Unionville, ONT) September 1997, envelope
Lot 1446
The Uniform Coinage of India, British Imperial Period, Victoria, copper Half-Anna, 1875, Calcutta, crowned and robed bust left, victoria queen, one large flower in lowest panel of jabot, rev. half anna above india and date, all within scroll-like wreath of Indian flora, leaf under centre of date, edge plain, 12.99g/12h (Prid. 583 [Sale, lot 160]; SW 5.45; KM. 468; cf. Fore III, 2192). Obverse about extremely fine, reverse extremely fine, patinated, very rare £800-£1,000 --- Provenance: J.H. Remick (Quebec City, QUE) Collection Bt R. Weir (Unionville, ONT), envelope. Owner’s envelope, “Randy, ‘some red, one of the finest I’ve seen of this type’ “. It is a matter of some regret to present-day numismatists that, apart from a few coins, mostly Victorian mohurs sold in October 2006 (Spink 184, lots 372-98), there is now no record of the extent of the late Jerry Remick’s collection of Indian coins, which must have been extensive
Lot 1361
The Uniform Coinage of India, British Imperial Period, Victoria, silver Quarter-Rupee, 1885b, type B/I, Bombay, crowned and robed bust left, victoria empress, flower at centre of lowest jabot, partial inverted v on bodice at centre, rev. 1/4 rupee above india and date, all within scroll-like wreath of Indian flora, raised b at base of top flower, tip of wreath to right bud-like, edge grained, 2.92g/12h (Prid. 418 [Sale, lot 150, this coin]; SW 6.282a; KM. 490; cf. Fore III, 2264). Practically mint state £150-£200 --- Provenance: F. Pridmore Collection, Part III, Glendining Auction (London), 17 October 1983, lot 150 (part), ticket Bt R. Weir (Unionville, ONT), envelope
![The Uniform Coinage of India, East India Company, Victoria, original copper Proof Quarter-Anna, 1858 [1859-62], by R. Heaton](https://cdn.globalauctionplatform.com/0362c9b1-0785-48b7-b5ec-b18f00b7edb2/bd3026d5-3357-49fc-b978-b18f00bc6fe5/468x382.jpg)
Lot 1018
The Uniform Coinage of India, East India Company, Victoria, original copper Proof Quarter-Anna, 1858 [1859-62], by R. Heaton & Sons (Birmingham), arms and supporters, ausp : reg : & sen : ang : on riband, date above in line with ribbon, rev. yek pai one quarter anna within wreath with double leaf tips at top, east india company around, edge plain, 6.48g/6h (Prid. 155 [not in Sale]; SW 3.81; KM. 463.2; cf. Fore I, 173; cf. DNW 170, 439). Extremely fine, obverse with a hint of original colour, very rare [previously certified and graded PCGS PR 63 BN but incorrectly labelled as Pr. 157] £600-£800 --- Provenance: ‘Diana’ Collection, Baldwin Auction 54 (London), 6 May 2008, lot 305, recté Pr. 155, label. Owner’s ticket and incorrect PCGS label (392163.63)
Lot 1400
The Uniform Coinage of India, British Imperial Period, Victoria, silver 2 Annas, 1862, type II, Bombay, crowned and robed bust left, victoria queen, rev. two annas above india and date, all within scroll-like wreath of Indian flora, long side leaves at top, 15.8mm, edge plain, 1.46g/12h (Prid. 486 [Sale, lot 156]; SW 4.147; KM. 469). Practically mint state, even olive tone £80-£100 --- Provenance: Bt R. Weir (Unionville, ONT), envelope
Lot 1269
The Uniform Coinage of India, British Imperial Period, Victoria, silver Half-Rupee, 1893b, type A/I, Bombay, crowned and robed bust left, victoria empress, 4 panels in jabot, rev. half rupee above india and date, all within scroll-like wreath of Indian flora, top flower with curved spikes, incuse b at base, edge grained, 5.84g/12h (Prid. 303 [Sale, lot 142]; SW 6.220; KM. 491; cf. Fore III, 2327). Good extremely fine £200-£260 --- Provenance: Bt R. Weir (Unionville, ONT) February 1988. Owner’s envelope
Lot 1358
