A quantity of jewellery, to include a 9ct gold signet ring, with hand engraved shield shaped head to scrolling shoulders, Birmingham 1961, finger size S¼, a 9ct rose gold signet ring, with oval head to fluted shoulders, Birmingham 1905, finger size R, a gold onyx signet ring, marked 9ct, a marquise shaped openwork split pearl brooch, marked 9ct, a 9ct gold stick pin, a Victorian Aesthetic Movement sterling silver brooch, two sterling silver thimbles by Charles Horner, together with a quantity of silver and costumer jewellery to include bangles, brooches, necklaces, rings etc. Silver - 118.99g total, 9ct gold - 15.91g total
We found 297893 price guide item(s) matching your search
There are 297893 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
297893 item(s)/page
An original 1950s-1960s Corgi Toys Retailer's Floor-Standing Cabinet with Rotating Display, glazed top and front, constructed in metal with 7 (out of 20?) branded Corgi Toys trays on a rotating chain-driven mechanism, viewing to front and from above, 'Corgi Toys' transfer on one side, label on back reading 'In event of a breakdown to the Corgi Display please contact N & R Green, Solihull', height 900mm, width 610mm depth 600mm, G, not tested
An unusual silver plated spectacles case, rounded rectangular with foliate and grape vine decoration around a central cartouche, engraving reading 'Banbury Athletic' sports, won by R H Field 1870, 100 yards race, together with a pair of semi-circular engine turned silver napkin rings, Birmingham 1935
A collection of 8 x bottles of French red wine comprising of 2x 2000 Chateau Bagnols Saint-Emilion Grand Cru, 2x 2002 Domaine De Chamont Cabernet Sauvignon Merlot, 1x 2000 Chateau Du Paradis Saint-Emilion Grand Cru, 1x 1998 LaTour Du Pin Figeac Saint-Emilion Grand Cru, 1x 2000 Chateau R. Christopher Saint-Emilion Grand Cru and 1x 2000 Domaine De Telarie.
Circular, the shaped, hinged cover centred with a vacant circular cartouche, enclosing a fabric lined interior, raised on four pad feet, 7,5cm diameter,77g; and An Edwardian Silver Pill Box, Maker's Mark Rubbed, London, 1905, oval, the hinged engine-turned cover centred by an oval vacant cartouche, 11cm wide, 67g; and A Victorian Silver Pill Box, G E Walton and Co Ltd, Birmingham, 1898, the foliate embossed cover centred with a shield-shaped cartouche engraved with the initials R G, 4,4cm diameter, 22g
signed and dated 25.7.1996 mixed media on paper laid down on canvas Neo-Expressionism is a style of painting and sculpture that developed between late Modernism and early Postmodernism. Some scholars, in fact, believe Neo-Expressionism played a vital role in the transition between Modernism and Postmodernism in that Neo-Expressionism accepted and rejuvenated historical and mythological imagery, as opposed to late modernism’s tendency to reject storytelling completely. Though many artists have practiced and revived aspects of the original Expressionism movement, it would appear that only the Neo-Expressionists have had far-reaching success. Georg Baselitz was a leading component, instigating a revival that dominated German art in the 1970s. By the 1980s this resurgence had become part of an international return to the sensuousness of painting, and a broad step away from the stylistically cool, distant sparseness of Minimalism and Conceptualism. All over the world artists began turning towards expressive directions, creating works that affirmed the redemptive power of art in general and painting in particular, drawing upon a variety of themes including the mythological, cultural, historical, nationalist and erotic.A. R. Penck is one of many pseudonyms of Ralph Winkler, a German Neo-Expressionist fine artist and jazz drummer. Penck is best known for his paintings and sculptures characterized by simplified figures and forms, and neo-primitive symbols and patterns. These lend his work a graffiti like quality, as is evidenced in Colosseum, 1990. Living in communist East Berlin, Penck was unable to exhibit his works. This led him to smuggle his works out to West Berlin and Switzerland, where he received enough acclaim to provide him with some protection from the East German authorities, until he was able to escape and settle in London. This background explains why Penck’s style fuses spontaneous self-expression with