EARLY TWENTIETH CENTURY AFRICAN CARVED HARDWOOD NARROW STOOL CARVED WITH THE NAME ?ROBERT GRAY, DUALA?, the traditional shaped seat with central old gold plush pad, above the carved front with the name and the back with a snake and mongoose?, raised on a removable base, 19? (48.2cm) high, 22? x 9 ½? (55.9cm x 24.1cm) Footnote: DOULA, rather than DUALA is the chief port in Cameroon C/R- seat worn, the removable, stained fruitwood base is probably later, minor splits to the carving, otherwise good
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EDWARDIAN LINE INLAID AND FIGURED MAHOGANY CYLINDER BUREAU, the moulded oblong top with short back, set above three short drawers and quarter cut cylinder front, enclosing two short drawers, pigeon holes and slide-out gilt tooled green leather writing surface, over a pair of short drawers, and raised on square, tapering legs with spade feet, the whole outlined in barbers pole and boxwood, 48 ¼? (122.5cm) high, 34 ¼? x 20 ¾? (87cm x 52.7cm) C/R-minor fading and light wear to the top and the cylinder, otherwise good
VICTORIAN LINE INLAID AND FIGURED WALNUT MUSIC CANTERBURY, of typical form with three divisions and turned supports to the open top, set over a single drawer, fitted with turned wood knobs, and raised on short, turned supports with brass castors, outlined ad decorated in boxwood, 22? (56cm) high, 22? x 15 ½? (56cm x 39.4cm) C/R-faded, minor losses to the veneer, mainly to the corners, otherwise good
GEORGE III MAHOGANY LARGE BUREAU, of typical form, the interior well fitted with short drawers and pigeon holes enclosing a central floral inlaid door and pair of secret, deep drawers, set over two short and three long, graduated drawers, each cockbeaded and fitted with brass swan neck handles, raised on ogee bracket feet, 43 ¼? (110cm) high, 45 ¾? x 22? (116.2cm x 56cm) C/R- the carcass has additional strips added around the fall and with fixing nails/ nail holes visible, splits to the bracket feet, cockbeading missing to both of the fall rests, minor losses to the cockbeading on the drawers, fading to the front and fall, six back plates to the handles either replaced or damaged
EARLY NINETEENTH CENTURY FIGURED MAHOGANY TEA TABLE, the slightly bow fronted, fold over top enclosing a polished interior, set over a conforming frieze with single, cockbeaded drawer, and raised on slender turned legs, 29 ½? (75cm) high, 36? x 18? (91.4cm x 45.7cm) C/R-usual scratching an marks to the top, the interior with some scratching and ring marks, losses, heavy rubbing to the moulding to the bottom edge of the frieze and missing around the front and back right legs
NINETEENTH CENTURY GLAZED WALNUT MURAL DISPLAY CABINET, the moulded pagoda top with brass flame finial, above a conforming, glazed cupboard door, enclosing a red silk lined back and two fixed shelves to the interior, 39? (99cm) high, 31 ½? x 9? (80cm x 22.8cm) C/R- later lined interior glass replaced, light fading otherwise good
ARTS AND CRAFTS CARVED MAHOGANY AND STAINED FRUITWOOD OCCASIONAL/ NURSING CHAIR, the low back with radiating spindled and pierced scroll work, set above downswept arms with pierced scroll terminals and a broad, flat fronted stuff over seat, covered in floral fabric, and raised on turned and reeded front supports with gilt metal castors, 30? (76.2cm) high, 27? (68.6cm) C/R- upholstery and cover heavily worn, two spindled replaced to the back, splits to the pierced scroll work on the back, back right lag repaired and with screw head visible, right arm loose at the joint with the seat
EARLY NINETEENTH CENTURY MAHOGANY BERGERE EASY ARMCHAIR, the square, moulded show wood frame with elbow pads and turned terminals to the flat arms, enclosing loose red cushions to the single caned sides, back and seat, and raised on turned front legs with brass castors, 40 ½? (103cm) high, the seat 21 ½? (54.6cm) wide C/R- the canework appears intact, the seat slightly mis-shaped and the back with damp/ white spots, the left and right arms both re-glued in places, losses to the veneer to the seat rails and two nails to the front left leg in-line with the seat rail, both sides with a row of tack holes to the inner edge of the seat rails, the back of the uprights with fillets and filler let in to hide the cane holes and then touched in, noticeable