The Uniform Coinage of India, British Imperial Period, Victoria, silver Quarter-Rupee, 1883, type B/I, Bombay, crowned and robed bust left, victoria empress, flower at centre of lowest jabot, no v on bodice at centre, rev. 1/4 rupee above india and date, all within scroll-like wreath of Indian flora, pellet below date, tip of wreath to right of top flower bud-like, edge grained, 2.91g/12h (Prid. 415 [Sale, lot 150]; SW 6.271; KM. 490; cf. Fore III, 2262). Good extremely fine, toned, rare £240-£300 --- Provenance: Bt R. Weir (Unionville, ONT), envelope. Mintage 183,560
Lot 1544
The Uniform Coinage of India, British Imperial Period, Edward VII, bronze Twelfth-Annas (4), 1907 (2), Calcutta, uncrowned bust right, edward vii king & emperor, revs. 1/12 anna above india and date surrounded by serpentine wreath, edges plain, 1.66g/12h, 1.61g/12h (Prid. 823 [Sale, lot 176]; SW 7.223; KM. 498); 1908, Calcutta, similar, edge plain, 1.59g/12h (Prid. 824 [Sale, lot 176]; SW 7.225; KM. 498); 1910, Calcutta, similar, edge plain, 1.61g/12h (Prid. 826; SW 7.230; KM. 498) [4]. Third brilliant and virtually as struck, others extremely fine with much original colour £70-£90 --- Provenance: Third bt R. Weir (Unionville, ONT), envelope Fourth bt Baldwin (London), envelope. Two owner’s envelopes
Lot 1542
The Uniform Coinage of India, British Imperial Period, Edward VII, copper Twelfth-Annas (4), 1903, Calcutta, uncrowned bust right, edward vii king & emperor, rev. 1/12 anna above india and date surrounded by serpentine wreath, edge plain, 2.33g/12h (Prid. 818 [Sale, lot 176]; SW 7.208; KM. 497); 1904, Calcutta, similar, edge plain, 2.04g/12h (Prid. 819 [Sale, lot 176]; SW 7.210; KM. 497); 1905, Calcutta, similar, edge plain, 2.08g/12h (Prid. 820; SW 7.215; KM. 497); 1906, Calcutta, similar, edge plain, 2.12g/12h (Prid. 821 [Sale, lot 176]; SW 7.219; KM. 497) [4]. Third brilliant and virtually as struck, second extremely fine with original colour, others very fine and better £70-£90 --- Provenance: Second and fourth Sir John Wheeler Collection, Baldwin Auction 22 (London), 2 May 2000, lot 313 (part); bt R. Weir (Unionville, ONT), envelopes. Two owner’s envelopes
Lot 1562
The Uniform Coinage of India, British Imperial Period, George V, cupro-nickel scalloped octagonal 4 Annas, 1920, Bombay, crowned and robed bust left, elephant on decoration, george v king emperor, india and date below, rev. 4 annas within double-lined rectangle, chaar aane nÄlugu anÄlu Äá¹ha anna cÄra ÄnÄ around, pellet below, edge plain, 6.73g/12h (Prid. 878 [Sale, lot 181]; SW 8.188; KM. 519; cf. Fore III, 2280). Brilliant mint state £150-£200 --- Provenance: Bt R. Weir (Unionville, ONT) February 1988. Owner’s envelope, “Rare this nice”
Lot 1647
The Uniform Coinage of India, British Imperial Period: Patterns, Edward VII, original cupro-nickel Pattern Half-Anna, 1908, Calcutta, on a scalloped blank, unsigned, crowned bust right, no initials below truncation, edward vii king & emperor, rev. india above large 1/2 dividing anna, date below, all within decorative quatrefoil, nim ana and adha ana in lower angles, edge plain, 17.8mm, 2.20g/12h (Prid. 1073 [Sale, lot 217]; SW 7.154; KM. Pn96; cf. Fore II, 750; cf. Noonans 249, 501). Brilliant mint state, extremely rare £3,000-£4,000 --- Provenance: Bt R. Weir (Unionville, ONT), envelope. XRF analysis shows the metal content as 76% copper, 23% nickel. Encouraged by the favourable reception given to the new cupro-nickel annas in 1907, the government proceeded to plan for an issue of comparable half-annas, a denomination which had not been struck in any great quantities since the late 1870s. To this end, a few patterns were struck in 1908. Consultation with local authorities, however, led to a decision not to proceed until the population had become thoroughly familiar with the new annas, and the subsequent death of the monarch led to the initiative being quietly dropped