restraint, and pop culture and art historical influences with political and social concerns.Of the key tenets of Neo-Expressionism was the depiction of subject matter in a brutish manner. The frequently large-scale works, typical of the movement, exhibited highly textural and expressive brushwork and intense colours that had been rejected by the immediately preceding art movements. We see these ideas developed in the following lots by Penck, Jüchser, Morgner, Uhlig, König and Gallasch, all proponents of the Neo-Expressionist movement.Artsy. “A. R. Penck.” Accessed: 17 December 2018. https://www.artsy.net/artist/ar-penck The Art Story. “Neo-Expressionism.” Accessed: 17 December 2018. https://www.theartstory.org/movement-neo-expressionism.htm
The hinged engine-turned case with a rectangular cartouche engraved with the initials R W W, 14,5cm wide, 196g; and A George V Silver Cigarette Case, J. Collyer Limited, Birmingham,1928, the hinged engine-turned case with a shield-shaped cartouche engraved with the initial R, tortoise-shell lined interior, 8,4cm wide, 61g; and An Elizabeth II Silver Cigarette Case, Harmon Brothers, Birmingham, 1952, the hinged engine-turned case with a vacant rectangular cartouche, 13cm wide, 144g (3)
An early 19th Century Austrian Noble's three-piece Gilt Silver Flatware Setting. Vienna, 1816. Fork, 7"; Knife and Spoon. 7 ½". Handle ends emblazoned with Crowned Arms with crowned Austrian shield at center, gules left, initials F - M - R on three bars right. Hallmarked on backs: ecclesiastical silver mark (taxfreistempel) - monogram TF, city and date silver mark, and Imperial eagle. Total: 3.3 oz.
Great Britain. 1907 Pattern Bayonet. By Wilkinson, June 1915. Wooden grip. Maker's mark, crowned GR, date 1907, 6 '15; and test mark, acceptance mark, and other marks at ricasso. Leather scabbard with metal fitting with almond-shaped stud. R W K F 13 on front of pommel. Light rust. Very Fine.
A good collection of fishing equipment including hardy R walker fly rod 9 ft 3 , Hardy R Walker farnborough fly rod 9 ft 3 , 2 hardy jet fly rods 9ft 3, 1 hardy 14 match rod, 1 billy lane match rod 12ft, Olympic match rod 12ft, 1 Abu Atlantic 11 1/2 foot sea rod, 1 normark sea rod, 1 intrepid fly reel with line, 1 intrepid fly reel with line, 1 daiwa fly reel with line, daiwa fly reels with line
Doctor Who & Sarah Jane Adventures - Character Options - action figures and sets, including two infrared Dalek drones 03584, R C Dalek 01901, two Eleventh Doctor's Crash sets 03412, Thirteenth Doctor adventure doll 06795, rare Sarah Janes electronic sonic lipstick (lid lacking), Star Poet with light up styand, two alien communicators and other items etc. carded and boxed (16)
Charles Frederick Tunnicliffe R.A. OBE (1901-1979), Porketts, signed, etching, 1927, edition size 75. Measurements 15 x 20cm (PL), framed measurements 38 x 41cm Note: Porketts appears in Meyrick R. & Heuser, H., 2017, Charles Tunnicliffe Prints: A Catalogue Raisonne, Royal Academy of Arts, London, number 42, page 73 Charles Frederick Tunnicliffe R.A. OBE (1901-1979) was an internationally celebrated wildlife artist. He was born in Macclesfield and spent much of his early life working on his family's farm before attending the Macclesfield School of Art, winning a scholarship to the Royal College of Art in London shortly after. Following the completion of his studies he relocated to Anglesea in 1947 where he remained for the rest of his life. His used a variety of mediums in his work inlcuding watercolour, etching, engraving and oil. Tunnicliffe is recognised for his accurate and naturalistic portrayal of animals and birds and the lively way he represented his subjects engaging with their surrounding habitats. He was a regular exhibitor with the Royal Academy, but released very few of his works for gallery sale, believing his art was best suited to private homes. He was well known as a book illustrator, particularly his work for Ladybird books, and he had a long relationship with the Royal Society for the Protection of Birds for whom he illustrated many magazine covers and who awarded him a Gold Medal for his service in 1978. Tunnicliffe rejected the modern urban art scene of his time in favour of immersing himself within the natural world, insisting upon painting studies direct from nature.