VICTORIAN MAHOGANY ROCKING CHAIR, the moulded show wood frame with buttoned, padded back and serpentine fronted seat, enclosed by downswept arms with scroll terminals and raised on turned front supports and square section rockers, together with an ASSOCIATED STAINED BEECH OBLONG FOOTSTOOL, with acanthus capped cabriole supports with claw and ball feet, upholstered to match, (2) C/R-both re polished and recently re upholstered, the rocking chair with tack holes visible to the back, down the inner edge of both uprights and across the upper edge of the seat rail
FIGURED MAHOGANY MUSIC STAND, the solid, rounded oblong holder with gilt metal fittings, raised on a turned and slightly tapering column with downswept tripod supports, 42 ½? (108cm) high C/R- the base is later, the adjustable metal fitting lacks a collar to lock the height and the holder has been re polished
QUEEN ANNE PERIOD, PROBABLY BLACK WALNUT (juglans nigra) SINGLE DINING CHAIR with rounded uprights and vase shape splat, cartouche shaped drop-in seat, standing on cabriole forelegs ending in pad feet and rounded and out-swept rear legs united by a turned 'X' stretcher joining the rear legs C/R some replaced veneer to the seat rail, one spliced and repaired rear leg
VICTORIAN BLACK LACQUERED, GILT PAINTED AND MOTHER OF PEARL INLAID TILT TOP OCCASIONAL TABLE, the circular top set for chess and with floral motifs to the border, set above a slender baluster column and raised on a concave tri-form base with bun feet, 27 ¼? (69.2m) high, 16 ¼? (41.3cm) diameter C/R-to and base probably matched, if not then the block joining the top to the base is later and has not been lacquered, the top with crazing and some rubbing and scratching to the gilt
VICTORIAN BLACK LACQUERED, GILT PAINTED AND MOTHER OF PEARL INLAID SPOON BACK OCCASIONAL CHAIR, the downswept arms enclosing a padded back and drop in seat, covered in pink plush and raised on cabriole front legs C/R-the front with minor crazing and rubbing, mainly to the gilt, recently re upholstered
VICTORIAN BLACK LACQUERED, GILT PAINTED AND MOTHER OF PEARL INLAID BEDROOM CHAIR, the open waisted back above a bow fronted caned seat and raised on turned and splayed front legs, tied by a conforming stretcher C/R-seat joints beginning to open, rubbing to the gilt, touched in in places, possibly hiding repairs?
MODERN EIGHTEENTH CENTURY STYLE CROSSBANDED AND BURR WALNUT TALLBOY CHEST, the moulded top above two short and three long, graduated drawers, all cockbeaded and fitted with brass swan neck handles with shaped back plates, the slightly advanced lower section with two deep drawers and bracket feet, 59? (150cm) high, 32? x 19? (81.3cm x 48.2cm) C/R- light wear, otherwise good
PROBABLY BEVAN FUNNELL, MODERN REPRODUCTION CARVED ELM WELSH DRESSER, the panelled plate rack with three shelves and fret cut frieze, the advanced lower section with three moulded drawers, fitted with turned wood knobs and set above three panelled cupboard doors, each with butterfly hinges and stylised, scroll carved panels to the top, and raised on extended stile supports, 74? (188cm) high, 60? x 19 ½? (152.5cm x 49.5cm) C/R- loss/ hole to the bottom right corner of the plate rack, 2 splits to the left side and 1 to the right, all near the back, light wear and marks, mainly to the top
PAKISTAN 'BOKHARA' SMALL RUG with a single row of seven guls, on a wine red field, repeat pattern principal border with guard stripes, 3ft1in x 2ft1in (91 x 63.5cm) c/r good; a SIMILAR BUT LARGER RUG with a single row of eight guls on a pink field, 3ft10in x 2ft8in (117 x 82cm) c/r over casting to the sides is worn (2)
BELGIUM MACHINE WOVEN TAPESTRY SMALL CARPET OF PERSIAN STYLE, with two large oval floral medallions on a brick red field with scattered sprays, floral meander irregular border, 8ft6in x 4ft3in (260 x 130cm) c/r good and a CASA PUPO STYLE WOVEN WOOL BORDERED RUG with floral pattern, with knotted fringe to all four sides, 3ft4in x 2ft1in (102 x 63.5cm) c/r good (2)
LATE NINETEENTH CENTURY FRENCH COMTOISE WALL CLOCK SIGNED DAVIGNON A SANCERRE, the 9? enamelled Roman dial powered by a weight driven twin train movement, striking on a top bell and housed in a tin case with arch topped, embossed brass front, 16? (40.6cm) high, supplied with weights and winding key C/R- the dial with several hairline cracks, chips to the winding holes, the left one missing the brass surround, chip to the dot marker above the number 11, the top repaired and with solder visible to to the shoe and the knee of the kneeling man to the the left, no pendulum