![The Uniform Coinage of India, British Imperial Period, Victoria, silver Half-Rupee, 1862, type D/III [Prid. B/II], Bombay or](https://cdn.globalauctionplatform.com/0362c9b1-0785-48b7-b5ec-b18f00b7edb2/a9b91210-0742-4d39-ba64-b18f00bb7f61/468x382.jpg)
Lot 1238
The Uniform Coinage of India, British Imperial Period, Victoria, silver Half-Rupee, 1862, type D/III [Prid. B/II], Bombay or Madras, crowned and robed bust left, victoria queen, 4.75 panels in jabot, no v on bodice, normal embroidery, rev. half rupee above india and date, all within scroll-like wreath of Indian flora, top flower with points up, sloping top to 1 of date, clear cones adjacent to first and last date figures, edge grained, 5.85g/12h (Prid. 258 var. [Sale, lot 139]; Stevens website 4.125A; KM. 472; cf. Fore III, 2294). Trifling bagmarks, otherwise brilliant mint state, full mint bloom £180-£220 --- Provenance: Bt R. Weir (Unionville, ONT), envelope
Lot 1359
The Uniform Coinage of India, British Imperial Period, Victoria, silver Quarter-Rupee, 1884b, type B/I, Bombay, crowned and robed bust left, victoria empress, flower at centre of lowest jabot, partial inverted v on bodice at centre, rev. 1/4 rupee above india and date, all within scroll-like wreath of Indian flora, raised b at base of top flower, tip of wreath to right bud-like, edge grained, 2.90g/12h (Prid. 416 [Sale, lot 150, this coin]; SW 6.275; KM. 490; cf. Fore III, 2263). Tiny metal fault in field behind Queen’s head, otherwise practically mint state, attractively toned £200-£300 --- Provenance: F. Pridmore Collection, Part III, Glendining Auction (London), 17 October 1983, lot 150 (part), ticket Bt R. Weir (Unionville, ONT), envelope
Lot 1536
The Uniform Coinage of India, British Imperial Period, Victoria, copper Twelfth-Annas (2), type A, 1877, Calcutta, crowned and robed bust left, victoria empress, 4 panels in jabot, rev. 1/12 anna above india and date surrounded by serpentine wreath of vine leaves, edge plain, 2.18g/12h (Prid. 786 [Sale, lot 175]; SW 6.610; KM. 483); type A, 1878, Calcutta, similar, edge plain, 2.28g/12h (Prid. 787 [Sale, lot 175]; SW 6.614; KM. 483) [2]. First very fine, second extremely fine with original colour £70-£90 --- Provenance: Sir John Wheeler Collection, Baldwin Auction 22 (London), 2 May 2000, lot 313 (part) Bt R. Weir (Unionville, ONT), envelopes
Lot 1546
The Uniform Coinage of India, British Imperial Period, Edward VII, original Proof Twelfth-Anna, 1909, Calcutta, in aluminium, uncrowned bust right, edward vii king & emperor, rev. 1/12 anna above india and date surrounded by serpentine wreath, edge plain, 0.54g/12h (Prid. p.197 [not in Sale]; SW 7.229; KM. 498a; cf. Fore II, 727). Light hairlines, otherwise good extremely fine, extremely rare £1,000-£1,500 --- Provenance: ‘Diana’ Collection, Baldwin Auction 54, 6 May 2008, lot 238 [from R. Weir (Unionville, ONT) November 1991], two tickets and label. Owner’s ticket and envelope
Lot 1545
The Uniform Coinage of India, British Imperial Period, Edward VII, original bronze Proof Twelfth-Anna, 1907, Calcutta, uncrowned bust right, edward vii king & emperor, rev. 1/12 anna above india and date surrounded by serpentine wreath, edge plain, 1.78g/12h (Prid. p.196 [not in Sale]; SW 7.224; KM. 498; cf. Fore I, 48). Partially toned, considerable underlying brilliance, very rare £500-£700 --- Provenance: Sir John Wheeler Collection, Baldwin Auction 22 (London), 2 May 2000, lot 313 (part) Bt R. Weir (Unionville, ONT), envelope
Lot 1534