Charles Frederick Tunnicliffe R.A. OBE (1901-1979), The Spotted Sow, signed, etching, dated 1928, framed. Measurements 17.5 x 25cm (PL), framed measurements 40 x 46.3cm Note: The Spotted Sow appears in Meyrick R. & Heuser, H., 2017, Charles Tunnicliffe Prints: A Catalogue Raisonne, Royal Academy of Arts, London, number 52, page 92 Charles Frederick Tunnicliffe R.A. OBE (1901-1979) was an internationally celebrated wildlife artist. He was born in Macclesfield and spent much of his early life working on his family's farm before attending the Macclesfield School of Art, winning a scholarship to the Royal College of Art in London shortly after. Following the completion of his studies he relocated to Anglesea in 1947 where he remained for the rest of his life. His used a variety of mediums in his work inlcuding watercolour, etching, engraving and oil. Tunnicliffe is recognised for his accurate and naturalistic portrayal of animals and birds and the lively way he represented his subjects engaging with their surrounding habitats. He was a regular exhibitor with the Royal Academy, but released very few of his works for gallery sale, believing his art was best suited to private homes. He was well known as a book illustrator, particularly his work for Ladybird books, and he had a long relationship with the Royal Society for the Protection of Birds for whom he illustrated many magazine covers and who awarded him a Gold Medal for his service in 1978. Tunnicliffe rejected the modern urban art scene of his time in favour of immersing himself within the natural world, insisting upon painting studies direct from nature.
Peter R Tarrant (B.1943), Cow amongst undergrowth, signed lower right, mixed media. Measurements 53.5 x 36.5cm Peter Tarrant (b.1943) is a British artist from Morville, Shropshire. He studied at the Shrewsbury School of Art during the 1960s. He works with rich colours and texture, predominantly mixed media pieces on paper. Tarrant's compositions combine fantasy and realism, drawing his inspiration from his surroundings in rural Shropshire.
Peter R Tarrant (b.1943) British contemporary, Shire Horses, mixed media, signed bottom right, mounted and framed. Measurements 36.8 x 46cm (i), framed measurements 44.2 x 54.5cm Peter Tarrant (b.1943) is a British artist from Morville, Shropshire. He studied at the Shrewsbury School of Art during the 1960s. He works with rich colours and texture, predominantly mixed media pieces on paper. Tarrant's compositions combine fantasy and realism, drawing his inspiration from his surroundings in rural Shropshire.
Ca.100 AD. Superb wearable Roman bronze ring depicting beast in the central part of the bezel. Good Condition;D:18mm/L:25mmUK SIZE R; US SIZE 8; 4gr;Provenance: From an old British collection formed in the 1970s. All Items sold by Pax Romana Auctions come with a professional Certificate of Authenticity.
1986 BMW R80RT, 798 cc. Registration number D856 YLR. frame number 6472681. Engine number 6472681. BMW's first 'R80' model was the R80/7 introduced in 1977 as replacement for the 750cc R75/7. Like its predecessor, the R80/7 was powered by BMW's traditional air-cooled flat-twin engine coupled to low-maintenance shaft final drive transmission. Following the introduction of the R80G/S enduro bike in 1980, the R80 family was extended further by the R80ST and R80RT, the latter being a long-distance tourer equipped with the capacious fairing first seen on the R100RT. New for 1982, the R80RT was up-dated for 1984, gaining the wheels, forks and 'Monolever' single-sided swinging arm of the K-series. Engineered to BMW's customarily high standards, the revised R80RT was far from cheap and at £3,620 cost 50% more than Kawasaki's similarly shaft-driven Z750GT tourer. Essentially the RT was a slimmed down version of the 'bigger sister' R 100 RT. In principle, the smaller engine was simply installed in the frame of the R 100 RT. The differences to the R 100 RT were monochrome paint (without the typical black edges), the cylinder head cover was not painted, cylinder guard was only as optional extra, clock and voltmeter also only as an optional extra, case holder only as a special accessory, drum brake instead of disc brake on the rear wheel. YLR was supplied by Shocombes of London to Hogg Robinson Travel Ltd of Woking, being first registered on the 4th August 1986, the following year they sold it via D.B. Motors to Catherine Kitt of Swindon. She sold it to Charles Abell of Reading in the February of 1988 and he sold it to Ian Jackson of Basingstoke four months later. Jackson used it for some ten years, selling it to his ex wife's new husband, Richard Gomm in April 1998; could it have been a wedding gift?! At this time it had some 25,000 miles on the odometer. Gomm used it for some fifteen years, touring the UK, France and Spain. In March 2013 he sold it our vendor with a mileage of some 54,672 on the odometer. Today it stands at some 57,000 miles. It had a full service in 2014 at BMW at a mileage of 55,228 at a cost of £399.15. Sold with the V5C, V5, extensive MOT history, many service receipts, a pair of BMW panniers, Haynes manual , exhaust nut spanner, tool kit and a BMW Riders Handbook; it was ridden to the sale and the current MOT is until May 2020.