EIGHTEENTH CENTURY PENWORK AND MAHOGANY CROSSBANDED OAK LONGCASE CLOCK SIGNED THO(MA)S BENBOW, NORTHWOOD, the 12? painted dial with subsidiary seconds dial, date aperture and floral spandrels, very faintly signed, powered by an eight day movement, striking on a bell and housed in a flat topped case with brass eagle and ball finials and free standing stop fluted columns to the fore corners, set over a long trunk door with shaped top, flanked by conforming columns, and raised on a panelled base with stop fluted and chamfered fore corners and bracket feet, 82? (208cm) high C/R-dial bent to lower left corner and with heavy rubbing and crazing, numbers and signature very faint, splits to the base, to the front panel and left side, usual losses to the moulding, finials loose
TWENTIETH CENTURY OAK GRANDMOTHER LONGCASE CLOCK, the 8? brass Roman dial with mask spandrels and ?Tempus Fugit? inscribed circular plaque to the arch, powered by an eight day spring driven movement, striking on eight rods, and housed in an arch top case with floral pierced side sound frets and barley twist columns to the fore corners, set over a long trunk door with beaded lozenge shaped moulding, and raised on a conforming base, 67? (170cm) high C/R-minor pitting and tarnishing to the dial, the right sound fret with holes to the fabric, light rubbing and wear to the polish, otherwise
VICTORIAN PRESENTATION BLACK SLATE LARGE MANTLE CLOCK, the 5? white Roman two part dial with visible brocot escapement, powered by an eight day spring driven movement, striking on a gong, and housed in an architectural case with brass finials, four free standing, fluted columns and gilt metal frieze type panels embossed with birds perched on fruiting branches, the plinth base applied with a presentation white metal plaque, 15 ½? (39.4cm) high C/R-dial with two cracks around the number 2, usual tarnishing and rubbing to the metalware, chips to both back edges of the base
GUSTAV BECKER, LATE NINETEENTH/ EARLY TWENTIETH CENTURY WALNUT VIENNA WALL CLOCK, the 8? two part Roman dial with subsidiary seconds dial to the centre, powered by a twin weight driven movement with exposed ebonised pendulum with large brass cased bob, housed in a typical case with finials and split turnings to the architectural pediment and shaped foot with split turned finial, 49 ½? (125.7cm) drop C/R- subsidiary dial hand missing, light wear, otherwise good
TWENTIETH CENTURY WALNUT AND EBONISED VIENNA STYLE WALL CLOCK WITH SPRING DRIVEN MOVEMENT, the two part 5 ½? enamelled Roman dial set above a visible grid iron pendulum and housed in a typical case with split turnings and finial to the cresting and shaped foot with split turned finial, 38 ½? (97.8cm) drop C/R- wooden cresting mount broken, area of restoration to the veneer on the arched panel above the dial, usual light rubbing and wear otherwise good
VICTORIAN ROSEWOOD AND MOTHER OF PEARL INLAID SEWING BOX, of typical form, the exterior with pin lock shallow, fitted and lined drawer to the right side and inlaid to the top with fret cut and pierced floral cartouche and spandrels, the front with octagonal escutcheon within double borders, the interior with fitted lift-out tray and compartmented rear section, 6 ½? (16.5cm) high, 12 ½? x 9 ½? (31.7cm x 24.1cm) C/R- escutcheon later cut, not quite even, losses to the veneer to the back at the bottom and with section of filler to the middle, losses to the veneer above the side drawer, the top with slight rippling to the veneer and minor loss to the banding in the top left corner, filled and touched in, the interior with tears and losses to the blue fabric lining to the cover, the lift-out tray lacking cover to the central pink plush lined compartment and the dividers to the back section are loose but appear to fit well, wear and staining to the blue plush lining of the side drawer