The Uniform Coinage of India, British Imperial Period, Victoria, copper Twelfth-Annas (2), 1862, type A/II, Madras, crowned and robed bust left, victoria queen, 4.25 panels in jabot, rev. 1/12 anna above india and date surrounded by serpentine wreath of vine leaves, five small leaves in wreath, edge plain, 17.7mm, 2.10g/12h (Prid. 781 [Sale, lot 175]; SW 4.190; KM. 465); 1862, type A/II, Bombay, similar, edge plain, 17.9mm, 2.19g/12h (Prid. 782 [Sale, lot 175]; SW 4.189; KM. 465) [2]. First good fine, second good very fine and patinated £20-£30 --- Provenance: Second Sir John Wheeler Collection, Baldwin Auction 22 (London), 2 May 2000, lot 313 (part), recté Prid. 782; bt R. Weir (Unionville, ONT), envelope. One owner’s envelope
Lot 1537
The Uniform Coinage of India, British Imperial Period, Victoria, copper Twelfth-Annas (3), type A, 1882, Calcutta, crowned and robed bust left, victoria empress, 4 panels in jabot, rev. 1/12 anna above india and date surrounded by serpentine wreath of vine leaves, edge plain, 2.31g/12h (Prid. 788 [Sale, lot 175]; SW 6.617; KM. 483); type A, 1885, Calcutta, similar, edge plain, 2.19g/12h (Prid. 790 [Sale, lot 175]; SW 6.623; KM. 483); type A, 1886c, Calcutta, similar, but c on lowest inner circle bead, edge plain, 2.25g/12h (Prid. 791 [Sale, lot 175]; SW 6.624; KM. 483) [3]. Last extremely fine with original colour, others very fine £70-£90 --- Provenance: First Sir John Wheeler Collection, Baldwin Auction 22 (London), 2 May 2000, lot 313 (part); bt R. Weir (Unionville, ONT), envelope. Two owner’s envelopes
Lot 1421
The Uniform Coinage of India, British Imperial Period, Victoria, silver 2 Annas (2), 1885b, type A/I, Bombay, crowned and robed bust left, victoria empress, 4 panels in jabot, inverted v on bodice at centre, rev. two annas above india and date, all within scroll-like wreath of Indian flora, raised b at base of top flower, long side leaves at top, edge plain, 1.44g/12h (Prid. 537 [Sale, lot 158]; SW 6.388; KM. 488); 1886b, type C/II, Bombay, similar, but 3.5 panels in jabot, no v on bodice, incuse b at base of top flower, short side leaves at top, edge plain, 1.46g/12h (Prid. 539 [Sale, lot 158]; SW 6.391; KM. 488) [2]. First fine, second extremely fine and toned £70-£90 --- Provenance: Second bt R. Weir (Unionville, ONT), envelope. Owner’s envelopes
Lot 1509
The Uniform Coinage of India, British Imperial Period, Victoria, original copper Proof Half-Pice, 1896, Calcutta, crowned and robed bust left, victoria empress, rev. 1/2 pice above india and date surrounded by serpentine wreath of vine leaves, edge plain, 3.15g/12h (Prid. p.196 [not in Sale]; SW 6.588; KM. 484; cf. Fore I, 115). Trifling spots in vine leaves between 2 and 4 o’clock, otherwise good extremely fine, sharp rims, very rare £400-£600 --- Provenance: Bt R. Weir (Unionville, ONT), ticket
Lot 1362
The Uniform Coinage of India, British Imperial Period, Victoria, silver Quarter-Rupee, 1886b, type C/II, Bombay, crowned and robed bust left, victoria empress, flower at left of lowest jabot, no v on bodice at centre, rev. 1/4 rupee above india and date, all within scroll-like wreath of Indian flora, raised b at base of top flower, tip of wreath to right of top flower spiky, edge grained, 2.89g/12h (Prid. 419 [Sale, lot 150, this coin]; SW 6.285; KM. 490; cf. Fore III, 2265). Some spotting, otherwise extremely fine and toned, the bust well-defined, rare £100-£150 --- Provenance: F. Pridmore Collection, Part III, Glendining Auction (London), 17 October 1983, lot 150 (part), ticket Bt R. Weir (Unionville, ONT), envelope
Lot 1603
The Uniform Coinage of India, British Imperial Period, George V, cupro-nickel Annas (2), both 1936, Bombay, crowned bust left, george v king emperor, revs. india above 1 anna and date within decorative diamond, bead below date, eka annÄ oru annÄ eka ÄnÄ oka ÄnÄ in angles, edges plain, 3.90g/12h, 3.89g/12h (Prid. 958 [Sale, lot 183]; SW 8.331; KM. 513) [2]. Brilliant mint state £40-£50 --- Provenance: First bt R. Weir (Unionville, ONT) Second bt S. Semans (Cleveland, OH). Owner’s tickets
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