1963 Honda CZ100. 1963 Honda CZ 100 Monkey Bike, 49cc. Registration number 213 XBB (not transferable). Frame number 3746. Engine number C100 – 63379. The Honda Monkey bike is perhaps most widely known as a groovy icon of the 1970s, but it first saw the light of day in 1961. Originally developed as a 49cc child’s plaything for Tama Tech, an amusement park in Tokyo, it proved so popular that a road-going version was developed, which was initially exported to America and Europe in 1963, with a distinctive chrome tank, folding handlebars and 5-inch diameter rigidly-mounted wheels. The little 49cc overhead valve single cylinder engine and gearbox unit that was introduced with the C100 Cub in 1958 provided the power unit for a variety of ultra-lightweight machines produced by Honda. The C100 power unit was both refined and reliable requiring little in the way of maintenance and, with a three-speed gearbox with automatic clutch, made for a very usable package housed in a simple rigid frame. An ultra-short wheelbase, small wheels, a simple electrical system, a vestigial fuel tank and a thickly padded single seat providing adequate comfort for the short trips the machine was intended to undertake were all features of a machine which, in the case of the folding handlebar version, could fit into the boot of a car. Supported by an extensive dealer network the little machine quickly gained a healthy following being used as a tender to caravans and yachts, a leisure vehicle in its own right, used by both children and adults as a paddock bike, quickly becoming as much a part of the motorsport landscape as Bell Helmets, Castrol R and Heuer watches. The earliest machines are dated by their engine numbers, they have no speedo which in 1964 was inserted into the headlight unit, a white petrol tank, rigid 'suspension' at both ends and rolled edge mudguards. These early bikes were believed to have been hand-built at the Honda factory by selected apprentices using mechanical components from existing models, whilst everything else was bespoke made. There are very limited spare parts now available for these early bikes so they are notoriously difficult to restore, making this complete and original example highly collectable. 213 XBB was first registered on the 31st of December by the Cowie motorcycle dealers of Newcastle, Stockton, Durham and Sunderland at a purchase price of £67.15.5, to a gentleman from Hexham. From the engine number of 63379, 63 is the year and 379 being the number off the production line. In 2001 our vendor purchased it and has restored it with the original components, with the exception of a stainless steel exhaust and a new headlamp lens. Sold with theV5C, V5, 1974 tax disc, 1996 MOT and dating certificate. Our vendor rode it around our saleroom when he delivered it for sale, please note that the V5C states the frame number is the same as the engine whereas the frame is stamped 3746.
1946 Southern Railway (with the Great Western Railway) quad-royal POSTER 'Thames Valley' by Walter E Strawberry (1889-1969). A superb, colourful illustration of the upper reaches of the Thames. Has suffered losses at the top r/h and l/h corners, the main image being largely unaffected and the remainder of the poster is in very good condition. Previously folded. A rarely-seen poster. [1]
1946 London Underground double-royal POSTER MAP by H C Beck 'Underground Routes to and from the main-line stations'. An early post-war issue of a poster first issued during WW2 mainly for military personnel. Shows the subsequently-abandoned Northern Line extensions. Below the Beck map is an index showing travel details between main-line stations. Some foxing spots towards the top and bottom, scuffs, creases and short tears at the bottom edge, small label at the top r/h corner but still presents well. A most unusual issue. Previously folded. [1]
1937 Great Western Railway (GWR) quad-royal POSTER 'Cornwall' by Leonard Richmond (1889-1965). A colourful Cornish harbour scene. Edge-losses at the top r/h, a couple of short inward tears, minor edge-scuffs and creasing but overall a very good example of this rarely-seen poster. Previously folded. [1]

-
297893 item(s)/page