LATE VICTORIAN FIGURED WALNUT AND TUNBRIDGE BANDED SEWING BOX, of oblong form, the hinged cover with central, oblong brass cartouche, scratch engraved with initials, the interior with lift-out tray, 5 ½? (14cm) high, 11 ¾? x 9? (29.7cm x 22.8cm) C/R- escutcheon missing, veneer split to the top of the left side section to the front-below, left of the key hole with filler and staining appears darker, the interior lacking fitments to the lift out tray and with split to the base and tears and losses to the paper lined interior, the olde gold padded silk pad to the underside of the lid appears slightly grubby
EARLY NINETEENTH CENTURY ROSEWOOD AND BRASS INLAID LARGE PORTABLE WRITING SLOPE, of typical form, the interior with purple plush lined writing surface and three small drawers behind the secret panel, 7? (17.7cm) high, 20? x 10 ½? (50.8cm x 26.7cm), together with a CROSSBANDED WALNUT TABLE CIGARETTE BOX, with lift out tray, (2) C/R- all the fret cut brass inlay is missing to the top and front and with some losses to the related veneer, left side with two large pieces of veneer missing, the interior with heavy wear and tears/rips to the purple plush, the secret panel does not fit, slightly too large, possibly matched, both inkwells missing and one catch to the bottom of the writing surface incomplete, the other missing, he cigarette box with light wear and rubbing, the later patterned paper lined interior beginning to peel at the edges, otherwise good
EARLY TWENTIETH CENTURY BLACK LACQUERED AND PENWORK DECORATED JEWELLERY BOX, of typical form the exterior well decorated with birds perched on leafy branches, initialled K.S.E. and dated 1933, the lid with oval cartouche depicting deer and foliate scroll work, the interior with a watch holder to the blonde wood and green silk lined lift-out tray, 4? (10.2cm) high, 8 ¼? x 5 ¼? (21cm x 13.3cm) C/R- the exterior with crazing to the lacquer and light rubbing to the designs, the S to the initials appears bright, possibly later or re-touched? The interior with staining to the green silk, mainly to the lid, otherwise good
ART DECO OAK SMOKER?S CABINET, the lift up cover above a glazed door overlaid with a ?rising sun? fret cut panel, enclosing an interior with black pottery mixing jar and cover and six pipe rack above a single drawer, the front and top outlined in two toned crossbanding 10 ¼? (26cm) high, 9 ½? x 7 ½? (24.1cm x 19cm), supplied with three pipes including a ?Cool & Sweet, Real Briar? C/R- door does not shut quite flush, slight spring, the mixing jar with crazing and small chip to the internal rim with related small hairline, usual light wear, otherwise good
NINETEENTH CENTURY BRASS FOOTMAN, of typical form with stylised floral pierced centres to the top and undertier, and cabriole front legs, 14” (35.6cm) high, 12 ½” x 14” (31.7cm x 35.6cm) C/R- three raised screw heads missing to the corners on the top but still with threaded section in the holes, resulting in the front left corner being loose, usual light rubbing and tarnishing
ANTIQUE SEAMED COPPER KETTLE, with acorn knop to the cover, 12? (30.5cm) high, together with an ANTIQUE COPPER AND BRASS BED WARMING PAN, with engraved cover and turned blonde wood long handle, (2) C/R- kettle heavily knocked and dented, the bed warming pan with heavy rubbing to the cover, dents and knocks to the base and minor chips, splits and rubbing to the handle
ARTS AND CRAFTS PLANISHED COPPER OBLONG SHALLOW TRAY, 16? x 12? (40.6cm x 30.5cm), together with a SMALL HUNTING HORN, 9? (22.8cm) long and FOUR SMALL PIECES OF COPPER, (6) C/R- tray slightly mis-shaped, otherwise good, the horn with electroplated mouth section and brass lower section, the other pieces with the usual light knocks, dents and wear
TWENTIETH CENTURY MURANO LATTICINO SIX LIGHT ELECTROLIER, in white gauze and twisted pink ribbon, heightened in gilt and comprising of an ornate three part column issuing six scroll arms with frilled sconces, interspaced by twelve matching upright and trailing flowerheads, 37? (94cm) drop, gilt metal fittings C/R-light rubbing to the gilt and very minor/ tiny chips and losses to the extremities
TWO INCOMPLETE TWENTIETH CENTURY MOULDED GLASS SIX LIGHT ELECTROLIERS, one in clear glass, with rings and drops to the scroll, interspaced with flowerheads and leaves and set beneath a conforming, smaller tier, 48? (122cm) drop, the other SIMILAR BUT SMALLER AND WORKED IN CLEAR, BLUE AND YELLOW GLASS, 19? (48.3cm) drop, incomplete, white metal fittings C/R- the larger missing an upright flower and a trailing leaf to the upper tier, the smaller with one tall and one trailing flowerhead missing, both with the usual very minor/ tiny chips and losses to the extremities
IMPRESSIVE, MODERN SEVENTEEN LIGHT ELECTROLIER, comprising of numerous shaped and gilt dusted glass drops suspended from twenty concentric rings, the top ring with in excess of one hundred glass drops and Islamic inspired pierced gilt border, 45? (114.3cm) high, 40? (101.5cm) diameter C/R- chips and losses to the glass drops
MODERN CHROME PLATED SIXTEEN LIGHT ELECTROLIER, the bag type base comprising of numerous prism cut orbicular glass drops suspended from nine concentric rings, set beneath a circular tier issuing further glass drops, 30? (76.2cm) drop C/R- one of the supporting arms to the base has broken which prevents the fitting being put together, several of the drops are loose and some with damaged fittings
SHIRAZ, PERSIAN GEOMETRICAL PRAYER RUG with three rows of white stencilled hexagonal medallions with pendants, white outlined rectangular mihrab, on a dark wine red field, patterned in dark blue and black, 3ft10in x 2ft5in (117 x 74cm) c/r the end webs holed and the fringes damaged at both ends; pile is good
PAIR OF MODERN HEAVY TURNED WOOD TABLE LAMPS, with gilt metal collars and bases, and parchment shades, 32? (81.3cm) high, (2) C/R- one has been taken apart and re-assembled and with glue visible to the joint between the collar and main body and to the top fitting that holds the shade, the base with wooden blocks added to allow space for the central threaded rod, not re-assembled correctly, both with minor scratching and tarnishing, both shades opening at the joint and with minor marks and creases
STYLISH COPPER AND BRASS OIL TABLE LAMP, of slender column form with leaf pattern collar, moulded circular base, copper reservoir, acid etched frosted glass shade with central pink band and chimney, 28? (71.1cm) high C/R- shade matched and badly cracked, minor knocks, dents and scratching to the metal work, otherwise good
ELECTROPLATED CORINTHIAN COLUMN OIL TABLE LAMP, of square form with captive lion mask ring handles to the steeped base, cut glass reservoir, frosted glass shade with etched stylised floral border, and chimney, 30? (76.2cm) high, Converted to Electricity C/R- the lamp leans, mounting holes to two sides of the base suggesting that originally there would have been four lion mask captive ring handles, usual tarnishing and rubbing to the metalware, the shade matched and with very minor/ tiny rim nibbles
TWO BRASS OIL TABLE LAMPS, one with embossed foot, engraved reservoir and frosted glass shade, 17 ½? (44.4cm) high, the other with embossed figural panels, pierced base and chimney, converted to electricity, 22? (56cm) high overall, and a PINK TINTED AND FROSTED GLASS SHADE, (3) C/R- shade badly cracked and re-glued, minor dents to the reservoir, the other good, the pink glass shade with rim chip
THREE SIMILAR, MODERN CAST BRASS ELECTRIC TABLE LAMP BASES, one of tapering form with leaf cast circular base, 14? (35.6cm) high, and a SMALLER PAIR with cut glass drops, 10 ¾? (27.3cm) high, (3) C/R-usual rubbing and minor tarnishing, one of the pair missing one of the drops, otherwise good
GEORGIAN FIGURED MAHOGANY AND EBONY LINE INLAID TOILET MIRROR, the oblong plate in a crossbanded frame, flanked by slender turned supports and raised on a flat fronted base with three flame cut drawers and bun feet, the whole outlined in ebony C/R-re polished, one finial re glued, minor losses to the ebony inlay to the drawers and mirror frame, minor lifting to the crossbanded veneer to the mirror frame and small losses to the square blocks above the feet, usual black marks to the top, no stop to the left drawer
MID/ LATE TWENTIETH CENTURY JACOBEAN STYLE OAK LARGE SIDEBOARD, the canopy back with a central pair of geometric moulded cupboard doors, flanked by a smaller, conforming pair, all fitted with brass drop handles and exposed copper fancy H hinges, and enclosed by turned finials to the fore corners, the advanced lower section with two central drawers, flanked by a pair of cupboard doors, and raised on turned supports, tied by conforming stretchers, 69? (175.3cm) high, 79? x 20 ¾? (200.7cm x 52.7cm) C/R- the top with light wear and scratching otherwise good

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297887 item(s)/page